There are more than 400 line drawings and 121 patterns.

    More frolicsome than Fowler's Modern Usage, lighter than the Oxford English Dictionary, and brimming with the strong opinions and razor-sharp wit that made Amis so popular--and so controversial--The King's English is a must for fans and language purists.

    Previously known as Gone Fishin', this book has brought Jay Rubin more feedback than any of his literary translations or scholarly tomes, "even if," he says, "you discount the hate mail from spin-casters and the stray gill-netter."To convey his conviction that "the Japanese language is not vague," Rubin has dared to explain how some of the most challenging Japanese grammatical forms work in terms of everyday English. Reached recently at a recuperative center in the hills north of Kyoto, Rubin declared, "I'm still pretty sure that Japanese is not vague. Or at least, it's not as vague as it used to be. Probably."The notorious "subjectless sentence" of Japanese comes under close scrutiny in Part One. A sentence can't be a sentence without a subject, so even in cases where the subject seems to be lost or hiding, the author provides the tools to help you find it. Some attention is paid as well to the rest of the sentence, known technically to grammarians as "the rest of the sentence."Part Two tackles a number of expressions that have baffled students of Japanese over the decades, and concludes with Rubin's patented technique of analyzing upside-down Japanese sentences right-side up, which, he claims, is "far more restful" than the traditional way, inside-out."The scholar," according to the great Japanese novelist Soseki Natsume, is "one who specializes in making the comprehensible incomprehensible." Despite his best scholarly efforts, Rubin seems to have done just the opposite.Previously published in the Power Japanese series under the same title and originally as Gone Fishin' in the same series.

    Updates to existing entries cover new controversies regarding such classic books as 'Huckleberry Finn' and 'The Canterbury Tales'.

    Arthur Evans discovered what he believed was the palace of King Minos, with its notorious labyrinth, home of the Minotaur. As a result, Evans became obsessed with one of the epic intellectual stories of the modern era: the search for the meaning of Linear B, the mysterious script found on clay tablets in the ruined palace.Evans died without achieving his objective, and it was left to the enigmatic Michael Ventris to crack the code in 1952. This is the first book to tell not just the story of Linear B but also that of the young man who deciphered it. Based on hundreds of unpublished letters, interviews with survivors, and other primary sources, Andrew Robinson’s riveting account takes the reader through the life of this intriguing and contradictory man. Stage by stage, we see how Ventris finally achieved the breakthrough that revealed Linear B as the earliest comprehensible European writing system.

    S. Eliot, Marcel Proust, James Joyce, and Gertrude Stein. As Alfred Kazin later wrote, "Wilson was an original, an extraordinary literary artist . . . He could turn any literary subject back into the personal drama it had been for the writer."

    "I believe that you must be able to draw things as you see them--realistically," wrote Rudy de Reyna in his introduction.Today, generations of artists have learned to draw what they see, to truly capture the world around them, using de Reyna's methods. How to Draw What You See shows artists how to recognize the basic shape of an object--cube, cylinder, cone, or sphere--and use that shape to draw the object, no matter how much detail it contains.

    That’s the message from Austin Kleon, a young writer and artist who knows that creativity is everywhere, creativity is for everyone. A manifesto for the digital age, Steal Like an Artist is a guide whose positive message, graphic look and illustrations, exercises, and examples will put readers directly in touch with their artistic side.

    A brilliant, authoritative feminist history that examines the unrecognized holocaust--an "ethnic cleansing" of independent women in Reformation Europe--and the residual attitudes that continue to influence our culture.

    An essential volume in any serious craftperson's library, this book covers setting up a smithy (anvil, forge, hammer, tongs, and all), and manufacturing everything from stone-carving chisels to decorative wall hooks.

    Concise and readable explanations ofthe technical terms most frequently encountered by the museum-goer are presented in an easily portable format. With numerous illustrations, many of them in color, this volume will be invaluable to all readers wishing to increase their understanding and enjoyment of illuminated manuscripts.

    Written in a clear and informative style, the dictionary describes the Indo-European origins of English and includes many new words and coinages adopted each year.

    The new edition is now in 4-color and introduces a new chapter on web design.. . This textbook is for journalism students and professionals alike. It is loaded with examples, advice, design ideas, and exercises that teach students how to manipulate the basic elements of design (photos, headlines, and text); create charts, maps, and diagrams; design attractive photo spreads; add effective, appealing sidebars to complex stories; create lively, engaging feature page designs; work with color; and redesign a newspaper.

    Inkle weaving is a simple technique that offers ample opportunity for experimentation by beginners and experienced weavers. This book provides 400 patterns for loom enthusiasts and is the most comprehensive tool available to weavers.You’ll discover:*An overview of inkle weaving’s history and traditions.*Instructions for loom set-up and simple techniques.*An astonishing 400 woven patterns—some making their first debut.*Illustrated samples and charts.*Drafts provided throughout the entire guide.An incomparable guide, Anne Dixon offers all of the tips, tricks, and techniques to these traditional and modern patterns and introduces a bounty of new, innovative designs as well. Inkles can be used for a variety of projects ranging from belts and braces to trims and neckpieces. They can be stitched together to make bags, mobile-phone purses, cushion-covers, table-mats, and much more.Also included is a foreword by Madelyn van der Hoogt, the editor of Handwoven magazine and the author of The Complete Book of Drafting and The Weaver’s Companion (Interweave). She opened the Weaver’s School in 1984 and teaches weaving workshops throughout the United States and Canada.

    From brides who want to address their wedding invitations to do-it-yourselfers who want to prepare certificates or make a family tree, and even for art journalers and scrapbookers who like creative text in their works, calligraphy books and classes are hot.This new-in-hardcover book will spark the interest of the calligraphy novice by introducing a new approach to lettering, one that combines a lively combination of traditional lettering styles, fun and scripty modern styles, and artsy street-style lettering, along with project ideas that incorporate creative lettering.The book demonstrates the uses of traditional and cutting edge lettering tools, from classic calligraphy pens to bling-producing metallic foils and glue pens. It introduces a wide array of lettering styles with complete alphabets sample artworks that show an application. Fully stepped-out illustrations break down each letterform, taking the reader through each stroke and a large collection of gallery images provides further inspiration for how to use creative lettering in artwork.