By birth a native of Georgia and a Roman Catholic, O'Connor depicts, in all its comic and horrendous incongruity, the limits of worldly wisdom and the mysteries of divine grace in the "Christ-haunted" Protestant South. This Library of America collection, the most comprehensive ever published, contains all of her novels and short-story collections, as well as nine other stories, eight of her most important essays, and a selection of 259 witty, spirited, and revealing letters, twenty-one published here for the first time.Her fiction brilliantly explores the human obsession with seemingly banal things. It might be a new hat or clean hogs or, for Hazel Motes, hero of Wise Blood (1952), an automobile. "Nobody with a good car needs to be justified," Hazel assures himself while using its hood for a pulpit to preach his "Church Without Christ." As in O'Connor's subsequent work, the characters in this novel are driven to violence, even murder, and their strong vernacular endows them with the discomforting reality of next-door neighbors. "In order to recognize a freak," she remarks in one of her essays, "you have to have a conception of the whole man."In the title story of her first, dazzling collection of stories, A Good Man Is Hard to Find (1955), the old grandmother discovers the comic irrelevance of good manners when she and her family meet up with the sinister Misfit, who claims there is "no pleasure but meanness." The terror of urban dislocation in "The Artificial Nigger," the bizarre baptism in "The River," or one-legged Hulga Hopewell's encounter with a Bible salesman in "Good Country People"--these startling events give readers the uneasy sense of mysteries about to be revealed.Her second novel, The Violent Bear It Away (1960), casts the shadow of the Old Testament across a landscape of backwoods shacks, modern towns, and empty highways. Caught between the prophetic fury of his great-uncle and the unrelenting rationalism of his uncle, fourteen-year-old Francis Tarwater undergoes a terrifying trial of faith when he is commanded to baptize his idiot cousin.The nine stories in Everything That Rises Must Converge (1965) show O'Connor's powers at their height. The title story is a terrifying, heart-rending drama of familial and racial misunderstanding. "Revelation" and "The Enduring Chill" probe further into conflicts between parental figures and recalcitrant offspring, where as much tension is generated from quiet conversation as from the physical violence of gangsters and fanatics.

    Angela Carter takes real people and literary legends - most often women - who have been mythologized or marginalized and recasts them in a new light. In a style that is sensual, cerebral, almost hypnotic, "The Fall River Axe-Murders" portrays the last hours before Lizzie Borden's infamous act: the sweltering heat, the weight of flannel and corsets, the clanging of the factory bells, the food reheated and reserved despite the lack of adequate refrigeration, the house "full of locked doors that open only into other rooms with other locked doors." In "Our Lady of the Massacre" the no-nonsense voice of an eighteenth-century prostitute/runaway slave questions who is civilized - the Indians or the white men? "Black Venus" gives voice to Charles Baudelaire's Creole mistress, Jeanne Duval: "you could say, not so much that Jeanne did not understand the lapidary, troubled serenity of her lover's poetry but, that it was a perpetual affront to her. He recited it to her by the hour and she ached, raged and chafed under it because his eloquence denied her language." "The Kiss" takes the traditional story of Tamburlaine's wife and gives it a new and refreshing ending. Sometimes disquieting, sometimes funny, always thought-provoking, Angela Carter's stories offer a feminist revision of images that lie deep in the public psyche.

    Gathering works from the previously published Monday or Tuesday, as well as stories published in American and British magazines, this book compiles some of the best shorter fiction of one of the most important writers of our time.

    Nesbit, Diana Wynne Jones, Gahan Wilson, and other literary luminaries. Sales of Unnatural Creatures benefit 826DC, a nonprofit organization dedicated to supporting students in their creative and expository writing, and to helping teachers inspire their students to write.

    Moreau to Dr. Doom, readers have long been fascinated by insane plans for world domination and the madmen who devise them. Typically, we see these villains through the eyes of good guys. This anthology, however, explores the world of mad scientists and evil geniuses—from their own wonderfully twisted point of view. An all-star roster of bestselling authors—including Diana Gabaldon, Daniel Wilson, Austin Grossman, Naomi Novik, and Seanan McGuire ... twenty-two great storytellers, all told—have produced a fabulous assortment of stories, guaranteed to provide readers with hour after hour of high-octane entertainment born of the most megalomaniacal mayhem imaginable. Everybody loves villains. They’re bad; they always stir the pot; they’re much more fun than the good guys, even if we want to see the good guys win. Their fiendish schemes, maniacal laughter, and limitless ambition are legendary, but what lies behind those crazy eyes and wicked grins? How—and why—do they commit these nefarious deeds? And why are they so set on taking over the world? If you've ever asked yourself any of these questions, you’re in luck: It’s finally time for the madmen’s side of the story.Between each chapter falls a single-page essay by the editor, by way of introduction to the story ahead; they have titles of their own, but all contain spoilers, so are not listed here (they can be found on the Internet Science Fiction Database if desired). All individual works in this anthology are in short story form, with the exception of Diana Gabaldon's 80-page Outlander novella, and unless otherwise noted, were first published within. CONTENTS Foreword - Chris Claremont, The Mad Scientist's Guide to World Domination: Original Short Fiction for the Modern Evil Genius (p9)01 - Austin Grossman, Professor Incognito Apologizes: An Itemized List (p16)02 - Harry Turtledove, Father of the Groom (p28)03 - Seanan McGuire, Laughter at the Academy: A Field Study in the Genesis of Schizotypal Creative Genius Personality Disorder (SCGPD) (p38)04 - David D. Levine, Letter to the Editor (p52)05 - Jeremiah Tolbert, Instead of a Loving Heart (2004, p59)06 - Daniel H. Wilson, The Executor (p68)07 - Heather Lindsley, The Angel of Death Has a Business Plan (p83)08 - Dave Wolverton (as David Farland), Homo Perfectus (p96)09 - L.A. Banks, Ancient Equations (p108)10 - Alan Dean Foster, Rural Singularity (p123)11 - Genevieve Valentine, Captain Justice Saves the Day (p133)12 - Theodora Goss, The Mad Scientist's Daughter (2010, p142)13 - Diana Gabaldon, The Space Between (2012 Outlander novella, p161)14 - Carrie Vaughn, Harry and Marlowe Meet the Founder of the Aetherian Revolution (p245)15 - Laird Barron, Blood and Stardust (p261)16 - L.E. Modesitt Jr., A More Perfect Union (p276)17 - Naomi Novik, Rocks Fall (p289)18 - Mary Robinette Kowal, We Interrupt This Broadcast (Lady Astronaut short story, p298)19 - Marjorie M. Liu, The Last Dignity of Man (p306)20 - Jeffrey Ford, The Pittsburgh Technology (p328)21 - Grady Hendrix, Mofongo Knows (p341)22 - Ben H. Winters, The Food Taster's Boy (p357)

    Pull up a chair, grab a glass of your favorite, and listen to the stories spun by time travelers, cybernetic aliens, telepaths...and a bunch of regular folks on a mission to save the world, one customer at a time.Callahan's Crosstime Saloon contains the following stories, virtually all of which were published in Analog Science Fiction and Fact: * "The Guy With the Eyes" * "The Time-Traveler" * "The Centipede's Dilemma" * "Two Heads Are Better Than One" * "The Law Of Conservation of Pain" * "Just Dessert" * "A Voice is Heard in Ramah..." * "Unnatural Causes" * "The Wonderful Conspiracy"

    Fantastic psychic visions, specters looming in the shadows, encounters with deities, a man who switches bodies with a cat—be sure to keep the light on whilst reading these tales. The Last Séance gathers twenty stories, some featuring Christie’s beloved detectives Hercule Poirot and Miss Marple, in one haunting compendium that explores all things occult and paranormal, and is an essential omnibus for Christie fans.

    In "A Most Blessed and Auspicious Occasion," a young couple planning a wedding is forced to deal with interfering relatives dictating the appropriate number of ritual goat sacrifices. "Missed Connection--m4w" is the tragicomic tale of a pair of lonely commuters eternally failing to make that longed-for contact. The members of a rock band in "Up-and-Comers" discover they suddenly have superpowers--but only when they're drunk. And in "The Serial Monogamist's Guide to Important New York City Landmarks," a woman maps her history of romantic failures based on the places she and her significant others visited together.Equally at home with the surreal and the painfully relatable (or both at once), Bob-Waksberg delivers a killer combination of humor, romance, whimsy, cultural commentary, and crushing emotional vulnerability. The resulting collection is a punchy, perfect bloody valentine.

    More than three hours of recordings in each collection capture the intimacy of live performance, with stories that are alternately exciting, poignant, and funny, making this the perfect accompaniment to any number of daily activities--driving, cooking, exercising, relaxing, or intently listening. Timeless Classics includes, among others, James Thurber's "The Night the Ghost Got In," read by Isaiah Sheffer; Edith Wharton's "Roman Fever," read by Maria Tucci; Jack London's "Make Westing," read by Steven Gilborn; D. H. Lawrence's "The Rocking Horse Winner," read by John Shea; Shirley Jackson's "The Lottery," read by Marian Seldes; Richard Connell's "The Most Dangerous Game," read by Charles Keating; and Raymond Carver's "Cathedral," read by James Naughton.

    A man and his girlfriend argue over whether a slow-moving or fast-moving zombie is scarier.One shot included in the "8 Tales of the ZQN" anthology.

    Throughout the collection, women become insects, men turn to stone, a city becomes insomniac and bodies are picked apart to make up better ones. The mundane worlds of schools and sea side towns are invaded and transformed by the physical, creating a landscape which is constantly shifting to hold on to the bodies of its inhabitants. Blending the mythic and the fantastic, the collection considers characters in motion – turning away, turning back or simply turning into something new.From the winner of The White Review Short Story Prize 2018, salt slow is an extraordinary collection of short stories that are sure to dazzle and shock.

    Some money from each copy of Speaking with the Angel sold will benefit autism education charities around the world, including The Treehouse School in London, where Nick’s son Danny is a student, and the New York Child Learning Institute here in the States. This project is truly a labor of love for Hornby and the other writers involved, many of whom are Nick’s friends.These original first-person narratives come from the most exciting voices in fiction. Melissa Bank gives readers a glimpse into the mind of a modern New Yorker whose still-new relationship is a constant source of surprise in “The Wonder Spot.” In Zadie Smith’s “I’m the Only One,” a young man recalls his strained relationship with his diva-esque sister. Dave Egger’s “After I Was Thrown in the River and Before I Drowned,” is told from the viewpoint of an unfortunate pit bull. Helen Fielding offers up a new twist on I’ve fallen and I can’t get up in “Luckybitch.” And in Nick Hornby’s “NippleJesus,” a bruiser finds out that guarding modern art is far more hazardous than controlling the velvet ropes at a nightclub. Speaking with the Angel also includes stories from Roddy Doyle, Irvine Welsh, Colin Firth, John O’Farrell, Robert Harris, Patrick Marber, and Giles Smith.Twelve completely new stories, written by twelve undeniably imaginative voices. Speaking with the Angel is at turns clever, outrageous, witty, edgy, tender, and wicked. This is what they meant by original.

    May of these stories are from the pages of Weird Tales and other classic magazines which brought the work of masters like H.P. Lovecraft, Seabury Quinn, Clark Ashton Smith, August Derleth, Robert E. Howard, and many others to the public. Includes an active table of contents.

    It includes poems by: Brian Aldiss, Sharon Baker, Robert Bloch, Ramsey Campbell, Simon Ian Childer, Storm Constantine, Galad Elflandsson, Jo Fletcher, John M Ford, Stephen Gallagher, David Garnett and John Grant.

    Dark and disturbingly funny, JTHM follows the adventures of Johnny (you can call him Nny), who lives with a pair of styrofoam doughboys that encourage his madness, a wall that constantly needs a fresh coat of blood, and--oh, yeah--his victims in various states of torture. Join Nny as he frightens the little boy next door (Todd, known to fans of Vasquez's work as Squee), thirsts for Cherry Brain Freezies, attempts suicide, draws Happy Noodle Boy, and tries to uncover the meaning of his homicidal existence.