Read each year at the Seder table, the Haggadah recounts the miraculous tale of the liberation of the Children of Israel from slavery in Egypt, with a celebration of prayer, ritual, and song. Wiesel and Podwal guide you through the Haggadah and share their understanding and faith in a special illustrated edition that will be treasured for years to come. Accompanying the traditional Haggadah text (which appears here in an accessible new translation) are Elie Wiesel's poetic interpretations, reminiscences, and instructive retellings of ancient legends. The Nobel laureate interweaves past and present as the symbolism of the Seder is explored. Wiesel's commentaries may be read aloud in their entirety or selected passages may be read each year to illuminate the timeless message of this beloved book of redemption. This volume is enhanced by more than fifty original drawings by Mark Podwal, the artist whom Cynthia Ozick has called a "genius of metaphor through line." Podwal's work not only complements the traditional Haggadah text, as well as Wiesel's poetic voice, but also serves as commentary unto itself. The drawings, with their fresh juxtapositions of insight and revelation, are an innovative contribution to the long tradition of Haggadah illustration.

    The nineteen essays here raise classical philosophical questions in fresh ways, address contemporary challenges for the church, and will deepen the thinking of the next generation of apologists. Packed with dynamic topical discussions and informed by the latest scholarship, the book’s major sections are:• Apologetics, Culture, and the Kingdom of God • The God Question • The Gospels and the Historical Jesus • Ancient Israel and Other Religions• Christian Uniqueness and the World’s ReligionsContributors include J. P. Moreland (“Four Degrees of Postmodernism”), William Lane Craig (“Objections So Bad That I Couldn’t Have Made Them Up”), Gary R. Habermas (“How to Respond When God Gives You the Silent Treatment”), Craig Keener (“Gospel Truth: The Historical Reliability of the Gospels”), and Paul Copan (“Does the Old Testament Endorse Slavery?”).

    This is the genuinely compelling story, and spiritual odyssey, of Ole and Hannah Nydahl, who in 1968 became the first Western students of the great Tibetan master, His Holiness the 16th Gyalwa Karmapa. Their exciting travels on the worn path between the green lowlands of Europe to the peaks of the Himalayas, led them to experience the skillful teachings of numerous Tibetan lamas who helped transform their lives into "limitless clarity and joy." From their first contact with Tibetan Buddhism in Kathmandu in the form of a lama with extraordinary psychic powers, Ole and Hannah encountered the full spectrum of the Buddhist "view." Their aim in writing this book is "to form a bridge between two worlds, and especially to share with all who are looking for their true being ... an introduction to a time-proven way to Enlightenment." "One cannot really transmit anything, except what one has directly experienced, and the reason many of you will be able to identify with what happened to us is that, deep within, we are so very much alike."

    . . a powerful expression of faith in the transforming power of Christ's love.--Publishers Weekly (starred review)Son of Man is Andrew Harvey's most basic statement on Christ, and it has already become a treasured work to readers interested in Christian mysticism. For the first time in any of his books, Harvey provides spiritual exercises--centuries-old rites previously available only to a few--that allow the reader direct experience with the mystical Christ. Son of Man also includes an easily accessible section of classic readings and meditations on the nature of Christ, making it the comprehensive experience in the Christ of the new millennium.

    Although Kathleen Norris’s best-selling Dakota: A Spiritual Geography has brought her to the attention of many thousands of readers, she is first and last a poet.  Like Robert Frost, another poet identified with a particular landscape, she can reveal the miraculous in the ordinary, and she writes with clarity, humor, and deep sympathy for her subjects.

    Bataille brilliantly defines religion as so many different attempts to respond to the universe's relentless generosity. Framed within his original theory of generalized economics and based on his masterly reading of archaic religious activity, Theory of Religion constitutes, along with The Accursed Share, the most important articulation of Bataille's work.Georges Bataille (1897-1962), founder of the French review Critique, wrote fiction and essays on a wide range of topics. His books in English translation include Story of the Eye, Blue of Noon, Literature and Evil, Manet and Erotism. Robert Hurley is the translator of The History of Sexuality by Michel Foucault and co-translator of Anti Oedipus by Gilles Deleuze and Félix Guattari. Distributed for Zone Books.

    I would highly recommend this book as a place to start." "I have more than 50 books on Gurdjieff's and Ouspensky's Work on my shelves, but this is no doubt the most practical one for beginners." "Couldn't Put it Down!" "Gil Friedman has done the near-impossible: rendered Gurdjieff's esoteric philosophy eminently readable, even entertaining. . . No serious student of philosophy or metaphysics should miss this great book!" "The clearest and most useful book on the basics." "I want to express my appreciation for for your Beginner's Guide to Gurdjieff's philosophy. Before reading your book, I have read several books on Gurdjieff ( Ouspensky, Needleman, Waker, Gurdjieff) and, at times, got lost in the complexity of what I was reading, and left wondering. It is not until I read your book, that Gurdjieff's philosophy emerged to the light, and resonated deeply within me. Trying to describe your book to a friend, I mentioned that the gift I saw in you was your ability to unearth the precious nuggets of Gurdjieff's philosophy and process, and to bring them to the light in a way that is accessible to the "house-keeper".

    As G. K. Chesterton explains, "Only with original sin can we at once pity the beggar and distrust the king."Do we arrive in this world predisposed to evil? St. Augustine passionately argued that we do; his opponents thought the notion was an insult to a good God. Ever since Augustine, the church has taught the doctrine of original sin, which is the idea that we are not born innocent, but as babes we are corrupt, guilty, and worthy of condemnation. Thus started a debate that has raged for centuries and done much to shape Western civilization.Perhaps no Christian doctrine is more controversial; perhaps none is more consequential. Blaise Pascal claimed that "but for this mystery, the most incomprehensible of all, we remain incomprehensible to ourselves." Chesterton affirmed it as the only provable Christian doctrine. Modern scholars assail the idea as baleful and pernicious. But whether or not we believe in original sin, the idea has shaped our most fundamental institutions—our political structures, how we teach and raise our young, and, perhaps most pervasively of all, how we understand ourselves. In Original Sin, Alan Jacobs takes readers on a sweeping tour of the idea of original sin, its origins, its history, and its proponents and opponents. And he leaves us better prepared to answer one of the most important questions of all: Are we really, all of us, bad to the bone?

    Above all, He Held Radical Light is a love letter to poetry, filled with moving, surprising, and sometimes funny encounters with the poets Wiman has known. Seamus Heaney opens a suddenly intimate conversation about faith; Mary Oliver puts half of a dead pigeon in her pocket; A. R. Ammons stands up in front of an audience and refuses to read. He Held Radical Light is as urgent and intense as it is lively and entertaining--a sharp sequel to Wiman's earlier memoir, My Bright Abyss.

    His theories, which the French press has termed "l'hypothèse girardienne," have sparked interdisciplinary, even international, controversy. In The Scapegoat, Girard applies his approach to "texts of persecution," documents that recount phenomena of collective violence from the standpoint of the persecutor--documents such as the medieval poet Guillaume de Machaut's Judgement of the King of Navarre, which blames the Jews for the Black Death and describes their mass murder.Girard compares persecution texts with myths, most notably with the myth of Oedipus, and finds strikingly similar themes and structures. Could myths regularly conceal texts of persecution? Girard's answers lies in a study of the Christian Passion, which represents the same central event, the same collective violence, found in all mythology, but which is read from the point of view of the innocent victim. The Passion text provides the model interpretation that has enabled Western culture to demystify its own violence--a demystification Girard now extends to mythology.Underlying Girard's daring textual hypothesis is a powerful theory of history and culture. Christ's rejection of all guilt breaks the mythic cycle of violence and the sacred. The scapegoat becomes the Lamb of God; "the foolish genesis of blood-stained idols and the false gods of superstition, politics, and ideologies" are revealed.

    Elizabeth Johnson offers an interpretation of Mary that is theologically sound, spiritually empowering, ethically challenging, socially liberating, and ecumenically fruitful. In particular, she sees the image of Mary as a blessing rather than a blight for women's lives in both religious and political terms."If you read only one book on Mary in your lifetime, let this be the one." American Catholic Booksellers'

    He follows a confident course through the entire range of themes in dogmatics but leaves both the dogmatic task and the individual themes transformed by a powerful and original mind. A new foreword by B. A. Gerrish summarises the dogmatic goals of The Christian Faith and corrects some common misreadings of his work.

    Beginning with his own story of losing faith and the belief in any ultimate purpose in life, he then builds a bridge to faith. Using only the instruments of reason and common experience, Rasmussen constructs a pathway--step by step, brick by brick--that he argues can lead to meaning and, ultimately, a vision of God.

    Jesus gave his members a new way to deal with offenders, with violence, with money, with leadership, with a corrupt society. He gave them a new pattern of relationships between man and woman, and an enlarged understanding of what it means to be human.This is the original revolution: the creation of a distinct community with its alternate set of values and its coherent way of incarnating them. Such a group is not only a novelty, but is also, if lived faithfully, the most powerful tool of social change.

    Though it is intensely personal, he decided to publish it in the hope that some of those who sit on the mourning bench for children would find his words giving voice to their own honoring and grieving. What he learned, to his surprise, is that in its particularity there is universality. Many who have lost children have written him. But many who have lost other relatives have done so as well, along with many who have experienced loss in forms other than the death of relatives or friends. The sharply particular words of Lament, so he has learned, give voice to the pain of many forms of loss. This book, Lament For A Son, has become a love-song. Every lament, after all, is a love-song. Will love-songs one day no longer be laments?