His most recent book, God Is Not Great, was on the New York Times bestseller list in 2007 for months. Like his hero, George Orwell, Hitchens is a tireless opponent of all forms of cruelty, ideological dogma, religious superstition and intellectual obfuscation. Once a socialist, he now refers to himself as an unaffiliated radical. As a thinker, Hitchens is perhaps best viewed as post-ideological, in that his intellectual sources and solidarities are strikingly various (he is an admirer of both Leon Trotsky and Kingsley Amis) and cannot be located easily at any one point on the ideological spectrum. Since leaving Britain for the United States in 1981, Hitchens thinking has moved in what some see as contradictory directions, but he remains an unapologetic and passionate defender of the Enlightenment values of secularism, democracy, free expression, and scientific inquiry.The global turmoil of the recent past has provoked intense dispute and division among intellectuals, academics, and other commentators. Hitchens writing during this time, particularly after 9/11, is an essential reference point for understanding the genesis and meaning of that turmoil#151;and the challenges that accompany it. This volume brings together Hitchens most incisive reflections on the war on terror, the war in Iraq, and the state of the contemporary Left. It also includes a selection of critical commentaries on his work from his former leftist comrades, a set of exchanges between Hitchens and various left-leaning interlocutors (such as Studs Terkel, Norman Finkelstein, and Michael Kazin), and an introductory essay by the editors on the nature and significance of Hitchens contribution to the world of ideas and public debate. In response, Hitchens provides an original afterword, written for this collection.p pWhatever readers might think about Hitchens, he remains an intellectual force to be reckoned with. And there is no better place to encounter his current thinking than in this provocative volume.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    This collection of his speeches on protest movements, racism, war, and US history, many never before published, covers more than four decades of his active engagement with the audiences he inspired with his humor, insight, and clarity.“Reading Howard’s spoken words, I feel that I am almost hearing his voice again—his stunning pitch-perfect ability to capture the moment and the concerns and needs of the audience, whoever they may be, always enlightening, often stirring, an amalgam of insight, critical history, wit, blended with charm and appeal.”—NOAM CHOMSKY“With ferocious moral clarity and mischievous humor, Howard turned routine antiwar rallies into profound explorations of state violence and staid academic conferences into revival meetings for social change. Collected here for the first time, Howard’s speeches—spanning an extraordinary life of passion and principle—come to us at the moment when we need them most: just as a global network of popular uprisings searches for what comes next. We could ask for no wiser a guide than Howard Zinn.”—NAOMI KLEIN“To hear [Howard] speak was like listening to music that you loved—lyrical, uplifting, honest. . . . I know he would love it for each of you to find your voice and to be heard. This book will provide you with some inspiration.”—MICHAEL MOORE“To read this book is to hear Howard Zinn speak again, inspiring us for the struggles from below that are our only hope for any future at all.”—FRANCES FOX PIVENHoward Zinn wrote the classic A People's History of the United States. The book, which has sold more than two million copies, has been featured in the film Good Will Hunting, and has appeared multiple times on The New York Times best-seller list.Anthony Arnove wrote, directed, and produced The People Speak with Howard Zinn, Chris Moore, Josh Brolin, and Matt Damon, and co-edited, with Howard Zinn, Voices of a People's History of the United States.

    Husak" and the essay "The Power of the Powerless," are by now almost legendary for their influence on a generation of Eastern European dissidents; others, such as some of Havel's prison correspondence and his private letter to Alexander Dubcek, appear in English for the first time. All of them bear the unmistakable imprint of Havel's intellectual rigor, moral conviction, and unassuming eloquence, while standing as important additions to the world's literature of conscience.

    Two hundred years later, Michel Foucault wrote a response to Kant's initial essay, positioning Kant as the initiator of the discourse and critique of modernity. The Politics of Truth takes this initial encounter between Foucault and Kant, as a framework for its selection of unpublished essays and transcripts of lectures Foucault gave in America and France between 1978 and 1984, the year of his death. Ranging from reflections on the Enlightenment and revolution to a consideration of the Frankfurt School, this collection offers insight into the topics preoccupying Foucault as he worked on what would be his last body of published work, the three-volume History of Sexuality. It also offers what is in a sense the most "American" moment of Foucault's thinking, for it was in America that he realized the necessity of tying his own thought to that of the Frankfurt School.

    In it, he looks at the world and takes the perhaps surprising view that it's actually not nor will be the end of the world. His vivid prose, his clear-sightedness and the wonderful anecdotes about the many strange people and places he has come across - from emperors to movie stars, from Chelsea to China - all add up to a richly satisfying read. And with his long experience and his remarkable ability to explain what's really going on out there, he offers us all a crumb of comfort in desperate times.

    R. MartinFitz has succeeded in rescuing Prince Dutiful from the clutches of the Piebald rebels, and has returned with him to Buckkeep castle. With Dutiful safe again, Queen Kettricken can proceed with plans to marry him to the Outislander princess, Elliania.However, with tensions building among the peoples of the Six Duchies over Kettricken’s tolerance of the Wittted, even Buckkeep is no longer safe. A reluctant Fitz is assigned to protect the young prince, and also train him in the Skill, and in doing so he finally makes contact not only with his estranged daughter, Nettle, but with someone in Buckkeep who may possess a greater Skill talent even than Fitz. And who may represent a terrible threat to the Farseers.Continue the adventure with books two and three of Robin Hobb’s enchanting Tawny Man Trilogy.Bundle includes The Golden Fool (book two) and The Fool’s Fate (book three).

    The accelerating war in Vietnam and great social upheaval at home exerted a profound impact on students of the period and deeply influenced King’s development as a writer and as a man.King’s fictional treatment of this experience in his novella “Hearts in Atlantis” (reprinted in this volume) tracks his youthful avatar, Peter Riley, through the awakenings and heartbreak of his turbulent first year at UMaine. In his accompanying essay, “Five to One, One in Five,” written expressly for this volume, King sheds his fictional persona and takes on the challenge of a nonfiction return to his undergraduate experience. The stereoscopic combination of these narratives, told with King’s characteristic blend of canny insight and self-deprecating humor, create a revealing portrait of the artist as young man and a ground-level tableau of this highly charged time.In addition, twelve fellow students and friends from King’s college days contribute personal narratives recalling their own experience of those years. These recollections—engaged, irreverent, and affecting—bring dimension and texture to the collective witnessing of a formative time in their lives and a defining moment in the country’s history.This book also includes four installments of King’s never-before-reprinted student newspaper column, “King’s Garbage Truck.” These lively examples of King’s damn-the-torpedoes style, entertaining and shrewd in their youthful perceptions, more than hint at a talent about to take its place in the American literary landscape.A gallery of period photographs and documents augments this volume.

    Back then he was seen just as a founder-editor of the news satire website with no special interest in politics or ideology.The first time Rahul Roushan was called a Sanghi, he felt deeply offended. After all, he held a Bachelor’s degree in Mathematics from Patna University, a post-graduate diploma in journalism from IIMC in New Delhi, an MBA from IIM Ahmedabad and was a self-made media entrepreneur.Sanghi literally means someone who is a member of the right-wing RSS (Rashtriya Swayamsevak Sangh) or its affiliates, but the ‘liberals’ use the term liberally to deride those who differ with their political and ideological stand, or those who wear Hinduism on their sleeves. This book analyses why Hindutva as an ideology is no longer anathema and what brought about this change. Why did a country that was ruled for decades by people espousing Nehruvian secularism suddenly began to align with the ‘communal politics’ of the Bharatiya Janata Party (BJP)?The book is the story of this transformation. This is not an autobiography, though it could read like one in parts. It is not even a collection of intellectual essays, though it could read like one in parts. It is the retelling of some historical events and how those events impacted the journey of Rahul Roushan and countless people like him. The book looks at factors like education, media, technology and obviously, electoral politics, which played a key role in this transformation. The book also touches upon some of the personal experiences of the author, both as a media entrepreneur and a journalist.In author's words, ‘This book will be of special interest to readers who just want to badmouth me and the book, but I really hope the same people make an earnest effort to also understand what changed India and all those Sanghis who never went to any shakha.’

    

    Straley were teens when they were termed incorrigible youth by authorities and ordered to attend the Florida School for Boys. They discovered in Marianna, the City of Southern Charm, an immaculately groomed campus that looked more like an idyllic university than a reform school. But hidden behind the gates of the Florida School for Boys was a hell unlike any they could have imagined. The school's guards and administrators acted as their jailers and tormentors. The boys allegedly bore witness to assault, rape, and possibly even murder. For fifty years, both men---and countless others like them---carried their torment in silence. But a series of unlikely events brought O'McCarthy, now a successful rights activist, and Straley together, and they became determined to expose the Florida School for Boys for what they believed it to be: a youth prison with a century-long history of abuse. They embarked upon a campaign that would change their lives and inspire others. Robin Gaby Fisher, a Pulitzer Prize--winning journalist and author of the New York Times bestselling After the Fire, collaborates with Straley and O'McCarthy to offer a riveting account of their harrowing ordeal. The book goes beyond the story of the two men to expose the truth about a century-old institution and a town that adopted a Nuremberg-like code of secrecy and a government that failed to address its own wrongdoing. What emerges is a tale of strength, resolve, and vindication in the face of the kinds of terror few can imagine.

    In his own words, the feisty governor of Minnesota takes on bloated government, career politicians, and apathetic voters, and tells the wildly colorful story of his days as a navy SEAL, his nights in the pro-wrestling ring, and his experiences in films.

    It reproduces extensive extracts from his correspondence and is illustrated with his paintings, drawings and facsimile letters. Van Gogh's letters are a testimony to his struggle to survive and work. Here, the combination of letters and illustrations, concentrating on the period when he painted his greatest works, aims to provide an insight into his daily life in Arles and St-Remy, his spiritual torment and the process of artistic creation itself. The author is an "Observer" journalist specializing in the arts, and has published four previous books, including "Young Vincent: The Story of Van Gogh's Years in England".

    In this collection of correspondence—letters to publishers, editors, friends, and fellow writers—the writer shares his insights on the art of creation.On Writing reveals an artist brutally frank about the drudgery of work and canny and uncompromising about the absurdities of life—and of art. It illuminates the hard-edged, complex humanity of a true American legend and counterculture icon—the “laureate of American lowlife” (Time)—who stoically recorded society’s downtrodden and depraved. It exposes an artist grounded in the visceral, whose work reverberates with his central ideal: “Don't try.”Piercing, poignant, and often hilarious, On Writing is filled not only with memorable lines but also with Bukowski’s trademark toughness, leavened with moments of grace, pathos, and intimacy.

    published by Houghton Mifflin, Boston.