An illicit visit to the Grand Canyon reveals a vastness even more profound. A couple weekending in Maine try to recapture the ardor that has disappeared from their life together. And on a spring evening, a young wife tells her husband of her affair with the host of the dinner party they’re about to join. The rigorous intensity Ford brings to these vivid, unforgettable dramas marks this as his most powerfully arresting book to date–confirming the judgment of the New York Times Book Review that “nobody now writing looks more like an American classic.”

    Contents:· The Silken-Swift · nv F&SF Nov ’53 · The Professor’s Teddy-Bear · ss Weird Tales Mar ’48 · Bianca’s Hands · ss Argosy (UK) May ’47 · Saucer of Loneliness · ss Galaxy Feb ’53 · The World Well Lost · ss Universe Jun ’53 · It Wasn’t Syzygy [“The Deadly Ratio”] · nv Weird Tales Jan ’48 · The Music · vi * · Scars · ss Zane Grey’s Western Magazine May ’49 · Fluffy · ss Weird Tales Mar ’47 · The Sex Opposite · nv Fantastic Fll ’52 · Die, Maestro, Die! · nv Dime Detective Magazine May ’49 · Cellmate · ss Weird Tales Jan ’47 · A Way of Thinking · nv Amazing Oct/Nov ’53

    Munro) stands alongside Anton Chekhov and O Henry as a master of the short story. His extraordinary stories are a mixture of humorous satire, irony and the macabre, in which the stupidities and hypocrisy of conventional society are viciously pilloried. This collection includes Sredni Vastar and The Unrest Cure. 'We all know that Prime Ministers are wedded to the truth, but like other married couples they sometimes live apart'[Description from back cover]

    Some are less than a page long, others more substantial; all were unpublished in his lifetime. These matchless short works range from the gleeful miniature horror 'Little Fable' to the off-kilter humour of 'Investigations of a Dog', and from the elaborate waking nightmare of 'Building the Great Wall of China' to the creeping unease of 'The Burrow', where a nameless creature's labyrinthine hiding place turns into a trap of fear and paranoia.

    Nine stories: Profession; The Feeling of Power; The Dying Night; I'm in Marsport without Hilda; The Gentle Vultures; All the Troubles of the World; Spell my Name with an S; The Last Question (one of Asimov's most often requested stories); and The Ugly Little Boy (Asimov's own personal favorite).

    Whether David Rakoff's contrasting the elegance of one of the last flights of the supersonic Concorde with the good-times-and-chicken-wings populism of Hooters Air; working as a cabana boy at a South Beach hotel; or traveling to a private island off the coast of Belize to watch a soft-core video shoot where he is provided with his very own personal manservant rarely have greed, vanity, selfishness, and vapidity been so mercilessly skewered. Somewhere along the line, our healthy self-regard has exploded into obliterating narcissism; our manic getting and spending have now become celebrated as moral virtues. Simultaneously a Wildean satire and a plea for a little human decency, Don t Get Too Comfortable shows that far from being bobos in paradise, we are in a special circle of gilded-age hell.

    Ingeniously plotted, with richly drawn characters and Jeffrey Archer's trademark of deliciously unexpected conclusions, this new collection has the added bonus of thirteen charming illustrations by the internationally acclaimed artist Ronald Searle. Some of these twelve stories were inspired by the two years Jeffrey Archer spent in prison, including the story of a company chairman who tries to poison his wife while on a trip to St. Petersburg---with unexpected consequences. "The Red King" is a tale about a con man who discovers that an English lord requires one more chess piece to complete a set that would be worth a fortune. In another tale of deception, "The Commissioner," a Bombay con artist ends up in the morgue after he uses the police chief as bait in his latest scam. "The Perfect Murder" reveals how a convict manages to remove an old enemy while he's locked up in jail, and then set up two prison officers as his alibi. In "Charity Begins at Home," an accountant realizes he has achieved nothing in his life, and sets out to make a fortune before he retires. And then there is Archer's favorite, "In the Eye of the Beholder," in which a handsome star athlete falls in love with a three-hundred-pound woman . . . who happens to be the ninth-richest woman in Italy. Jeffrey Archer is the only author to have topped international bestseller lists with his fiction, nonfiction, and short stories. "Cat o'Nine Tales" is Archer at his best: witty, poignant, sad, surprising, and unforgettable.

    A rich and emotionally resonant collection of twelve stories of hope, momentary joy, and powerful endurance.

    Sentenced to probation and thrown out by his wife, he spends his week as a traveling salesman, and his weekends at his mother's house where no questions are asked--and no explanations are offered. To clear his record, the State of North Carolina requires Andy to complete one year of therapy without another arrest. He attends his sessions reluctantly at first, struggling to comprehend why he would risk everything. Answers don't come easily, especially in the face of his mother's sudden illness and his repeated failure to live as an openly gay man. But as Andy searches his past, he gets an opportunity to rescue another lost soul--and a chance at a future that is different in every way from the one he had envisioned.With profound honesty, sharp wit, and genuine heart, this debut novel portrays one man's search--for love and passion, acceptance and redemption--and for the courage to really live.

    Though already a widely acclaimed novelist, the author of such modern classics as "The Orchard Keeper" and "Child of God," McCarthy had never before written a screenplay. Using nothing more than a few photographs in the footnotes to a 1928 biography of a famous pre-Civil War industrialist as inspiration, the author and Pearce together roamed the mill towns of the South researching their subject. One year later McCarthy finished "The Gardener's Son," a taut, riveting drama of impotence, rage, and ultimately violence spanning two generations of mill owners and workers, fathers and sons, during the rise and fall of one of America's most bizarre utopian industrial experiments. Produced as a two-hour film and broadcast on PBS in 1976, "The Gardener's Son" recieved two Emmy Award nominations and was shown at the Berlin and Edinburgh Film Festivals. This is the first appearance of the film script in book form.Set in Graniteville, South Carolina, "The Gardener's Son" is the tale of two families: the Greggs, a wealthy family that owns and operates the local cotton mill, and the McEvoys, a family of mill workers beset by misfortune. The action opens as Robert McEvoy, a young mill worker, is having his leg amputated -- the limb mangled in an accident rumored to have been caused by James Gregg, son of the mill's founder. McEvoy, crippled and isolated, grows into a man with a "troubled heart"; consumed by bitterness and anger, he deserts both his job and his family. Returning two years later at the news of his mother's terminal illness, Robert McEvoy arrives only to confront the grave diggers preparing her final resting place. His father, the mill's gardener, is now working on the factory line, the gardens forgotten. These proceedings stoke the slow burning rage McEvoy carries within him, a fury that ultimately consumes both the McEvoys and the Greggs.

    Because once you hand over your life to the dice, anything can happen. Entertaining, humorous, scary, shocking, subversive, The Dice Man is one of the cult bestsellers of our time.

    Jones, a prodigy of the short story, returns to the form that first won him praise in this new collection of stories, All Aunt Hagar's Children. Here he turns an unflinching eye to the men, women, and children caught between the old ways of the South and the temptations that await them in the city, people who in Jones's masterful hands emerge as fully human and morally complex. With the legacy of slavery just a stone's throw behind them and the future uncertain, Jones's cornucopia of characters will haunt readers for years to come.

    With wry abandon and a beguiling heart, Everything Is Awful and You're a Terrible Person is a deadpan, tragicomic exploration of love, desire, and dysfunction in the twenty-first century.Daniel Zomparelli is editor and founder of Poetry Is Dead magazine, and the author of the poetry collections Davie Street Translations and (with Dina Del Bucchia) Rom Com. This is his first work of fiction.

    I hate to be the one to tell you about the heartbreak you will experience after you die...A family goes to the remote sierras of Mexico - the writer-to--be Susannah; her sister Magdalena; their father and mother. There, amid indigenous people called the Mundo, they begin an encounter that will change them more than they ever could have dreamed. This is a deeply sensual novel that explores the richness of female sexuality as a celebration of life, affirming the belief 'that it is the triumphant heart, not the conquered heart, that forgives. And that love is both timeless and beyond'.

    These doomed love stories and twisted fairytales explore the lives of women--particularly queer women and mothers--and reveal the monsters lurking in our daily lives: the madness, isolation, betrayals, and regrets that arise as we seek human connection.Through this collection, readers are taken to places where the sun never sets, where cornfields rustle ominously and sleepwalkers prowl the night. In "Weekend," the lead actors of an avant-garde television show begin to confuse their characters' identities with their own; in "Go West, and Grow Up," a young girl living in a car with her mother is forced to shed her innocence too soon; and in "Safekeeping," a woman trapped inside a futuristic safehouse gradually unravels as she waits for her lover, who may never return.With exquisite prose and transfixing imagery, Joffre explores worlds both strange and familiar, homing in on the darker side of humanity. Powerful, unsettling, and wildly imaginative, Night Beast is a mind-bending, genre-hopping debut, a provocative and uncommonly raw examination of relationships and sexuality, trauma and redemption, the meaning of family, and coming-of-age--and growing old--as an outsider.