Yet the ways in which we live sexuality and intimacy have been profoundly shaped by theories — especially psychoanalytic ones, which have helped to place sexuality and desire at the center of the modern story about what a person is and how her history should be read. At the same time, other modes of explanation have been offered by popular and mass culture. In these domains, sexual desire is not deemed the core story of life; it is mixed up with romance, a particular version of the story of love.In this small theoretical novella-cum-dictionary entry, Lauren Berlant engages love and desire in separate entries. In the first entry, Desire mainly describes the feeling one person has for something else: it is organized by psychoanalytic accounts of attachment, and tells briefly the history of their importance in critical theory and practice. The second entry, on Love, begins with an excursion into fantasy, moving away from the parent-child structure so central to psychoanalysis and looking instead at the centrality of context, environment, and history. The entry on Love describes some workings of romance across personal life and commodity culture, the place where subjects start to think about fantasy on behalf of their actual lives.Whether viewed psychoanalytically, institutionally, or ideologically, love is deemed always an outcome of fantasy. Without fantasy, there would be no love. Desire/Love takes us on a tour of all of the things that sentence might mean.

    The result is an ongoing and growing assault on individual liberty, state sovereignty, and the social compact. Levin argues that if we cherish our American heritage, it is time to embrace a constitutional revival. The delegates to the 1787 Constitutional Convention in Philadelphia and the delegates to each state’s ratification convention foresaw a time when—despite their best efforts to forestall it—the Federal government might breach the Constitution’s limits and begin oppressing the people. Agencies such as the IRS and EPA and programs such as Obamacare demonstrate that the Framers’ fear was prescient. Therefore, the Framers provided two methods for amending the Constitution. The second was intended for our current circumstances—empowering the states to bypass Congress and call a convention for the purpose of amending the Constitution. Levin argues that we, the people, can avoid a perilous outcome by seeking recourse, using the method called for in the Constitution itself. The Framers adopted ten constitutional amendments, called the Bill of Rights, that would preserve individual rights and state authority. Levin lays forth eleven specific prescriptions for restoring our founding principles, ones that are consistent with the Framers’ design. His proposals—such as term limits for members of Congress and Supreme Court justices and limits on federal taxing and spending—are pure common sense, ideas shared by many. They draw on the wisdom of the Founding Fathers—including James Madison, Benjamin Franklin, Thomas Jefferson, and numerous lesser-known but crucially important men—in their content and in the method for applying them to the current state of the nation. Now is the time for the American people to take the first step toward reclaiming what belongs to them. The task is daunting, but it is imperative if we are to be truly free.

    Fortunately, one unabashed fan wants passionately to give Melville's masterpiece the broad contemporary audience it deserves. In his National Book Award-winning bestseller, In the Heart of the Sea, Nathaniel Philbrick captivatingly unpacked the story of the wreck of the whaleship Essex, the real-life incident that inspired Melville to write Moby-Dick. Now, he sets his sights on the fiction itself, offering a cabin master's tour of a spellbinding novel rich with adventure and history. Philbrick skillfully navigates Melville's world and illuminates the book's humor and unforgettable characters—finding the thread that binds Ishmael and Ahab to our own time and, indeed, to all times. A perfect match between author and subject, Why Read Moby-Dick? gives us a renewed appreciation of both Melville and the proud seaman's town of Nantucket that Philbrick himself calls home. Like Alain de Botton's How Proust Can Change Your Life, this remarkable little book will start conversations, inspire arguments, and, best of all, bring a new wave of readers to a classic tale waiting to be discovered anew.

    By uncovering the divine whisper that lies behind the best poetry and prose from across the centuries, Calasso gives us a renewed sense of the mystery and enchantment of great literature.From the banishment of the classical divinities during the Age of Reason to their emancipation by the Romantics and their place in the literature of our own time, the history of the gods can also be read as a ciphered and splendid history of literary inspiration. Rewriting that story, Calasso carves out a sacred space for literature where the presence of the gods is discernible. His inquiry into the nature of “absolute literature” transports us to the realms of Dionysus and Orpheus, Baudelaire and Mallarmé, and prompts a lucid and impassioned defense of poetic form, even when apparently severed from any social function. Lyrical and assured, Literature and the Gods is an intensely engaging work of literary affirmation that deserves to be read alongside the masterpieces it celebrates.

    Abrams has given us a remarkable study, admirably conceived and executed, a book of quite exceptional and no doubt lasting significance for a number of fields - for the history of ideas and comparative literature as well as for English literary history, criticism and aesthetics.

    It's a vision that stands in stark conflict with the anemic modern (and postmodern) perspectives that dominate contemporary life. Medieval Christianity began telling a beautiful story about the good life, but it was silenced in mid-sentence. The Reformation rescued truth, but its modern grandchildren have often ignored the importance of a medieval grasp of the good life. This book sketches a vision of "medieval Protestantism," a personal and cultural vision that embraces the fullness of Christian truth, beauty, and goodness."This volume is a breath of fresh air in our polluted religious environment. Hopefully many readers will breathe deeply of its contents and be energized." -The Presbyterian Witness"[A] delightful apologetic for a Protestant cultural vision. . . . before you write off these two as mere obscurantist Reformed types, take care. I found that some of my objections were, on the surface, more modern than biblical." -Gregory Alan Thornbury, Carl F. Henry Center for Christian Leadership"[T]his book cries out against the bland, purely spiritualized Christianity to which so many of us have become accustomed. . . . I highly recommend it." -David Kind, Pilgrimage, Concordia Theological Seminary

    Study of Islamic canonical decisions (Fatwas) issued in India during the last hundred years.

    He discusses the fate of virtue, the legacy of racism, the moral issues implicated in the war on terrorism, and the objectivity of ethical norms. Against those who see no place for religious reasoning in the democratic arena, Stout champions a space for religious voices. But against increasingly vocal antiliberal thinkers, he argues that modern democracy can provide a moral vision and has made possible such moral achievements as civil rights precisely because it allows a multitude of claims to be heard.Stout's distinctive pragmatism reconfigures the disputed area where religious thought, political theory, and philosophy meet. Charting a path beyond the current impasse between secular liberalism and the new traditionalism, Democracy and Tradition asks whether we have the moral strength to continue as a democratic people as it invigorates us to retrieve our democratic virtues from very real threats to their practice.

    "Concentrating primarily on the 19th century, Lukacs offers brilliant reflections on Scott, Hugo, Tolstoy, and Flaubert, the methods of creating a feeling of historical reality, the tradition of epic, the use of the past by the rising bourgeoisie, the negative influence of naturalism, and the place of overt ideology." Washington Post Book World

    Illustrated with 4 of his own paintings and drawings, it is the most important edition to the canon of this great writer.

    The Human (Arjuna) had lot of Questions to Supreme God (Krishna) and he got answers from God for all those. Most of the time to understand those complex words, people giving explanations and interpretation with someone’s life. We are also very comfortable to listen them and read them, but the moment we are back to our normal life, we forget everything. This book is written for you! Considering a common man life like yours! And how to live our life as per the Supreme God’s wordings! What it offers to you:>> All the 18 Chapters of Gita in Plain English>> Interpretations with our Common life examples>> You have funny and logical questions to god; it’s there inside this book>> Guides you to self evaluate, are you ready for it?>> How far you are from your God? Check hereRecommended:>> For the one, who wants to practice and experience Bhagavad Gita in Life>> For the one, who wants to understand Gita in its real essence>> For the one, who wants to understand Hinduism in true meaningYou too have these Views, then Read this Book:>> There can’t be multiple gods in one world>> If my birth is given by god, then why am i not part of God>> Science is a language to explain his creations and not a mode to reach>> Belief and honesty can take me to my Supreme Power>>Why don’t new Living beings born as per Darwin>>How to see others grow in life>>The Richest and Poorest all have Equanimity with happiness and sadnessAnd So on.•Order Bhagavad Gita here for practicing and experiencing it in your life

    It was the worst bloodbath to take place in more than a century in the heart of the supreme authority of the world's one billion Roman Catholics. Four hours later, the Vatican announced that the lance corporal, twenty-three-year-old Cédric Tornay, had shot the couple, then committed suicide in "a fit of madness" brought on by frutstration with the unit's discipline - a conclusion it reaffirmed after a nine-month internal inquiry.But as John Follain's hard-hitting exposé shows, the official report was a travesty, a tissue of suppositions, contradictions, and omissions. Based on an exhaustive three-year investigation - the first independent attempt to establish the truth - 'City of Secrets' reveals how the Vatican, the oldest and most secretive autocracy in the world, staged an elaborate plot to obstruct justice and hide the scandals it dares not confess. Echoing the pace and plotting of a highstakes thriller, Follain's true-life tale of intrigue moves from the guards' barracks and the pope's palace in Vatican City to Paris, Berlin, and the Swiss Alps, and features a fascinating cast: an old, suffering John Paul II; his chief bodyguard, formerly accused of spying for the Soviet bloc; a mysterious priest punished by the Vatican; and the powerful Opus Dei sect.Timely and explosive, 'City of Secrets' is the story of a still-unsolved crime committed on holy territory, and of a systematic attempt to hide the fatal failings of a security force charged with protecting one of the world's most influential leaders.

    The novel has been hailed as one of the most striking early examples of postmodernism and has become a famous test case for theories about reading because of the apparent impossibility of deciding between several radically different interpretations. Does the book have two narrators, as it first appears, or one? How much is fantasy and how much is reality? Whose fantasy and whose reality are they? Brian Boyd, Nabokov's biographer and hitherto the foremost proponent of the idea that Pale Fire has one narrator, John Shade, now rejects this position and presents a new and startlingly different solution that will permanently shift the nature of critical debate on the novel. Boyd argues that the book does indeed have two narrators, Shade and Charles Kinbote, but reveals that Kinbote had some strange and highly surprising help in writing his sections. In light of this interpretation, Pale Fire now looks distinctly less postmodern--and more interesting than ever.In presenting his arguments, Boyd shows how Nabokov designed Pale Fire for readers to make surprising discoveries on a first reading and even more surprising discoveries on subsequent readings by following carefully prepared clues within the novel. Boyd leads the reader step-by-step through the book, gradually revealing the profound relationship between Nabokov's ethics, aesthetics, epistemology, and metaphysics. If Nabokov has generously planned the novel to be accessible on a first reading and yet to incorporate successive vistas of surprise, Boyd argues, it is because he thinks a deep generosity lies behind the inexhaustibility, complexity, and mystery of the world. Boyd also shows how Nabokov's interest in discovery springs in part from his work as a scientist and scholar, and draws comparisons between the processes of readerly and scientific discovery.This is a profound, provocative, and compelling reinterpretation of one of the greatest novels of the twentieth century.

    In this underground bestseller, which has come to define Spence's political philosophy, he speaks out against the destructive forces in America today-forces of government and corporate tyranny that are robbing us of our freedom-and he warns us that time is running out.In a dramatic new chapter, presented for the first time in a trade paperback edition, Spence recounts in astonishing detail the government shoot-out at Ruby Ridge and the resulting trial of separatist Randy Weaver, revealing the important lessons we must learn from this tragic case.Finally, Spence makes the eloquent case that we, as Americans, have delivered our freedoms to new masters: corporate and governmental conglomerates, our biased court system, and the censored media. From Freedom to Slavery is an urgent work that urges us to resist this tyranny, a book that must be read and discussed by all concerned citizens of our troubled land.

    The basic medieval idea of an ordered Chain of Being is studied by Prof. Tillyard in the process of its various transformations by the dynamic spirit of the Renaissance. Among his topics are: Angels; the Stars & Fortunes; the Analogy between Macrocosm & Microcosm; the Four Elements; the Four Humours; Sympathies; Correspondences; & the Cosmic Dance--ideas & symbols which inspirited the minds & imaginations not only of the Elizabethans but of all of the Renaissance.PrefaceIntroductoryOrderSinThe Chain of BeingThe Links in the ChainThe Corresponding PlanesThe CorrespondencesThe Cosmic DanceEpilogueNotesIndex