Women of the Six Nations Iroquois Confederacy possessed freedoms far beyond those of their white sisters: decisive political power, control of their bodies, control of their own property, custody of children they bore, the power to initiate divorce, satisfying work, and a society generally free of rape and domestic violence. The thoughts of Elizabeth Cady Stanton and Matilda Joslyn Gage were shaped by their involvement with indigenous women neighbors in upstate New York.Intrepid historian Sally Roesch Wagner recounts the compelling struggle for freedom and equality waged by women in the United States and documents the influence and inspiration Native American women gave to this dynamic social movement. The personal and political changes unleashed by the Iroquois/feminist relationship continue to transform our lives.

    The author covers subjects from contemporary recipes, to courtship rituals, and popular slang, to common occupations.

    For students of museum, cultural and sociology studies, this will be an asset to their reading list.

    Freed to read extensively, she discovered her talent for writing and, with her brother, the essayist Charles Lamb, collaborated on the famous Tales from Shakespeare. This narrative of a nearly forgotten woman is a tapestry of insights into creativity and madness, the changing lives of women, and the redemptive power of the written word.

    They share their pain, anger, and compassion as they take us into the world of their parents and try to sort out the impact of the war on their own lives.Echoing many of the themes Hegi explored in Stones from the River, this powerful and provocative oral history is the first book to capture the long-silent voices of post-war German Americans stifled by the legacy of their homeland.

    Leslie, who was present at the Rosemary and Leno LaBianca stabbings, serenely accepted her sentence, wishing only that she had better served Manson in carrying out his apocalyptic vision of Helter Skelter. When the United States temporarily suspended its death penalty, her sentence for murder conspiracy was converted to life in prison. Today, at the age of 51, after three trials and with no parole in sight, Leslie has become a remarkable survivor of a living nightmare. This work presents the first in-depth look at how this girl-next-door became one of Manson's girls. It also tells about Karlene Faith's thirty-year friendship with Leslie, whom she met while teaching in prison. To everyone who encountered Leslie - including prison staff and television journalists - she was not the demon typically portrayed by the media, but rather a gentle, generous spirit who mourned her victims. But why didn't this intelligent young woman see the evil in the messiah who had sexually exploited her, preached

    Pam and Gregg Smart lived a seemingly storybook existence, the newlyweds very much in love.  All of this was shattered when Gregg was senselessly shot to death in 1990. In the trial that followed, staggering revelations came out as to the motive behind the killing: Pam Smart had seduced a fifteen-year-old boy into murdering her husband. Master of true crime Ken Englade paints a portrait of a trial that gripped the nation in its scintillating tale of sex and murder.  At its center is a woman who never quite grew up, and the reason why she had her husband murdered is the most stunning twist.

    The century that followed was an era of vigorous expansion and large-scale projects, of rapidly changing culture and commerce, as huge numbers of people arrived in the shining city, drawn by its immense wealth and power and its many diversions. Borrowing a phrase from Daniel Defoe, Jerry White calls London this great and monstrous thing, the grandeur of its new buildings and the glitter of its high life shadowed by poverty and squalor."A Great and Monstrous Thing" offers a street-level view of the city: its public gardens and prisons, its banks and brothels, its workshops and warehouses and its bustling, jostling crowds. White introduces us to shopkeepers and prostitutes, men and women of fashion and genius, street-robbers and thief-takers, as they play out the astonishing drama of life in eighteenth-century London. What emerges is a picture of a society fractured by geography, politics, religion, history and especially by class, for the divide between rich and poor in London was never greater or more destructive in the modern era than in these years.Despite this gulf, Jerry White shows us Londoners going about their business as bankers or beggars, reveling in an enlarging world of public pleasures, indulging in crimes both great and small amidst the tightening sinews of power and regulation, and the hesitant beginnings of London democracy."

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    When racist curriculum "goes viral" on social media it is typically dismissed as an isolated incident from a bad teacher. Picower, however, holds that racist curriculum isn't an anomaly. It's a systemic problem that reflects how whiteness is embedded and reproduced in education. Drawing on her experience teaching and developing the Newark Teacher Project--a project that pairs pre-service teachers students with mentors who focus on social justice and antiracist professional development--she demonstrates how individual teacher's ideology of race, consciously or unconsciously, shapes how they teach race in the classroom and reinforce racial hierarchies in the younger generation. She argues that white teachers must reframe their understanding about race in order to advance racial justice, and this must begin in teacher education programs. With a focus on institutional strategies, Picower shows how racial justice can be built into programs across the teacher education pipeline--from admission to induction. By examining the who, what, why and how of racial justice teacher education, she provides radical possibilities for transforming teacher education.

    Instead he examines more than five centuries of remarkable historical evidence of cultural and political interaction between Blacks and Asians around the world, in which they have exchanged cultural and religious symbols, appropriated personas and lifestyles, and worked together to achieve political change.

    That was what England was like in the early eighteenth century. Yet by the close of the nineteenth century, the Industrial Revolution had brought with it not just factories, railways, mines and machines but also brought fashion, travel, leisure and pleasure.Leisure became an industry, a cornucopia of excitement for the masses. And it was spread by newspapers, by advertising, by promotions and publicity - all eighteenth, not twentieth century creations. It was Josiah Wedgwood and his colleagues who invented money-back guarantees, free delivery, and celebrity endorsements. New technology such as the railways brought audiences to ever-more-elaborate extravaganzas, whether it was theatrical spectaculars with breathtaking pyrotechnics and hundreds of extras, 'hippodramas' recreating the battle of Waterloo, or the Great Exhibition itself, proudly displaying 'the products of all quarters of the globe' under twenty-two acres of a sparkling 'Crystal Palace'.In 'Consuming Passions', the bestselling author of 'The Victorian House' explores this dramatic revolution in science, technology and industry - and how a world of thrilling sensation, lavish spectacle and unimaginable theatricality was born.

    Although he was throughout his life interested in the philosophy of history and in various theoretical formulations, he concerned himself with these mainly in private reading and private discussion. Why then did he write this essay? He had read the works of Louis Althusser and found very little in them to affect his work. When Althusser appeared on the scene he made little impact on practising historians. For some reason however, he suddenly became a major force among graduate students and some young historians and literary scholars. Most historians would have been prepared to wait for the new influence to demonstrate its validity in the production of innovative work in history; not only did this not happen, but Althusser's followers - even some of the historians among them - began to declare that history was a non-discipline and that its study was of no value. It was the influence that Althusser's writings were having on scholarship that made Edward take on the uncongenial task of putting the case for history against his closed system.'The result is a major critique of Althusserian Marxism, or 'theoretical practice', entering closely into questions of epistemology and of the theory and practice of the historian. Around this detailed polemic, Thompson develops a constructive view of an alternative, socialist tradition, empirical and self-critical in method, and fully open to the creative practice evidenced by history - a tradition sharply opposed to much that now passes as 'Marxism'. In converging shafts of close analysis and Swiftian irony, the author defoliates Althusser's arcane, rationalist rhetoric and reinstates 'historicism', 'empiricism', 'moralism' and 'socialist humanism' in a different Marxist inheritance.The title of this essay echoes The Poverty of Philosophy, Marx's annihiliating attack on Proudhon, which, like Engels' Anti-Duhring, is a work read long after its subject has been consigned to oblivion.

    Today it has blossomed into a fundamental precept of civic education, reflecting interracial distrust, personal and political alienation, and a profound suspicion of others. In this powerful and eloquent essay, Danielle Allen, a 2002 MacArthur Fellow, takes this maxim back to Little Rock, rooting out the seeds of distrust to replace them with "a citizenship of political friendship." Returning to the landmark Brown v. Board of Education decision of 1954 and to the famous photograph of Elizabeth Eckford, one of the Little Rock Nine, being cursed by fellow "citizen" Hazel Bryan, Allen argues that we have yet to complete the transition to political friendship that this moment offered. By combining brief readings of philosophers and political theorists with personal reflections on race politics in Chicago, Allen proposes strikingly practical techniques of citizenship. These tools of political friendship, Allen contends, can help us become more trustworthy to others and overcome the fossilized distrust among us. Sacrifice is the key concept that bridges citizenship and trust, according to Allen. She uncovers the ordinary, daily sacrifices citizens make to keep democracy working—and offers methods for recognizing and reciprocating those sacrifices. Trenchant, incisive, and ultimately hopeful, Talking to Strangers is nothing less than a manifesto for a revitalized democratic citizenry.

    The Ivy League superachievers drew upon an authentic 1499 Renaissance text to create their thriller about two Princeton undergraduates who try to unravel the mysteries of the Hypnerotomachia Poliphili (pronounced "HIPneROtoMAkia POliFEEli").The Hypnerotomachia Poliphili is an erotic, pagan epic, written in a private language peppered with words taken from Latin and Greek and decorated with Egyptian hieroglyphs. It was not translated into English for 500 years, until 1999, when Joscelyn Godwin finally achieved that nearimpossible task.In The Real Rule of Four, Professor Godwin carefully investigates each aspect of the history of the Hypnerotomachia Poliphili and its use in The Rule of Four, including:What is the Hypnerotomachia?Who wrote the Hypnerotomachia? (A central theme of The Rule of Four)What does the Hypnerotomachia mean?Places and people in The Rule of FourGlossary of names and terms in The Rule of FourLavishly illustrated with reproductions of the many beautiful woodcuts in the Hypnerotomachia Poliphili, a foldout color map and photographs of the featured locations at Princeton University, The Real Rule of Four is an indispensable guide to the many fans of Caldwell and Thomason's bestselling novel.