Borges sends us on a journey into a compelling, bizarre, and profoundly resonant realm; we enter the fearful sphere of Pascal's abyss, the surreal and literal labyrinth of books, and the iconography of eternal return. To enter the worlds in Ficciones is to enter the mind of Jorge Luis Borges, wherein lies Heaven, Hell, and everything else in between. Part One: The Garden of Forking Paths Prologue Tlön, Uqbar, Orbis Tertius (1940) The Approach to Al-Mu'tasim (1936, not included in the 1941 edition) Pierre Menard, Author of the Quixote (1939) The Circular Ruins (1940) The Lottery in Babylon (1941) An Examination of the Work of Herbert Quain (1941) The Library of Babel (1941) The Garden of Forking Paths (1941) Part Two: Artifices Prologue Funes the Memorious (1942) The Form of the Sword (1942) Theme of the Traitor and the Hero (1944) Death and the Compass (1942) The Secret Miracle (1943) Three Versions of Judas (1944) The End (1953, 2nd edition only) The Sect of the Phoenix (1952, 2nd edition only) The South (1953, 2nd edition only)

    This collection ranges over the verse, stories, essays, and journalism of one of the twentieth century's most quotable authors.

    The plot spans from 1912 to 1944. For more than half a century the book has been loved by children and adults alike. The novel has undergone more than 100 printings, including translations into other languages. Based on its story, plays have been staged and an opera has been written. The plot of the book also became the basis of two movies of the same title in 1955 and 1976. In 1995 in Pskov, the home town of the author, a monument was erected to the characters of the book and a "Two Captains" museum was opened.The real prototype for Captain Tatarinov was Lieutenant Georgii Brusilov, who in 1912 organized a privately funded expedition seeking a west-to-east Northern sea route. The steamship "St. Anna," specially built for the expedition, left Petersburg on 28 July 1912. Near the shores of Yamal peninsula it was seized by ice and carried in the ice drift to the north of the Kara Sea. The expedition survived two hard winters. Of the 14 people who left the stranded steamship in 1914, only two made it to one of the islands of Frants-Joseph Land and were spotted and taken aboard "St. Foka," the ship of the expedition of G. Y. Sedov. The ship log they had kept with them contained the most important of the scientific data, after the study of which Sedov's expedition found the previously unknown island in the Kara Sea, Vize Island. The ultimate fate of "St.Anna" and its remaining crew is still unknown. Veniamin Kaverin (1902-1989) wrote novels, short stories, fairy tales, memoirs, and biographies. In the early 1920s, Veniamin Kaverin was a member of experimental literary group "Serapionovi bratya." In 1946 his novelTwo Captains became the winner of the USSR State Literature Award.

    At the center of the famed Round Table at New York's Algonquin Hotel, Parker distinguished herself among a circle of urbane literati with her excoriating quips and wonderfully realized epigrammatic poems. By the time her first collection of poems, Enough Rope, was published in 1926, she had been dubbed the "wittiest woman in America".Confronting the hard facts of existence facing a woman of talent and boldness in the 1920s and '30s, Parker's poems depict a world haunted by unrequited love, alcohol, razor blades, and men of overbearing will. Her poetry earned much admiration from critics such as Odgen Nash, Somerset Maugham, and Edmund Wilson, who hailed it as "flatly brutal as the wit of the age of Pope". Complete Poems collects Parker's three volumes of poetry, Enough Rope, Sunset Gun, and Death and Taxes, as well as a hundred other previously uncollected works -- such as the "hate songs", compact satiric descriptions of husbands and wives, actors and politicians, bores and ne'er-do-wells, and others who attracted her barbed pen.

    The progress of this spiritual odyssey involves him with some of Maugham's most brillant characters - his fiancee Isabel, whose choice between love and wealth have lifelong repercussions, and Elliot Templeton, her uncle, a classic expatriate American snob. The most ambitious of Maugham's novels, this is also one in which Maugham himself plays a considerable part as he wanders in and out of the story, to observe his characters struggling with their fates.

    Lucy's husband is her beloved companion; Vera's husband bores her and she turns elsewhere; and Charlotte's husband is a bully who turns a high-spirited naive young girl into a deeply unhappy woman.

    The decadent 1920s and 1930s in New York were a time of great experiment and daring for women. For the rich, life seemed a continual party, but the excesses took their emotional toll. In the bitingly witty poems and stories collected here, along with her articles and reviews, she brilliantly captures the spirit of the decadent Jazz Age in New York, exposing both the dazzle and the darkness. But beneath the sharp perceptions and acidic humour, much of her work poignantly expresses the deep vulnerability of a troubled, self-destructive woman who, in the words of philosopher Irwin Edman, was 'a Sappho who could combine a heartbreak with a wisecrack'.Dorothy Parker (1893-1967) was born in West End, New Jersey, and grew up in New York. In 1916 she sold some of her poetry to the editor of Vogue, and was subsequently given an editorial position on the magazine. She then became drama critic of Vanity Fair and the central figure of the celebrated Algonquin Round Table, whose members included George S. Kaufman and Harpo Marx. Her collections of poems included Enough Rope (1926) and Not So Deep as a Well (1936), and her collections of stories included Here Lies (1939); in addition, she collaborated on and wrote screenplays including the Oscar-winning A Star is Born (1937), and Alfred Hitchcock's Saboteur (1942).If you enjoyed The Collected Dorothy Parker, you might like Truman Capote's The Complete Stories, also available in Penguin Modern Classics.'She managed to express her real feelings in stanzas which snap and glitter like a Chanel handbag'Peter Ackroyd, The Times

    The couple are on their honeymoon and are at present on a paddle steamer on the Nile. With them is Canon Pennefather, Kay's guardian, and Jacqueline, who has been dogging their footsteps all through the honeymoon. Also on the boat are a rich, ill tempered old woman with her niece and companion, a rather direct young man, a German who nurses a grudge against Kay's father and Kay's maid. During the voyage Jacqueline works herself into a state of hysteria and shoots at Simon, wounding him in the knee. A few moments later Kay is found shot in her bunk. By the time the boat reaches its destination, Canon Pennefather has laid bare an audacious conspiracy and has made sure the criminals shall not go free.

    The two beautiful daughters of a wealthy merchant of the Channel Islands fall in love with the same man, are very diferent. Marianne, the eldest sister is brilliant, passionate, and moody, by whom William was both fascinated and repelled... And Marguerite, the younger sister is pretty, dreamy and quietly, whom William adored.The sisters had both loved him for years. He has gone abroad to seek his fortune to New Zealand. Now they were waiting for him to return from his journeys and claim his bride. But drunkenly he addresses his proposal to the wrong sister.Though the book is fiction, and the characters not portraits, it is based on fact. A stunning tale of loss and self-sacrifice, it is truly one of the most memorable love stories of the last century.

    Alexey Tolstoy (who was not related to the author of War and Peace) began to study the character of his hero, Peter the First, in 1917. When he died almost thirty years later, Tolstoy was still working on his masterpiece, this huge historical canvas which gives brilliant life and meaning to a crucial period in Russian history. Tolstoy reanimates the past by a succession of character creations which range from the serf, Ivan Brodkin, to Peter's sinister and opportunistic favorite, Alexander Menshikoff; from the old Boyars shorn of their beards and their prerogatives to the foreign captains of the new Russian navy. Here in these pages are the beautiful Anna Mons, Peter's first mistress; his wife Eudoxia, whom he never loved; and the peasant girl who eventually was to be crowned Empress Catherine the First. We see these men and women moving across a tapestry of battles abroad, and amid the dark, opulent luxury of the great families and the Imperial Court. In Tolstoy's moving crowded pages we see the emergence of Russia, thrust forward by Peter's inexorable will, from a backward medieval state to her final position as one of the great powers of Europe. Here are magnificent portraits, the fruits of years of historical research, of Peter's principal opponents: August, Elector of Saxony, indefatigable in his amusements, and King Charles XII of Sweden, a great military genius, flawed by passion and indulgence. But the true hero of Tolstoy's epic is Peter himself. We see him grow to be a man---awkward, suspicious, prone to spasms of cowardice, but always driving, sometimes provoked almost to madness, to free his country from the chains of backwardness and superstition to take her place as an equal among the nations of the west. And in the last analysis it is this greatness and originality of character in its hero which gives the stamp of greatness to the book itself. Alexey Tolstoy was born in 1883. In 1918 he published his first full length work, Nikita's Childhood. In 1919 he fled from the Bolshevik government and settled in Paris. In 1922 he asked for and received permission to return home. For the next twenty-four years he lived in Russia, until his death in 1946.

    Dowd starts to introduce his imaginary friend Harvey, a six and a half foot rabbit, to guests at a dinner party, his sister, Veta, has seen as much of his eccentric behavior as she can tolerate. She decides to have him committed to a sanitarium to spare her daughter, Myrtle Mae, and their family, from future embarrassment. Problems arise, however, when Veta herself is mistakenly assumed to be on the fringe of lunacy when she explains to doctors that years of living with Elwood's hallucination have caused her to see Harvey also! The doctors commit Veta instead of Elwood, but when the truth comes out, the search is on for Elwood and his invisible companion. When he shows up at the sanitarium looking for his lost friend Harvey it seems that the mild-mannered Elwood's delusion has had a strange influence on more than one of the doctors. Only at the end does Veta realize that maybe Harvey isn't so bad after all.

    Wanda Petronski is ridiculed by her classmates for wearing the same faded blue dress every day. She claims she has one hundred dresses at home, but everyone knows she doesn’t. When Wanda is pulled out of school one day, the class feels terrible, and classmate Maddie decides that she is "never going to stand by and say nothing again." A gentle tale about bullies, bystanders, and having the courage to speak up.

    Yet when left alone for a few days by his brother, he struggles with his overwhelming desire for alcohol, succumbs to it and, in the resulting prolonged agony, goes over much of his life up to and including the lost weekend.

    J. Cronin which traces the formative years of an Irish orphan, Robert Shannon, who is sent to live with his draconian maternal grandparents in Scotland. An introspective child, Robert forms an attachment to his roguish great-grandfather, who draws the youngster out of his shell with his raucous ways.

    Written with ideas on The White Goddess as a cultural/anthropological backdrop to the ancient Greek tale. What the Golden Fleece really was—a cloak tossed to earth by a drunken Zeus, a sheepskin book of alchemic secrets or the gilded epidermis of a young human sacrifice named Mr. Ram—nobody knows. But Graves is quite sure that, whatever the Golden Fleece was, the voyage of Jason & his Argonauts really happened. His story shows the legendary cruise as one of the bawdiest, bloodiest, most boisterous expeditions of all time. In I, Claudius & its Claudius the God sequel, Graves brought the teeming life of Claudian Rome so vividly alive that they became bestsellers. In the not-so-successful Wife to Mr. Milton, his blend of imagination & scholarship projected his readers into 17th-Century England & the bedchamber temper tantrums of the blind poet-politician. With Hercules & shipmates, Graves becomes an ancient Greek, moving among demigods & goddesses, myths & monsters with an easy familiarity & a wealth of erudite detail. Both sometimes seem too much of a good thing. Atomic-age readers, ill-attuned to the leisurely, formal talk of myth-age Greeks, may find themselves skipping some of the longer speeches. Most of the Argo's 50-oar crew were princes, each with a special talent & gift of the gods. The only woman aboard was a princess: Atalanta of Calydon, a virgin huntress who could outrun any man in Greece. Argus, who built the Argo, was the world's finest shipwright. Castor & Pollux, sons of Leda & Zeus-as-swan, were champion prizefighters. Nauplius, Poseidon's son, was an unrivaled navigator. Orpheus could make sticks & stones dance to his lyre. Hercules of Tiryns was the world's strongest man. He would've captained the Argonauts were it not that in moments of insanity he murdered friend & foe alike. Captaincy devolved on Jason of lolcos—a man nobody liked or trusted, but who had a power denied to all the others: women instantly fell in love with him. Even surly Hercules agreed it a quality worth all the rest. Backed by divine blessings & equinoctal winds, the Argonauts set sail. On the Island of Lemnos, peopled solely by women, they generously stopped off to help out with spring sowing. Nine months later, 200 children were born, of whom no less than 60 were said to be the spitting image of Hercules. On Samothrace, they were initiated into the sacred mysteries. The Goddess of All Being mated with the Serpent Priapus to be delivered of a bull. Then the sacred nymphs leapt on them & scratched & bit until even Hercules passed out. Thereafter, the Argonauts glowed with "a faint nimbus of light." The Argonauts boldly pushed on thru the dread Hellespont & entered the Black Sea. To their dismay, Hercules deserted, summoned home to perform another of his mighty labors. "Holy Serpents!" he growled. "Tell me what this time?" The job—cleaning the Augean Stables—didn't take long. He stayed around afterwards with the Lydian high priestess—who in due time bore male triplets. In gratitude, she taught him to spin, tying up his hair in blue braids. He was crazy about it, admitting confidentially he'd always wanted to be a woman. The Argonauts went on without Hercules. Reaching Colchis, Aphrodite won the Fleece for them. She made her son Eros wait behind a pillar with his bow until handsome Jason strode into the King of Colchis' palace. Eros shot Medea thru the heart, & the smitten princess helped to get the Fleece from her father's temple. Mythology's most famous voyage had reached its goal, but Graves takes 150 more pages to wind things up.

    In each a problem emerges, is then intensified to a point of maximum confusion and potential upset, before the chaos is resolved, however improbably, into general goodwill and a spate of marriages. The triumph of these plays lies in the way they mingle humorous stage business and dexterous word play with a more serious study of identity, gender, dreaming, the meaning of love, even of the theatre itself. They reassure us that with all its faults, the world will always in the end be redeemable. The Tragedies with Introductions by Emma Smith 'Not for an age but for all time.' So Ben Jonson established what we now take for granted: Shakespeare's unique place among the world's great authors. Romeo and Juliet shows us the archetypal story of fated young love; Hamlet, the tortured psyche of the young prince of Denmark; Othello, a strikingly modern representation of racial difference; King Lear, a man stripped of all material and psychological comforts; and Macbeth, a dark investigation of the origins and effects of, evil. The plays throw a fascinating light on the concerns of Shakespeare's day, yet offer perennial insights into the nature of human emotion.

    The Portable Shakespeare contains the brightest gems from the Shakespearean treasury, including seven favourite plays complete: Hamlet, Macbeth, Romeo and Juliet, Julius Caesar, A Midsummer Night's Dream, As You Like It, and The Tempest; memorable passages from the other plays; all the sonnets and all the songs; and a key-word index to one thousand Shakespeare quotations.--back coverThe Brightest Gems from the Shakespearean Treasury Including . . .Seven Complete Plays - Hamlet - Macbeth - Romeo and Juliet - Julius Caesar - A Midsummer Night's Dream - As You Like It - The TempestSelections from Other Plays - The Merchant of Venice - Othello - Twelfth Night - The Taming of the Shrew - King Lear - Two Gentleman of Verona - Measure for Measure - Much Ado About Nothing - Love's Labor's Lost - All's Well That Ends Well - The Winter's Tale - King John - Richard the Second - The Merry Wives of Windsor - The First Part of King Henry the Fourth - The Second Part of King Henry the Fourth - King Henry the Fifth - Henry the Sixth Part One - Henry the Sixth Part Two - Henry the Sixth Part Three - Richard the Third - King Henry the Eighth - Troilus and Cressida - Coriolanus - Antony and CleopatraSongs from the playsSonnetsKeyword Index to One Thousand Shakespeare Quotations.

    found in a bottle;A descent into the maelström;The thousand-and-second tale of Scheherezade;Mellonta tauta;The assignation;Ligeia;The fall of the House of Usher;The masque of the red death;The system of Doctor Tarr and Professor Fether;The devil in the belfry;X-ing a paragrab;The sphinx;The imp of the perverse;William Wilson;The facts in the case of M. Valdemar;The man of the crowd;Berenice;The tell-tale heart;The cask of Amontillado;Hop-frog;The pit and the pendulum;The black cat.

    With rare perceptiveness, Gwethalyn Graham takes the reader into the lives of Erica Drake and Marc Reiser, whose two worlds are separated by families and conventions. Here is the story of a man and woman who dared earth and high heaven to make their vision real.

    In them, he moves beyond the farce of his earlier comedies to richer and more varied dramas. These range from the famous “problem plays,” which blend humor with tragedy, to the idyllic romances set in such timeless locales as the Forest of Arden. They contain some of his wittiest and most memorable characters, from cross-dressing heroines, bantering lovers, and wisecracking fools to the villainous but sympathetic Shylock and the boisterous and bawdy Falstaff.This volume contains The Merchant of Venice, The Merry Wives of Windsor, Much Ado About Nothing, As You Like It, Twelfth Night, All’s Well That Ends Well, and Measure for Measure. The authoritatively edited text of the plays is supplemented with footnotes, bibliographies, a detailed chronology of Shakespeare’s life and times, and a substantial introduction in which Tony Tanner discusses each play individually and in the context of Shakespeare’s work.

    Clare manages, by using her wits, beauty, and courage, to climb to the highest position a woman could achieve in Restoration England—that of favorite mistress of the Merry Monarch, Charles II. From whores and highwaymen to courtiers and noblemen, from events such as the Great Plague and the Fire of London to the intimate passions of ordinary—and extraordinary—men and women, Amber experiences it all. But throughout her trials and escapades, she remains, in her heart, true to the one man she really loves, the one man she can never have. Frequently compared to Gone with the Wind, Forever Amber is the other great historical romance, outselling every other American novel of the 1940s—despite being banned in Boston for its sheer sexiness. A book to read and reread, this edition brings back to print an unforgettable romance and a timeless masterpiece.

    1Poetical Works of Pope, Vol. IIPoems And Songs Of Robert BurnsKeats: Poems Published in 1820Shakespeare's SonnetsBrowning's Shorter PoemsThe Hundred Best English PoemsPoems Every Child Should KnowThe Complete Poetical Works of James Russell LowellPoems of Cheer- Ella Wheeler WilcoxMEN, WOMEN AND GHOSTS- Amy LowellThe Early Poems of Alfred Lord Tennyson

    Based on the last years of the writer Violet Hunt, a once-glamorous woman living in Kensington during the Blitz who is now losing her memory, the novel's three 'acts' describe with insight, humour and compassion what happens to 'Claire Temple' in her last months. 'A quite extraordinary book,' was the verdict of Cressida Connolly in the Spectator, 'unflinchingly, blackly funny, brilliantly observed and terrifying.' And because Claire Temple is an unrepentant snob, 'the novel gives a sly account of the end of an entire way of life.'

    Ellen’s beauty was radiant, and Harland had been so struck with her personality and the strength of her character that he knew he could never leave her. When he found that she returned his adoration, he could marry her with joy, bothered just momentarily by a strange premonition. It was only later, when the premonition became a horrifying reality, that he realized the glowing loveliness of the woman he had married was the true face of evil.

    The story of a Russian family in exile in China in 1937.

    An Italian-American major during World War II wins the love and admiration of the local townspeople when he searches for a replacement for the 700 year-old town bell that had been melted down for bullets by the fascists.

    End of mission. The great bomber had been giving the crew trouble since leaving Italy. Finally over occupied France, it settles like a weary, wounded eagle on what seemed to Franklin a hard, smooth field. The five members of the crew were welded by the crash into a single whole, one tiny forged weapon in the vast territory of the enemy--weak and ineffectual--yet confident as only men can be whose minds are free. Francoise's family accepted them calmly. In Francoise it was faith, a simple piety so humble, so complete that all the mechanized myrmidons of the Reich could not touch her spirit. In her father it was stubbornness, that glorious pigheadedness of the French peasant who won't be pushed around. In her grandmother it was a kinship with the infinite. Having survived two wars, she remained unmoved by the swaggering vainglory of the Nazi. And in Pierre it was hatred, a hatred so deep that only rarely did it flash on the surface. It was natural that Francoise should be so strongly drawn to Franklin, the pilot. His gentle strength, his sensitive mind, the careful restrained warmth of his emotion found a calm, sure response in the simple innocence and candor of the girl. All through the delirious pain of his torn, wounded arm, Franklin felt the girl's presence like a cool, comforting hand. In the end it was her courage and, above all, her faith which saved him--saved him--not only from the enemy but from himself.

    Their assignments have been known to take them all over the country and even to foreign lands.Featured in this volume are twelve of their finest adventures from the 1920s and 30s, including "The Lisping Man," "Recipe for Murder," "The Man Who Couldn't Fly," "The Sealed Room," "The Raven's Claw," and "The Woman in Black." Prepare for all the fun and action as Jimmy and Gilly bring criminals to justice.