Teaching students to "transgress" against racial, sexual, and class boundaries in order to achieve the gift of freedom is, for hooks, the teacher's most important goal.Bell hooks speaks to the heart of education today: how can we rethink teaching practices in the age of multiculturalism? What do we do about teachers who do not want to teach, and students who do not want to learn? How should we deal with racism and sexism in the classroom?Full of passion and politics, Teaching to Transgress combines practical knowledge of the classroom with a deeply felt connection to the world of emotions and feelings. This is the rare book about teachers and students that dares to raise critical questions about eros and rage, grief and reconciliation, and the future of teaching itself."To educate as the practice of freedom," writes bell hooks, "is a way of teaching that any one can learn." Teaching to Transgress is the record of one gifted teacher's struggle to make classrooms work.–from the back of the book

    In fact, right up to the Industrial Revolution the fiber arts were an enormous economic force, belonging primarily to women.Despite the great toil required in making cloth and clothing, most books on ancient history and economics have no information on them. Much of this gap results from the extreme perishability of what women produced, but it seems clear that until now descriptions of prehistoric and early historic cultures have omitted virtually half the picture.Elizabeth Wayland Barber has drawn from data gathered by the most sophisticated new archaeological methods—methods she herself helped to fashion.

    "Poignant, sexy. . . lyrical, passionate. . . cool and delicate. . . hot as a chili pepper."--Boston Globe.

    Funny, passionate, and compelling prose on what it means to be queer and happy about it in a world that is still arguing about what it means to be queer.

    Targeting cultural icons as diverse as Madonna and Spike Lee, Outlaw Culture presents a collection of essays that pulls no punches. As hooks herself notes, interrogations of popular culture can be a 'powerful site for intervention, challenge and change'. And intervene, challenge and change is what hooks does best.

    Dalloway (1925) To the Lighthouse (1927) The Waves (1931) The Years (1937) Between the Acts (1941) THE 'BIOGRAPHIES' Orlando: a biography (1928) Flush: a biography (1933) Roger Fry: a biography (1940) THE STORIES Two Stories (1917) Kew Gardens (1919) Monday or Tuesday (1921) A Haunted House, and other short stories (1944) Nurse Lugton's Golden Thimble (1966) Mrs Dalloway's Party (1973) The Complete Shorter Fiction (1985) THE ESSAYS Mr. Bennett and Mrs. Brown (1924) The Common Reader I (1925) A Room of One's Own (1929) On Being Ill (1930) The London Scene (1931) A Letter to a Young Poet (1932) The Common Reader II (1932) Walter Sickert: a conversation (1934) Three Guineas (1938) Reviewing (1939) The Death of the Moth, and other essays (1942) The Moment, and other essays (1947) The Captain's Death Bed, and other essays (1950) Granite and Rainbow (1958) Books and Portraits (1978) Women And Writing (1979) 383 Essays from newspapers and magazines AUTOBIOGRAPHICAL WRITING A Writer's Diary (1953) Moments of Being (1976) The Diary Vols. 1–5 (1977-84) The Letters Vols. 1–6 (1975-80) The Letters of V.W. and Lytton Strachey (1956)  A Passionate Apprentice. The Early Journals 1887-1909 (1990)  THE PLAY Freshwater: A Comedy (both versions) (1976)

    Yet for her, headline events were only the backdrop to a less obvious but more enduring drama: the daily life of Muslim women. Nine Parts of Desire is the story of Brooks' intrepid journey toward an understanding of the women behind the veils, and of the often contradictory political, religious, and cultural forces that shape their lives. Defying our stereotypes about the Muslim world, Brooks' acute analysis of the world's fastest growing religion deftly illustrates how Islam's holiest texts have been misused to justify repression of women, and how male pride and power have warped the original message of a once liberating faith.

    Part coming-of-age story, part mind-altering manifesto on gender and sexuality, coming directly to you from the life experiences of a transgender woman, Gender Outlaw breaks all the rules and leaves the reader forever changed.26 black-and-white illustrations.

    The essays are addressed to everyone interested in the roots of the colonized woman's reality. Castillo introduces the term Xicanisma in a passionate call for a politically active, socially committed Chicana feminism. In "A Countryless Woman, " Castillo outlines the experience of the brown woman in a racist society that recognizes race relations mostly as a black and white dilemma. Essays on the Watsonville strike, the early Chicano movement, and the roots of machismo illustrate the extent to which women still struggle against male dominance. Other essays suggest strategies for opposing the suppression of women's spirituality and sexuality by institutionalized religion and the state. These challenging essays will be a provocative guide for those who envision a new future for women as we face a new century.

    bell hooks called it a “courageous and daring [example of] the reality that political solidarity, forged in struggle, can exist across differences.” Adrienne Rich wrote that it was “a unique document and thoroughly fascinating.”Juxtaposing childhood memories with contemporary events, Segrest described her journey into the heart of her culture, finally veering from its trajectory of violence toward hope and renewal. Now, amid our current national crisis driven by an increasingly apocalyptic white supremacist movement, Segrest returns with an updated edition of her classic book. With a new introduction and afterword that explore what has transpired with the far right since its publication, the book brings us into the age of Trump—and to what can and must be done.Called “a true delight” and a “must-read” (Minnesota Review), Memoir of a Race Traitor is an inspiring and politically potent book.

    Toni Morrison uses modernist techniques of stream-of-consciousness, multiple perspectives, and deliberate fragmentation. Two different narrators tell the story. The first is Claudia MacTeer, who narrates in a mixture of a child’s and an adult’s perspectives, and the second is an omniscient narrator. Claudia’s and Pecola’s points of view are dominant, but the reader also sees things from other character’s points of view.The subtext of the first part of the novel ('Autumn' and 'Winter') suggests various topics. In my presentation, I mainly focus on the “Dick and Jane narrative” by means of which the novel opens. Furthermore, I will explore the themes “whiteness as the standard of beauty” and “seeing versus being seen” which are sometimes closely connected.'The Bluest Eye' provides an extended depiction of the ways in which internalized white beauty standards deform the lives of black girls and women. Implicit messages that whiteness is superior are everywhere, including the white baby doll given to Claudia, the idealization of Shirley Temple, the consensus that light-skinned Maureen is cuter than the other black girls, and the idealization of white beauty in the movies. Pecola eventually desires blue eyes in order to conform with these white beauty standards imposed on her.However, by wishing for blue eyes, Pecola indicates that she wishes to see things differently as much as she wishes to be seen differently.

    J. Simpson? Why women were no more supportive of the Equal Rights Amendment than men? Why women are no more likely than men to support a female political candidate? Why women are no more likely than men to embrace feminism--a movement by, about, and for women? Why some women stay with men who abuse them? "Loving to Survive" addresses just these issues and poses a surprising answer. Likening women's situation to that of hostages, Dee L. R. Graham and her co- authors argue that women bond with men and adopt men's perspective in an effort to escape the threat of men's violence against them.Dee Graham's announcement, in 1991, of her research on male-female bonding was immediately followed by a national firestorm of media interest. Her startling and provocative conclusion was covered in dozens of national newspapers and heatedly debated. In "Loving to Survive," Graham provides us with a complete account of her remarkable insights into relationships between men and women.In 1973, three women and one man were held hostage in one of the largest banks in Stockholm by two ex-convicts. These two men threatened their lives, but also showed them kindness. Over the course of the long ordeal, the hostages came to identify with their captors, developing an emotional bond with them. They began to perceive the police, their prospective liberators, as their enemies, and their captors as their friends, as a source of security. This seemingly bizarre reaction to captivity, in which the hostages and captors mutually bond to one another, has been documented in other cases as well, and has become widely known as Stockholm Syndrome.The authors of this book take this syndrome as their starting point to develop a new way of looking at male-female relationships. "Loving to Survive" considers men's violence against women as crucial to understanding women's current psychology. Men's violence creates ever-present, and therefore often unrecognized, terror in women. This terror is often experienced as a fear for any woman of rape by any man or as a fear of making any man angry. They propose that women's current psychology is actually a psychology of women under conditions of captivitythat is, under conditions of terror caused by male violence against women. Therefore, women's responses to men, and to male violence, resemble hostages' responses to captors."Loving to Survive" explores women's bonding to men as it relates to men's violence against women. It proposes that, like hostages who work to placate their captors lest they kill them, women work to please men, and from this springs women's femininity. Femininity describes a set of behaviors that please men because they communicate a woman's acceptance of her subordinate status. Thus, feminine behaviors are, in essence, survival strategies. Like hostages who bond to their captors, women bond to men in an effort to survive.This is a book that will forever change the way we look at male-female relationships and women's lives.

    Drawing on hundreds of interviews and scores of documents never seen before, Mayer and Abramson demonstrate that the political machinations that assured Thomas's ascension to the Court went far beyond what was revealed to the public: Several witnesses were prepared but not allowed to testify in support of Anita Hill's specific allegations about Thomas's pronounced interest in sexually explicit materials.; Republican Judiciary Committee members manipulated the FBI and misled the American public into believing that Hill was fabricating testimony during the televised hearings.; Clarence Thomas mythologized certain elements of his upbringing and career to draw attention away fr

    Award-winning journalist Jan Goodwin traveled through ten Islamic countries and interviewed hundreds of Muslim women, from professionals to peasants, from royalty to rebels. The result is an unforgettable journey into a world where women are confined, isolated, even killed for the sake of a "code of honor" created and zealously enforced by men.Price of Honor brings to life a world in which women have become pawns in a bitter power game, and gives readers a provocative look inside Muslim society today--in their own words.

    The result was a groundbreaking book in which she brought the disturbing statistics to life with skill and flair of an experienced journalist. Orenstein plumbs the minds of both boys and girls who have learned to equate masculinity with opportunity and assertiveness, and femininity with reserve and restraint. She demonstrates the cost of this insidious lesson, by taking us into the lives of real young women who are struggling with eating disorders, sexual harassment, and declining academic achievement, especially in math and science. Peggy Orenstein's SchoolGirls is a classic that belongs on the shelf with the work of Carol Gilligan, Joan Jacobs Brumberg, and Mary Pipher. It continues to be read by all who care about how our schools and our society teach girls to shortchange themselves.

    Published here in English for the first time Helene Cixous, Rootprints is an ideal introduction to Cixous's theory and her fiction, tracing her development as a writer and intellectual whose remarkable prespicacity and electrifying poetic force are known world-wide.Unprecedented in its form and content this collection breaks new ground in the theory and practice of auto/biography. Cixous's creative reflections on the past provide occasion for scintillating forays into the future.The text includes: * an extended interview between Cixous and Calle-Gruber, exploring Cixous's creative and intellectual processes* a revealing collection of photographs taken from Cixous's family album, set against a poetic reflection by the author * selections from Cixous's private notebooks* a contribution by Jacques Derrida* original 'thing-pieces' by Calle-Gruber.

    . . . Until Power, feminist art has been conspicuously absent from standard academic narratives. . . . Now, no critic or historian, conservative or not, can argue that feminist art is insignificant.--Elizabeth Hess, Village Voice. 270 illustrations, 118 in full color.

    Braidotti argues for a new kind of philosophical thinking, one that would include the insights of feminism and abandon the hegemonic mode that is conventionally adopted in high theory.

    Providing both a chronicle of the radical sex movement in the United States, as well as the definitive opinions of America's most consistent and trenchant sexual critic, Public Sex is must-read material for anyone interested in sexual practices, feminism, censorship, or simply the art of the political essay.

    While anti-Arab racism depicts Arab women as veiled, passive victims living in hopelessly sexist communities, Food for our Grandmothers analyzes and challenges these innacurate and distorted views.

    The substantial pieces range broadly across her entire oeuvre, and include essays, works of fiction, lectures and drama. Arranged helpfully in chronological order, the extracts span twenty years of intellectual thought and demonstrate clearly the development of one of the most creative and brilliant minds of the twentieth century.With a foreword by Jacques Derrida, a preface by Cixous herself, and first-class editorial material by Susan Sellers, The Helene Cixous Reader is destined to become a key text of feminist writing.

    In the emotionally evocative style that characterizes Martz's previous collections, this book explores coming of age, sexuality, child-birth, physical power, menopause, aging, and much more. This is more than just another book about body image. Using her talent for bringing together extraordinary stories, poems, and photographs about women's lives, editor Sandra Martz explores the broader question of how the physical aspects of being female affect women's experiences. This best-selling anthology will have women reading and thinking and sharing for a long time.

    Jean Shinoda Bolen's extraordinary memoir celebrates the pilgrimage that heralded her spiritual awakening and leads readers down the path of self-discovery. In this account of her journey to Europe in search of the sacred feminine, she unveils the mythological significance of the midlife search for meaning and renewal."[Bolen] charts a path that will lead many readers to the heart of their own emotional and spiritual pilgrimages."- San Francisco Chronicle Book Review"This wise and challenging work, the most personal of Jean Shinoda Bolen's books, is an absorbing often uncannily perceptive, and useful companion for the soul journeys of our time, which is The Time of the Goddess Returning.- Alice Walker, author of The Color Purple"In Crossing to Avalon, Jean Shinoda Bolen turns her acute and brilliant eye toward the interconnectedness of women's mysteries, sacredness of the body, the effect of pilgrimage on soul, and deep feminine friendships."- Clarissa Pinkola Estes, Ph.D., author of Women Who Run with the WolvesJean Shinoda Bolen, M.D., is a Jungian analyst and clinical professor of psychiatry at the University of California, San Francisco. She is the author of Goddesses in Everywoman, Gods in Everyman, and The Tao of Psychology.

    This landmark work of scholarship offers an enlightening review of the shifting concept of "lesbian literature," followed by examples of six different genres: Romantic Friendship, Sexual Inversion, Exotic and Evil Lesbians, Lesbian Encoding, Lesbian Feminism, and Post-Lesbian Feminism.Faderman examines works as diverse as Willa Cather's My Antonia and Virginia Woolf's Orlando; poetry by Gertrude Stein and Amy Lowell; fiction by Carson McCullers, Helen Hull, and Alice Walker. In addition, Chloe Plus Olivia contains writing by men who focused on women's relationships. These writings are included in the early section of the book and were, in various ways, important to the development of lesbian literature, since men were far more likely than women to achieve publication in other centuries.It would be impossible to identify a single "great tradition" of lesbian writing, since it is in constant metamorphosis, reflecting changing social attitudes and women's voices. Chloe Plus Olivia, with its historical scope enhanced by Faderman's own personal search for a definition of lesbian literature, makes this the first book of its kind; it is certain to become the point of reference from which all subsequent studies of lesbian literature will begin.

    While much has been written on feminism and therapy, this bold book breaks new ground by making explicit and coherent the theoretical underpinnings of feminist therapy.Building on the revolutionary work of feminist scholars who have described how women employ strategies of knowing the world in a manner distinct from men, Laura S. Brown, noted for her pioneering work in the field of ethics and boundaries, shows how these insights should reshape the very nature of the therapeutic encounter. Therapy must be understood as an opportunity to help clients see the relationships between their behavior and the patriarchal society in which we are all embedded. Viewed in this light, feminist therapy affords both practitioner and client a chance to subvert the system in which women’s lives have been devalued.With meticulous care, the author examines key features of the therapeutic encounter with a feminist lens: the power of the therapist; assessment and diagnosis; the nature of change; the ethics of practice; and differences in race, class, and sexual identity. She constructs a vision of therapy that helps the client develop a sense of entitlement to satisfying and equal relationships outside the therapist’s office. She proposes that clients need help finding their “mother tongue” and retelling their story in a language freed from the patriarchal notions that have shaped and limited their experience. Her vision of therapy considers the dilemmas faced by feminist therapists who must work within a mental health system that is inherently sexist and use its flawed or problematic tools for testing and treatment.This powerful vision of feminist therapy is grounded throughout with case examples that illustrate how a dialogue between therapist and client can be healing, subversive, and transformative all at once.

    According to Adams, the patriarchal mind constructs both women and animals as other, and sees them only in terms of their usefulness. Insofar as women participate in meat-eating, Adams argued, they are complicit in their own oppression. Although most of the essays were previously published, they have been largely inaccessible and so the collection is welcome. Some of the essays are geared to sophisticated academic audiences; most presume at least some acquaintance with feminist theory, but even general readers with an interest in animal rights should be intrigued by Adams's work.

    Biblical interpretation combines with fantasy, autobiography, and poetry. Politics joins with eroticism. Irreverence coexists with a yearning for the sacred. Scholarship contends with heresy. Most excitingly, the author continues and extends the tradition of arguing with God that commences in the Bible itself and continues now, as it has for centuries, to animate Jewish writing. The difference here is that the voice that debates with God is a woman's. In her introduction, "Entering the Tents, " Ostriker defines the need to struggle against a tradition in which women have been silenced and disempowered - and to recover the female power buried beneath the surface of the biblical texts. In "The Garden, " she reinterprets the mythically complex stories of Creation. Then she considers the stories of "The Fathers, " from Abraham and Isaac to Moses, David, and Solomon - and their wives, mothers, and sisters. In "The Return of the Mothers, " she begins with a radical new interpretation of the book of Esther, includes a meditation on the silenced wife of Job and the idea of justice, and concludes with a fable on the death of God and a prayer to the Shekhinah, the feminine aspect of God. Ostriker refuses to dismiss the Bible as meaningless to women. Instead, in this angry, eloquent, visionary book, she attempts to recover what is genuinely sacred in these sacred texts.

    Here is a rich and insightful story of a life lived on the edge by a woman formerly preoccupied with pleasing everyone but herself.From the Hardcover edition.

    Contributors cover a wide range of subjects from analysis of the work of gay composers to queer readings of Schubert's 'Unfinished Symphony.'

    Without a continuing lineage, without a temple, the contemporary sexual healer has many faces. Today she is a sex surrogate, sexual meditation teacher, call girl, porn star, or even a shaman.

    The women—primarily of Muslim but also of Croatian and Serbian origin—have endured the atrocities of rape and the loss of loved ones. Their testimony, published in the 1993 German edition, is bare, direct, and its cumulative effect overwhelming. The first English edition contains Stiglmayer's updates to her own two essays, one detailing the historical context of the current conflict and the other presenting the core of the book, interviews with some twenty victims of rape as well as interviews with three Serbian perpetrators. Essays investi-gating mass rape and war from ethnopsychological, sociological, cultural, and medical perspectives are included.New essays by Catharine A. MacKinnon, Rhonda Copelon, and Susan Brownmiller address the crucial issues of recognizing the human rights of women and children. A foreword by Roy Gutman describes war crimes within the context of the UN Tribunal, and an afterword by Cynthia Enloe relates the mass rapes of this war to developments and reactions in the international women's movement.Accounts of torture, murder, mutilation, abduction, sexual enslavement, and systematic attempts to impregnate—all in the name of "ethnic cleansing"—make for the grimmest of reading. However brutal and appalling the information conveyed here, this book cannot and should not be ignored.

    Mary McCarthy conveys the vitality of Florence while Willa Cather's essay on Lavandou foreshadows her descriptions of the French countryside in later novels. Others are more active participants in the culture they are visiting, such as Leila Philip, as she harvests rice with chiding Japanese women, or Emily Carr, as she wins the respect and trust of the female chieftain of an Indian village in Northern Canada. Whether it is curiosity about the world, a thirst for adventure or escape from personal tragedy, all of these women are united in that they approached their journeys with wit, intelligence, compassion and empathy for the lives of those they encountered along the way. Features writing from Gertrude Bell, Edith Wharton, Isabella Bird, Kate O'Brien, Lady Mary Wortley Montagu and many others.

    Beth Brant put this collection of essays, talks and theory together to convey the message that words are sacred because they come from a place of mystery and give meaning and existence to life.

    Lubell's artistic and literary sources support the argument that from the earliest moments of civilization, humans have respected and revered female sexual energy, graphically symbolized in the vulva, as an indispensable force in the balance of nature. Over the ages, the images of Baubo and her sisters assumed deviant and disturbing forms, but the basic lines of her legend and its visual manifestations were not completely obscured. Nor, as this book will show, has Baubo's essential power been destroyed even in our own age.

    The selections showcase the common experiences of women writers as children, daughters, wives, lovers, mothers, artists, travelers, and intellectuals; together they form a moving cultural history of the United States form a moving cultural history of the United States from a female perspective. Among the different voices of these accomplished prose stylists, one hears a common note of humor and irreverence, and the ring of conviction and confidence that comes from a well-forged identity.

    Recent texts which fall under this rubric rely on unexamined notions of “sisterhood” and the recovery of “lost” voices. In these essays about her work with women in Southern India, Kamala Visweswaran addresses such troubled issues. Blurring distinctions between ethnographic and literary genres, these essays employ the narrative strategies of history, fiction, autobiography and biography, deconstruction, and post-colonial discourse to reveal the fictions of ethnography and the ethnography in fiction.

    Blazing with anger and crackling with wit!

    Analyzing data from the psychoanalyst’s couch to the hidden history of wet nursing, psychologist Shari L. Thurer wends her way from the Stone Age to the age of Hillary Rodham Clinton, painting a vivid, often frightening picture of life for mothers and children in a time when their roles were constructed by men. Along the way, she debunks myth after myth—exposing the not-so-golden ages of Classical Greece and the Italian Renaissance, and revealing the pervasive ideal of Dr. Spock’s selfless, stay-at-home mother as the historical aberration it actually was. A work of impassioned scholarship and astonishing range, The Myths of Motherhood does nothing less than recast our conception of good mothering.

    She identifies the household as a primary site for the construction of power relations and compares the extent to which gender inequalities are revealed in different approaches to the concept of the family unit. The book assesses the inadequacies of the poverty line as a measuring tool and provides a critical overview of an issue that has been fiercely contested by feminists: population control. While feminists themselves have no unanimous view of the meaning of “reproductive choice,” Kabeer argues that it is imperative for them to take a lead in the construction of population policy.

    Essays by Hyun Yi Kang, Elaine H. Kim, Lisa Lowe, Shelley Sunn Wong, and artwork by Yong Soon Min.

    Offering readings from Nietzsche, Derrida, Irigaray, Kristeva, Freud and Lacan, Oliver builds an innovative foundation for an ontology of intersubjective relationships that suggests a new approach to ethics

    In this second edition, Pat LittleDog adds an epilogue to conclude the story, describing the mixed blessings that publicity brought to Jewel Babb before her death in 1991.

    

    Routledge is an imprint of Taylor & Francis, an informa company.

    This flourishing women's press provided a forum for debating such topics as the rights of woman, marriage and divorce, and veiling and seclusion, and also offered a mechanism for disseminating new ideologies and domestic instruction. In this book, Beth Baron presents the first sustained study of this remarkable material, exploring the connections between literary culture and social transformation.Starting with profiles of the female intellectuals who pioneered the women's press in Egypt—the first generation of Arab women to write and publish extensively—Baron traces the women's literary output from production to consumption. She draws on new approaches in cultural history to examine the making of periodicals and to reconstruct their audience, and she suggests that it is impossible to assess the influence of the Arabic press without comprehending the circumstances under which it operated.Turning to specific issues argued in the pages of the women's press, Baron finds that women's views ranged across a wide spectrum. The debates are set in historical context, with elaborations on the conditions of women's education and work. Together with other sources, the journals show significant changes in the activities of urban middle- and upper-class Egyptian women in the decades before the 1919 revolution and underscore the sense that real improvement in women's lives—the women's awakening—was at hand. Baron's discussion of this extraordinary trove of materials highlights the voices of the female intellectuals who championed this awakening and broadens our understanding of the social and cultural history of the period.

    Contributors include Nikki Giovanni, Rita Dove, Gloria Nayor, J. California Cooper, and Barbara Neely.

    The second section, "On Becoming 'AdNormal': Finding, Creating, and Accepting Wellness," suggests ways of unlearning destructive behaviors and attitudes that affect people of color, and moving toward self-defined emotional, mental, physical, and spiritual health.There is no homogeneity among women of color in the United States. The women represented in this collection are African, Asian, Sephardic Jew, Latina, Middle Eastern, Native Hawaiian, First Nation, and various mixtures. Some have never before been published; others are well-known to many. Their perceptions are presented to encourage women to be more accessible to each other. A 52-item reading list and a 51-item resource list are included.

    Over 300,000 copies have been sold in Germany since 1975.Shedding and Literally Dreaming, a collection of eight stories written a decade later, portrays women living together in rural settings, independent of men. The autobiographical essay “Euphoria and Cacophony” traces the extraordinary reception and backlash that greeted Shedding and Stefan’s emergence as a writer and a symbol of the German women’s movement.In resonant prose, and with a refreshing honesty, Stefan speaks to the universality of women's lives, a concept popular in the 1970s and 1980s, and ripe for re-discussion now in the 1990s. Stefan was a pioneer in "experimental writing" before the phrase was coined, and her writing about women's lives is as immediate today as when it first exploded on the German literary scene.

    This collection includes writings by new voices, as well as by Alice Walker, Gwendolyn Brooks, Maxine Hong Kingston, Louise Erdrich, Paule Marshall, Amy Tan, Toni Morrison, Judith Ortiz Cofer, Leslie Marmon Silko, Maya Angelou, Rita Dove, June Jordan, Lucille Clifton, Ntozake Shange, Nikki Giovanni, and others.

    This revised and updated edition of "the most critically acclaimed book" (Publishers Weekly) on domestic violence includes new information on the effect of the 1994 Violence Against Women Act, examines resources on the Internet, and details what you can do to help stop battering.

    Nominated for the National Book Critics Circle Award, this brilliant, insightful, controversial, and courageous book contains the best of Pollitt's pieces, which have galvanized readers of The Nation, The New Yorker and The New York Times, on subjects that range from abortion and breast implants to date-rape, marriage, the media, and violence.

    Hardly a sphere of nineteenth-century life can be found in which Lydia Maria Child did not figure prominently as a pathbreaker. Although best known today for having edited Harriet A. Jacobs’s Incidents in the Life of a Slave Girl, she pioneered almost every department of nineteenth-century American letters—the historical novel, the short story, children’s literature, the domestic advice book, women’s history, antislavery fiction, journalism, and the literature of aging. Offering a panoramic view of a nation and culture in flux, this innovative cultural biography (originally published by Duke University Press in 1994) recreates the world as well as the life of a major nineteenth-figure whose career as a writer and social reformer encompassed issues central to American history.

    "In Elisabeth Schussler Fiorenza, feminist biblical scholars now have a dynamic and erudite leader. Highly recommended".--"Library Journal".

    To begin with the study's underlying paradox, "spiritual materialism": the author wishes to understand why the act of grasping materialities—a sob in the body or the body itself—has so often required a spiritual discourse; why materialism, as a way of naming matter-on-its-own-terms, and material relations that still lie submerged, hidden from view, evoke the shadowy forms we call "spiritual."

    Documenting in devastating detail the lives of street prostitutes and the international traffic in women, Barry's work was called powerful and compassionate by Adrienne Rich and a courageous and crusading book that should be read everywhere by Gloria Steinem. The Los Angeles Times found it a powerful work filled with disbelief, outrage, and documentation...sexual bondage shackles women as much today as it has for centuries.In The Prostitution of Sexuality, Barry assesses where we are 15 years later, how far we've come and, more importantly, how far we have still to go. Shifting her focus from the sexuality of prostitution to the prostitution of sexuality, Barry exposes the practice of teenage sexual exploitation and the flourishing Asian sex tour industry, emphasizing the world-wide role of the expanding multi-billion dollar pornography industry. The work identifies the global conditions of sexual exploitation, from sex industrialization in developing countries to the normalization of prostitution in the West. The Prostitution of Sexuality considers sexual exploitation a political condition and thus the foundation of women's subordination and the base from which discrimination against women is constructed and enacted. Breaking new ground, Barry convincingly argues for the need to integrate the struggle against sexual exploitation in prostitution into broader feminist struggles and to place it, as one of several connected issues, in the forefront of the feminist agenda.Barry concludes the book with a sampling of strategies--international, regional, local, and personal--that feminist activists have employed successfully since the early 1980s, highlighting new international legal strategies for human rights resulting from her work.

    Their stories offer a rare and special opportunity to witness the harrowing experience of flight and dislocation and to marvel at the resilience of the human spirit. "I am an exile, " writes Mahnaz Afkhami. "I have been in exile for fifteen years. I have been forced to stay out of my own country, Iran, because of my work for women's rights. I recognized no limits, ends, or framework in this work outside those set by women themselves in their capacity as independent human beings. The charges against me are 'corruption on earth' and 'warring with God.' Being charged in the Islamic Republic of Iran is being convicted. There is no defense or appeal, although I would not have known how to defend myself against such a grand accusation as warring with God anyway. There has not been a trial, not even in absentia, and no formal conviction. Nevertheless, my home in Tehran has been ransacked and confiscated, my books, pictures, and mementos taken, my passport invalidated, and my life threatened repeatedly." Attempting to come to terms with her own life in exile, Mahnaz Afkhami sought out and talked with twelve other women, from all parts of the globe, most now settled in the United States. With her, we meet Samnang of Cambodia, survivor of a bloody march to nowhere who now teaches preventive health practices; Azar, whose flight took her through the Iran-Turkish mountains on horseback, protected by no government, sought by two, who now manages a major publications program and two healthy children; Maria Teresa, beaten, raped, and tortured in El Salvador after the assassination of her husband, who now travels around the world on behalf of human rights; Ngoc-Ho, a doctor in Vietnam, whose small child did not survive a six-day flight by boat, who is now a leader in the Vietnamese community.

    Here are thirty-eight key texts, representing the voices of women in Africa, Asia, and Latin America as well as those working among minorities in places such as Israel, the USA, and the Pacific. The readings are grouped under five headings: Doing Theology from Third World Women's Perspective, Women's Oppression and Cries of Pain, The Bible as a Source of Empowerment for Women, Challenging Traditional Theological Thinking, and A Newly Emerging Spirituality. All texts are placed in context by brief introductory comments, while the main introduction to the whole book provides a helpful overview of the major issues and developments in Christian-feminist thinking throughout the Third World and beyond. Among the contributors are: Chung Hyun Kyung (Korea); Ivone Gebara (Brazil); Kwok Pui-lan (Hong Kong); Mercy Amba Oduyoye (Ghana); Delores S. Williams (USA).

    Dedication writings on first page otherwise the book is in good condition. Immediate shipping

    Karen Joslin knows how to use both love and power in parenting, and presents easily understood solutions to common problems." GLENN AUSTIN, M.D., F.A.A.P.Former President, American Academy of PediatricsParenting expert and mother Karen Renshaw Joslin provides concrete age-specific solutions to more than 140 child misbehaviors. With this reassuring guide, alphabetically organized for easy access, you can: look up the problem and immediately pinpoint the case, learn specfically what to do, according to your child's age, know the exact words to say with actual dialogue examples, and more.

    It addresses basic questions about the conceptual underpinnings of `women-nature' connections, and emphasises the importance of seeing sexism and the exploitation of the environment as parallel forms of domination. Ecological Feminism is enriched by the inclusion of essays which take differing views of the importance and nature of ecofeminism. It will be an invaluable resource for courses on women's studies, environmental studies and philosophy.

    These true stories call for an examination of our lives both individually and collectively, and reveal an understanding of the good news that is dynamic and alive today.

    Becky W. Thompson shows us how race, class, sexuality, and nationality can shape women's eating problems. Based on in-depth life history interviews with African-American, Latina, and lesbian women, her book chronicles the effects of racism, poverty, sexism, acculturation, and sexual abuse on women's bodies and eating patterns. A Hunger So Wide and So Deep dispels popular stereotypes of anorexia and bulimia as symptoms of vanity and underscores the risks of mislabeling what is often a way of coping with society's own disorders. By featuring the creative ways in which women have changed their unwanted eating patterns and regained trust in their bodies and appetites, Thompson offers a message of hope and empowerment that applies across race, class, and sexual preference.

    Sheila Kitzinger is the author of Pregnancy and Childbirth, one of the world's best-known childbirth educators, social anthropologist, and mother of five daughters.

    14-Feb. 27 and Mar. 5-April 10, 1994. With essays by Marcia Tucker, Marcia Tanner, Linda Goode Bryant, and Cheryl Dunye "Bad Girls is a serious exhibition about the plurality of contemporary feminist art. . . . Tucker should be congratulated for staking her territory smack in the middle of current feminist debates." -- "The Village Voice" "Bad Girls' satirical sendup of feminism is refreshing . . . excess and outrageousness is the rule." -- "The New York Observer"Unconventional and distinctly "unladylike, " Bad Girls considers many issues and controversies raised by the recent exhibitions "Bad Girls" and "Bad Girls West, " mounted in New York and Los Angeles respectively. But the central issues it examines are humor, transgression, and the critical and constructive potential of laughter in the work of a new generation of Bad Girls. Humor is the connecting force between the 45 artists in "Bad Girls, " and it is clear that they express themselves in ways that their mothers probably would not have approved of. But they don't care.

    The contributors look at both the meaning and the uses of camp performance, and ask: is camp a style, or a witty but nonetheless powerful cultural critique? The essays investigate camp from its early formations in the seventeenth and eighteenth century to its present manifestations in queer theatre and literature. They also take a fascinating look at the complex relationship between queer discourse and decidedly un-queer pop culture appropriations on film and on the stage. The Politics and Poetics of Camp is an incisive, uncontainable and entertaining collection of essays by some of the foremost critics working in queer theory, from a number of disciplinary perspectives. This book makes a well-timed intervention into an emerging debate.

    Moore begins by discussing recent feminist debates on the body and the notion of the non-universal human subject. She then considers why anthropologists have contributed relatively little to these debates, suggesting that this reflects the history of anthropology's conceptualization of "persons" or "selves" cross-culturally. The author also pursues a series of related themes, including the links between gender, identity, and violence; the construction of domestic space and its relationship to bodily practices and the internalization of relations of difference; and the links between the gender of the anthropologist and the writing of anthropology. By developing a specific anthropological approach to feminist post-structuralist and psychoanalytic theory, Moore demonstrates anthropology's contribution to current debates in feminist theory.

    With meditations reflecting the strength that comes from years in the program, this compassionate book can form a new cornerstone.

    Their journey leads to an unbroken circle of corruption and brutality.

    The images and messages, based on the award-winning Return of the Goddess engagement calendars, remind women of their spiritual heritage, their innate wisdom, the integrity of the female body and its rites of passage, and the growing global community of women who celebrate the return of a feminine deity.