Hundreds of thousands of pianos are bought and sold each year, yet most people buy a piano with only the vaguest idea of what to look for as they make this major purchase. The Piano Book evaluates and compares every brand and style of piano sold in the United States. There is information on piano moving and storage, inspecting individual new and used pianos, the special market for Steinways, and sales gimmicks to watch out for. An annual supplement, sold separately, lists current prices for more than 2,500 new piano models.

    His readers were equally shocked when he began to use the subject material offered by his new environment, not to promote a romance of empire, but to produce some of the most ironic and critical treatments of imperialism in nineteenth-century fiction.In stories such as The Beach of Falesá, The Bottle Imp, and The Isle of Voices Stevenson shows himself to be virtuoso of narrative styles. This is the first collection to bring together all his shorter Pacific fiction in one volume and in it Stevenson emerges as a witness to the cross-cultural encounters of nineteenth-century imperialism and to the creation of the global culture which characterizes the post-colonial world.

    Dick's Do Androids Dream of Electric Sheep? Essays consider political, moral and technological issues raised by the film, as well as literary, filmic, technical and aesthetic questions. Contributors discuss the film's psychological and mythic patterns, importance political issues and the roots of the film in Paradise Lost, Frankenstein, detective fiction, and previous science fiction cinema.

    

    

    It provides up to date information on structural properties, the processing of materials and their applications.

    . . . All the virtues of the author's astounding intelligence and compelling rhetoric are evident from the first sentence onward."—Anthony C. Yu, Journal of Religion

    This new anthology brings to light a novelette and four short stories which have never been collected in one volume. Introducing the tales with a detailed resume of the author's life and career, this compendium provides information about the inspiration and creation of Allan Quatermain. A chronology of the explorer's life linked to the novels and stories is also included.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    Constable Wood was a disaster waiting to happen. He was the sort of cop who was happier helping little old ladies across the street (even when they were quite content where they were) than pursuing the perpetrators of dreadful deeds. But if he failed to strike fear into the hearts of the criminal underworld, his superiors had a real problem on their hands. Never before had they been forced to deal with such a well-meaning but accident-prone officer and they hoped, fervently, never to see his like again. From his early encounters with a less-than-impressed public, through the terrifying days of the Springbok Tour riots, to the gradual realisation that perhaps he wasn’t cut out for life on the beat, this is the hilarious story of a young cop who created a severe disturbance in the force.

    From the time he was a young man, he frequented the antiquarian bookshops of Paris in search of lost, forgotten treasures. The ultimate prize? Anything from the hands of Marcel Proust. Guérin identified with Proust more deeply than with any other writer, and when illness brought him by chance under the care of Marcel's brother, Dr. Robert Proust, he saw it as a remarkable opportunity. Shamed by Marcel's extravagant writings, embarrassed by his homosexuality, and offended by his disregard for bourgeois respectability, his family had begun to deliberately destroy and sell their inheritance of his notebooks, letters, manuscripts, furni-ture, and personal effects. Horrified by the destruction, and consumed with desire, Guérin ingratiated himself with Marcel's heirs, placating them with cash and kindness in exchange for the writer's priceless, rare material remains. After years of relentless persuasion, Guérin was at last rewarded with a highly personal prize, one he had never dreamed of possessing, a relic he treasured to the end of his long life: Proust's overcoat. Proust's Overcoat introduces a cast of intriguing and unforgettable characters, each inspired and tormented by Marcel, his writing, and his orphaned objects. Together they reveal a curious and compelling tale of lost and found, of common things and uncommon desires.

    Jack Kerouac, Allen Ginsberg, and William Burroughs had each seen the insides of a mental hospital and a prison by the age of thirty. A few months after they met, another member of their circle committed a murder that involved Kerouac and Burroughs as material witnesses. This book charts the transformation of these experiences into literature, and a literary movement that spread across the globe. From "The First Cut-Up"--the murder in New York in 1944--we end up in Paris in 1960 with William Burroughs at the Beat Hotel, experimenting with the technique that made him notorious, what Campbell calls "The Final Cut-Up." In between, we move to San Francisco, where Ginsberg gave the first public reading of Howl. We discover Burroughs in Mexico City and Tangiers; the French background to the Beats; the Buddhist influence on Kerouac, Gary Snyder, and others; the "Muses" Herbert Huncke and Neal Cassady; the tortuous history of On the Road; and the black ancestry of the white hipster.

    Batman is a creature of the night, more about vengeance than justice, more plagued by doubts than full of self-assurance, and more darkness than light. He has no superpowers, just skill, drive and a really well-made suit.One of the most recognized superheroes ever created, Batman has survived through campy TV shows and films, through actors such as Adam West, Michael Keaton and Christian Bale. Batman Unauthorized: Vigilantes, Jokers, and Heroes in Gotham City covers expansive territory ranging from the silly to the solemn. Why is the Joker so good at pushing Batman's buttons? What does Batman's technology say about the times? Why are Batman's villains crazier than average? And why is Batman the perfect, iconic American hero?