But how did it evolve? How did a language spoken originally by a few thousand Anglo-Saxons become one used by more than 1,500 million? What developments can be seen as we move from Beowulf to Chaucer to Shakespeare to Dickens and the present day? A host of fascinating questions are answered in The Stories of English, a groundbreaking history of the language by David Crystal.

    Echoes of these stories are audible in fiction from both sides of the Taiwan Strait.Like many Chinese intellectuals searching for a solution to China's problems, Lu Xun went to Japan to study medicine, which he later abandoned for a career in writing. As a writer he hoped to be a far more effective weapon in the effort to save China. A prolific author of pungent and "dagger-like" essays, Lu Xun was also a tireless translator of Western critical and literary works. "Wild Grass" is a collection of twenty-three prose poems written between 1924 and 1926.

    But as Morris Rossabi reveals in this VeryShort Introduction, within two generations of their bloody conquests, the Mongols evolved from conquerors and predators to wise rulers who devised policies to foster the economies of the lands they had subjugated. By adopting political and economic institutions familiar to the local populations andrecruiting native officials, they won over many of their non-Mongol subjects. In addition, Mongol nobles were ardent patrons of art and culture, supporting the production of Chinese porcelains and textiles, Iranian tiles and illustrated manuscripts, and Russian metalwork. Perhaps most important, thepeace imposed by the Mongols on much of Asia and their promotion of trade resulted in considerable interaction among merchants, scientists, artists, and missionaries of different ethnic groups--including Europeans. Modern Eurasian and perhaps global history starts with the Mongol empire.

    

    To this day, Sai Jinhua is a legend in her native land of China, and this is her story, told the way it might have been.The year is 1881. Seven-year-old Jinhua is left an orphan, alone and unprotected after her mandarin father’s summary execution for the crime of speaking the truth. She is sold to a brothel-keeper and subjected to the worst of human nature. Will the private ritual that is her father’s legacy and the wise friendship of the crippled brothel maid be enough to sustain her? When an elegant but troubled scholar takes Jinhua as his concubine, she enters the close world of his jealous first wife. Yet it is Jinhua who accompanies him--as Emissary to the foreign devil nations of Prussia, Austro-Hungary, and Russia--on an exotic journey to Vienna. As he struggles to play his part in China's early, blundering diplomatic engagement with the western world, Jinhua’s eyes and heart are opened to the irresistible possibilities of a place that is mesmerizing and strange, where she will struggle against the constraints of tradition and her husband’s authority and seek to find “Great Love.”Sai Jinhua is an altered woman when she returns to a changed and changing China, where a dangerous clash of cultures pits East against West.

    288) discussion of the strange but dinkum (p. 289) pedigree (p. 224) of the naughty (p. 202), nice (p. 212), and, sometimes, obscene (p. 217) English language. We live in a torrent of words — from radio and television, books and newspapers, and now from the internet. But, as Julian Burnside reminds us in this new edition of the bestselling Wordwatching, words are a source both of pleasure and power, and can be deployed for good or for ill. Some of these essays explore curiosities in odd corners of the language simply to remind us of the extraordinary richness of the English language. Other pieces use small matters of language to illustrate larger processes of cultural borrowing and change. Burnside’s musings remind us that we should not be alarmed at the instability of the language; rather, we should see its wanton borrowings as a source of its strength and vitality. Wordwatching also reminds us of the need to be aware of the misuse of language in the service of sinister purposes — whether political, ideological, social, or personal. An ear well-tuned to the nuances of vocabulary inoculates the hearer against this epidemic of deception. With nine new essays, dealing with subjects as diverse as deadlines, fancy words, the problems with "issue," odd sounds, oxymorons, and the fallacy of "wading in," this revised and expanded edition of Wordwatching is a fascinating demonstration of the power and the pleasure of the English language.

    With Chineasy, learning and reading Chinese has never been simpler or more fun. Breaking down the Great Wall of Language, iShaoLan Hsueh draws on her entrepreneurial and cultural background to create a simple system for quickly understanding the basic building blocks of written Chinese. Working with renowned illustrator Noma Bar, she transforms Chinese characters into charming pictograms that are easy to remember.In Chineasy, she teaches the key characters, called radicals, that are the language’s foundation, and then shows how they can be combined to form new words and even phrases. Once you’ve mastered these key characters, you can practice your skills with three stories—a fairy tale, an Asian legend, and a contemporary fable—told using the radicals.With Chineasy, readers of all ages will be able to navigate a Chinese menu, read signs and billboards, and grasp the meaning of most articles in a Chinese newspaper.

    . . . A breathtakingly original work.--San Francisco ChronicleTwenty-eight-year-old Quan has been fighting for the Communist cause in North Vietnam for a decade. Filled with idealism and hope when he first left his village, he now spends his days and nights dodging stray bullets and bombs, foraging scraps of food to feed himself and his men. Quan seeks comfort in childhood memories as he tries to sort out his conflicting feelings of patriotism and disillusionment. Then, given the chance to return to his home, Quan undertakes a physical and mental journey that brings him face to face with figures from his past--his angry father, his childhood sweetheart, his boyhood friends now maimed or dead--and ultimately to the shattering reality that his innocence has been irretrievably lost in the wake of the war. In a voice both lyrical and stark, Duong Thu Huong, one of Vietnam's most beloved writers, powerfully conveys the conflict that spiritually destroyed her generation."If it is a crime to take an unflinching look at the reality of war and life under a totalitarian regime, and to do it with great art and mastery, then Duong Thu Huong, is gloriously guilty."--The New York Times Book Review

    It is 1945, and courageous ten-year-old Sookan and her family must endure the cruelties of the Japanese military occupying Korea.  Police captain Narita does his best to destroy everything of value to the family, but he cannot break their spirit.  Sookan's father is with the resistance movement in Manchuria and her older brothers have been sent away to labor camps.  Her mother is forced to supervise a sock factory and Sookan herself must wear a uniform and attend a Japanese school.Then the war ends.  Out come the colorful Korean silks and bags of white rice.  But Communist Russian troops have taken control of North Korea and once again the family is suppressed.  Sookan and her family know their only hope for freedom lies in a dangerous escape to American-controlled South Korea.Here is the incredible story of one family's love for each other and their determination to risk everything to find freedom.

    Spector’s classic account of the American struggle against the Japanese in World War II, “No future book on the Pacific War will be written without paying due tribute to Eagle Against the Sun.” Now Spector has returned with a book that is even more revealing. In the Ruins of Empire chronicles the startling aftermath of this crucial twentieth-century conflict. With access to recently available firsthand accounts by Chinese, Japanese, British, and American witnesses and previously top secret U.S. intelligence records, Spector tells for the first time the fascinating story of the deadly confrontations that broke out–or merely continued–in Asia after peace was proclaimed at the end of World War II. Under occupation by the victorious Allies, this part of the world was plunged into new power struggles or back into old feuds that in some ways were worse than the war itself. In the Ruins of Empire also shows how the U.S. and Soviet governments, as they secretly vied for influence in liberated lands, were soon at odds. At the time of the peace declaration, international suspicions were still strong. Joseph Stalin warned that “crazy cutthroats” might disrupt the surrender ceremony in Tokyo Bay. Die-hard Japanese officers plotted to seize the emperor’s palace to prevent an announcement of surrender, and clandestine relief forces were sent to rescue thousands of Allied POWs to prevent their being massacred.In the Ruins of Empire paints a vivid picture of the postwar intrigues and violence. In Manchuria, Russian “liberators” looted, raped, and killed innocent civilians, and a fratricidal rivalry continued between Chiang Kai-shek’s regime and Mao’s revolutionaries. Communist resistance forces in Malaya settled old scores and terrorized the indigenous population, while mujahideen holy warriors staged reprisals and terror killings against the Chinese–hundreds of innocent civilians were killed on both sides. In Indochina, a nativist political movement rose up to oppose the resumption of French colonial rule; one of the factions that struggled for supremacy was the Communist Viet Minh led by Ho Chi Minh. Korea became a powder keg with the Russians and Americans entangled in its north and south. And in Java, as the Indonesian novelist Idrus wrote, people brutalized by years of Japanese occupation “worshipped a new God in the form of bombs, submachine guns, and mortars.”Through impeccable research and provocative analysis, as well as compelling accounts of American, British, Indian, and Australian soldiers charged with overseeing the surrender and repatriation of millions of Japanese in the heart of dangerous territory, Spector casts new and startling light on this pivotal time–and sets the record straight about this contested and important period in history.

    Just a century ago, it was a crumbling empire with literacy reserved for the elite few, as the world underwent a massive technological transformation that threatened to leave them behind. In Kingdom of Characters, Jing Tsu argues that China's most daunting challenge was a linguistic one: the century-long fight to make the formidable Chinese language accessible to the modern world of global trade and digital technology.Kingdom of Characters follows the bold innovators who adapted the Chinese language to a world designed for the Roman alphabet and requiring standardization, from an exiled reformer who risked a death sentence to advocate for Mandarin as a national language to the imprisoned computer engineer who devised input codes for Chinese characters on the lid of a teacup. Without their advances, China might never have become the dominating force we know today.With larger-than-life characters and an unexpected perspective on the major events of China's tumultuous twentieth century, Tsu reveals how language is both a technology to be perfected and a subtle, yet potent, power to be exercised and expanded.

    They grow up in part because expressions are often genuinely mysterious. Why, for example, are satisfying meals 'square' rather than any other shape? And how did anyone ever come up with the idea that if you're competent at something you can 'cut the mustard'? Michael Quinion here retells many of the more bizarre tales, and explains their real origins where they're known. This is a fascinating treasure-trove of fiction and fact for anyone interested in language.

    Normally, the learner must memorize numerous compounds as unrelated units. A unique feature of this dictionary that overcomes this difficulty is the core meaning, a concise keyword that defines the dominant sense of each character, followed by detailed character meanings and numerous compounds that clearly show how thousands of building blocks are combined to form countless compound words.Another unique feature is the System of Kanji Indexing by Patterns (SKIP), an indexing system that enables the user to locate characters as quickly and as accurately as in alphabetical dictionaries.Modern linguistic theory has been effectively integrated with sophisticated information technology to produce the most useful kanji learner's dictionary ever compiled. For the first time, learners have at their fingertips a wealth of information that is linguistically accurate, easy to use, and carefully adapted to their practical needs.FEATURESo 2,230 entry characters, including all the kanji in the Joyo and Jinmei Kanji listso 41,000 senses for 31,300 words and word elements show how each character contributes to the meanings of compounds o 1,200 homophones with core meanings explain differences between closely related characters o 386 variant forms used in prewar literature and in names o 1,945 stroke order diagrams show you how to write each kanji stroke by stroke o 7,200 character readings, including name readings o Over 2,000 cross-references and five appendixes give instant access to a mass of useful reference data

    But what do we really know about Burma and its history? And what can Burma's past tell us about the present and even its future?In "The River of Lost Footsteps," Thant Myint-U tells the story of modern Burma, in part through a telling of his own family's history, in an interwoven narrative that is by turns lyrical, dramatic, and appalling. His maternal grandfather, U Thant, rose from being the schoolmaster of a small town in the Irrawaddy Delta to become the UN secretary-general in the 1960s. And on his father's side, the author is descended from a long line of courtiers who served at Burma's Court of Ava for nearly two centuries. Through their stories and others, he portrays Burma's rise and decline in the modern world, from the time of Portuguese pirates and renegade Mughal princes through the decades of British colonialism, the devastation of World War II, and a sixty-year civil war that continues today and is the longest-running war anywhere in the world."The River of Lost Footsteps" is a work both personal and global, a distinctive contribution that makes Burma accessible and enthralling. Thant Myint-U, educated at Harvard and Cambridge, has served on three United Nations peacekeeping operations, in Cambodia and in the former Yugoslavia, and was more recently the head of policy planning in the UN's Department of Political Affairs. He lives in New York City.

    Li Po, a legendary carouser, was an itinerant poet whose writing, often dream poems or spirit-journeys, soars to sublime heights in its descriptions of natural scenes and powerful emotions. His sheer escapism and joy is balanced by Tu Fu, who expresses the Confucian virtues of humanity and humility in more autobiographical works that are imbued with great compassion and earthy reality, and shot through with humour. Together these two poets of the T'ang dynasty complement each other so well that they often came to be spoken of as one - 'Li-Tu' - who covers the whole spectrum of human life, experience and feeling.