Essential to the understanding of the searching and remarkably informed spirit of this protean writer.

    

    At first, attention was given to his private project-depicting the same subject in secrecy from 1971 to '85. Away from the publicity that accompanied the debut of these works, they remain a striking, thoughtful study of an individual who evolved as a model from stranger to acquaintance to friend. The works in the Helga Pictures may also be appreciated for their artistic strengths & for their place within his continuing career as a keen observer of the people & places around his residences in Pennsylvania & Maine. Ultimately, The Helga Pictures is a telling tale of a persistence of vision & technique from a perspective that's both objective & personal. From a distinguished artistic family, Andrew Wyeth (1917-2009) is a painter & draftsman who developed under the watchful eye of his father, artist/illustrator N.C. Wyeth. One of America's most celebrated artists, Wyeth is famous for his tight style of drybrush painting & recognizable subject matter. Dedicated to a characteristic realism in both style & approach to subject matter, he finds resonance & universal meaning in the most commonplace details of the world around him.

    Whether lauded or condemned, his writing has had far-reaching ramifications, and his work on deconstruction cannot be ignored. This volume introduces students of literature and cultural studies to Derrida's enormously influential texts, covering such topics as: deconstruction, text and difference; literature and freedom; law, justice and the 'democracy to come'; drugs, secrets and gifts. Nicholas Royle's unique book, written in an innovative and original style, is an outstanding introduction to the methods and significance of Jacques Derrida.

    In 1814, he was imprisoned on Elba, planning an escape and plotting his course of action once he had done so. From the time he landed back in France to his loss at Waterloo, one hundred days elapsed. Scholar Alan Schom, an expert in the history of the Napoleonic era, outlines the key personalities and events of those hundred days in 1815. Napoleon is a far cry from the heroic leader of the time before he was imprisoned in Elba, attempting to gather forces and convince his old friends to help him once again. Despite the difficulties he faced from his irresponsible brothers, and acting in opposition to the statesman Talleyrand, Napoleon was only a whisker away from a famous triumph, and only eventually defeated by the mobilised force of the Allies. It was the Duke of Wellington and Blücher who defeated Napoleon, who was prepared to take on England, Austria, Prussia and Russia. The book includes a brilliant account of the manoeuvres at Waterloo, and is a fantastic tale of daring that is a useful book exactly 200 years on from the 100 days. ‘Undoubtedly the best account of this episode in English’ — Richard Holmes, The Times Literary Supplement ‘Alan Schom has written a racy account, backed by copious detail and an abundance of quotations...a good read’ — Michael Carver, Sunday Telegraph ‘A brisk, pacey account of the Hundred Days, written in a fluent and engaging manner...There are excellent sketches of Fouché, Talleyrand and Carnot and a most able analysis of the background...as well as fascinating material on espionage and intelligence’ — Frank McLynn in the Literary Review ‘A riveting narrative of events...a sparkling portrait gallery of the personalities who shaped those events’ — Russell F. Weigely, author of The Age of Battles Alan Schom was a professor of French and European history before retiring to write full-time. He is the author of Emile Zola: A Biography and Trafalgar. One Hundred Days was nominated for the 1992 Pulitzer Prize and for the 1992 US National Book Award.

    David Levi Strauss writes in his essay: "The constitutive facts of Francesca Woodman's life are by now well known. We know that she was born in 1958, that she began taking photographs seriously at age thirteen or fourteen and continued this involvement into her twenty-second year, building up, in this brief time, a remarkably coherent and affecting body of work. And we know that on January 19, 1981, just two and a half months before her twenty-third birthday, she took her own life, leaping from a window on the Lower East Side in Manhattan to her death". This volume, containing many unpublished images, finally allows us to discover the full body of work of this artist, created in Rhode Island, Rome, New York, MacDowell Colony, New Hampshire: self-portraits, mise-en-scenes, nudes, and deeply emotional collage-like images. They all show her intense relation with the camera and her own self, long before this kind of picture-making became fashionable.

    Freud—once dubbed "the Ingres of existentialism"—has almost single-handedly redefined the figurative painting of our time. No other living artist possesses his ability to paint the texture and thinness of skin over flesh, and his distinctive portraits have a haunting quality that makes them impossible to forget. This volume, with over one hundred superb reproductions of his greatest paintings, pays tribute to one of the most original and accomplished artists of the twentieth century.

    Nowhere is this more apparent than in the writings of Marcel Duchamp, who fashioned some of the more joyous and ingenious couplings and uncouplings in modern art. This collection beings together two essential interviews and two statements about his art that underscore the serious side of Duchamp. But most of the book is made up of his experimental writings, which he called ”Texticles,” the long and extraordinary notes he wrote for The Bride Stripped Bare By Her Bachelors, Eben (also known as The Large Glass), and the outrageous puns and alter-ego he constructed for his female self, Rrose Sélavy (”Eros, c’est la vie” or “arouser la vie”—“drink it up”; “celebrate life”). Wacky, perverse, deliberately frustrating, these entertaining notes are basic for understanding one of the twentieth century’s most provocative artists, a figure whose influence on the contemporary scene has never been stronger.

    --The Baroque side --What becomes of the signifier --Outcomes of the text --Reading Brillat-Savarin --An idea of research --Longtemps, je me suis couche de bonne heure ... --Preface to Renaud Camus's Tricks --One always fails in speaking of what one loves --Writers, intellectuals, teachers --To the seminar --The indictment periodically lodged ... --Learning the movie theater --The image --Deliberation

    The book's urgent, cinema verite style plunges the reader into the shattering events that brought hope, chaos, heroism, and horror to the citizens of the world's first workers' state.The Russian Revolution produced some of the most important advances in the fields of art, photography, and graphic design in the 20th century. More than 550 of these widely influential materials are reproduced here to the highest quality, accompanied by author David King's accessible text. Zooming in from the epic to the particular, King rescues from obscurity many lost heroes and villains through the work of the most brilliant Soviet artists, many of them anonymous or long forgotten.

    Against a magnificently embroidered backdrop of eighteenth-century France, he shows us Sade's incredible life of sexual appetite, adherence to Enlightenment principles, imprisonment, scandal, and above all inexhaustible imagination. Based on a decade of research and utilizing work never before published in English, The Marquis de Sade is a definitive work that confronts nearly two hundred years of myth to reveal a Promethean figure of astonishing complexity.

    Translated into dozens of languages, Tintin's adventures have sold millions of copies, and Steven Spielberg is presently adapting the stories for the big screen. Yet, despite Tintin's enduring popularity, Americans know almost nothing about his gifted creator, Georges Remi--better known as Herg�. Offering a captivating portrait of a man who revolutionized the art of comics, this is the first full biography of Herg� available for an English-speaking audience. Born in Brussels in 1907, Herg� began his career as a cub reporter, a profession he gave to his teenaged, world-traveling hero. But whereas Tintin was fully formed, clear-headed, and positive, Assouline notes, his inventor was complex, contradictory, inscrutable. For all his huge success--achieved with almost no formal training--Herg� would say unassumingly of his art, I was just happy drawing little guys, that's all. Granted unprecedented access to thousands of the cartoonist's unpublished letters, Assouline gets behind the genial public mask to take full measure of Herg�'s life and art and the fascinating ways in which the two intertwine. Neither sugarcoating nor sensationalizing his subject, he meticulously probes such controversial issues as Herg�'s support for Belgian imperialism in the Congo and his alleged collaboration with the Nazis. He also analyzes the underpinnings of Tintin--how the conception of the character as an asexual adventurer reflected Herg�'s appreciation for the Boy Scouts organization as well as his Catholic mentor's anti-Soviet ideology--and relates the comic strip to Herg�'s own place within the Belgian middle class. A profound influence on a generation of artists such as Andy Warhol and Roy Lichtenstein, the elusive figure of Herg� comes to life in this illuminating biography--a deeply nuanced account that unveils the man and his career as never before.

    In Until Now, Geddes takes us behind the scenes to find out what she was thinking when she captured these images, her 113 most-favorite photographs. Her text also provides a background to each photograph and helps readers understand how this artist and her subjects work together.Consider, for example, Geddes' comments about the shot she captured in 1991, which she titled "Rebecca": "She didn't want to hold the tulips, and she didn't want to sit on the chair-there were too many other things to be done. How do you get a 14-month-old to sit still' Show her the jelly bean, and then put it down her trousers."From signature photos of newborns to touching interactions between parent and child to enthusiastic poses from older children, this gift-size hardcover edition of Until Now gathers together Geddes' most revealing and compelling work. Whether she's posing babies in the garden or in the studio, Anne Geddes' deep affection for babies and children is obvious in the award-winning images she creates.

    His name was Henry Darger. He had lived in this room for forty years. It was filthy, crammed with his possessions, mostly things found in the garbage. Henry never threw anything out. The room was filled, almost solid, with junk. He was now eighty years old and far too feeble to carry anything down the stairs. So he left everything behind. He had no need of his possessions. Anyway, he was going to an old folks home to die. When he left the room his life was over. His landlord asked him what he wanted done with his possessions. Henry is said to have replied, "You can have them, Mr. Leonard." At that moment the gift had no meaning. There was nothing in the room but garbage. Everything would have to be thrown out... When Darger's landlord, Nathan Lerner, assisted by a young student, David Berglund, began to clean out Henry's room they found some surprises: an eight volume autobiography, consisting of 5084 handwritten pages, entitled, The History of My Life which Henry had begun writing in 1963 after retiring. The short auto-biographical introduction to what is otherwise an enormous and utterly fantastic piece of imaginative fiction, provided some of the crucial pieces of evidence underlying the biographical reconstruction of Darger's life that form the first chapter of this book. Then, when the old trunks were opened, they made a far more spectacular discovery: a history of another world called, In The Realms of the Unreal in fifteen volumes, 15 145 type written pages, unquestionably the longest work of fiction ever written. In time the room also yielded the three huge bound volumes of illustrations for that work, several hundred pictures, many over twelve feet long and painted on both sides. By accident, the landlord had stumbled upon a concealed and secret life work, which no one had ever seen: Darger's alternate world.

    So get out your pencils and join Marc on a journey of discovery as he reveals the secrets of his masterpieces.