Thomas' acclaimed translations of Akhmatova's poems. This volume includes "Requiem", her poem of the Stalinist Terror and "Poem Without a Hero".

    Nearly three million people endured it; just under half of them died. For twenty-five years the distinguished journalist and historian Harrison Salisbury pieced together this remarkable narrative of villainy and survival, in which the city had much to fear-from both Hitler and Stalin.

    On the way he bestows upon angels, fellow passengers, and the world at large a magnificent monologue on alcohol, politics, society, alcohol, philosophy, the pains of love, and, of course, alcohol.

    Set far from Moscow in the remote Kazakhstan capital of Alma-Ata, The Keeper of Antiquities begins with a leisurely, almost scholarly air - like a devious story by Borges. But very soon we find ourselves watching with horror as professional rivalry between the keeper of the town's museum and the chief librarian turns into a deadly struggle for control over the meaning of the past - and therefore over the present.While Dombrovsky does not have the wit, the suave cynicism of Bulgakov, he is-or was-immensely drawn to the tragi-comic potential of the bureaucratic flap, endemically Russian. Water boils drearily for tea in noisily peopled conferences; lank-jawed, heavily smoking females whine and bark in outrage; minor officials threaten and soothe; mass grievances are unburdened. The narrator is an open-hearted, straightforward young man with the title of Keeper of Antiquities in the archaeological section of a museum in rural Soviet Central Asia. The Keeper is moderately happy in his eyrie of catalogues and modest displays, sharing varieties of pickling alcohol with an earthy old carpenter and enjoying a secret hoard of carnival views of ""Beauties of the World"" in their natural state. His aim is to go quietly on his way ""without interfering with anybody."" But ""Your business is history"" to prove and demonstrate, and there is no escape. An attempt to improve the local library by a critical comment; the friendship with a collective brigade leader whose brother was shot (unjustly?) as a traitor; the defense of a young archaeologist fired by the library-all forbode disaster. The keeper of pristine truths unsullied by expedient exploitation thinks of flight, but in the end simply waits for the closing in of ""history,"" party style. A spirited, often anguished, indictment of mindless officialdom wherever it appears.

    After the Revolution, and the persecution of intellectuals which followed, she was forced to flee to Paris, where she was to remain for 25 years. There she formed part of a group of literary Russian emigres that included Gorky, Bunin, Svetaeva, Nabokov and Akhmatova, and earned a precarious living as a journalist, barely surviving the hardship and poverty of exile. In 1950 she left France for the United States to begin a new life with no money and no knowledge of English. She is now a retired Professor of Russian Literature at Princeton, and has belatedly been acclaimed for the short novels she wrote in the 1930s and '40s.

    Shortly before the outbreak of World War II, he is sent to an obscure village with one week's ration of canned meat and orders to guard a downed plane. Apparently forgotten by his unit, Chonkin resumes his life as a peasant and passes the war tending the village postmistress's garden. Just after the German invasion, the secret police discover this mysterious soldier lurking behind the front line. Their pursuit of Chonkin and his determined resistance lead to wild skirmishes and slapstick encounters.

    F. Christian's editions of Tolstoy's Diaries and Letters, both in two volumes, are definitive. Volume 1 of the Diaries covers the years 1847-1894, and Volume 2 the years 1895-1910. Passages have been chosen to reflect Tolstoy's preoccupations as a writer - his views on his own work and that of others - and his development as a person and as a thinker. The passages also show his attitude to contemporary social problems, rural life, industrialisation, education, and later, to religious and spiritual questions.R. F. Christian has grouped the diary entries chronologically, introducing each period with a brief and informative summary of the main biographical details of Tolstoy's life. The result is something much more than source material for Tolstoy's life and thought, though it could hardly be richer in that respect, it is a unique, direct and unhindered portrait of a great man and a very great writer in the variegation of his everyday existence.'As a picture of the turbulent Russian world which Tolstoy inhabited these diaries are incomparable - the raw stuff not yet processed into art.' Anthony Burgess'Professor Christian's work, a fitting companion to his two-volume edition of the Letters, is an important and long-overdue contribution to our knowledge of Tolstoy.' D. M. Thomas, Sunday Times'What Professor R. F. Christian has done is to provide us with a huge two-volume digest, punctiliously edited and translated . . . It is a model of scholarship, one of the most important books to be published in recent years.' A. N. Wilson, The Spectator'R. F. Christian's engagement for some fifteen years with (Tolstoy's) letters and diaries has been a notable service to the English-speaking public.' Henry Gifford, Times Literary Supplement

    He spent his early childhood in Astrakhan where his father worked as a shipping agent, but when the boy was only five years old, his father died, and he was sent to live with his maternal grandparents. This was not a happy time for the young Gorky as conditions were poor and often violent. At the age of eight, the boy's grandfather forced him to quit school and apprenticed him to several tradesmen including a shoemaker and an icon painter. Fortunately, Gorky also worked as a dishwasher on a Volga steamer where a friendly cook taught him to read, and literature soon became his passion. At the age of twelve, Gorky ran away from home and barely survived, half starving, moving from one small job to the next. He was often beaten by his employers and seldom had enough to eat. The bitterness of these early experiences led him to choose the name Maxim Gorky (which means "the bitter one") as his pseudonym.

    The internationally known historian Roy Medvedev has included more than one-hundred new interviews, unpublished memoirs, and archives from survivors of Stalin's death camps. This updated version of a classic work was written during a time of great change in the Soviet Union. With the advent of perestroika and glasnost, more progressive leadership has sought to demolish the Stalinist system which had finally crippled the Soviet Union and incited public discontent.Let History Judge contains new material on purges in 1929-1931 and terror against the peasantry; the Kirov assasination and show trials; the "great terror" from 1936-1938, which caused irreparable damage to the Soviet Union and left it vulnerable for Hilter's attack in 1941; the trial of Bukharin; Trotsky's revolutionary activity and Stalin's involvement with his murder in Mexico; Stalin's miscalculations and errors during the war, which cost the Soviet Union nearly 25 million in casualties; new purges from 1946-1953; and the actual vote of the Seventeenth Congress, which decided Stalin's candidacy.Since the first edition was finished by the author in 1969 and published in 1971, dozens of new informants have come forward to give their evidence to Roy Medvedev. Distinguished Soviet literary, cultural, and political figures like the late Alexander Twardovsky, Ilja Ehrenburg, Konstantin Simonov, Yuri Trifono, Mikhail Romm and many others have accumulated documentary records of Stalinism in anticipation of an expanded version.

    debut in this enthralling collection of fiction. Women's lives are the central preoccupation of Natalya Baranskaya: A scientist frantically juggles her professional life with her duties as wife and mother; a woman writer who regrets never marrying is finally glad of it; a delinquent girl is brought before the people's court for her "anti-social" behavior. With candor and satirical wit, Baranskaya captures perfectly everyday realities of family and society.

    In the first part of the book the author describes his growing ties in the early years of the century with the poet and author Ivan Bunin, the only Russian writer other than Pasternak to have been awarded the Nobel Prize. Most of the action is centred on Odessa during the Civil War where Katayev, a demobilized army officer, meets Bunin for a second time as a refugee fleeing from the Revolution. There is a brilliant account of the conflict in Bunin's mind which ultimately led him to emigrate from Russia. The second part consists of an account of eight years of friendship between the author and 'the futurist, innovator and trendsetter', Mayakovsky. Katayev's vivid portrait throws new light on this passionate revolutionary poet who shocked his friends and enemies alike by shooting himself.

    Alternate title "The Rake and the Rebel"A coming of age story in 19th century Russia.

    He helped introduce the Canadian version of hockey into the Soviet Union in 1946 and, eight years later, his team won the international amateur hockey championship. He adapted the Russian version of hockey, which at that time resembled outdoor soccer on ice, to the style that is played indoors on smaller rinks. He then defeated the Canadians and Americans at their own game.

    With this bon mot the average curiosity about the Tsars' government was satisfied and there seemed to be no need to look further into the matter. There was, on the surface of things, some justification for such a definition: many rulers had suffered violent death and little did the autocracy abate between 1725 and 1905. The impression created by travelers, by historians and journalists, as well as by Russia's own discontented intelligentsia was that nothing really ever changed in Russia, that the autocracy was the same in 1905 as it had been at the death of Peter the Great in 1725. Not that the outside world had remained ignorant of the efforts at reform, the changes, and the modernization wrought in Russia since the day Peter I had "cut a window into Europe. " But the prevailing opinion was that such changes as occurred were merely external and did not affect the fundamental structure of the government or of society.