Van Gogh's letters lay bare his deepest feelings, as well as his everyday concerns and his views of the world of art.

    Written at the onset of the First World War, My Own Story brings attention to Pankhurst's cause while defending her decision to cease activism until the end of the war. Notable for its descriptions of the British prison system, My Own Story is an invaluable document of a life dedicated to others, of a historical moment in which an oppressed group rose up to advocate for the simplest of demands: equality.Born in a politically active household, Emmeline Pankhurst was introduced to the women's suffrage movement at a young age. In 1903, she founded the Women's Social and Political Union (WSPU), an organization dedicated to the suffragette movement. As their speeches, rallies, and petitions failed to make headway, they turned to militant protest, and in 1908 Emmeline was arrested for attempting to enter Parliament to deliver a document to Prime Minister H.H. Asquith. Imprisoned for six weeks, she observed the horrifying conditions of prison life, including solitary confinement. This experience changed her outlook on the struggle for women's suffrage, and she increasingly saw imprisonment as a means of radical publicity. Over the next several years, she would be arrested seven times for rioting, destroying property, and assaulting police officers, and while in prison staged hunger strikes in order to gain the attention of the press and political establishment. My Own Story is a record of one woman's tireless advocacy for the sake of countless others.With a beautifully designed cover and professionally typeset manuscript, this edition of Emmeline Pankhurst's My Own Story is a classic of English literature reimagined for modern readers.

    In this Penguin Classics edition, the letters are selected and edited by Ronald de Leeuw, and translated by Arnold Pomerans in Penguin Classics.Few artists' letters are as self-revelatory as Vincent van Gogh's, and this selection, spanning his artistic career, sheds light on every facet of the life and work of this complex and tortured man. Engaging candidly and movingly with his religious struggles, his ill-fated search for love, his attacks of mental illness and his relation with his brother Theo, the letters contradict the popular myth of van Gogh as an anti-social madman and a martyr to art, showing instead a man of great emotional and spiritual depths. Above all, they stand as an intense personal narrative of artistic development and a unique account of the process of creation.The letters are linked by explanatory biographical passages, revealing van Gogh's inner journey as well as the outer facts of his life. This edition also includes the drawings that originally illustrated the letters.Vincent Willem van Gogh (1853-1890) was born in Holland. In 1885 he painted his first masterpiece, The Potato Eaters, a haunting scene of domestic poverty. A year later he began studying in Paris, where he met Gauguin, Toulouse-Lautrec and Seurat, who became very important influences on his work. In 1888 he left Paris for the Provencal landscape at Arles, the subject of many of his best works, including Sunflowers.If you enjoyed The Letters of Vincent van Gogh, you might also like 100 Artists Manifestos, available in Penguin Modern Classics.'If there was ever any doubt that Van Gogh's letters belong beside those great classics of artistic self-revelation, Cellini's autobiography and Delacroix's journal, this excellent new edition dispels it'The Times

    For Elisabeth Leseur had two great loves: God, and her husband Felix. Felix loved Elisabeth as well; yet to their mutual sorrow, he couldn't share the life of the Spirit that Elisabeth cherished.

    Gemma Galgani (1878-1903) was a mystic, stigmatist, visionary, ecstatic, victim soul, discerner of spirits, seer of hidden things, prophetess, spouse of Christ, zealot for souls and devotee of the Poor Souls in Purgatory. She died at only 25. Her mother was also saintly, and it is beautiful to see how she helped cultivate this lily of purity. See how Gemma made great sacrifices painful to human nature from her tenderest years. Inspiring and edifying! Impr. 382 pgs, PB

    In this book Charles Eastman ("Ohiyesa"), a full-blooded Sioux Indian raised as a young warrior in the 1870's and 80's, describes that life — the lessons he learned, games he played, and feelings about life that he developed as he worked to become a young Indian scout.Among the many areas of craft and lore described are the physical training of young boys, making friends with the wild animals, learning the language of footprints, hunting with slingshot and bow and arrow, trapping and fishing, making canoes, setting up camp, building wigwams and other shelters, making fire without matches and cooking without pots, blazing a trail, using Indian signals, gesture language and picture-writing, reading the signs of nature and storytelling, as well as information on winter and summer sports of the Indian boys, names and ceremonies of Indian boys and Indian girls, and the etiquette of the wigwam. Throughout, not only the practices but the reasons and feelings behind them are described. Twenty seven illustrations show many of the crafts and signs described.Scouts and others who enjoy camping and learning the lessons of outdoor life will find in this book not only new ideas but a feeling of life as it was lived by young Indian boys and girls nearly a century ago. In learning the lessons described in this book you will make new discoveries — about nature, about outdoor life, and about yourself.

    Maier's Atlanta Fugiens and Themis Aurea transcend their era and continue to inspire today's students of alchemy. But Maier's many other works remain virtually unknown—to our loss, for he was a champion of Rosicrucianism as well as a spiritual alchemist of the highest caliber.Reverend J.B. Craven had access to important source works on Michael Maier and his writings, many of which were unavailable in English. In this collection, first published in 1914, Craven provides a biography of Maier; traces his career as a physicaian; his associations with Dr. Robert Fludd, Sir William Paddy, and Sir Thomas Smith; and his pursuit of alchemy as both a science for transmuting lead into gold and a metaphor for spiritual attainment. This book is the only one to analyze all of Maier's works in depth and demystify much of the alchemical symbols and allusions in Maier's texts. R.A. Gilbert's Foreword details Craven's life, writings, and his role in illuminating the mysterious practice of alchemy.