USA Today calls this fascinating, entertaining, and blissfully nostalgic look back, “Invaluable.” In The Road to Woodstock, Michael Lang recaptures the magic for the generation that was there…and for the generations that followed.

    From vantage points on both sides of the Atlantic, Chatti investigates the perpetual exile that comes from always being separated from some essential part of oneself.“Tunsiya is Arabic for Tunisian/female, and Amrikiya is Arabic for American/female. This naming makes a cross of empowerment even as it is it requires great effort to bear it. Muslim female power is real and undeniable in thesecoming of age poems. In this collection, arcs spark between Tunisian and American citizenship, male and female duality, sky and earth, and yes and no. This is one of the punchiest and powerful chapbooks to appear in recent years. Leila Chatti is someone to watch.” —JOY HARJO“I marvel at Leila Chatti’s poems, their deceptive ease, their ‘calligraphy of smoke,’ their luminous concern with identity and self, love and family, her aesthetic command. ‘I orbited the town of my origin.’ She writes an America that belongs to the world, not the other way around. ‘What kind of world will we leave/ for our mothers?’ In poems filled with vision, desire, tenderness, she disarms our most guarded partialities, those we hide in our slumber, or deep under our tongues: ‘a Muslim girl who loved her father’; ‘ghost of a word mixed up with our bodies.’ Leila Chatti is a remarkable poet. Take notice.” —FADY JOUDAH“Leila Chatti is a major star. She writes exquisite, indelible, necessary poems, from two worlds mixing, rich as the threads of finest tapestries— glistening, warm. I’m struck by her vibrant sense of detail and perfect pacing. We need her honest, compassionate voice so much, at this moment, and everywhere.”—NAOMI SHIHAB NYE

    Through poetry we tell the world who we are, where we're from, what we love, what we think, how we feel, and why we hope. With a foreword by hip-hop artist and celebrated urban poet Common, Tell the World is a stunning collection of poems by teens who have taken part in workshops run by WritersCorps, a national alliance of literary arts programs for youth.Their words represent the thoughts, hopes, and dreams of teens everywhere, offering both insight and empathy.

    Hybrids of the short story and the essay, the eleven pieces in The King of the Ants present Herbert's very different "apocryphal" views of the mythological past.

    Within these notebooks, Roethke allowed his mind to rove freely, moment by moment, moving from the practical to the transcendental, from the halting to the sublime.Fellow poet and colleague David Wagoner distilled these notebooks—twelve linear feet of bookshelf—into an energetic, wise, and rollicking collection that shows Roethke to be one of the truly phenomenal creative sources in American poetry.From “A Psychic Janitor”: I’m sick of fumbling, furtive, disorganized minds like bad lawyers trying to make too many points that this is an age of criticism: and these, mind you, tin-eared punks who couldn’t tell a poem from an old boot if a gun were put to their heads . . .Cover art by United States Poet Laureate Ted Kooser.

    Wells was an African-American woman who achieved national and international fame as a journalist, public speaker, and community activist. This volume collects three pamphlets that constitute her major works during the anti-lynching movement: Southern Horrors: Lynch Law in All Its Phases, A Red Record, and Mob Rule in New Orleans.

    history, from the abolitionist movement and the struggle for women's rights to the civil rights movement and Watergate. These are events that stir the political imagination; but, as Streitmatter shows, they also demonstrate how American journalism, since the 1760s, has not merely recorded this nation's history but has played a role in shaping it.This book is the first of its kind. Streitmatter avoids the mind-numbing lists of names, dates, and newspaper headlines that bog down the standard journalism history textbook. Instead, Mightier than the Sword focuses on a limited number of episodes, identifying common characteristics within the news media. In his final essay, Streitmatter looks at how the news media have shaped our understanding of events; by drawing examples from various episodes, this synthesis chapter identifies some of the common characteristics that the news media involved in shaping this nation have displayed.

    In The Mecca was nominated for the National Book Award for poetry.

    It has become far too easy to ignore the hardships of millions of children plagued by poverty, poor health, illiteracy, violence, adult hypocrisy, and injustice. As founder and president of the Children's Defense Fund, Marian Wright Edelman knows all too well the suffering of so many of our nation's children, who live every day with adversity most of us can barely imagine. In The Sea Is So Wide and My Boat Is So Small, Edelman asks difficult questions about what we truly value, and looks hard at what we can -- and must -- do to build a nation fit for all children. With the passion and conviction that have made her our leading child advocate, she calls us all to stand up for the future of America. What have we done and what have we left undone? What lessons can we learn from our past and our present to realize a just and peaceful national and world vision for our children and grandchildren? Marian Wright Edelman challenges all of us -- our leaders, our teachers, the faith community, parents, grandparents, and future generations--to end the epidemic physical and spiritual poverty afflicting millions of our children. We can leave our children with a better, safer, and fairer world if we care enough. And we can -- and must -- do it now.

    Born in Martinique in 1928, Glissant earned a doctorate from the Sorbonne. When he returned to his native land in the mid-sixties, his writing began to focus on the idea of a "relational poetics," which laid the groundwork for the "créolité" movement, fueled by the understanding that Caribbean culture and identity are the positive products of a complex and multiple set of local historical circumstances. Some of the metaphors of local identity Glissant favored—the hinterland (or lack of it), the maroon (or runaway slave), the creole language—proved lasting and influential.In Poetics of Relation, Glissant turns the concrete particulars of Caribbean reality into a complex, energetic vision of a world in transformation. He sees the Antilles as enduring suffering imposed by history, yet as a place whose unique interactions will one day produce an emerging global consensus. Arguing that the writer alone can tap the unconscious of a people and apprehend its multiform culture to provide forms of memory capable of transcending "nonhistory," Glissant defines his "poetics of relation"—both aesthetic and political—as a transformative mode of history, capable of enunciating and making concrete a French-Caribbean reality with a self-defined past and future. Glissant's notions of identity as constructed in relation and not in isolation are germane not only to discussions of Caribbean creolization but also to our understanding of U.S. multiculturalism. In Glissant's view, we come to see that relation in all its senses—telling, listening, connecting, and the parallel consciousness of self and surroundings—is the key to transforming mentalities and reshaping societies.This translation of Glissant's work preserves the resonating quality of his prose and makes the richness and ambiguities of his voice accessible to readers in English.

      Writing a college admissions essay is no easy task—but with college essay coach and New York Times contributor Alan Gelb’s accessible and encouraging step-by-step instructions, you’ll be able to write an honest, one-of-a-kind essay that really shines. Gelb’s ten-step approach has garnered great results for the students who have tried it, many of whom were accepted into their dream schools (Harvard, Brown, Yale, and more). This to-the-point handbook shows you how to identify an engaging essay topic, and then teaches you how to use creative writing techniques to craft a narrative that expresses your unique personality, strengths, and goals. Whether you’re an A-student looking for an extra boost or a less-confident writer who needs more intensive help, Gelb’s reassuring and concise guidance will help you every step of the way, from your initial draft to final revision. In the end, you will have a well-polished, powerful, and profound personal statement that you can feel proud of—a college essay that doesn’t feel “pre-fab,” but is a real reflection of your own individuality.

    Barbeau, in keeping with the popular thinking of the time, believed First Nations cultures were about to disappear completely, and that it was up to him to preserve what was left of these dying cultures while he could. Unfortunately, his methods of preserving First Nations cultures included purchasing totem poles and potlatch items from struggling communities in order to sell them to museums. While Barbeau strove to protect First Nations cultures from vanishing, he ended up playing an active role in dismantling the very same cultures he tried to save.Drawing inspiration from Barbeau’s canonical book Totem Poles, Jordan Abel explores the complicated relationship between First Nations cultures and ethnography. His poems simultaneously illuminate Barbeau’s intentions and navigate the repercussions of the anthropologist’s actions.Through the use of erasure techniques, Abel carves out new understandings of Barbeau’s writing – each layer reveals a fresh perspective, each word takes on a different connotation, each letter plays a different role, and each punctuation mark rises to the surface in an unexpected way. As Abel writes his way ever deeper into Barbeau’s words, he begins to understand that he is much more connected to Barbeau than he originally suspected.

    This book provides the first comprehensive survey of Darger's art and writings. Included are reproductions of approximately 114 of Darger's collage drawings and fifteen selections from his writings, focusing on his life's work. "In the Realms of the Unreal," which is an account of a cosmic struggle against child slavery unfolding on a planet vastly larger than our own. This battle between the forces of good--led by the intrepid Vivian sisters--and the evil Glandelinian nations, was illustrated and extended in Darger's art, including the mural-size watercolor drawings that represent his mature achievement as an artist. Michael Bonesteel, a Chicago-based art critic and authority on outsider art, provides an introduction to Darger's work and narrates the Dickensian circumstances of his childhood which, along with his profound religious faith and doubt, shaped his extraordinary sensibility. A true American original, Henry Darger combined an unquestionable innocence with a dark and sometimes deeply disturbing vision to create a body of work of originality and lasting impact.

    His novels are fantastic, brooding and violent.As a journalist, he is solid and well-formed. He has an approachable informality, unawed by massive celebrity His straightforward interviews with Leonardo Di Caprio, Courtney Love, Keanu Reeves, and Bob Mould disarm their subjects to find an urgent, everyday humanity. The feature articles on AIDS, youth culture, and contemporary art take their subjects passionately. But the obituaries for Kurt Cobain, River Phoenix, and William Burroughs are as bracing as a stoic's evaluation of a dead god.All Ears for the first time collects this major 20th-Century novelist's lesser-known work. It will also include several new unpublished piece. All Ears pours necessary critical insight onto the time's leading cultural luminaries.

    Alternating between grand, Whitmanic tone and scope, Dickinsonian minute detail, Beat rhythms, New York School wit and Objectivist sensibility, this epic poem engages traditional lyricism with a breathtaking contemporary style and graceful urgency.A native of California, Eleni Sikelianos has lived in New York City, Paris and Athens. She is the author of the poetry collection, Earliest Worlds, the memoir, Book of Jon (forthcoming from City Lights), and the National Poetry Series award-winning collection The Monster Lives of Boys and Girls.