Her extraordinary dignity is supported by a best friend, a grown-up son, occasional sensual pleasures, and her determination to tell her own story.

    This book traces the journeys of these villagers from the ranks of the peasantry into a middle class of their own making. Inventing Home delves into the stories of these travels, shedding much needed light on the impact of emigration and immigration in the development of modernity. It focuses on a critical period in the social history of Lebanon--the "long peace" between the uprising of 1860 and the beginning of the French mandate in 1920. The book explores in depth the phenomena of return emigration, the questioning and changing of gender roles, and the rise of the middle class. Exploring new areas in the history of Lebanon, Inventing Home asks how new notions of gender, family, and class were articulated and how a local "modernity" was invented in the process.Akram Khater maps the jagged and uncertain paths that the fellahin from Mount Lebanon carved through time and space in their attempt to control their future and their destinies. His study offers a significant contribution to the literature on the Middle East, as well as a new perspective on women and on gender issues in the context of developing modernity in the region.

    It challenges the prevailing view that Jews everywhere in the Middle East were second-class citizens, and were persecuted after the establishment of the State of Israel in 1948. The Jews of Lebanon were just one of Lebanon's 23 minorities with the same rights and privileges, and subject to the same political tensions. The author discusses the Jewish presence in Lebanon under Ottoman Rule; Lebanese Jews under the French mandate; Lebanese Jewish identity after the establishment of the State of Israel; the increase of the community through Syrian refugees; the Jews' position in the first civil war; their involvement in the ex filtration of Syrian Jews; the beginning of their exodus after the 1967 War; the virtual extinction of the Jewish community as a result of the prolonged 1975 second civil war and the 1982 Israeli invasion of Lebanon; and finally the community's memory of their Lebanese past.

    They wanted to know who tore down the picture.” So opens Rashid Al-Daif’s This Side of Innocence, the story of one man’s run-in with the secret police of his unnamed, war-torn country. In ironic contrast with Al-Daif’s typically clear and frank literary style, this unreliable, “innocent” narrator relates much more than an A-to-Z tale. The novel’s real story is about the deeply obscure events of a personal encounter with tyranny—the tyranny of the instability and chaos of a country at war with itself and consequently preyed upon by internal and external forces. In the end, we are left with the story of how one man (or country) can innocently invent his own executioner.