But we are pulled in the other direction too by the anxiety that a violent response to violence makes us morally indistinguishable from our enemies. There is perhaps no greater political challenge today than trying to win the war against terror without losing our democratic souls. Michael Ignatieff confronts this challenge head-on, with the combination of hard-headed idealism, historical sensitivity, and political judgment that has made him one of the most influential voices in international affairs today.Ignatieff argues that we must not shrink from the use of violence--that far from undermining liberal democracy, force can be necessary for its survival. But its use must be measured, not a program of torture and revenge. And we must not fool ourselves that whatever we do in the name of freedom and democracy is good. We may need to kill to fight the greater evil of terrorism, but we must never pretend that doing so is anything better than a lesser evil.In making this case, Ignatieff traces the modern history of terrorism and counter-terrorism, from the nihilists of Czarist Russia and the militias of Weimar Germany to the IRA and the unprecedented menace of Al Qaeda, with its suicidal agents bent on mass destruction. He shows how the most potent response to terror has been force, decisive and direct, but--just as important--restrained. The public scrutiny and political ethics that motivate restraint also give democracy its strongest weapon: the moral power to endure when the furies of vengeance and hatred are spent.The book is based on the Gifford Lectures delivered at the University of Edinburgh in 2003.

    The relations between film style and mode of production are, according to the authors, reciprocal and mutually influencing. The authors trace such topics as style, economics, and technology over time, demonstrating how significant changes occurrred in Hollywood from the earliest days through the sixties.

    Suddenly, every aspiring PM wanted a fast-talking, sharp-thinking ad man on their team to help dazzle voters. But what were the consequences of their fixation with the snappy and simplistic? Sam Delaney embarks on a journey to expose the shocking truth behind the general election campaigns of the last four decades. Everything is here - from the man who snorted coke in Number 10 to the politician who fell in love with her own ad exec, from the fist-fights in Downing Street to the all-day champagne binges in Whitehall offices. Sam Delaney talks to the men at the heart of the battles - Alistair Campbell, Peter Mandelson, Tim Bell, Maurice Saatchi, Norman Tebbit, Neil Kinnock - and many more. Dark, revealing and frequently hilarious, Mad Men and Bad Men tells the story of how unelected, unaccountable men ended up informing policy - and how the British public paid the price.

    These stories took the form of letters of remission, documents narrated to royal notaries by admitted offenders who, in effect, stated their case for pardon to the king. Thousands of such stories are found in French archives, providing precious evidence of the narrative skills and interpretive schemes of peasants and artisans as well as the well-born. This book, by one of the most acclaimed historians of our time, is a pioneering effort to us the tools of literary analysis to interpret archival texts: to show how people from different stations in life shaped the events of a crime into a story, and to compare their stories with those told by Renaissance authors not intended to judge the truth or falsity of the pardon narratives, but rather to refer to the techniques for crafting stories. A number of fascinating crime stories, often possessing Rabelaisian humor, are told in the course of the book, which consists of three long chapters. These chapters explore the French law of homicide, depictions of "hot anger" and self-defense, and the distinctive characteristics of women's stories of bloodshed. The book is illustrated with seven contemporary woodcuts and a facsimile of a letter of remission, with appendixes providing several other original documents. This volume is based on the Harry Camp Memorial Lectures given at Stanford University in 1986.

    The authors cover topics such as: understanding global governance, the challenges of governance, the theoretical foundations of global governance and the need for global governance.

    This provocative book undertakes a new and challenging reading of recent semiotic and structuralist theory, arguing that films, novels, and poems cannot be studied in isolation from their viewers and readers.

    Craig Murray is no ordinary diplomat. He enjoys a drink or three, and if it's in the company of a pretty girl, so much the better. Murray's scant regard for the rules of the game also extends to his job. When, in the first few weeks of his posting to the little-known Central Asian Republic of Uzbekistan, he comes across photographs of a political dissident who has literally been boiled to death, he ignores diplomatic nicety and calls it for what it is: torture of the cruelest sort.Murray soon discovers that this is no one-off incident: fierce abuse of those opposing the government is rife. It's not long before he is tearing around the country in his embassy Land Rover, shaking off Uzbek police tails and crashing through roadblocks to meet with dissidents and expose their persecutors. He even confronts the despotic president, Islom Karimov, face-to-face.But Murray's bosses in London's Foreign Office, ever mindful of their senior partners in Washington, don't want to upset the applecart. Karimov is an ally in the newly announced Global War on Terror. His country is host to a big American air base. The last thing they need is a battling young diplomat stirring things up. In Craig Murray, that's exactly what they've got...

    Yet it is rare to find someone prepared to defend all freedom of speech, especially if the views expressed are obnoxious or obviously false. So where do we draw the line? How important is our right to freedom of speech? In this accessible and up-to-date Very Short Introduction, Nigel Warburton covers a wide range of controversial free-speech issues, from Holocaust denial and pornography to the status of modern copyright law. The book offers a concise guide to many of the vexing issues concerning our right to speak freely, including: Should a civilized society set limits on freedom of speech? How can we balance free speech with the sensitivities of religious and minority groups? How have digital technology and the Internet changed the debate?

    Translated by Tom Griffith.In Symposium, a group of Athenian aristocrats attend a party and talk about love, until the drunken Alcibiades bursts in and decides to discuss Socrates instead. Symposium gives an unsurpassed picture of the sparkling society that was Athens at the height of her empire.The setting of the other dialogues is more sombre. Socrates is put on trial for impiety, and sentenced to death. Euthyphro discusses the nature of piety, Apology is Socrates' speech in his own defence, Crito explains his refusal to escape punishment, and Phaedo gives an account of Socrates' last day.These dialogues have never been offered in one volume before. Tom Griffith's Symposium has been described as 'possibly the finest translation of any Platonic dialogue'. All the other translations are new.

    The book is divided into three sections: differing approaches to the study of security; the broadening and deepening of security; and a range of traditional and non-traditional issues that have emerged on the security agenda.The study of international security has undergone dramatic changes since the end of the Cold War. While war and the threat to use force is part of the security equation it is not exclusively so. Security studies encompasses dangers that range from pandemics, such as HIV/AIDS, and environmental degradation through to the more readily associated security concerns of direct violence, such as terrorism and inter-state armed conflict.Accessible and easy to use, Contemporary Security Studies is essential reading for all students new to international security.The book is accompanied by an Online Resource Center.Student resources:Case studies on the Iraq War, Zimbabwe, migration and North Korea Web links Multiple Choice Questions Flashcard glossaryLecturer resources:PowerPoint slides

    As a result, the 8th edition maintains the strengths of previous editions but is enhanced with new material and current examples from public finance literature and the policy world. It includes substantive changes that reflect the progress that has been made in the field of public finance. These changes may be divided into three categories: new organization, new material, and new pedagogical features. As with previous editions, the book continues to draw upon the latest research while never losing sight of the reality it is supposed to describe, always drawing the links between economic analysis and current political issues.

    The text draws from political science, public administration, economics, decision analysis, and social and political theory.

    Seuss and J. K. Rowling. In analysing these and many other authors, Alison Lurie shows how these gifted writers have used children's literature to transfigure sorrow, nostalgia and the struggles of their own experience.

    

    At the time Jameson was actually writing the book, in the mid to late seventies, there was a major reaction against deconstruction and poststructuralism. As one of the most significant literary theorists, Jameson found himself in the unenviable position of wanting to defend his intellectual past yet keep an eye on the future. With this book he carried it off beautifully. A landmark publication, The Political Unconscious takes its place as one of the most meaningful works of the twentieth century.