But as both a writer and an African American, he is offended and angered by the success of We's Lives in Da Ghetto, the exploitative debut novel of a young, middle-class black woman who once visited "some relatives in Harlem for a couple of days." Hailed as an authentic representation of the African American experience, the book is a national bestseller and its author feted on the Kenya Dunston television show. The book's success rankles all the more as Monk's own most recent novel has just notched its seventh rejection." "Even as his career as a writer appears to have stalled, Monk finds himself coping with changes in his personal life. In need of distraction from old memories, new responsibilities, and his professional stagnation, Monk composes, in a heat of inspiration and energy, a fierce parody of the sort of exploitative, ghetto wanna-be lit represented by We's Lives in Da Ghetto." But when his agent sends this literary indictment (included here in its entirety) out to publishers, it is greeted as an authentic new voice of black America. Monk - or his pseudonymous alter ego, Stagg R. Leigh - is offered money, fame, success beyond anything he has known. And as demand begins to build for meetings with and appearances by Leigh, Monk is faced with a whole new set of problems.

    Fee and his friends are forced to bear grief, shame, and pain that endure long after the director is imprisoned. Fee survives even as his friends do not, but a deep-seated horror and dread accompany him through his self-destructive college days and after, until the day he meets a beautiful young student named Warden and is forced to confront the demons of his brutal past.

    Moving fluidly between the past and the present - between a young girl choosing which belt she'll be whipped with each night and her older self at the bedside of her dying father - it is an ultimately cathartic tale of hope, healing and forgiveness.

    In "Pastor Dowe at Tecaté," a Protestant missionary is sent to a faraway place where his God has no power. In "Call at Corazón," an American husband abandons his alcoholic wife on their honeymoon in a South American jungle. In "Allal," a boy's drug-induced metamorphosis into a deadly serpent leads to his violent death. Here also are some of Bowles's most famous works, including "The Delicate Prey," a grimly satisfying tale of vengeance, and "A Distant Episode," which Tennessee Williams proclaimed "a masterpiece."

    Doerr explores the human condition in all its varieties-metamorphosis, grief, fractured relationships, and slowly mending hearts-and conjures nature in both its beautiful abundance and crushing power. Some of his characters contend with tremendous hardship; some discover unique gifts; all are united by their ultimate deference to the mysteries of the universe outside themselves.

    Leif Enger's debut, Peace Like a River, is one such work. His richly evocative novel, narrated by an asthmatic 11-year-old named Reuben Land, is the story of Reuben's unusual family and their journey across the frozen Badlands of the Dakotas in search of his fugitive older brother. Charged with the murder of two locals who terrorized their family, Davy has fled, understanding that the scales of justice will not weigh in his favor. But Reuben, his father, Jeremiah—a man of faith so deep he has been known to produce miracles—and Reuben's little sister, Swede, follow closely behind the fleeing Davy.Affecting and dynamic, Peace Like a River is at once a tragedy, a romance, and an unflagging exploration into the spirituality and magic possible in the everyday world, and in that of the world awaiting us on the other side of life. In Enger's superb debut effort, we witness a wondrous celebration of family, faith, and spirit, the likes of which we haven't seen in a long, long time—and the birth of a classic work of literature.

    Chaon mines the psychological landscape of his characters to dazzling effect. Each story radiates with sharp humor, mystery, wonder, and startling compassion. Among the Missing lingers in the mind through its subtle grace and power of language.

    The Agnes Browne Trilogy includes: * The Mammy * The Chisellers * The Granny

    As formative events go, nothing else comes close. With these words Edgar Mint, half-Apache and mostly orphaned, makes his unshakable claim on our attention. In the course of Brady Udall’s high-spirited, inexhaustibly inventive novel, Edgar survives not just this bizarre accident, but a hellish boarding school for Native American orphans, a well-meaning but wildly dysfunctional Mormon foster-family, and the loss of most of the illusions that are supposed to make life bearable. What persists is Edgar’s innate goodness, his belief in the redeeming power of language, and his determination to find and forgive the man who almost killed him. The Miracle Life of Edgar Mint is a miracle of storytelling, bursting with heartache and hilarity and inhabited by characters as outsized as the landscape of the American West.

    At first, unsure of Free Creek, he slowly learns to lean on its residents as family. There’s Aunt Easter, who is always filled with a sense of foreboding, bound to her faith above all; quiltmaking Uncle Paul; untamable Evangeline; and Alma, the fiddler whose song wends it way into Clay’s heart. Together, they help Clay fashion a quilt of a life from what treasured pieces surround him. . . .

    Hosokawa. Roxane Coss, opera's most revered soprano, has mesmerized the international guests with her singing. It is a perfect evening—until a band of gun-wielding terrorists takes the entire party hostage. But what begins as a panicked, life-threatening scenario slowly evolves into something quite different, a moment of great beauty, as terrorists and hostages forge unexpected bonds and people from different continents become compatriots, intimate friends, and lovers.

    As the title implies, this is certainly not a novel -- not in the general sense of the term. And yet a reader who follows the flow will gradually notice certain novelistic conventions insinuating themselves. Writer -- as the narrator refers to himself -- is tired of inventing characters and subjecting them to the rigors of plot development. Instead, historical personages from Dickens to Beethoven recur throughout the book: They re born, create, speak fondly or acidly of their own work and the work of others, and then die. (Death, in fact, is a major concern of Writer.) Works of art interlock and interrelate; diary entries, attributions, and critical comments jostle for position. But what at first appear to be random bits of historical trivia ultimately come together with a narrative logic: a beginning, middle, and end. So while Markson has jettisoned the standard conflict-and-resolution pattern of a novel, he nevertheless fashions a literary journey that gets somewhere. Indeed, the book s conclusion will come as an intensely moving surprise to those who reach it. Does Writer even exist in a book without characters? the narrator wonders. Passing through a period of aging and self-doubt, Writer looks deeply inside himself over the course of the book and worries about his very purpose. The real question hovering in the margins of this beguiling work is, Why do I write? Many an artist suffers under the burdens of posterity, the sinking feeling that words and works will fade with the passage of time. Eventually, though, this particular Writer answers in a qualified affirmative, for he realizes himself to be the main character in his own life. That which is not a novel, he implies, is life itself; creating art is what the artist does to live. In the end, out of a shared sense of mortality and its frailties and beauties, we can only agree. (Jonathan Cook)

    But Briony’s incomplete grasp of adult motives and her precocious imagination bring about a crime that will change all their lives, a crime whose repercussions Atonement follows through the chaos and carnage of World War II and into the close of the twentieth century.

    What keeps him there? It could be his bright, sensitive daughter Tick, who needs all his help surviving the local high school. Or maybe it’s Janine, Miles’ soon-to-be ex-wife, who’s taken up with a noxiously vain health-club proprietor. Or perhaps it’s the imperious Francine Whiting, who owns everything in town–and seems to believe that “everything” includes Miles himself. In Empire Falls Richard Russo delves deep into the blue-collar heart of America in a work that overflows with hilarity, heartache, and grace

    Soon the backwoods are transformed into a parish and Joseph Becker, a woodcarver, is brought together with his future wife. Decades later when an architect plans a memorial to the Canadian dead in France, their grandchild Klara must use her family skills - to carve, and to create.

    There are the Ruttledges, who came from London in search of a different life on the edge of the village lake; John Quinn, who will stop at nothing to ensure a flow of women through his life; Jimmy Joe McKiernan, head of the local IRA as well as town auctioneer and undertaker; the gentle Jamesie and his wife, Mary, who have never left the lake and who know about everything that ever stirred or moved there; Patrick Ryan, the builder who never quite finishes what he starts; Bill Evans, the farmhand whose orphaned childhood was marked with state-sanctioned cruelties and whose adulthood is marked by the scars; and the wealthiest man in town, known as the Shah. A year in the lives of these and other characters unfolds through the richly observed rituals of work and play, of religious observance and annual festivals, and the details of the changing seasons, of the cycles of birth and death. With deceptive simplicity and eloquence, the author reveals the fundamental workings of human nature as it encounters the extraordinary trials and pleasures, terrors and beauty, of ordinary life.By the Lake is John McGahern’s most ambitious, generous, and superbly realized novel yet.(above copied from amazon.com)

    The seventeen-year-old, new to everything around her—college, the East Coast, bodies of literature, and the sexual flurries of student life—is shocked by her desire to follow this wherever it will take her. When Flannery finds herself enrolled in a class with the remote, brilliant older woman, she is intimidated at first, but gradually becomes Anne Arden's student—Baudelaire, lipstick colors, or how to travel with a lover—Flannery proves an eager pupil, until one day learns more about Anne than she ever wanted to know.

    Andor Weér, a thirty-six-year-old writer, lives in a cramped apartment with his shut-in mother, Rebeka, who was once among the most celebrated stage actresses in Budapest. Unable to withstand her maniacal tyranny but afraid to leave her alone, their bitter interdependence spirals into a Sartrian hell of hatred, lies, and appeasement. Then Andor meets the beautiful and nurturing Eszter, a woman who seems to have no past, and they fall wildly in love at first sight. With a fulfilling life seemingly within reach for the first time, Andor decides that he is ready to bring Eszter home to meet Mother. Though Bartis’s characters are unrepentantly neurotic and dressed in the blackest humor, his empathy for them is profound. A political farce of the highest ironic order, concluding that "freedom is a condition unsuitable for humans," Tranquility is ultimately, at its splanchnic core, a complex psychodrama turned inside out, revealing with visceral splendor the grotesque notion that there’s nothing funnier than unhappiness.

    Like Holden Caulfield and Huck Finn, Shuggie Akins tells his story of a reluctant descent into the world of adults in this unforgettable and ultimately moving novel.

    Her extraordinary dignity is supported by a best friend, a grown-up son, occasional sensual pleasures, and her determination to tell her own story.

    The discovery of a crime, a theatrical performance in a small town, or the recollection of a cruel wartime decision are equally affecting in Orner’s vivid scenarios. Esther Stories is divided into four distinct parts, each with its own momentum. The first half of the book concerns the lives of unrelated strangers, and the second introduces two Jewish families, one on the East Coast, the other in the Midwest. These stories cover considerable geographic ground — from Nova Scotia to Mississippi, from Fall River, Massachusetts, to Chicago — but the real territory is emotional. As the narrator of the title story tries to piece together his late aunt Esther’s life from the fragments of stories told about her, he remembers what she told him in a dark kitchen when he was a child: “You pay for everything. When you think you’re getting something for free — remember this — you’ll pay later.” All thirty-two wide-ranging pieces — funny or sorrowful, urban or rural, simple or innovative — are welcome additions to the art of the story.

    Their parents were even once engaged to each others' partners until they rematched in what they call "the fiancée swap." But as adolescence distances the friends, Karim takes refuge in maps while Raheen searches for the secret behind her parents' exchange. What she uncovers reveals not just a family's but a country's turbulent history-and a grown-up Raheen and Karim are caught between strained friendship and fated love. A love story with a family mystery at its heart, Kartography is a dazzling novel by a young writer of astonishing maturity and exhilarating style. Shamsie transports us to a world we have not often seen in fiction-vibrant, dangerous, sensuous Pakistan. But even as she takes us far from the familiar, her story of passion and family secrets rings universally true.

    It's a time when the growing threat of fascism in Europe is a constant worry, and people escape from reality through radio and the movies. Meanwhile, the two sisters -- vastly different in personality, yet inextricably linked by a shared past -- try to find their places within the complex web of social expectations for young women in the 1930s.While Nora embarks on a glamorous career as a radio-soap opera star, Clara, a strong and independent-minded woman, struggles to observe the traditional boundaries of a small and tight-knit community without relinquishing her dreams of love, freedom, and adventure. However, things aren't as simple as they appear -- Nora's letters eventually reveal life in the big city is less exotic than it seems, and the tranquil solitude of Clara's life is shattered by a series of unforeseeable events. These twists of fate require all of Clara's courage and strength, and finally put the seemingly unbreakable bond between the sisters to the test.

    When they met at the Philadelphia high school where they’d come to teach, each had suffered a profound loss that had not healed. How likely was it that they could learn to trust, much less love, again?Justin Cronin’s poignant debut traces the lives of Mary Olson and O’Neil Burke, two vulnerable young teachers who rediscover in each other a world alive with promise and hope. From the formative experiences of their early adulthood to marriage, parenthood, and beyond, this novel in stories illuminates the moments of grace that enable Mary and O’Neil to make peace with the deep emotional legacies that haunt them: the sudden, mysterious death of O’Neil’s parents, Mary’s long-ago decision to end a pregnancy, O’Neil’s sister’s battle with illness and a troubled marriage. Alive with magical nuance and unexpected encounters, Mary and O’Neil celebrates the uncommon in common lives, and the redemptive power of love.

    In outward form, number9dream is a Dickensian coming-of-age journey: Young dreamer Eiji Miyake, from remote rural Japan, thrust out on his own by his sister’s death and his mother’s breakdown, comes to Tokyo in pursuit of the father who abandoned him. Stumbling around this strange, awesome city, he trips over and crosses—through a hidden destiny or just monstrously bad luck—a number of its secret power centers. Suddenly, the riddle of his father’s identity becomes just one of the increasingly urgent questions Eiji must answer. Why is the line between the world of his experiences and the world of his dreams so blurry? Why do so many horrible things keep happening to him? What is it about the number 9? To answer these questions, and ultimately to come to terms with his inheritance, Eiji must somehow acquire an insight into the workings of history and fate that would be rare in anyone, much less in a boy from out of town with a price on his head and less than the cost of a Beatles disc to his name.

    Francis Foley is a bitter man & his harsh proud soul can only bring destruction. Inevitably the five Foleys are scattered, each to his own road.

    Madeleine Thien’s characters in some way want to make amends, to understand the events that have shaped their lives. A young woman searches back in time for the pivotal moment when her family lost faith in itself. Two sisters keep a vigil outside their former house, hoping their long-absent mother will appear one last time. A wife helps her husband grieve for the woman he has loved since childhood. A daughter remembers the simple ritual she once shared with her father and the moment when her unconditional love for him was called into question. Compassionate and revealing, delicate and wise, these stories chart the uneven progress of love and lay bare the heartbreaking truths at the core of our closest bonds.

    They stay in a hotel, drink hot chocolate, and go to the funfair. She wants to protect them from an uncaring and uncomprehending world. She knows that it will be the last trip for her boys.Beside the Sea is a haunting and thought-provoking story about how a mother's love for her children can be more dangerous than the dark world she is seeking to keep at bay. It's a hypnotizing look at an unhinged mind and the cold society that produced it. With language as captivating as the story that unfolds, Véronique Olmi creates an intimate portrait of madness and despair that won't soon be forgotten.

    Among the letters the narrator receives is one from a Rouenna Zycinski, recalling their old connection and asking if they can meet.Though fascinated by the stories Rouenna tells about her life as a combat nurse in Vietnam, the narrator flatly declines her request that they collaborate on a memoir. It is only later, in the aftermath of Rouenna's shocking death, that the narrator is drawn to write about her friend--and her friend's war. Writing Rouenna's story becomes all-consuming, at once a necessity and the only consolation.For Rouenna, an unforgettable novel about truth, memory, and unexpected heroism by one of the most gifted writers of her generation, is also a remarkable and surprising new look at war.

    The tales of journeys and returns, of error, of loss and recovery, all resound with Divakaruni's unique understanding of the human spirit.From acclaimed and beloved author Chitra Banerjee Divakaruni comes a new collection of moving stories about family, culture, and the seduction of memory. With the rich prose and keen insight that made Mistress of Spices and Sister of My Heart national bestsellers, these tales of journeys and returns, of error, of loss and recovery, all resound with her unique understanding of the human spirit."Don't we all have to pay, no matter what we choose?" a young woman asks in "The Love of a Good Man," one of the unforgettable stories in Chitra Divakaruni's beautifully crafted exploration of the tensions between new lives and old. In tales set in India and the United States, she illuminates the transformations of personal landscapes, real and imagined, brought about by the choices men and women make at every stage of their lives."The Love of a Good Man" tells of an Indian woman happily settled in the United States who must confront the past when her long-estranged father begs to meet his only grandson. In the acclaimed "Mrs. Dutta Writes a Letter", a widow, inadvertently eavesdropping, discovers that her cherished, old-fashioned ways are an embarrassment to her daughter-in-law. A young American woman joins a pilgrimage of women in Kashmir and, in the land of her ancestors, comes to view herself and her family in a new light in "The Lives of Strangers." Two women, uprooted from their native land by violence and deception, find unexpected comfort and hope in each other in "The Blooming Season for Cacti." And in the title story, a young woman turns to her painting and the wisdom of her grandmother for the strength to accept her fiance's past when it arrives on her doorstep.Whether writing about the adjustments of immigrants to a foreign land or the accommodations families make to the disruptive differences between generations, Divakaruni poignantly portrays the eternal struggle to find a balance between the pull of home and the allure of change.

    Franzen brings an old-time America of freight trains and civic duty, of Cub Scouts and Christmas cookies and sexual inhibitions, into brilliant collision with the modern absurdities of brain science, home surveillance, hands-off parenting, do-it-yourself mental healthcare, and the anti-gravity New Economy. With The Corrections, Franzen emerges as one of our premier interpreters of American society and the American soul.Enid Lambert is terribly, terribly anxious. Although she would never admit it to her neighbors or her three grown children, her husband, Alfred, is losing his grip on reality. Maybe it's the medication that Alfred takes for his Parkinson's disease, or maybe it's his negative attitude, but he spends his days brooding in the basement and committing shadowy, unspeakable acts. More and more often, he doesn't seem to understand a word Enid says.Trouble is also brewing in the lives of Enid's children. Her older son, Gary, a banker in Philadelphia, has turned cruel and materialistic and is trying to force his parents out of their old house and into a tiny apartment. The middle child, Chip, has suddenly and for no good reason quit his exciting job as a professor at D------ College and moved to New York City, where he seems to be pursuing a "transgressive" lifestyle and writing some sort of screenplay. Meanwhile the baby of the family, Denise, has escaped her disastrous marriage only to pour her youth and beauty down the drain of an affair with a married man--or so Gary hints.Enid, who loves to have fun, can still look forward to a final family Christmas and to the ten-day Nordic Pleasurelines Luxury Fall Color Cruise that she and Alfred are about to embark on. But even these few remaining joys are threatened by her husband's growing confusion and unsteadiness. As Alfred enters his final decline, the Lamberts must face the failures, secrets, and long-buried hurts that haunt them as a family if they are to make the corrections that each desperately needs.

    Anaguil, an Armenian girl taken in by Turkish neighbors after the death of her parents who now views the remains of her world through a Muslim veil; Sargis, a poet hidden away in his mother's attic, dressed in women's clothing, and steadily going mad; Lucine, a servant and lover of the American consul; Maritsa, a rage-filled Muslim wife who becomes a whore; and Dickran, an infant left behind under a tree on the long exodus from an Armenian village, who reaches with tiny hands to touch the stars and dies with his name unrecorded.Through the lives depicted in Three Apples Fell From Heaven, we witness the vanishing of a people. Together, the stories of these lives form a narrative mosaic--faceted, complex, richly textured, a devastating tableau.

    Anne Tyler is both literary and popular, one of the few writers whose high sales match her critical acclaim. Now you can enjoy three of her more recent bestsellers in one low-priced, attractively packaged hardcover.

    . . . David Czuchlewski writes with imagination, vision, and style."--Joyce Carol OatesWho is Horace Jacob Little, and what is he trying to hide?Legend has is that not even his agent had met him, that they communicated via post office box. Horace Jacob Little had insisted on blank covers for all his books. . . . No one knew what he looked like or where he lived. . . . I used to imagine him: a death-row inmate, a mild-mannered accountant, a disfigured cripple. . . . He was none of these, as it turned out, nothing my imagination could conjure.Andrew Wallace, recent Princeton graduate and troubled genius, spends his days in the Overlook Psychiatric Institute--the Muse Asylum--writing about a dark conspiracy against him engineered by the elusive author Horace Jacob Little. When fellow classmate Jake Burnett, a novice reporter, arrives on the hospital grounds to visit Andrew, he learns that Andrew's problems run much deeper than simple paranoia and obsession.Along with Lara Knowles, the girl they both love, they try to break through the shadows of the enigmatic Horace Jacob Little. Instead, they find themselves caught in a twisted game of reflections and reversals, where each seems to be pursuing the other--for love, for success, or for a far more sinister purpose."[A] cleverly devised, sharply composed, entertaining and moving novel."--The Wall Street Journal

    A product of Rand's work in computing, as well a testament to the patience and persistence of researchers in the early days of Rand.

    She has since established herself as one of the most exciting young novelists in Europe today. Writings from an Unbound Europe is proud to publish the first translation of her work in English. All This Belongs to Me chronicles the lives of three generations of women in a Mongolian family. Told from the point of view of a mother, three sisters, and the daughter of one of the sisters, this story of secrets and betrayals takes us from the daily rhythms of nomadic life on the steppe to the harsh realities of urban alcoholism and prostitution in the capital, Ulaanbaatar. All This Belongs to Me is a sweeping family saga that showcases Hulová's genius.

    The hallmarks of her style, so finely wrought in the award-winning Tongues of Flame (1986)--the fully realized characters, her deep sensitivity, a defining sense of place and time--are back in all their richness to involve and enchant the reader.All but one of the stories are set in Alabama. They deal with dramatic turning points in the lives of charcaters who happen to be southerners, many jaxtaposed between Old South sensibility and manners and New South modernity and expectations. Among these is a new widow who is not consoled by well-meaning, proselytizing Christians; a middle-aged waitress in love with the town "catch"; a bedridden belle dependent upon her black nurse; a "special" young man in a newspaper shop; a young faculty wife who attempts generosity with a lower-class neighbor; and a lawyer caught in the dilemma of race issues. Through their diverse voices, Brown proves herself a graceful and gifted storyteller who writes with an authoritative pen, inventing and inhabiting the worlds of her set of characters with insight, compassion, and wit.Most of the stories in It Wasn't All Dancing have appeared previously in prominent national magazines and literary journals, including the Atlantinc Monthly, Grand Street, and Threepenny Review. This fine collection should appeal to a wide audience among writers, literature scholars, and general readers alike.Mary Ward Brown won the 1987 PEN/Hemingway Award, the 1991 Lillian Smith Award, and the 1987 Alabama Library Association Award for her first collection of short storied, Tounges of Flame. She lives in the family home in Marion, Alabama.

    People who are perhaps ourselves, searching, often in the wrong places, for something meaningful, or real, or at least, for a moment, right. Here are couples like Vincent and Laurie, who after beginning an ill-timed relationship, escape for a weekend at the beach, where they confront their inevitable separation. There is also Olive, a recovering drug addict, sent on a mission to help her nephew, who finds herself in an illicit relationship with both him and his problems. And a young boy nicknamed Flipper, sequestered for a summer at a “fat” camp, who finds unexpected comfort in the company and forbidden gifts of a pregnant teenager. In these stories, Canty demonstrates both deep understanding and a powerful grasp of language and continues to set himself apart as a master of the short story.

    Illustrated by Derek White. In this spare and simple novel, Markus shapes and reshapes river and mud into a protean world perpetually reasserting itself through rituals that are at once down-home and arcane. There is a whole mythology here, generated privately between two brothers engaged in an always childlike (and for that reason all the more serious) task of creation--Brian Evenson. Very little occurs in a Peter Markus story that does not involve a fish, mud, a brother, and, usually, a concluding act of brutality. Markus's language is primal, even primitive, but his sentence structure is among the most perplexing and, ultimately, fascinating I have ever encountered. Markus serves up sentence after sentence of startling musicality. These aren't stories in any traditional sense; they are works of a prose stylist with the ear of a poet--Peter Conners.

    Why Did I Ever takes us along on the darkest of private journeys. The story, told by a woman named Money Breton, is submitted like a furious and persuasive diary-a tale as fierce and taut as its fictional teller.

    From the cruel irony of 'A Member of the Family' to the fateful echoes of 'The Go-Away Bird' and the unexpectedly sinister 'The Girl I Left Behind Me', in settings that range from South Africa to the Portobello Road, Muriel Spark coolly probes the idiosyncrasies that lurk beneath the veneer of human respectability.

    Barnes playfully combines a literary detective story with a character study of its detective, embedded in a brilliant riff on literary genius. A History of the World in 10 1/2 Chapters is a mix of fictional and historical narratives of voyage and discovery—ranging from a woodworm's perspective on Noah's ark to a survivor from the sinking of the Titanic—that question our ideas of history.

    McNulty's characters are the ones you just chatted with in the street, the elevator, or, God help us, in the saloon. He shows us that wherever you look, there's a story."-Frank McCourt "John McNulty, city man and newspaperman, self-assigned in his mature years to human-interest stories of the world around him, left a body of work that throbs with his love of life...American writing in our time developed few men with so keen an eye and so sharp an ear. [He] cannot be replaced."- James Thurber, in his New Yorker obituary of McNulty Author Biography: From 1937 until his death in 1956, John McNulty walked many beats for The New Yorker, but his favorite—and the one that he made famous—was Tim & Joe Costello's, an old-fashioned Irish saloon at Third Avenue and Forty-fourth Street. The place is gone now—it was leveled and replaced by the lobby of a skyscraper in 1973-but it and its hard-living mid-century patrons live on in these twenty-eight immortal stories and sketches, many of them collected here for the first time.

    Lawrence, Canada, The Boy Who Belonged to the Sea tells the touching story of an extraordinary friendship between two young boys who have both suffered the loss of a parent. Although they have little else in common, the boys come together in their grief and take refuge in a world of their own creation, a magical undersea realm inhabited by fantastical beings. Their imaginations take them on a wild adventure, but as the lines between reality and fantasy begin to blur, their search for belonging takes them on a perilous journey that threatens to end in tragedy.Infused with his characteristic charm, Denis Thériault’s debut novel is a powerful story of grief and friendship that has touched readers’ hearts all over the world.

    With these words to guide him, August escapes to America, where he builds a fortune. This book tells the story of a man and his family, forging their lives against the backdrop of WWII and the heart of the 20th century

    has dared to take on a difficult, grief-stricken period of English history, and done so with sensitivity and understanding; EARTH AND HEAVEN is the clever, compelling result' The Times

    At eighteen, Soledad couldn't get away fast enough from her contentious family with their endless tragedies and petty fights. Two years later, she's an art student at Cooper Union with a gallery job and a hip East Village walk-up. But when Tía Gorda calls with the news that Soledad's mother has lapsed into an emotional coma, she insists that Soledad's return is the only cure. Fighting the memories of open hydrants, leering men, and slick-skinned teen girls with raunchy mouths and snapping gum, Soledad moves home to West 164th Street. As she tries to tame her cousin Flaca's raucous behavior and to resist falling for Richie—a soulful, intense man from the neighborhood—she also faces the greatest challenge of her life: confronting the ghosts from her mother's past and salvaging their damaged relationship. Evocative and wise, Soledad is a wondrous story of culture and chaos, family and integrity, myth and mysticism, from a Latina literary light.

    And throughout these stories moves a divinely inspired collection of dogs: three-legged, no-legged, dogs that sing, that talk, and that give birth to humans. Brilliant, perplexing, and moving, this is a daring debut that strolls along society’s fringes and unearths strange beauty among its misfits

    By their junior year they've taken to hitch-hiking around, fired up on Kerouac, James Dean and St. Augustine, and their horizons begin to expand like an endless sunrise. They're out for experience and suffering, and that's just what they're going to get. Written as though on the back of the pages of Gloria (shortlisted for the Governor General's Award, 1999), Running depicts the lives of young men in late-1950s America with humour, pathos, and muscle. Taken on its own or as the prelude to Difficulty at the Beginning, it's a memorable and invigorating piece of writing that shows how the smug, grey culture of the 1950s was shattered forever with three little words.

    Latino/a Studies. Weaving the threads of Lacandon myth and history with the events culminating in the guerilla uprising, Graciela Limon in ERASED FACES creates a rich fabric that restores an identity to those rendered invisible, or whose faces were erased by years of oppression. ERASED FACES is a story about forbidden love set against the backdrop of a complicated war. "What courage to take on the Chiapas rebellion, to tell that story from the point of view of women and their own double and triple struggles for liberation from not only a racial and economic war, but a sexual one..."-Alicia Gaspar de Alba, author of Sor Juana's Second Dream.

    This unique anthology–the first of its kind in fifty years–gathers together all of Melville’s tales, as well as a judiciously edited array of his prose poems, literary criticism, letters, lectures, and poetry. Though few realize it today, poetry was Melville’s abiding passion; yet his poetry has never received the recognition it deserves, until now. Containing many writings available nowhere else, and edited by leading Melville scholar John Bryant, Tales, Poems, and Other Writings includes a comprehensive introductory essay and extensive, in many cases groundbreaking, editorial commentary. It opens a window onto Melville’s writing process–he was a ceaseless reviser and experimenter–and reveals his career-long evolution as a writer as well as the full breadth of his literary achievement. And it marks a new stage in our ability to appreciate not only the work of one of our greatest writers, but the immense dedication that lay behind it. John Bryant is a professor of English at Hofstra University. He has published five books and numerous articles on Melville, and is the editor of the Penguin Classics edition of Typee and the Modern Library edition of The Confidence-Man. He has been the general editor of the Melville Society, one of the oldest and largest single-author societies in America, since 1990.From the Hardcover edition.Starting out. Fragments from a writing desk, No. 2 ; Versions of Typee: Typee, chapter 14 --The art of telling the truth. Letters ; Hawthorne and his mosses --Tales and sketches. Bartleby, the scrivener ; Cock-a-doodle-doo! ; From The encantadas: The Chola widow ; The two temples ; The paradise of bachelors and the Tartarus of maids ; The bell-tower ; Benito Cereno ; The 'gees ; I and my chimney ; The piazza --Statues in Rome and poems by Herman Melville. Statues in Rome ; Poems by Herman Melville --From Battle-pieces. Supplement --From Clarel: a poem and pilgrimage in the Holy Land --Prose & poem: John Marr, and others. From John Marr and other sailors with some sea-pieces ; From The Burgundy club ; Rammon and "The enviable isles" ; Under the rose --Billy Budd. Billy Budd, sailor: an inside narrative ; Versions of Billy: the ur-Billy Budd ; Versions of "art" --From Weeds and wildings, chiefly: with a rose or two. Rip van Winkle's lilac ; Nine Rose poems.

    They feature the author himself as well as his original publisher Rayner Unwin, his biographer Humphrey Carpenter and many others who knew and worked with him. Together they relate Tolkien's story ... also examined are the themes and landscapes which shaped The Hobbit and those books which followed it ...

    Short story published in The New Yorker in March 2001.

    These Victorian-era stories will touch hearts with the beauty of new love at Christmastime. Story list:“Behold the Lamb” by Catherine Palmer“Far Above Rubies” by Kristin Billerbeck“Memory to Keep” by Ginny Aiken

    He discovers an incriminating videotape of Agent Z activities and blackmails Ben into becoming his slave.Meanwhile, Ben, Jenks and Barney embark on their first film, entitled Invasion of the Killer Bananas, in which T.J. unwittingly has a starring role. When T.J. disappears, however, the film points towards Ben, Jenks and Barney as murder suspects!In an attempt to clear their names, the boys use all the cunning of Agent Z to try and lure T.J. home and into the hands of the police . . .Mark Haddon has a sharp understanding of what makes children tick, and they will delight in the ever more daring, ever more hilarious missions of Agent Z and his three creators.

    Volumes D, E, and F

    The events of Karl's school life are interwoven with memories from his childhood and first years at the Berg, as he falls in love with both his best friend and his choirmaster.

    He begins this collection by establishing his belief that there is a 'new world order' of cultural plurality, one which is being promoted by the increasingly central role of the migrant and the refugee in the modern world. He goes on to reflect on the work of such seminal figures as Derek Walcott, V. S. Naipaul, J. M. Coetzee and Nadine Gordimer, Steven Spielberg, Linton Kwesi Johnson and Marvin Gaye. Phillips writes about the moment when St Kitts, the small island of his birth, became independent and talks about the role and responsibility of being a writer born into a postcolonial world who lives on both sides of the Atlantic. He then turns the spotlight on Britain speculating about his parents' migration in the late fifties, the continued legacy of racism, his own helpless loyalty to Leeds United, and his anxieties at feeling as though he both of, and not of, Britain.

    . . He's a very different kind of Wasano, bloodsucker, he always hungers for more".—from Shell ShakerThe action in this debut novel alternates between 1738, as a Choctaw family prepares for war against the English, and the 1990s, as their Oklahoma descendants, the Billys, fight a Mafia takeover of the tribe's casino. In trouble with the law and in the fight of their lives, the Billy women must find a way, as their ancestors did, to join forces against a devious foe. Humor, toughness, and resourcefulness are the Billys' only weapons.Until the Shell Shaker shows up.LeAnne Howe, an enrolled member of the Choctaw Nation of Oklahoma, is a fiction writer, playwright, scholar and poet whose writings on Choctaw women are drawn from both personal experience and scholarly research. Her short fiction has appeared in several anthologies, including Through the Eye of the Deer, Returning the Gift, Spider Woman's Granddaughters, and Earth Song, Sky Spirit, as well as in journals such as Callaloo and Fiction International.Howe has read her fiction and lectured throughout the United States, Japan and the Middle East, and her plays have been produced in Los Angeles and New York City. She has also presented programs on recruitment and retention of American Indians at universities and colleges. Currently, she teaches in the English Department at Wake Forest University in Winston-Salem, North Carolina.In 1991, Howe received a National Endowment for the Humanities grant to conduct research for Shell Shaker.