The mythic legacy of the Scandinavians includes a cycle of stories filled with magnificent images from pre-Christian Europe. Gods, humans, and monstrous beasts engage in prodigious drinking bouts, contests of strength, greedy schemes for gold, and lusty encounters. The Norse pantheon includes Odin, the wisest and most fearsome of the gods; Thor, the thundering powerhouse; and the exquisite, magic-wielding Freyja. Their loves, wars, and adventures take us through worlds both mortal and divine, culminating in a blazing doomsday for gods and humans alike. These stories bear witness to the courage, passion, and boundless spirit that were hallmarks of the Norse world.“Kevin Crossley-Holland retells the Norse myths in clear, attractive prose . . . An excellent introduction, notes, and a glossary provide mythological and historical backgrounds and suggest parallels with myths in other parts of the world.”–The Denver Post

    These are stories that passed down through the ages virtually unaltered in their telling. To those who told and listened to them, they expressed something fundamental about Irish culture and the Irish way of life. The stories in this volume feature a wide variety of fantastic beings, including ghosts, witches, fairies, and changelings, but several feature creatures that are virtually exclusive to Ireland: the banshee, the merrow, the pooka, and the leprechaun. Read these tales of frightening supernatural horrors, brave folk heroes, and everyday people clever enough to outwith the devil, and you'll agree that they could only take place on Irish soil.

    How could it all have gone differently?—the narrator asks in the intermezzos. The first chapter begins with the death of a baby in the early twentieth-century Hapsburg Empire. In the next chapter, the same girl grows up in Vienna after World War I, but a pact she makes with a young man leads to a second death. In the next scenario, she survives adolescence and moves to Russia with her husband. Both are dedicated Communists, yet our heroine ends up in a labor camp. But her fate does not end there….A novel of incredible breadth and amazing concision, The End of Days offers a unique overview of the twentieth century.

    Most memorable - and most chilling - is the portrait of the author's father, a maddened shopkeeper who imports rare birds' eggs to hatch in his attic, who believes tailors' dummies should be treated like people, and whose obsessive fear of cockroaches causes him to resemble one. Bruno Schulz, a Polish Jew killed by the Nazis in 1942, is considered by many to have been the leading Polish writer between the two world wars.Bruno Schulz's untimely death at the hands of a Nazi stands as one of the great losses to modern literature. During his lifetime, his work found little critical regard, but word of his remarkable talents gradually won him an international readership. This volume brings together his complete fiction, including three short stories and his final surviving work, Sanatorium Under the Sign of the Hourglass. Illustrated with Schulz's original drawings, this edition beautifully showcases the distinctive surrealist vision of one of the twentieth century's most gifted and influential writers.

    Estrella is a Marrano: one of the Spanish Jews living double lives when those who refused conversion risked everything. Estrella's discovery that her family secretly practices the ancient way of wisdom known as kabbalah leads her to her true self and true love-but also to a devastating confrontation with unimaginable evil, unleashed by the betrayal of a friend. With themes of faith, friendship, and persecution, Alice Hoffman's tragic and beautiful novel resonates profoundly in our times.

    He becomes a puppeteer in the Warsaw ghetto, but when his talent is discovered, Mika is forced to entertain the occupying German troops instead of his countrymen.It is also the story of Max, a German soldier stationed in Warsaw, whose experiences in Poland and later in Siberia's Gulag show a different side to the Second World War. As one of Mika's puppets is passed to the soldier, a war-torn legacy is handed from one generation to another.

    It demonstrates how recent writers have changed the aesthetic constructs and social content of fairy tales to reflect cultural change since the 1960s in area of gender roles, socialization and education. It includes selected works from such writers as Angela Carter, Margaret Atwood and Jay Williams, and critical essays from Marcia Lieberman and Sandra Gilbert.

    The Golden Dawn used it. Aleister Crowley used it. A growing number of magicians use it. And now, you can use it too thanks to Donald Tyson and his book, "Enochian Magic for Beginners. "Revealed to John Dee and Edward Kelley over 400 years ago, much of this system has been ignored or misunderstood, even by famous magicians. Some of the source material has been fragmented, obscure, or unavailable. Thankfully, Mr. Tyson has worked long and hard to rediscover what was missing and piece together what had been changed. Make no mistake—this is not a superficial treatment of Enochian magic. Yes, it is written for beginners, but it is also a vital and important resource for those who are currently practicing the Enochian system. Most people today follow the Golden Dawn's method of Enochian magic. But did you know that they left out a major portion of the system? It's true! They did not include the "Heptarchia Mystica," a manuscript discovered amongst John Dee's belongings. In "Enochian Magic for Beginners, " you will learn the secrets of the "Heptarchia Mystica," including such things as the Angelic seven rulers, the preparations for practice of the system, and how to perform the ritual of the system. But the Golden Dawn Enochian system is also quite powerful, and you will learn all of the inner secrets of this system so you can practice it on your own. Also included are two new designs for Enochian typefaces, Donald Tyson's reconstruction of the Enochian Book of Spirits, and much more. If you have found that your magic has not been as successful as you would like, this is the book you need to start a new page in your magical career. If you want to learn about the Enochian system, this book is the best introduction to it to date. And if you are already practicing Enochian magic, you will find this book to be a valuable resource.

    In this lavishly illustrated retelling of the classic fairytale, Camille Rose Garcia reimagines Cinderella through her distinctive visual aesthetic. Hers is a Cinderella for the twenty-first century: Dark, compelling, vibrant, and enthralling.

    Taken down from Gaelic story tellers, these 20 tales fall into two parts: 11 are miscellaneous stories offering Irish versions of the general European fairy tales, and 9 are stories from the Fenian cycle--tales of Fin MacCumhail and his warriors, the Fenians of Erin.The same fairy-tale elements apply to all the stories, however, including battles with giants, dead men who come back to life, people imprisoned in the bodies of animals, a wonderful land of perpetual youth, and heroes with incredible strength. The heroes in the miscellaneous tales tend to be sons of the Kings of Erin, with heroines like Yellow Lily, daughter of the Giant of Loch Léin; Trembling, the Irish Cinderella; the queen of Tubber Tintye; and various princesses who are in danger. The Fenian stories relate some of the adventures of Fin MacCumhail, his sons--Fialan, Oisin, Pogán, and Ceolán; his men--Diarmuid Duivne, Conán Maol MacMorna, the famous Cucúlin, and others; and strangers who are out to help or hurt the Fenians of Erin in such tales as "Fin MacCumhail and the Fenians of Erin in the Castle of Fear Dubh," and "Gilla na Grakin and Fin MacCumhail."Tales of legend and tales of magic, these stories transport us to a world where everything is alive and anything can happen, a world born in a time before literature, and captured in print just as the oral tradition in Ireland was dying out. Considered an essential work in the history of folk-lore, this book is also a collection of fairy tales that have fascinated young and old for hundreds of years. They will continue to fascinate you and your children.Unabridged republication of the 1890 edition, formerly titled Myths and Folk-Lore of Ireland.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    How much will she risk for her friends? A gripping story based on true events.During the Soviet occupation of Ukraine during World War II, some of Krystia’s family are harrassed; others are arrested and killed. When the Nazis liberate the town, they are welcomed with open arms. Krystia’s best friend Dolik isn’t so sure. His family is Jewish and there are rumours that the Nazis might be even more brutal than the Soviets.Shortly after the Nazis arrive, they discover a mass grave of Soviet prisoners and blame the slaughter on the Jews. Soon, the Nazis establish ghettoes and begin public executions of Jews.Krystia can’t bear to see her friends suffering and begins smuggling food into the ghetto. When rumours circulate that the ghetto will be evacuated and the Jews will be exterminated, Krystia must decide if she’s willing to risk her own family’s safety to save her friends.

    Yet only one visionary man-Heniek Corben- can see him and hear him. Heniek soon realizes that Cohen has become an ibbur-a spirit. But how and why has he taken this form? As Cohen recounts his disturbing and moving story, small but telling inconsistencies appear in his narrative. Heniek begins to believe that Cohen is not the secular Jew he claims to be, but may, in fact, be a student of practical Kabbalah-of magic. Why is he lying? And what is the importance of the anagrams he creates for the names of his friends and relatives? Heniek traces his suspicions and comes to an astonishing conclusion-one that has consequences for his own identity and life, and perhaps for the reader's as well.

    John Dee, an advisor in the court of Queen Elizabeth I, began a series of experiments intended to explore the ability to contact the spirit world. With Edward Kelley acting as the medium in these experiments, Dee was able to record these communications as they were transmitted in Enochian - the language of the angels.Donald Laycock has thoroughly analyzed the work of Dee and Kelley. In this volume, he recounts the history of their experiments. The rest of the work consists of a pronunciation guide for the twenty-one letters, significant to untangling both the meaning and the derivation of the messages handed down from Dee and Kelley, and a basic Enochian-English/English-Enochian dictionary. The result is a fascinating linguistic and magical mystery story, integral to any study of the Enochian tradition.Stephen Skinner's lucid preface sets the tone and historical context for today's readers.

    Since it was translated to English, in 1958, it has become an international bestseller and is well known as a major theoretical work in oral literature. Now, Anatoly Liberman has selected seven essays and three chapters from his later books which together reveal the full range of Propp's thought in Theory and History of Folklore. This will help readers see that his work is essentially a theory of narrative. Included are the famous essay by Claude Levi-Strauss about Propp and Propp's response to Levi-Strauss's Critique."This book will give Propp's admirers in the English-speaking world a whole new perspective on this distinguished scholar's contribution to folkloristics. Liberman provides the necessary background in terms of Russian/Soviet intellectual (and political) currents to place Propp's work in a new light. No student of structuralism in folklore can afford to miss Liberman's anthology." Alan Dundes