It also illuminates the chaotic life of a nation during the Stalin era.

    In Bakhtin's view, the spirit of laughter and irreverence prevailing at carnival time is the dominant quality of Rabelais's art. The work of both Rabelais and Bakhtin springs from an age of revolution, and each reflects a particularly open sense of the literary text. For both, carnival, with its emphasis on the earthly and the grotesque, signified the symbolic destruction of authority and official culture and the assertion of popular renewal. Bakhtin evokes carnival as a special, creative life form, with its own space and time.Written in the Soviet Union in the 1930s at the height of the Stalin era but published there for the first time only in 1965, Bakhtin's book is both a major contribution to the poetics of the novel and a subtle condemnation of the degeneration of the Russian revolution into Stalinist orthodoxy. One of the essential texts of a theorist who is rapidly becoming a major reference in contemporary thought, Rabelais and His World is essential reading for anyone interested in problems of language and text and in cultural interpretation.

    a rich portrait of daily life under Stalin." --New York Times Book ReviewGeneral readers, students, and specialists alike will find much of relevance for understanding today's Soviet Union in this new edition of John Scott's vivid exploration of daily life in the formative days of Stalinism.

    A man of great natural dignity, imbued with respect for tradition and love of the land, he is also despotic and virtually illiterate. Into the family comes his son's new wife, a spirited, intelligent girl from the town. Her eyes see a different world--one tainted by grossness, cruelty, and squalor--and she suffers from the hostility of jealous sisters-in-law and the shortcomings of a husband whom she loves but cannot respect. Her relationship with Stepan Mikhailovich is the heart of a story in which Aksakov celebrates the old feudal way of life without concealing its darker, repressive side.

    In this Penguin Classics edition, the letters are selected and edited by Ronald de Leeuw, and translated by Arnold Pomerans in Penguin Classics.Few artists' letters are as self-revelatory as Vincent van Gogh's, and this selection, spanning his artistic career, sheds light on every facet of the life and work of this complex and tortured man. Engaging candidly and movingly with his religious struggles, his ill-fated search for love, his attacks of mental illness and his relation with his brother Theo, the letters contradict the popular myth of van Gogh as an anti-social madman and a martyr to art, showing instead a man of great emotional and spiritual depths. Above all, they stand as an intense personal narrative of artistic development and a unique account of the process of creation.The letters are linked by explanatory biographical passages, revealing van Gogh's inner journey as well as the outer facts of his life. This edition also includes the drawings that originally illustrated the letters.Vincent Willem van Gogh (1853-1890) was born in Holland. In 1885 he painted his first masterpiece, The Potato Eaters, a haunting scene of domestic poverty. A year later he began studying in Paris, where he met Gauguin, Toulouse-Lautrec and Seurat, who became very important influences on his work. In 1888 he left Paris for the Provencal landscape at Arles, the subject of many of his best works, including Sunflowers.If you enjoyed The Letters of Vincent van Gogh, you might also like 100 Artists Manifestos, available in Penguin Modern Classics.'If there was ever any doubt that Van Gogh's letters belong beside those great classics of artistic self-revelation, Cellini's autobiography and Delacroix's journal, this excellent new edition dispels it'The Times

    He did not return to Morocco for another 29 years, traveling instead through more than 40 countries on the modern map, covering 75,000 miles and getting as far north as the Volga, as far east as China, and as far south as Tanzania. He wrote of his travels, and comes across as a superb ethnographer, biographer, anecdotal historian, and occasional botanist and gastronome. With this edition by Mackintosh-Smith, Battuta's Travels takes its place alongside other indestructible masterpieces of the travel-writing genre.

    In the character of its protagonist, Pechorin, the archetypal Russian antihero, Lermontov's novel looks forward to the subsequent glories and passion of Russian literature that it helped, in great measure, to make possible.

    In mordantly funny and thought-provoking prose, the author of Out of Sheer Rage describes a life most of us would love to live—and how that life frustrates and aggravates him.As he travels from Amsterdam to Cambodia, Rome to Indonesia, Libya to Burning Man in the Black Rock Desert, Dyer flounders about in a sea of grievances, with fleeting moments of transcendental calm his only reward for living in a perpetual state of motion. But even as he recounts his side-splitting misadventures in each of these locales, Dyer is always able to sneak up and surprise you with insight into much more serious matters. Brilliantly riffing off our expectations of external and internal journeys, Dyer welcomes the reader as a companion, a fellow perambulator in search of something and nothing at the same time.

    He left carrying the original manuscript of Pasternak’s first and only novel, entrusted to him with these words: “This is Doctor Zhivago. May it make its way around the world.” Pasternak believed his novel was unlikely ever to be published in the Soviet Union, where the authorities regarded it as an irredeemable assault on the 1917 Revolution. But he thought it stood a chance in the West and, indeed, beginning in Italy, Doctor Zhivago was widely published in translation throughout the world. From there the life of this extraordinary book entered the realm of the spy novel. The CIA, which recognized that the Cold War was above all an ideological battle, published a Russian-language edition of Doctor Zhivago and smuggled it into the Soviet Union. Copies were devoured in Moscow and Leningrad, sold on the black market, and passed surreptitiously from friend to friend. Pasternak’s funeral in 1960 was attended by thousands of admirers who defied their government to bid him farewell. The example he set launched the great tradition of the writer-dissident in the Soviet Union.  In The Zhivago Affair, Peter Finn and Petra Couvée bring us intimately close to this charming, passionate, and complex artist. First to obtain CIA files providing concrete proof of the agency’s involvement, the authors give us a literary thriller that takes us back to a fascinating period of the Cold War—to a time when literature had the power to stir the world.(With 8 pages of black-and-white illustrations.)

    In spare, brutal prose he describes a world where where the will to survive overrides compassion and prisoners eat, work and sleep a few yards from where others are murdered; where the difference between human beings is reduced to a second bowl of soup, an extra blanket or the luxury of a pair of shoes with thick soles; and where the line between normality and abnormality vanishes. Published in Poland after the Second World War, these stories constitute a masterwork of world literature.

    On the way he bestows upon angels, fellow passengers, and the world at large a magnificent monologue on alcohol, politics, society, alcohol, philosophy, the pains of love, and, of course, alcohol.

    Although the opening of the Soviet archives to scholars has made it possible to write the history of this notorious concentration camp system, documents tell only one side of the story. Gulag Voices now fills in the other half.The backgrounds of the writers reflect the extraordinary diversity of the Gulag itself. Here are the personal stories of such figures as Dmitri Likhachev, a renowned literary scholar; Anatoly Marchenko, the son of illiterate laborers; and Alexander Dolgun, an American citizen. These remembrances—many of them appearing in English for the first time, each chosen for both literary and historical value—collectively spotlight the strange moral universe of the camps, as well as the relationships that prisoners had with one another, with their guards, and with professional criminals who lived beside them.A vital addition to the literature of this era,annotated for a generation that no longer remembers the Soviet Union, Gulag Voices will inform, interest, and inspire, offering a source for reflection on human nature itself.

    Robert Macfarlane travels Britain's ancient paths and discovers the secrets of our beautiful, underappreciated landscape.Following the tracks, holloways, drove-roads and sea paths that form part of a vast ancient network of routes criss-crossing the British Isles and beyond, Robert Macfarlane discovers a lost world - a landscape of the feet and the mind, of pilgrimage and ritual, of stories and ghosts; above all of the places and journeys which inspire and inhabit our imaginations.

    The thirty-one poems in the first of his major writings are linked by a lyrical prose narrative celebrating and debating the subject of love. Composed upon Dante's meeting with Beatrice and the "Lord of Love," it is a love story set to the task of confirming the "new life" inspired by this meeting. With a critical introduction and explanatory notes, this is a new translation of a supreme work which has been read variously as biography, religious allegory, and a meditation on poetry itself.

    He found a country broken by the Civil War, but the totems of indestructible Spain survive; the Christ in agony, the thrilling flamenco cry, the gypsy intensity in vivid whitewashed slums, the cult of the bullfight, the exultation in death, the humour of hopelessness and the paradoxes deep in the fiery bones of Spain. Rich with kaleidoscopic images, A Rose for Winter is as evocative as the sun-scorched landscape of Andalusia itself.Cover Photograph: Irene Lamprakou