Thompson. Born a rebel in Louisville, Kentucky, Thompson spent a lifetime channeling his energy and insight into such landmark works as Fear and Loathing in Las Vegas - and his singular and provocative style challenged and revolutionized writing.Now, for the first time ever, Jann Wenner and Corey Seymour have interviewed the Good Doctor's friends, family, acquaintances and colleagues and woven their memories into a brilliant oral biography. From Hell's Angels leader Sonny Barger to Ralph Steadman to Jack Nicholson to Jimmy Buffett to Pat Buchanan to Marilyn Manson and Thompson's two wives, son, and longtime personal assistant, more than 100 members of Thompson's inner circle bring into vivid focus the life of a man who was even more complicated, tormented, and talented than any previous portrait has shown. It's all here in its uncensored glory: the creative frenzies, the love affairs, the drugs and booze and guns and explosives and, ultimately, the tragic suicide. As Thompson was fond of saying, "Buy the ticket, take the ride."

     An homage to Africa's people and wildlife   Sebastião Salgado is one the most respected photojournalists working today, his reputation forged by decades of dedication and powerful black-and-white images of dispossessed and distressed people taken in places where most wouldn’t dare to go. Although he has photographed throughout South America and around the globe, his work most heavily concentrates on Africa, where he has shot more than 40 reportage works over a period of 30 years. From the Dinka tribes in Sudan and the Himba in Namibia to gorillas and volcanoes in the lakes region to displaced peoples throughout the continent, Salgado shows us all facets of African life today. Whether he’s documenting refugees or vast landscapes, Salgado knows exactly how to grab the essence of a moment so that when one sees his images one is involuntarily drawn into them. His images artfully teach us the disastrous effects of war, poverty, disease, and hostile climatic conditions.  This book brings together Salgado’s photos of Africa in three parts. The first concentrates on the southern part of the continent (Mozambique, Malawi, Angola, Zimbabwe, South Africa, Namibia), the second on the Great Lakes region (Congo, Rwanda, Burundi, Uganda, Tanzania, Kenya), and the third on the Sub-Saharan region (Burkina Faso, Mali, Sudan, Somalia, Chad, Mauritania, Senegal, Ethiopia). Texts are provided by renowned Mozambique novelist Mia Couto, who describes how today’s Africa reflects the effects of colonization as well as the consequences of economic, social, and environmental crises.This stunning book is not only a sweeping document of Africa but an homage to the continent’s history, people, and natural phenomena.   *Salgado’s Africa was awarded the M2-El Mundo People’s Choice Award for best exhibition at PhotoEspaña 2007!*

    Thompson was the creator of a new kind of journalism and invented a new style of writing. Gonzo was a wild often drug- and drink-fuelled adventure, in which Thompson examined the politics, people, and values of his times.In the three great collections of Gonzo writings, "The Great Shark Hunt", "Generation of Swine", and "Songs of the Doomed", he dissected the 60s, 70s, and 80s with violence, wit, anger, and occasional compassion.Collected together for the first time, "The Gonzo Papers Anthology" is an indispensable compendium of decadence, depravity, and a remarkably skewed common sense.'No other reporter reveals how much we have to fear and loathe, yet does it so hilariously' Nelson Algren

    A foreign correspondent in Moscow at the time, Åsne Seierstad traveled regularly to Chechnya to report on the war, describing its affects on those trying to live their daily lives amidst violence.In the following decade, Seierstad became an internationally renowned reporter and author, traveling to the Balkans, Afghanistan, Iraq, and other war-torn regions. But she never lost sight of this conflict that had initially inspired her career. Over the course of a decade, she watched as Russia ruthlessly suppressed an Islamic rebellion in two bloody wars and as Chechnya evolved into one of the flashpoints in a world now focused on the threat of international terrorism.In 2006, Seierstad finally returned to Chechnya, traveling in secret and under the constant threat of danger. In a broken and devastated society she lived with orphans, the wounded, the lost. And she lived with the children of Grozny, those who will shape the country's future. She asks the question: What happens to a child who grows up surrounded by war and accustomed to violence?A compelling, intimate, and often heartbreaking portrait of Chechnya today, The Angel of Grozny is a vivid account of a land's violent history and its ongoing battle for freedom.

    Telling True Stories presents their best advice—covering everything from finding a good topic, to structuring narrative stories, to writing and selling your first book. More than fifty well-known writers offer their most powerful tips, including: • Tom Wolfe on the emotional core of the story • Gay Talese on writing about private lives • Malcolm Gladwell on the limits of profiles • Nora Ephron on narrative writing and screenwriters • Alma Guillermoprieto on telling the story and telling the truth • Dozens of Pulitzer Prize–winning journalists from the Atlantic Monthly, New Yorker, New York Times, Los Angeles Times, Washington Post and more . . .The essays contain important counsel for new and career journalists, as well as for freelance writers, radio producers, and memoirists. Packed with refreshingly candid and insightful recommendations, Telling True Stories will show anyone fascinated by the art of writing nonfiction how to bring people, scenes, and ideas to life on the page.

    He comes from the Left. When he was a child, his mother would search supermarket shelves for politically reputable citrus fruit, and despair. Aged 13, when he learned his kind and thoughtful English teacher voted Conservative, he nearly fell off his chair: 'To be good, you had to be on the Left.' Today he's no less confused. When he looks around him, in the aftermath of the invasion of Iraq, he sees a community of Left-leaning liberals standing on their heads. Why do apologies for a militant Islam standing for everything the liberal-Left is against come from a section of it? After the US/UK wars in Bosnia and Kosovo against Milosevic's ethnic cleansers, why were some on the Left denying the existence of Serb concentration camps? Why is Palestine a cause for the liberal-Left, but not, for instance, China, the Sudan, Zimbabwe or North Korea? Why can't those who say they support the Palestinian cause tell you what type of Palestine they'd like to see? After the 9/11 attacks on New York and Washington DC, why were you as likely to read that a conspiracy of Jews controlled US or UK foreign policy in a liberal literary journal as in a neo-Nazi rag? It's easy to know what the Left is fighting against--the evils of Bush and corporations--but what and who are they fighting for? As he tours the follies of the Left, he asks us to reconsider what it means to be liberal today. With the angry satire of Swift, he reclaims the values of democracy and solidarity that united the movement against fascism, asking: What's Left?.

    "Another Bloody Love Letter" exposes the thrilling and brutal reality of life as a war journalist - from the climax of war in Kosovo and the reignited battles between Ethiopia and Eritrea, to tracking ambush commanders in Sierre Leone, confronting the danger and confusion of northern Afghanistan at the start of the `war on terror`, and the harsh realities of life in Iraq during the second Gulf War. But it is also the very human story of a man fighting to beat a heroin addiction and coming to terms with the death of a father-figure, friend and colleague murdered by the RUF in Sierra Leone, and the death of his mother from a terminal illness at home. "Another Bloody Love Letter" takes the reader into the mind of a man who has chased war and death for more than half his life, and shows the price he has paid for it. It is a moving and powerful memoir of love and friendship, betrayal and loss, war and faith.

    Sadly, today we’re living in a time when dissent is equated with giving aid to terrorists, when any of us can be held in prison without even knowing the charges against us, and when our constitutional rights are being interpreted by a president who calls himself “The Decider.” Ivins got the idea for Bill of Wrongs while touring America to honor her promise to speak out, gratis, at least once a month in defense of free speech. In her travels Ivins met ordinary people going to extraordinary measures to safeguard our most precious liberties, and when she first started writing this book, she intended it to be a joyous celebration of those heroes. But during the Bush years, the project’s focus changed. Ivins became concerned about threats to our cherished freedoms–among them the Patriot Act and the weakening of habeas corpus–and she observed with anger how dissent in the defense of liberties was being characterized as treason by the Bush administration and its enablers.From illegal wiretaps, the unlawful imprisonment of American citizens, and the undermining of freedom of the press to the creeping influence of religious extremism on our national agenda and the erosion of the checks and balances that prevent a president from seizing unitary powers, Ivins and her longtime collaborator, Lou Dubose, co-author of Shrub and Bushwacked, describe the attack on America’s vital constitutional guarantees. With devastating humor and keen eyes for deceit and hypocrisy, they show how severe these incursions have become, and they ask us all to take an active role in protecting the Bill of Rights.In life and on the printed page, Molly Ivins was too cool to offer a posthumous valedictory (or even to take a victory lap for her many triumphs over inane, vainglorious, and addlepated politicos). But in Bill of Wrongs, her final and perhaps greatest book, the irrepressible Molly Ivins really does have the last word.From the Hardcover edition.

    If what he has seen could be conveyed to all Americans, this ugly war in Iraq would quickly come to an end. A superb journalist.”—Howard ZinnWe walk slowly under the scorching sun along dusty rows of humble headstones. She continues reading them aloud to me, “Old man wearing jacket with dishdasha, near industrial center. He has a key in his hand.” Many of the bodies were buried before they could be identified. Tears welling up in my eyes she quietly reads, “Man wearing red track suit.” She points to another row, “Three women killed in car leaving city by American missile.”As the occupation of Iraq unravels, the demand for independent reporting is growing. Since 2003, unembedded journalist Dahr Jamail has filed indispensable reports from Iraq that have made him this generation’s chronicler of the unfolding disaster there. In these collected dispatches, Jamail presents never-before-published details of the siege of Fallujah and examines the origins of the Iraqi insurgency.Dahr Jamail makes frequent visits to Iraq and has published his accounts in newspapers and magazines worldwide. He has regularly appeared on Democracy Now!, as well as the BBC, Pacifica Radio, and numerous other networks.

    invasion, unaffiliated with any newspaper and hoping to pick up assignments along the way, Ashley Gilbertson was one of the first photojournalists to cover the disintegration of America’s military triumph as looting and score settling convulsed Iraqi cities. Just twenty-five years old at the time, Gilbertson soon landed a contract with the New York Times, and his extraordinary images of life in occupied Iraq and of American troops in action began appearing in the paper regularly. Throughout his work, Gilbertson took great risks to document the risks taken by others, whether dodging sniper fire with American infantry, photographing an Iraqi bomb squad as they diffused IEDs, or following marines into the cauldron of urban combat. Whiskey Tango Foxtrot gathers the best of Gilbertson’s photographs, chronicling America’s early battles in Iraq, the initial occupation of Baghdad, the insurgency that erupted shortly afterward, the dramatic battle to overtake Falluja, and ultimately, the country’s first national elections. No Western photojournalist has done as much sustained work in occupied Iraq as Gilbertson, and this wide-ranging treatment of the war from the viewpoint of a photographer is the first of its kind. Accompanying each section of the book is a personal account of Gilbertson’s experiences covering the conflict. Throughout, he conveys the exhilaration and terror of photographing war, as well as the challenges of photojournalism in our age of embedded reporting. But ultimately, and just as importantly, Whiskey Tango Foxtrot tells the story of Gilbertson’s own journey from hard-drinking bravado to the grave realism of a scarred survivor. Here he struggles with guilt over the death of a marine escort, tells candidly of his own experience with post-traumatic stress, and grapples with the reality that Iraq—despite the sacrifice in Iraqi and American lives—has descended into a civil war with no end in sight.A searing account of the American experience in Iraq, Whiskey Tango Foxtrot is sure to become one of the classic war photography books of our time.

    Thompson and P. J. O’Rourke so much fun” (The Washington Post). Bringing together Taibbi’s most incisive and hilarious work from his “Road Work” column in Rolling Stone, Smells Like Dead Elephants shines an unflinching spotlight on the corruption, dishonesty, and sheer laziness of our leaders. Taibbi has plenty to say about George W. Bush, Jack Abramoff, Tom DeLay, and all the rest, but he doesn’t just hit inside the Beltway. He gets involved in the action, infiltrating Senator Conrad Burns’s birthday party under disguise as a lobbyist for a fictional oil firm that wants to drill in the Grand Canyon. He floats into apocalyptic post-Katrina New Orleans in a dinghy with Sean Penn. He goes to Iraq as an embedded reporter, where he witnesses the mind-boggling dysfunction of our occupation and spends three nights in Abu Ghraib prison. And he reports from two of the most bizarre and telling trials in recent memory: California v. Michael Jackson and the evolution-vs.-intelligent-design trial in Harrisburg, Pennsylvania. Equally funny and shocking, this is excellent work from one of our most entertaining writers.

    Now, in this sweeping, monumental memoir, Novak offers the first full account of his involvement in that affair, while also revealing the fascinating story of his remarkable life and career. This is a singular journey through a half century of stories, scandals, and personal encounters with Washington's most powerful and colorful people. Novak has been a Washington insider since the days when the place was a sleepy southern town and journalism was built on shoe leather and the ability to cultivate and keep sources (not to mention the ability to hold one's liquor). He has covered every president since Truman, known (personally and professionally) virtually all the big movers and shakers in D.C., and broken a number of the biggest stories--the Plame story, we see here, being far from the most important. In this book, he puts it all into perspective. He also reveals the extraordinary transformations that have fundamentally remade Washington, politics, and journalism--and his own role in those transformations. Moving beyond the "first draft of history" that is daily journalism, Novak can at last tell the stories behind the stories. He vividly recalls encounters with the Kennedys (angry meetings with Bobby, a scary ride home in Jack's convertible), his unusual relationship with Lyndon Johnson (who hosted Novak's wedding reception and who, "drunk as a loon," had to be carried out of a bar by the young newsman), a decidedly odd off-the-record lunch with Ronald Reagan, and his first meetings with George W. Bush--at which the veteran journalist seriously underestimated the future president. We meet other fascinating characters as well, from Deng Xiaoping to Ted Turner to Ezra Pound. Writing with bracing candor, Novak tells us how politics and journalism truly operate at the highest levels, both publicly and behind closed doors. He is equally open about his private experience. He writes frankly about the days when his drinking reflected too closely the boozy ways of the town. He acknowledges times when his job took precedence over his family. He is reflective about his political journey to the right. And he writes more personally than ever before about his spiritual journey, from his early life as a secular Jew to his conversion to Catholicism at the age of sixty-seven. Packed with riveting, never-before-told stories, "The Prince of Darkness" is a hugely entertaining and equally perceptive view of fifty years in the life of Washington and the people who cover it.

    Is Journalism Worth Dying For? is a long-awaited collection of her final writing.Beginning with a brief introduction by the author about her pariah status, the book contains essays that characterize the self-effacing Politkovskaya more fully than she allowed in her other books. From deeply personal statements about the nature of journalism, to horrendous reports from Chechnya, to sensitive pieces of memoir, to, finally, the first translation of the series of investigative reports that Politkovskaya was working on at the time of her murder—pieces many believe led to her assassination.Elsewhere, there are illuminating accounts of encounters with leaders including Lionel Jospin, Tony Blair, George W. Bush, and such exiled figures as Boris Berezovsky, Akhmed Zakaev,  Vladimir Bukovsky. Additional sections collect Politkovskaya’s non-political writing, revealing her delightful wit, deep humanity, and willingness to engage with the unfamiliar, as well as her deep regrets about the fate of Russia.

    TEXAS MONTHLY On . . . Texas True Crime is a high-speed read around Texas, chasing criminals from the Panhandle to the Piney Woods, through gated mansions and trailer parks, from 1938 to the twenty-first century. The stories, which originally appeared as articles in the magazine, come from some of its most notable writers: Cecilia Ballí investigates the drug-fueled violence of the border; Pamela Colloff reports on Amarillo’s lethal feud between jocks and punks; Michael Hall re-visits the legend of Joe Ball, a saloon owner who allegedly fed his waitresses to pet alligators; Skip Hollandsworth uncovers the computer nerd who became Dallas’ most notorious jewel thief; and Katy Vine tracks a pair of teenage lesbians inspired by Thelma and Louise. TEXAS MONTHLY On . . . Texas True Crime is the second in a series of books in which the editors of Texas Monthly offer the magazine’s inimitable perspective on various aspects of Texas culture, including food, politics, travel, and music, among other topics. TEXAS MONTHLY On . . . Texas Women was released in 2006.

    For many Americans, he was the voice and face that gave shape and meaning to every day's news. But who was Peter Jennings really? In this absorbing biography, readers will get to know Jennings through the memories of his friends, family, competitors, colleagues, and interview subjects. Their stories are full of surprises. Jennings, we learn, was a high school dropout who spent the rest of his life in pursuit of knowledge. He traveled the world in search of stories, a notebook perpetually thrust through his back belt loop. In his front pocket, he carried a miniature copy of the Constitution, a testament to his love for the United States; a Canadian by birth, Jennings acquired American citizenship in 2003.Peter Jennings was a celebrity, of course—a dashingly handsome and elegant man, famous for his ability to charm women and world leaders alike—but in these pages he is remembered as a loyal friend and a devoted family man, who loved nothing more than to canoe with his kids and listen to jazz with his friends in the Hamptons. Not that he was the relaxing sort. Jennings was a task-master, who ripped other reporters' pieces to shreds, forcing them to rewrite from the ground up. He was a perfectionist, too, who drove his fellow correspondents crazy with his ad-libbed questions on the air. It was all about standards. Throughout his life, Peter Jennings was driven by a passion to seek the truth and convey that truth accurately, simply, cleanly, and elegantly to his American audience. He was our voice.

    She received a B.A. from New York University in three years, a master’s degree from the University of Wisconsin a year later, and a Ph.D. from the University of Cologne (magna cum laude) one year after that, becoming at age twenty the youngest Ph.D. in the world (it made headlines in The New York Times; the subject of her thesis: the then little-known Virginia Woolf).At twenty-four, Gruber became an international correspondent for the New York Herald Tribune and traveled across the Soviet Arctic, scooping the world and witnessing, firsthand, the building of cities in the Siberian gulag by the pioneers and prisoners Stalin didn’t execute . . . At thirty, she traveled to Alaska for Harold L. Ickes, FDR’s secretary of the interior, to look into homesteading for G.I.s after World War II . . . And when she was thirty-three, Ickes assigned another secret mission to her–one that transformed her life: Gruber escorted 1,000 Holocaust survivors from Italy to America, the only Jews given refuge in this country during the war. “I have a theory,” Gruber said, “that even though we’re born Jews, there is a moment in our lives when we become Jews. On that ship, I became a Jew.”Gruber’s role as rescuer of Jews was just beginning. In Witness, Gruber writes about what she saw and shows us, through her haunting and life-affirming photographs–taken on each of her assignments–the worlds, the people, the landscapes, the courage, the hope, the life she witnessed up close and firsthand: the Siberian gulag of the 1930s and the new cities being built there (Gruber, then untrained as a photographer, brought her first Rolleicord with her) . . . the Alaska highway of 1943, built by 11,000 soldiers, mostly black men from the South (the highway went from Dawson Creek, British Columbia, 1,500 miles to Fairbanks) . . . her thirteen-day voyage on the army-troop transport Henry Gibbins with refugees and wounded American soldiers, escorting and then photographing the refugees as they arrived in Oswego, New York (they arrived in upstate New York as Adolf Eichmann was sending 750,000 Jews from Hungary to Auschwitz).In 1947, Gruber traveled for the Herald Tribune with the United Nations Special Commission on Palestine (UNSCOP) through the postwar displaced persons camps in Europe, and then to North Africa, Palestine, and the Arab world; the committee’s recommendation that Palestine be partitioned into a Jewish state and an Arab state was one of the key factors that led to the founding of Israel. We see Gruber’s remarkable photographs of a former American pleasure boat (which had been renamed Exodus 1947) as it limped into Haifa harbor, trying to deliver 4,500 Jewish refugees (including 600 orphans), under attack by five British destroyers and a cruiser that stormed the Exodus with guns, tear gas, and truncheons, while the crew of the Exodus fought back with potatoes, sticks, and cans of kosher meat. In a cable to the Herald Tribune, Gruber reported that “the ship looks like a matchbox splintered by a nutcracker.” She was with the people of the Exodus and photographed them when they were herded onto three prison ships. Gruber represented the entire American press aboard the ship Runnymede Park, photographing the prisoners as they defiantly painted a swastika on the Union Jack.During her thirty-two years as a correspondent, Ruth Gruber photographed what she saw and captured the triumph of the human spirit.“Take photographs with your heart,” Edward Steichen told her. Witness is a revelation–of a time, a place, a world, a spirit, a belief. It is, above all else, a book of heart.

    Spurred on by what they saw as a deeply offensive remark, especially from a white South African, Clive Lloyd's touring team vowed to make Greig pay. In Viv Richards, emerging as the world's most exciting batsman, and fast bowlers Michael Holding and Andy Roberts they had the players to do it. Featuring interviews with key figures from English and West Indian cricket, Grovel! provides a fascinating study of the events and social issues surrounding one of the sport's most controversial and colorful tours—as well as addressing the decline of West Indies cricket and its loss of support in the new century. As reservoirs ran dry during Britain's longest-ever drought, a bruised and battered England team struggled to withstand the brilliance and brutality of the West Indies. The recall of battle-scarred veteran Brian Close, the frightening bombardment of England's batsmen at Old Trafford, and Holding's remarkable performance at The Oval are among the episodes vividly reproduced and discussed, while Greig explains his pre-series comments in a forthright foreword. Off the field, the 1976 series was given a vibrant backdrop and raucous soundtrack by the West Indies' fans, yet a darker undercurrent existed in a period of ongoing racial tension around the country. Featuring full statistics of the tour, Grovel! shows how 1976 heralded in two decades of West Indies world domination, changing the face of Test cricket for ever.

    

    But as traditional festivities got underway, heavily armed terrorists stormed the school playground, changing ordinary lives in the southern Russian town forever. At least 330 parents and children were killed, some in the massive explosions that tore through the gymnasium, some caught in the crossfire of a three-hour gun battle between the Russian forces and the terrorists. This riveting account not only covers the three days of unimaginable terror and suffering that followed, but includes the people of Beslan speaking in their own words about their ordeal and about their lives in this deeply fractured region. The human story of the siege is here—including the terrible toll that thirst, hunger, and sleeplessness took on the hostages, and the bravery of those who dealt with the terrorists, such as the elderly headmistress of the school and the doctor who tried to relieve the children's suffering. This account also examines the authorities’ response to the siege, finding it wanting, and ultimately places the events of September 2004 in their wider context of centuries of conflict and enmity in the Caucasus.

    J. Chivers's chilling account in Esquire of the 2004 hostage crisis in Beslan, which killed 331 people, 186 of them children; Susan Casey's revelation in Best Life of a virtually unknown, Texas-sized garbage dump resting at the bottom of the Pacific ocean; and Andrew Corsello's harrowing portrait in GQ of Robert Mugabe's mad rule and two men-a white farmer and a fiery black priest-who strive for forgiveness instead of hate. The collection also includes Vanessa Grigoriadis's hilarious portrait of fashion icon Karl Lagerfeld in New York Magazine; Christopher Hitchens's profile of survivors of Agent Orange in Vanity Fair; Sandra Tsing Loh's coverage of the stay-at-home-mommy debate in the Atlantic Monthly; Paul Theroux's thoughts on the dangers of anthropomorphism and our misconceptions about birds in the Smithsonian; Janet Reitman's unraveling of the mysteries of Scientology in Rolling Stone; and the work of nine other exceptional writers.

    “Poet's Choice” ultimately became a nationally syndicated column appearing in dozens of papers across the country. Every week, Hass would marry poets and poetry to headlines and holidays.Proceeding in sequence from early 1997 to the start of the millennium, we ride the rhythms of Hass's remarkable musings. From the living legends to the long-gone, Hass resurrects voices of many who might otherwise remain neglected. Nearly a hundred poets are profiled — William Butler Yeats, Wallace Stevens, Rita Dove, Robert Frost, Sonia Sanchez, Donald Justice, Margaret Atwood, John Ashbery, Adrienne Rich, Michael Ondaatje, and Louis Glück all make appearances here. And along with classic works, we're introduced to a host of emerging poets and to translations of such luminaries as Yehuda Amichai, Czeslaw Milosz, and Jaime Sabines. With his assured yet unimposing words, Hass awakens our understanding of the great canon of poetry.In his introduction, Hass observes how the columns collected here seem to encapsulate a time and world quite different from the one that developed after 9/11. And so this collection serves as both remembrance and reminder of a period in our history, and as a celebration of the poets whose poems transcend time.

    

    Essentially a political writer at Tribune, his work was wide ranging & eclectic & his lucid style was highly effective. This collection provides an invaluable insight into his writings.

    Included are contributions from fifty international journalists, including Dexter Filkins, The New York Times correspondent who won widespread praise for his coverage of Fallujah; Rajiv Chandrassekaran, author of Imperial Life in the Emerald City; Anthony Shadid of the Washington Post, who won the Pulitzer Prize for his war coverage; Richard Engel of NBC; Anne Garrels of NPR, and other star reporters from both the print and broadcast world, not to mention their translators, photo journalists, and a military reporter. All come together to discuss the war from its beginning on, and they hold back nothing on the violence they faced—Farnaz Fassihi of the Wall Street Journal talks about her near–kidnapping by "five men with AK–47s" chasing her car. ("I kept thinking, 'This is it.'") Nor do they hold back discussing how this impacted their work—British reporter Patrick Cockburn of The Independent notes that "One had to spend an enormous amount of time thinking about one's own security," and NPR reporter Deborah Amos observes that it was even more complicated for women: "As time went on we had to dress as Iraqi women, in the most conservative costumes Iraqi women would wear." But perhaps the most fascinating—and chilling—observation is that most saw a disaster in Iraq unfolding long before they were allowed to report it. As Jon Lee Anderson of The New Yorker puts it, various governmental authorities and the media's own fears combined "to keep bad news away from the public," an observation supported by over 21 stunning, full–color photographs—many of which have never been published before due to such censorship. Collected by the editors of America's most prestigious media monitor, the Columbia Journalism Review, such revelations make Reporting Iraq a fascinating and unique look at the war, as well as an important critique of international press coverage.

    For thirteen years he paddled the creek, photographed it, and researched its history as the Atlanta area's major watershed. The result is Peachtree Creek, a compelling mix of urban travelogue, local history, and call for conservation. Historical images and Kaufman's evocative color photographs help capture the creek's many faces, past and present.Most Atlantans only glimpse Peachtree Creek briefly, as they pass over it on their daily commute, if at all. Looking down on the creek from Piedmont or Peachtree Roads, few contemplate how it courses through the city, where it originates and flows to. Fewer still-many fewer-would ever consider paddling down it, with its pollution and flash floods.Through his expeditions down Peachtree Creek and its five tributaries--North Fork, South Fork, Clear Creek, Nancy Creek, and Tanyard Creek--Kaufman takes readers through such places as Piedmont and Chastain Parks, which, aside from the polluted water, are beautiful, even bucolic. Other stretches of creek, like those draining Midtown and Atlantic Station, are channeled into massive culverts and choked with discarded waste from the city. One day, floating past the Bobby Jones Golf Course, he surprises a golfer searching for his stray ball along the creek bank; another he spends talking to a homeless man living under a bridge near Buckhead.Kaufman reveals fascinating aspects of Atlanta by examining how Peachtree Creek shaped and was shaped by the history of the area. Street names like Moore's Mill Road and Howell Mill Road take on new meaning. He explains the dynamics of water run off that cause the creek to go from a trickle to a torrent in a matter of hours. Kaufman asks how a waterway that was once people's source of water, power, and livelihood became, at its worst, an open sewer and flooding hazard. Portraying some of our worst mishandling of the environment, Kaufman suggests ways to a more sustainable stewardship of Peachtree Creek.

    What kind of economy would prevent Moab from becoming yet another ghost town? For more than two decades, environmentalists in southeast Utah have had a simple answer to this question: replace extractive industries—mining, timber, and cattle—with an economy catering to “green” tourists with hotels, restaurants, and bars. They feel that if these lands can be spared further degradation by huge industries, the West could begin to thrive on something cleaner and more lucrative. But Stiles sees a downside to this seemingly idyllic vision. Bringing insight based on decades of residence in Moab, he makes a provocative and compelling argument that the economy most environmentalists hail as the solution to the woes of the rural West is in fact creating an unprecedented impact of its own. In recent years, Moab and other rural towns across the West have seen a massive influx of urbanites fleeing crowded cities in search of a simpler life. Yet Stiles also observes that these transplants are often unwilling to accept the isolation and lack of services that characterize genuine rural life. Believing themselves to be liberal, sensitive, enlightened environmentalists, they nevertheless bring with them exactly the type of lifestyle and ecological impact that they sought to leave behind and, in the process, create a community that no longer serves the native inhabitants. With a blend of travelogue, local color, and geography, Stiles engages readers with folksy humor while defending the lifestyle of the “pre-cappuccino rural Westerners” and exposing the paradox that underlies the professed good intentions of liberal newcomers.

    The subject of myriad studies and dozens of government boards and commissions, black men have been variously depicted as the progenitors of pop culture and the menaces of society, their individuality often obscured by the narrow images that linger in the public mind. Ten years after the Million Man March, the largest gathering of black men in the nation's history, Washington Post staffers began meeting to discuss what had become of black men in the ensuing decade. How could their progress and failures be measured? Their questions resulted in a Post series which generated enormous public interest and inspired a succession of dynamic public meetings. It included the findings of an ambitious nationwide poll and offered an eye-opening window into questions of race and black male identity -- questions gaining increasing attention with the emergence of Senator Barack Obama as a serious presidential contender. At the end of the day, the project revealed that black men are deeply divided over how they view each other and their country. Now collected in one volume with several new essays as well as an introduction by Pulitzer Prizewinning novelist Edward P. Jones, these poignant and provocative articles let us see and hear black men like they've never been seen and heard before.

    Sims traces more than a century of its history, examining the cultural connections, competing journalistic schools of thought, and innovative writers that have given literary journalism its power. Seminal exmples of the genre provide ample context and background for the study of this style of journalism.

    Of more than 200 bombings that were carried out during this period, the most shocking was the dynamiting of the Los Angeles Times building on the morning of October 1, 1910, which killed twenty-one people.Deadly Times tells the fascinating story of the bombing,  the search to apprehend the bombers, the issues that polarized the nation, and the dramatic trials that ensued. The magnificent cast of characters includes:General Harrison Gray Otis, owner of the Los Angeles Times, whose proposal to de-unionize San Francisco and Los Angeles  led to its being singled out as a bombing target.William J. Burns, who tracked down the bombers and would eventually become the first director of the FBI.Earl Rogers, the brilliant criminal attorney, drinking companion of Jack London, who became the model for Perry Mason.The legendary Clarence Darrow, who defended the bombersAnd the bombers themselves, the brothers J.J. and J.B. McNamara, who on their arrest became symbols of capitalist treachery to the working class.

    Kligman. While most of the experiments were testing cosmetics, detergents, and deodorants, the trials also included scores of Phase I drug trials, inoculations of radioactive isotopes, and applications of dioxin in addition to mind-control experiments for the Army and CIA. These experiments often left the subject-prisoners, mostly African Americans, in excruciating pain and had long-term debilitating effects on their health. This is one among many episodes of the sordid history of medical experimentation on the black population of the United States.The story of the Holmesburg trials was documented by Allen Hornblum in his 1998 book Acres of Skin. The more general history of African Americans as human guinea pigs has most recently been told by Harriet Washington in her 2007 book Medical Apartheid. The subject is currently a topic of heated public debate in the wake of a 2006 report from an influential panel of medical experts recommending that the federal government loosen the regulations in place since the 1970s that have limited the testing of pharmaceuticals on prison inmates.Sentenced to Science retells the story of the Holmesburg experiments more dramatically through the eyes of one black man, Edward "Butch" Anthony, who suffered greatly from the experiments for which he "volunteered" during multiple terms at the prison. This is not only one black man's highly personal account of what it was like to be an imprisoned test subject, but also a sobering reminder that there were many African Americans caught in the viselike grip of a scientific research community willing to bend any code of ethics in order to accomplish its goals and a criminal justice system that sold prisoners to the highest bidder.

    Being re-issued on the fortieth anniversary of the devastating event, No Cause For Indictment is a must-read to understand issues still facing urban America: poverty, political corruption, and racism.Forty years ago, Newark's oppressed black majority erupted in revolt and were ruthlessly put down by the police and National Guard units. When other reporters were too afraid, Ronald Porambo walked the streets of Newark and took four years to research and write the whole story. Its publication resulted in two attempts on his life.This edition includes an introduction from the editor of the original manuscript about the tumult surrounding the book's publication, and an afterword interviewing the author about the struggles he faced after publication.

    The top stories are listed democratically in order of importance according to students, faculty, and a national panel of judges. Each of the top stories is presented at length, alongside updates from the investigative reporters who broke the stories.

    This volume explores these painful images from the past few decades of photography, weighing in on the intense critical debate that has arisen in recent years around depictions of acute human suffering—especially those that are beautifully rendered. Drawing on works from advertising, photojournalism, art photography, and conceptual art, Beautiful Suffering features reproductions of all the pieces in the Williams College Museum of Art exhibition that shares its name—including portrayals of AIDS sufferers, Abu Ghraib prisoners, refugees, and casualties of war. It also includes five critical essays that engage the works themselves as well as the larger issues the exhibition confronts: Is it inherently problematic to seek aesthetic pleasure in a rendering of pain? And if so, why? These essays, composed by scholars in fields as diverse as art history and political science, are perfect complements to the powerful images of suffering that probe some of the most pressing issues we face today.

    The Saigon bureau chief who served Coca-Cola and pound cake to three North Vietnamesesoldiers before writing the bulletin announcing the fall of Saigon. These are but a few of the gripping anddramatic stories reported first by the Associated Press in the past century and a half.In How the Associated Press Has Covered War, Peace, and Everything Else, the Associated Press throws open its archives and invites readers into its news bureaus and out into the field to witness first hand its groundbreaking reporting on presidents, elections, wars, civil rights, trials and crimes, disasters, business, and major sports events. The book conveys, through personal accounts, archival materials, interviews, and Pulitzer-Prize-winning photographs, how the AP became the world's largest news organization and howit continues to play a vital role in providing the news to the American and international press. Breaking News makes an original and significant contribution to journalism history by shedding light on the nation's primary newswire service, one that reaches one half of the world daily and upon which virtually every serious newspaper and broadcast outlet in the nation has relied for decades.

    He rose to prominence during World War II when he took the characters in his Terry and the Pirates strip into the war. The trenchant pragmatic patriotism of the strip warmed hearts and steeled nerves on the home front as well as the battlefront (one of his strips was read into the Congressional Record). He went on to create Steve Canyon, which was syndicated from 1947 to Caniff's death in 1988.Meanwhile...traces Caniff's life from the cradle to the grave, examining the artistic innovations and work routines of a nationally distributed cartoonist whose career was central to the development of the art form, and marking the milestones in the development of the comic strip that Caniff established. Caniff reshaped the medium and set standards by which all storytelling strips were subsequently judged. He created many colorful characters, including the stalwart Pat Ryan from Terry and the Pirates, Burma the shady lady, and, most memorable of all, the Dragon Lady, a beautiful but mysteriously menacing pirate queen who turned Chinese patriot during the War. While Meanwhile... provides a biography of Caniff and analyzes his storytelling techniques, it also serves as a history of the medium and reveals the inner workings of the syndicate business (at which Caniff was as expert as he was at cartooning). The book charts Caniff's rise to fame and fortune, then recounts the decline of his strip Steve Canyon's popularity (whose protagonist served as an unofficial spokesman for the U.S. Air Force from the Korean War until the end of the strip in 1988) when the same brand of patriotism that had inspired admiration during World War II provoked protest during Vietnam, a bittersweet conclusion to a career spent producing a daily feature for 55 years, a record that would stand for a generation. A 2008 Eisner Award Nominee: Best Comics-Related Book; a 2008 Harvey Award Nominee: Best Biographical, Historical or Journalistic Presentation.

    Includes information on Abbasid caliphate, Afghanistan, al Qaeda, Alexandria, Andalusia, Antioch, Arabic language, Armenians, Baghdad, Balkans, Beirut, Berbers, Byzantine Empire, Cairo, Christianity, Christians, Constantinople, Cordoba, Crusades, Damascus, Egypt, England, Europe, Fatimid dynasty, France, Franks, Greek Orthodox Church, ancient Greeks, Habsburgs, Caliph Harun al-Rashid, Hebrew language, Heraclius (Byzantine Emperor), Hezbollah, Holy Land, Hospitallers, Sharif Husayn ibn Ali, Iberian Peninsula, India, Iran, Iraq, Islam, Israel, Istanbul, Janissaries, Jerusalem, Jesus Christ, Jews, jihad, Judaism, Latin language, Lebanon, Moses Maimonides, Maronite Christian Church, Mecca, Medina, Mediterranean Sea, Sultan Mehmed II, monks, monasteries, Morocco, Muhammad ibn Abdullah (Prophet), Muslims, mysticism, nationalism, North Africa, Ottoman Empire, Pakistan, Palestine, Paris, People of the Book, People of the Pact, Persia, poetry, Quran (Koran), Quraysh tribe, reform movements, Roman Catholic Church, Rome, Russia, Saladin, Salonica, Seljuk dynasty, September 11, 2001 terrorist attacks, Spain, sultan Suleyman I, Syria, Templars, Torah, Turkey, Muhammad ibn Abd al-Wahhab, World War I, World War II, Zionism, Zoroastrians, etc.

    His is an indelible stamp, the imprint of a tireless and deep work, trace of the best journalism: that which is felt before being thought, that is known by intuition in the finger tips. This is the anthology of a life, of a stark work, lucid and exciting. "Emergency journalism" is an absolute journalistic and literary exercise. Vicente Leero's writings hum in the ears, they atrophy the nose of those who read them, they cling to the skin and grab the tongue. Fifty years of history, five decades of stories, half a century of deep and subtle intelligence, of chronicles, interviews, reports and opinions. The years and the pages get mixed and confused while facts and men parade timeless and naked. "Emergency journalism" is an indispensable legacy, a written mosaic of the Mexican XXth century. ""This book is, tries to be, a balance of the exercise of a profession assumed with literary passion."" Vicente Leero

    He was also one of the most controversial figures of the Cold War, both in Australia and overseas. Burchett published more than 30 books, and this volume brings together extracts from most of these, spanning the entire breadth of his career, from before World War 2, through Hiroshima, Eastern Europe, Korea, Russia, Laos, Cambodia, China, Vietnam, Angola, Rhodesia and other areas from which Burchett reported. The book presents these fields of reportage chronologically, and thus serves not only as a significant historical overview of the period, but also as a reader in Cold War journalism.

    Whether dodging guerrillas at a cocaine market in Colombia, narrowly escaping a murderous Osama bin Laden in Afghanistan, interviewing a flatulent Colonel Gadaffi, crossing the border into Afghanistan dressed in a fetching bright blue burka or being kidnapped at gunpoint - or was it a finger in a pocket - in the backstreets of Belfast at the height of the troubles, Simpson paints a vivid picture of what being a journalist on the front line is all about, from low comedy to high drama. It's a rollercoaster ride that is sure to thrill anyone who dares to join it.

    At times, the Rock County Star-Heralds front page brimmed with headlines and stories of area boys missing or killed overseas, their smiling photos providing evidence of better times before their lives were cut short by war. Al McIntosh shines during these moments of deepest despair, when it seemed there would be no end to the sacrifice of young lives. You can sense it in his voice, stubbornly determined and unabashedly patriotic; that of a man possessed. A gadfly in the best sense of the term, he challenged, cajoled, and spurred the locals to do their part, to buy war bonds, to salvage, save, and ration, to give voluntarily, and to stay personally engaged in the war effort. Like any great community leader, he raised their spirit by his own tireless example. Al McIntosh was an eyewitness to the ebbs and flows of one county during the most terrible yet necessary war our world has yet seen. The process of selecting the best of these columns came with a heavy burden of honoring the memory of both a man and a community that sacrificed so much during the war. A conscientious effort was made to include both the best and the most representative columns, compiled chronologically to show the growth of Al McIntosh as a writer and as a journalist. Selected Chaff recalls a nation and a community that, when called upon to do so, joined together at home and abroad to fight the "necessary war." Selected Chaff is a rich collection of McIntosh's columns from the war period, including all of those read by actor Tom Hanks in the Burns documentary.

    This classic text shows students the fundamentals of reporting and writing and examines the values that direct and underline the practice of journalism. The new edition features current developments in all areas of reporting, discusses the use of stark photos, provides dozens of new Internet sources and demonstrates how journalists use them. Also included in the eleventh edition are guides for campaign and election coverage, reporting tips from Pulitzer Prize winners, and an examination of recent libel cases.

    Troubletown Told You So, chronicles the insanity and incompetence of the Bush war years in unflinching and hysterical detail. While the major media was snoozed, Troubletown told it like it was.

    Though he lived in an era when most people of color were held back in both career and education, Brownlee played football for the University of Wisconsin, fought as an artillery officer in World War II, and launched a career in journalism that spanned 60 years. Throughout his life, Brownlee opened many new doors for the African American community, breaking into daily news reporting and television reporting and becoming a TV executive-all firsts for a person of color.

    Barry M. Lando, a former investigative producer for 60 Minutes, argues compellingly that this ill-fated uprising represents one instance among many of Western complicity in Saddam Hussein's crimes against humanity. The Shia were responding to the call for rebellion from President George H.W. Bush that was broadcast repeatedly across Iraq by clandestine CIA stations. But, just as the revolution was on the brink of success, the United States and its allies turned their backs: U.S. troops destroyed huge weapons caches to prevent them from falling into rebel hands and blocked rebels trying to reach Baghdad. In the end, tens of thousands, possibly hundreds of thousands, were massacred. Because of restrictions imposed by the Special Tribunal prosecuting Saddam Hussein, the extensive role of the U.S. and its allies in his crimes will never be explored at his trial. But as Web of Deceit demonstrates, the nations that now denounce Saddam most prominently secretly backed the dictator from his rise to power in the 1960s and ‘70s to his offensives in Iran and, despite warnings, took no action to stop his invasion of Kuwait. They also turned their backs when he used chemical weapons against the Iraqi people and persisted in international sanctions long after they had proved ineffective and, for hundreds of thousands of Iraqi civilians, lethal. Web of Deceit draws on a wide range of journalism and scholarship to present a complete picture of what really happened in Iraq under Saddam, detailing–for the first time–the complicity of the West in its full and alarming extent.

    Today in the United States, the average viewer can choose from hundreds of channels, including several twenty-four hour news channels. News is on cell phones, on iPods, and online; it has become a ubiquitous and unavoidable reality in modern society. The purpose of this book is to examine systematically, how these differences in access and form of media affect political behaviour. Using experiments and new survey data, it shows how changes in the media environment reverberate through the political system, affecting news exposure, political learning, turnout, and voting behavior.

    Though almost everything else about online discussion has changed in the two decades since, those words still describe its central premise, and this basic idea underlies both the power and the popularity of blogging today. Appropriately enough, it also describes American journalism as it existed a century and a half before The WELL was organized, before the concept of popular involvement in the press was nearly swept away on the rising tide of commercial and professional journalism. In this book, which is the first to provide readers with a cultural/historical account of the blog, as well as the first to analyze the different aspects of this growing phenomenon in terms of its past, Aaron Barlow provides lay readers with a thorough history and analysis of a truly democratic technology that is becoming more important to our lives every day.The current popularity of political blogs can be traced back to currents in American culture apparent even at the time of the Revolution. At that time there was no distinct commercial and professional press; the newspapers, then, provided a much more direct outlet for the voices of the people. In the nineteenth century, as the press became more commercial, it moved away from its direct involvement with politics, taking on an observer stance--removing itself from the people, as well as from politics. In the twentieth century, the press became increasingly professional, removing itself once more from the general populace. Americans, however, still longed to voice their opinions with the freedom that the press had once provided. Today, blogs are providing the means for doing just that.

    Edward Alwood, a former news correspondent, describes this remarkable story of conflict, principle, and personal sacrifice with noticeable

    It examines debates in the newspapers themselves about the nature of language including commentary on political correctness, the sensitive use of language and irony as a journalistic weapon.Featuring chapter openings and summaries, activities, and a wealth of examples from contemporary news coverage (including examples from television and radio), The Language of the News broadens the perceptions of the use of language in the news media and is essential reading for students of media and communication, journalism, and English language and linguistics.

    Take a look back at the role "USA Today" has played in keeping America informed over the last 25 years, with this collection of stories, articles, sports, and more.