Beautifully produced and presented in an attractive landscape trim, Ansel Adams: 400 Photographs will appeal to a general gift-book audience as well as Adams' legions of dedicated fans and students. The photographs are arranged chronologically into five major periods, from his first photographs made in Yosemite and the High Sierra in 1916 to his work in the National Parks in the 1940s up to his last important photographs from the 1960s. An introduction and brief essays on selected images provide information about Adams' life, document the evolution of his technique, and give voice to his artistic vision. Few artists of any era can claim to have produced four hundred images of lasting beauty and significance. It is a testament to Adams' vision and lifetime of hard work that a book of this scale can be compiled. Ansel Adams: 400 Photographs is a must-have for anyone who appreciates photography and the allure of the natural world.

    "Magnum Magnum" brings together the best work, celebrating the vision, imagination, and brilliance of Magnum photographers, both the acknowledged greats of photography in the twentieth century--among them, Henri-Cartier Bresson, Robert Capa, Eve Arnold, Marc Riboud, and Werner Bischof--and the modern masters and rising stars of our time, such as Martin Parr, Susan Meiselas, Alec Soth, and Donovan Wylie. Organized by photographer, the book harks back to the agency's early days and the spirit that made it such a unique and creative environment, one in which each of the four founding members picture-edited the others' photographs. Here a current Magnum photographer selects and critiques six key works by each of the sixty-nine featured photographers, with a commentary explaining the rationale behind the choice. This new edition provides a permanent record of iconic images from the last sixty years and an insight, as seen through the critical eyes and minds of Magnum photographers, into what makes a memorable photograph. 9.5" x 11.5," 413 illustrations in color and duotone.

     An homage to Africa's people and wildlife   Sebastião Salgado is one the most respected photojournalists working today, his reputation forged by decades of dedication and powerful black-and-white images of dispossessed and distressed people taken in places where most wouldn’t dare to go. Although he has photographed throughout South America and around the globe, his work most heavily concentrates on Africa, where he has shot more than 40 reportage works over a period of 30 years. From the Dinka tribes in Sudan and the Himba in Namibia to gorillas and volcanoes in the lakes region to displaced peoples throughout the continent, Salgado shows us all facets of African life today. Whether he’s documenting refugees or vast landscapes, Salgado knows exactly how to grab the essence of a moment so that when one sees his images one is involuntarily drawn into them. His images artfully teach us the disastrous effects of war, poverty, disease, and hostile climatic conditions.  This book brings together Salgado’s photos of Africa in three parts. The first concentrates on the southern part of the continent (Mozambique, Malawi, Angola, Zimbabwe, South Africa, Namibia), the second on the Great Lakes region (Congo, Rwanda, Burundi, Uganda, Tanzania, Kenya), and the third on the Sub-Saharan region (Burkina Faso, Mali, Sudan, Somalia, Chad, Mauritania, Senegal, Ethiopia). Texts are provided by renowned Mozambique novelist Mia Couto, who describes how today’s Africa reflects the effects of colonization as well as the consequences of economic, social, and environmental crises.This stunning book is not only a sweeping document of Africa but an homage to the continent’s history, people, and natural phenomena.   *Salgado’s Africa was awarded the M2-El Mundo People’s Choice Award for best exhibition at PhotoEspaña 2007!*

    This collection of astonishing studio portraits of 175 wild creaturesfrom baby leopards to parrots, bears, mandrills, and many moreare stunningly foregrounded against white backgrounds, depicting their subjects with rare sensitivity,insight, humor, and wonder. Zuckermanalso an up-and-coming filmmaker, whose first short film, High Falls, premiered at the Sundance Film Festival in 2007has created a volume perfect for animal lovers, photography fans, and anyone fascinated by the world around us. Creature is a beautiful and thought-provoking look at the fragile wonders of the natural world.

    The ability to see the potential for a strong picture and then organize the graphic elements into an effective, compelling composition has always been one of the key skills in making photographs.Digital photography has brought a new, exciting aspect to design - first because the instant feedback from a digital camera allows immediate appraisal and improvement; and second because image-editing tools make it possible to alter and enhance the design after the shutter has been pressed. This has had a profound effect on the way digital photographers take pictures.Now published in sixteen languages, The Photographer's Eye continues to speak to photographers everywhere. Reaching 100,000 copies in print in the US alone, and 300,000+ worldwide, it shows how anyone can develop the ability to see and shoot great digital photographs. The book explores all the traditional approaches to composition and design, but crucially, it also addresses the new digital technique of shooting in the knowledge that a picture will later be edited, manipulated, or montaged to result in a final image that may be very different from the one seen in the viewfinder.

    In The Photographer's Mind, the follow-up to the international best-seller, The Photographer's Eye, photographer and author Michael Freeman unravels the mystery behind the creation of a photograph.The nature of photography demands that the viewer constantly be intrigued and surprised by new imagery and different interpretations, more so than in any other art form. The aim of this book is to answer what makes a photograph great, and to explore the ways that top photographers achieve this goal time and time again.As you delve deeper into this subject, The Photographer's Mind will provide you with invaluable knowledge on avoiding cliche, the cyclical nature of fashion, style and mannerism, light, and even how to handle the unexpected.Michael Freeman is the author of the global bestseller, The Photographer's Eye. Now published in sixteen languages, The Photographer's Eye continues to speak to photographers everywhere. Reaching 100,000 copies in print in the US alone, and 300,000+ worldwide, it shows how anyone can develop the ability to see and shoot great digital photographs.

     Journey into the world of Peter Beard   Photographer, collector, diarist, and writer of books Peter Beard has fashioned his life into a work of art; the illustrated diaries he kept from a young age evolved into a serious career as an artist and earned him a central position in the international art world. He was painted by Francis Baconand painted on by Salvador Dalí, he made diaries with Andy Warhol and toured with Truman Capote and the Rolling Stones—all of whom are brought to life, literally and figuratively, in his work. As a fashion photographer, he took Vogue stars like Veruschka to Africa and brought new ones—most notably Iman—back to the U.S. with him.   After spending time in Kenya and striking up a friendship with the authorIsak Dinesen (Karen Blixen) in the early 1960s, Beard bought a piece of land near hers. He witnessed the dawn of Kenya’s population explosion, which challenged finite resources and stressed animal populations—including the starving elephants of Tsavo dying by the tens of thousands in a wasteland of eaten trees. So he documented what he saw—with diaries, photographs, and collages. He went against the wind in publishing unique and sometimes shocking books of these works. The corpses were laid bare; the facts carefully recorded, sometimes in type and often by hand. Beard uses his photographs as a canvas onto which he superimposes multi-layered contact sheets, ephemera, found objects, newspaper clippings that are elaborately embellished with meticulous handwriting, old-master inspired drawings and often swaths of animal blood used as paint.   In 2006 TASCHEN published the book that has come to define his oeuvre, signed by the artist and published in two volumes. It sold out instantly and became a highly sought after collector’s item. Now the book you couldn’t get your hands on is available in one volume, a handsome hardcover edition revised by Nejma Beard with new images never published before.

    The novel, published in 1985, was a New York Times best seller and won the Pulitzer Prize for fiction. More than two decades after publication, it still sells tens of thousands of copies every year.The Lonesome Dove miniseries, which first aired on CBS in 1989, lassoed an even wider audience. Twenty-six million households watched the premier episode, and countless millions more have ridden with Gus and Call each time the movie has rerun on TV, video, and DVD. In addition to its popular success, the miniseries has also garnered unanimous critical acclaim. It was nominated for eighteen Emmy Awards and won seven. It also won Golden Globe Awards for Best Television Miniseries and Best Actor; a Peabody Award; the D. W. Griffith Award for Best Television Series; the National Association of Television Critics Award for Program of the Year and Outstanding Achievement in Drama; and the Writers' Guild of America Award for Best Teleplay (Bill Wittliff).Now bringing the sweeping visual imagery of the miniseries to the printed page, A Book of Photographs from Lonesome Dove presents more than one hundred classic images created by Bill Wittliff, the award-winning writer and executive producer (with Suzanne de Passe) of Lonesome Dove and a renowned fine art photographer. Wittliff took these photographs during the filming of the miniseries, but they are worlds apart from ordinary production stills. Reminiscent of the nineteenth-century cowboy photographs of Erwin Smith and the western paintings of Frederic Remington and Charles M. Russell, each Lonesome Dove image stands alone as an evocative work of art, while as a whole, they provide a stunning visual summary of the entire miniseries.Accompanying the photographs are a foreword by Lonesome Dove author Larry McMurtry and an introduction by Stephen Harrigan, who describes the epic-in-itself creative journey that led to the making of the Lonesome Dove novel, miniseries, and book of photographs. In the afterword, Bill Wittliff recalls unforgettable moments—some hilarious, others momentous—from the production of the miniseries. A roster of the cast and crew completes the text.As its enduring popularity proves, Lonesome Dove conveys the spirit of the American West and the freedom of the open plains and sky as few other creative works ever have. For everyone who loves the novel and the movie, A Book of Photographs from Lonesome Dove provides yet another powerful way of experiencing this mythical, yet wholly real, world.

    This collection of photographs captures these accoutrements.

    She has photographed rarely seen sites from domains including: science, government, medicine, entertainment, nature security and religion. This index examines subjects that, while provocative or controversial, are currently legal. The work responds to a desire to discover unknown territories, to see everything. Simon makes use of the annotated-photograph's capacity to engage and inform the public. Transforming that which is off-limits or under-the-radar into a visible and intelligible form, she confronts the divide between the privileged access of the few and the limited access of the public. Photographed with a large format view camera (except when prohibited), Simon's 70 color plates form a seductive collection that reflects and reveals a national identity. In addition to this monograph, there is also an exhibition of Simon's work opening at the Whitney Museum of American Art in March 2007.

    The first edition of Keep Your Eyes Open: The Fugazi Photographs of Glen E. Friedman was released by Burning Flags Press exactly twenty years later. This revised edition features brand-new photos and an interview with Friedman and Fugazi singer/guitarist Ian MacKaye.Keep Your Eyes Open presents the best of Friedman’s unparalleled photographic documentation of Fugazi’s members in almost 200 color and black-and-white images captured by Friedman onstage and off between 1986 and Fugazi’s last US concert in 2002.Fugazi evolved from Washington, DC’s, hardcore punk scene of the late 1970s and early 1980s. While it would be impossible to fully capture Fugazi in any one medium, Friedman’s book effectively complements the band’s Dischord Records catalog, which includes seven studio albums, one soundtrack, three EPs, and hundreds of live concert CDs produced from Fugazi’s own soundboard recordings.Fugazi—a band dedicated to democratic self-management, highlighted by complete artistic and financial control—booked its own tours worldwide, and was often the first band to perform in unconventional venues around the world in order to maintain ticket prices that averaged just five dollars, a practice that opened many new venue doors to other touring artists. In addition, Fugazi has never marketed or licensed its name or likeness for posters, T-shirts, pins, or other ancillary merchandise. Fugazi’s unwavering respect for its audience is one of the band’s most indelible marks on modern music. The band went on indefinite hiatus in late 2002.

    But outside the lab, Herzog also devoted himself to what was, at the time, an unusual and even frowned-upon medium, at least artistically: color photography. Laboring away as a virtually anonymous pioneer in this field, some 20 years before William Eggleston's watershed show at the Museum of Modern Art, Herzog was quietly documenting in rich Kodachrome the streets of Vancouver: its supermarkets, gas stations, bars, urban scenery and above all its working class culture. Herzog used slide film to make his photographs, which limited his ability to exhibit them and further marginalized his work; but in recent decades, happily, this color pioneer has drawn great acclaim, and this volume, the largest Herzog monograph yet published, does marvelous justice to his rich oeuvre.

    Hale uses her lens, her love of dogs, and a great deal of patience to create an enchanting perspective on how puppies see the world. Whether napping or nibbling at each other's ears, these adorable pooches show a deep, easily shared affection for one another. From golden retrievers to German shepherds, bulldogs to Boston terriers, Hale captures all breeds in moments of curiosity, devotion, and delight. Her images remind us to be passionate and silly, to revel in playtime, to cherish quiet moments, and to share our love with family and friends. Warm and witty quotes, expertly paired with many of the images, provide surprising insights into our own relationships. Who better than a puppy to give us guidance on the nature and beauty of love?

    As miraculous a feat of nature as the snowflakes has been, have we ever been truly able to appreciate this infinitesimal wonder in all its crystalline glory? Art of the Snowflake, as much a work of art as a testament to science, reveals how one of the snowflake's most inspired photographers came to such intimate knowledge of his craft and its fleeting focus. Beautiful pictures illustrate Kenneth Libbrecht's story of the microphotography of snow crystals, from the pioneering work of Wilson Bentley in the 1890s right up to Ken's own innovations in our age of digital images. A breathtaking look at the works of art that melt in an instant, this is a book to flip through and savor, season after season.

    Most of these images have never been published before. The generous trim size and large number of double-page spreads allow you to admire the master's technique and artistry up close. Every image is photography at its most ebullient and life-enhancing and each reflects the scope of Erwitt's observant and eclectic eye. Here is a fitting tribute to this Magnum photographer who has shot such Hollywood legends as Marlene Dietrich and Marilyn Monroe, yet whose delight in everyday irony has captured many witty moments, including his famous portraits of people and their dogs.

    Robert Mapplethorpe's black-and-white Polaroid photographs from the 1970s--a medium in which he established the style that would bring him international acclaim--are brought together in this exquisite volume for the first time.Prestel Publications

    The result is a profound visual/verbal dialogue of short prose pieces and large-format color images that brings to life this sometimes brutal and incredibly beautiful part of the country. Awarded the Dorothea Lange–Paul Taylor Prize by the Center for Documentary Studies at Duke University for this project in 2005, the authors write: “Our interest in this part of the world is contemporary but also includes its history and a mix of stories that have passed down over the years, stories that resonate with the land in interesting ways.”It is an evocative work concerned with “moments that describe the beauty, power, tragedy, and cultural complexity of the place itself: the way the land has been used, the way people have lived on it, and the visual record that has been left behind.”

    However, the main character is the pool and everything that goes with them - magnificent suntanned bodies, well-oiled skin, bikini-clad women, yachts, summer cocktails, sumptuous buffets, and, above all, fun.

    Exploring the key events and the key images that have marked the development of photography, this title examines the evolution of photography in its wider context: social, political, economic, technological and artistic.

    Who are the makers and who are the takers? Readers can judge from themselves?

    This text draws on Peter Doyle's extensive research into these fascinating and often eerily beautiful images of everyday misadventures in Sydney between 1912 and 1948.

    There are also mini-biographies of many of the dogs, with details of their rescue amd journey to new homes.

    Volume 3 will take you on a remarkable journey of discovery from the vast plains of Northwestern Colorado to the deserts of Southern New Mexico, exploring geological marvels, sand dunes, the alpine scenery of the San Juan and Rocky Mountains with their incredible wildflowers and fall colors, ancient cliff dwellings, old mining towns, Spanish New Mexico, and Indian Pueblos . We also make a short foray into Texas to visit Big Bend National Park.

    KayLynn took notice of the small rituals and routinesgardening, laundry, grocery shoppingthat made up Bert's life. A friendship slowly developed as KayLynn began photographing parts of Bert's day. The two developed a simple yet effective method of storytellingwith KayLynn's images and Albert's handwritten textand the project evolved into The Day-to-Day Life of Albert Hastings a poignant and profound chronicle of aging, living alone, and the small things that make up our daily lives. Containing seventy-eight photographs along with poems written by Bert, his clock drawings, and personal family photographs, The Day-to-Day Life of Albert Hastings gives the reader a glimpse into one man's life. We can only imagine what stories are left untold.

    This beautifully produced catalogue, designed by the renowned Danish graphic designer Michael Jensen, features deluxe tritone printing and varnish on premium paper. It includes 125 reproductions of Avedon's greatest work from the entire range of his oeuvre--including fashion photographs, reportage and portraits--and spans from his early Italian subjects of the 1940s to his 2004 portrait of the Icelandic pop star Bjork. It also features a small number of color images, including what must be one of the most famous photographic portraits of the twentieth century, -Nastassja Kinski and the Serpent- (1981). Texts by Jeffrey Fraenkel, Judith Thurman, Geoff Dyer, Christoph Ribbat, Rune Gade and curator Helle Crenzien offer a sophisticated and thorough composite view of Avedon's career.

    We see dogs under the Christmas table, on front porches, at play on the beach, and posed beside babies, we see a Chihuahua in a tea cup, and a Great Dane standing as tall as its owner.

    While this technique borrowed aspects of the photo-documentary, Leiters imagery was more shaped by his highly individual reactions to the people and places he encountered. Like a Magic Realist with a camera, Leiter absorbed the mystery of the city and poignant human experiences. Together with Early Color, also published by Steidl, the two volumes comprising Early Black and White show the impressive range of Leiters early photography.

    He photographed the band from 1973-1976, helped create their iconic album covers, and conducted several solo photo sessions with Freddie Mercury and Roger Taylor.

    invasion, unaffiliated with any newspaper and hoping to pick up assignments along the way, Ashley Gilbertson was one of the first photojournalists to cover the disintegration of America’s military triumph as looting and score settling convulsed Iraqi cities. Just twenty-five years old at the time, Gilbertson soon landed a contract with the New York Times, and his extraordinary images of life in occupied Iraq and of American troops in action began appearing in the paper regularly. Throughout his work, Gilbertson took great risks to document the risks taken by others, whether dodging sniper fire with American infantry, photographing an Iraqi bomb squad as they diffused IEDs, or following marines into the cauldron of urban combat. Whiskey Tango Foxtrot gathers the best of Gilbertson’s photographs, chronicling America’s early battles in Iraq, the initial occupation of Baghdad, the insurgency that erupted shortly afterward, the dramatic battle to overtake Falluja, and ultimately, the country’s first national elections. No Western photojournalist has done as much sustained work in occupied Iraq as Gilbertson, and this wide-ranging treatment of the war from the viewpoint of a photographer is the first of its kind. Accompanying each section of the book is a personal account of Gilbertson’s experiences covering the conflict. Throughout, he conveys the exhilaration and terror of photographing war, as well as the challenges of photojournalism in our age of embedded reporting. But ultimately, and just as importantly, Whiskey Tango Foxtrot tells the story of Gilbertson’s own journey from hard-drinking bravado to the grave realism of a scarred survivor. Here he struggles with guilt over the death of a marine escort, tells candidly of his own experience with post-traumatic stress, and grapples with the reality that Iraq—despite the sacrifice in Iraqi and American lives—has descended into a civil war with no end in sight.A searing account of the American experience in Iraq, Whiskey Tango Foxtrot is sure to become one of the classic war photography books of our time.

    His images preserved the vanishing architecture of the ancien rgime as Paris grew into a modern capital and established Atget as one of the twentieth century's greatest and most revered photographers.Christopher Rauschenberg spent a year in the late '90s revisiting and rephotographing many of Atget's same locations. Paris Changing features seventy-four pairs of images beautifully reproduced in duotone. By meticulously replicating the emotional as well as aesthetic qualities of Atget's images, Rauschenberg vividly captures both the changes the city has undergone and its enduring beauty. His work is both an homage to his predecessor and an artistic study of Paris in its own right. Each site is indicated on a map of the city, inviting readers to follow in the steps of Atget and Rauschenberg themselves. Essays by Clark Worswick and Alison Nordstrom give insight into Atget's life and situate Rauschenberg's work in the context of other rephotography projects. The book concludes with an epilogue by Rosamond Bernier as well as a portfolioof other images of contemporary Paris by Rauschenberg. If a trip to the city of lights is not in your immediate future, this luscious portrait of Paris then and now is definitely the next best thing.

    Marker gave film lovers one of their most memorable experiences with La Jet�e (1962)--a time-travel montage set after a nuclear war that inspired Terry Gilliam's Twelve Monkeys (1995). His still camerawork is not as well known, but Marker has been taking photographs as long as he has been making films. Staring Back presents 200 black-and-white photographs from Marker's personal archives, taken from 1952 to 2006. Some of the photographs are related to his classic films (which include Le Jet�e, Sans Soleil, �Cuba Si!, and The Case of the Grinning Cat), others are portraits of famous faces (Simone Signoret, Akira Kurosawa), but most are pictures of people Marker has encountered as he has traveled the world (an extra who appeared in Kurosawa's Ran, a woman seen on a street in Siberia). The central section of the book contains a series of photographs documenting political protests Marker has witnessed, including the march on the Pentagon in 1967, the events of May 1968 in Paris, and the tumultuous 2006 demonstrations protesting the French government's proposed employment policies. The photographs are accompanied by several unpublished texts by Marker, including the English language text of The Case of the Grinning Cat and Marker's annotations for some of the photos. The book--which appears in conjunction with an exhibition at the Wexner Center for the Arts at The Ohio State University--also includes essays by Wexner Center curator Bill Horrigan and art historian Molly Nesbit.

    He presents a vision of Istanbul as an urban cultural center, rich with the incandescence of its past--a city of minarets and pigeons rising to the heavens during the early-morning call to Muslim prayers--yet also a city riddled with ATM machines and clothed in designer jeans. Webb began photographing Istanbul in 1998, and became instantly enthralled: by the people, the layers of culture and history, the richness of street life. But what particularly drew him in was a sense of Istanbul as a border city, lying between Europe and Asia. "For 30-some years as a photographer, I have been intrigued by borders, places where cultures come together, sometimes easily, sometimes roughly." The resulting body of work, some of Webb's strongest to date, conveys the frisson of a culture in transition, yet firmly rooted in a complex history. With essay by the Nobel Prize winning novelist, Orhan Pamuk.

    His underwater photography has been called uncanny, lithe and athletic, exquisitely real, and mysterious, and has been widely imitated in art and advertising. The dancers seem to transcend time and space to become floating, ethereal objects. Schatz's new underwater photographs are shot in a state-of-the-art, custom-built pool fitted with studio lights and covered with a giant dome to regulate temperature. The results are stunning. His unique images---at once lyrical, fantastic, and palpably real---express the beauty of inspired movement magically free of the restrictions of gravity.

    Now author Bryan Peterson brings his signature style to another important photography topic: shutter speed. With clear, jargon-free explanations of terms and techniques, plus compelling “before-and-after” photos that pair a mediocre image (created using the wrong shutter speed) with a great image (created using the right shutter speed), this is the definitive practical guide to mastering an often-confusing subject. Topics include freezing and implying motion, panning, zooming, exposure, Bogen Super Clamps, and rendering motion effects with Photoshop, all with helpful guidance for both digital and film formats. Great for beginners and serious amateurs, Understanding Shutter Speed is the definitive handy guide to mastering shutter speed for superb results.

    Quarries are, of course, a crucial source for the buildings we construct, and as such, a negative correlative of what we add to the world--as well as a tangible (and neglected) evidence for our ongoing dependence on its resources. Somewhere a building is being created while a landscape is being destroyed, and, as Burtynsky writes, "quarries...are places that are outside of our normal experience, yet we partake of their output on a daily basis." His images of these plundered landscapes are simultaneously beautiful and disquieting.

    Beginning with early childhood memories and continuing through her 25-year career, Anne Geddes reveals the events, emotions and images that have shaped her life.

    Shay followed Algren around with a camera, gathering pictures for a photo-essay piece he was pitching to the magazine. Life didn’t pick up the article, but Shay and Algren became fast friends. Algren gave Shay’s camera entrance into the back-alley world of Division Street, and Shay captured Algren’s poetry on film. They were masters chronicling the same patch of ground with different tools.Chicago’s Nelson Algren is the compilation of hundreds of photos—many recently discovered and published here for the first time—of Nelson Algren over the course of a decade and a deeply moving homage to the writer and his city. Read Algren and you’ll see Shay’s pictures; look at Shay’s photos and you’ll hear Nelson’s words.

    1947) is a true artistic innovator whose work has opened up new frontiers for contemporary photography. His photographs of American scenes unveil the exceptional beauty to be found in the everyday. As one of the first art photographers to work in color, Shore pioneered such contemporary genres as the diaristic snapshot (later taken up by Nan Goldin and Wolfgang Tillmans) and the monumentalized landscape (as later practiced by Becher-school photographers Thomas Struth and Andreas Gursky). This monograph offers the first complete examination of Shore's long and storied career, from his residency at Warhol's Factory to his experiments in conceptual photography; from his landmark series AMERICAN SURFACES to his continued exploration of emerging techniques. Shore's high-key portraits of America's chromatic landscape can be found in the permanent collections of major museums all over the world.

    Author Katrin Eismann -- an internationally acclaimed artist, bestselling author, and gifted educator -- offers high-profile work, including her own, as examples for teaching photographers how to use the digital medium to create, edit, and output images that reflect their true vision. Co-authored by photographer and teacher Sean Duggan, The Creative Digital Darkroom translates skills, concepts, and nomenclature of the traditional darkroom into digital solutions for photographers who sense that, despite the newness of the technologies at hand, there remains a timeless method for learning and practicing photography the right way. This is not a Photoshop book per se, but it does focus on the photographic aspects of Photoshop, something other books claim to do but rarely have the discipline to accomplish. The Creative Digital Darkroom includes:Four sections that cover the black & white darkroom, the color darkroom, creative techniques, and production essentials Chapters that begin with a thorough foundation followed by numerous tutorial examples that apply the theory to real-world examples Examples and a layout that enables readers to find, understand, and apply the featured techniques quickly and easily The authors are both renowned photographers and Photoshop experts Clearly, The Creative Digital Darkroom is not your typical digital photography "how to" book. It's ideal for intermediate and advanced photographers, artists, and educators looking for clear, concise, insightful, and inspiring information and techniques on how to make their photographs shine. The language, and techniques will immediately appeal to serious students and professionals, and the original tutorial images and high-profile work will make the book an important visual resource for educators and art appreciators.

    Wall has created a unique, seductive and complex pictorial universe by drawing upon philosophy, literature, nineteenth-century painting, Neo-Realist cinema and the traditions of both Conceptual art and documentary photography. Organized by The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, Wall's 2007 American traveling retrospective will include all of the artist's major works to date. In addition to color plates and illuminating details, the exhibition catalogue includes an essay by Peter Galassi that explores the full range of Wall's artistic and intellectual interests and offers fresh perspectives on one of the most adventurous creative achievements of our time. The essay is followed by an interview with the artist by James Rondeau, Curator of Modern and Contemporary Art at the Art Institute of Chicago, where the exhibition will be on view during the Summer of 2007. Also available from The Museum of Modern Art, New York: Jeff Wall: Selected Essays and Interviews.

    “The average American woman,” Nimoy writes, “weighs 25 percent more than the models selling the clothes. There is a huge industry built up around selling women ways to get their bodies closer to the fantasy ideal. Pills, diets, surgery, workout programs. . . . The message is ‘You don't look right. If you buy our product, you can get there.’” Leonard Nimoy, best known to the public from his role as Spock on Star Trek, has been a lifelong photographer. His work has been widely exhibited and is in numerous private and public collections. A previous book of his photographs, Shekhina, was published in 2002.

    It's been a 60-year contract. Photography is love and death-that'll be my epitaph."" -Araki The subject is Japanese photographer Araki, a man who talks about life through photographs. His powerful oeuvre, decades' worth of images, has been pared down to 540 pages of photographs which tell the story of Araki and comprise the ultimate retrospective collection of his work. Known best for his intimate, snapshot-style images of women often tied up with ropes (kinbaku, Japanese rope-tying art) and of colorful, sensual flowers, Araki is an artist who reacts strongly to his emotions and uses photography to experience them more fully. Obsessed with women, Araki seeks to come closer to them through photography, using ropes like an embrace and the click of the shutter like a kiss. His work is at once shocking and mysteriously tender; a deeply personal artist, Araki is not afraid of his emotions nor of showing them to the world. This large-format special budget edition includes most of the picture material from the original 2000 ? limited edition, for only 49,99 ?! Interviews by J?r?me Sans Extensive bibliography and biography section

    David Plowden’s beautiful black-and-white images reveal his great respect for man’s ingenuity and honest work, documenting a disappearing landscape of industry, small towns, wonderful devices, and noble structures. David McCullough writes, “Plowden has produced some of the most powerful photographs we have of man-made America. He is propelled, driven, by a sense of time running out and the feeling that he must not just make a record, but confer a kind of immortality on certain aspects of American civilization before they vanish.” As Walker Evans gave us the first half of the twentieth century, David Plowden has given us the second. David Plowden: Vanishing Point represents the best of this magnificent body of work.

    After two unsuccessful attempts, he managed to escape in 1943. During this period, the Museum of Modern Art in New York, assuming that the photographer had died in the war, started preparing what they thought would be a posthumous exhibition of his work. When he reappeared, Cartier-Bresson was delighted to learn of the exhibition and decided to review his entire oeuvre and curate it himself.In 1946 Cartier-Bresson traveled to New York with about 300 prints in his suitcase, bought a scrapbook, glued in the photos, and brought that album to MoMA's curators. His exhibition there, a celebration of his survival, opened on February 4, 1947.In the 1990s, Cartier-Bresson once again turned his attention to this scrapbook. Following his death in 2004, the Fondation Henri Cartier-Bresson, the present owner of the prints, finished the job of restoring them, making it possible to bring a large body of his extraordinary work to the public, images that have now become a memorial collection after all.

    Enchanted, he stayed for three months, then returned to live there in 1978, undertaking a lifelong career as a naturalist and photographer driven by a deep commitment to and curiosity about the region. Killed by a bear while traveling in Russia in 1996, he is still widely regarded as the preeminent photographer of the Alaskan wilderness for his breathtakingly beautiful photographs, at once majestic and intimate. Hoshino's Alaska celebrates his life and work by collecting nearly 150 of his bestimages, along with insightful excerpts from his writings, and essays by his close friend and translator Karen Colligan-Taylor and by author and photographer Lynn Schoolerrevealing both the heart of Alaska and of the man behind the lens.

    Each volume contains full-page reproductions printed in superb duotone, together with a critical introduction and a full bibliography. Now back in print, the series was awarded the first annual prize for distinguished photographic books by the International Center of Photography.Elliott Erwitt (b. 1928), an American by adoption, has a humorous outlook that is reflected in his always elegant work. His photographs take advantage of the sudden coincidence, the fortuitous conjunction of objects and events, to reveal the ridiculous or comical sides of everyday life. Dogs are a favorite subject for Erwitt, often serving as a witty metaphor for human foibles.

    Click on "See all buying options" to order multiple copies.***Houston. It's Worth It. (HIWI) happened organically in the summer of 2004. We were discussing why we love Houston, and why the city has a bad rep, and one of us came up with the phrase "Houston. It's Worth It." We put up a website where other Houstonians could express why Houston was worth it in their own words. The website continues to provide opportunities for Houstonians to voice their passion for a city that's so routinely misunderstood by outsiders.In the first phase of the campaign, visitors to the HIWI website were invited to tell us why they like Houston in spite of what we identified as the 20 Afflictions - the heat, the humidity, the flying cockroaches, the no mountains, etc. We sent out a little over one hundred emails to announce the site, eliciting an outpouring of emotion. Scores of people submitted detailed, thoughtful, sometimes quirky, almost always heartfelt arguments on the city's behalf For phase II of the campaign, we decided to test the adage "a picture is worth a thousand words" and asked people to show us why they liked the city. We teamed up with the Houston Center for Photography (HCP) to create "Houston. It's Worth It. - Show Us Why," an open-call exhibition in which Houstonians were asked to submit to the HIWI website their personal photographs (as opposed to the stock imagery typically seen in convention bureau-type propaganda) relating to life in Houston. We received over 600 images, the majority of which came from amateurs, and hung every one of them in the exhibition which took place August 4-6, 2006. Once again, HIWI was a rousing success. We were so thrilled by the range of perspectives and idiosyncratic viewpoints in the show, that we instantly knew a book was the next step...

    The heroic examples set by these women, whose bravery and determination enabled them to move beyond victimization to leadership, speak to the universal themes of courage, empowerment, and human rights. As part of CARE's campaign to empower women everywhere, Women Empowered reveals how determined women of all ages have effectively turned their struggles into triumphs.

    This talented photographer also happened to be the band's guitarist, Andy Summers. Yes, it's true?the man responsible for the guitar lick from ?Every Breath You Take? was not only the backbone of one of the most popular bands of all time, he also possessed a visual gift for composition and mood that allowed him to capture the spirit of The Police better than anyone else could have. This book, somewhere between photojournalism and an illustrated diary, follows The Police around the globe between 1980 and 1983. From the American West to Australia to Japan, Summers recorded not only the band members rehearsing and partying?the proverbial sex, drugs, and rock and roll?he also photographed fans, landscapes, still lifes, and passersby in a reportage style reminiscent of Henri Cartier-Bresson and Robert Frank. Containing over 600 photos and filled with diary-style entries, I?ll Be Watching You is a sumptuous volume beating with musical energy, nostalgia, and atmospheric beauty. A must for photo buffs and Police fans alike. Collector's edition features: ? Limited to 1500 copies, each numbered and signed by the artist ? Packaged in a slipcase ? Contains over 600 photographs personally selected from the photographer's archive of over 25,000 negatives (1980-83) ? Most photos are previously unpublished, and many of them have never even been printed prior to this project Highlights include: ?Rehearsals and recording sessions with band-mates Sting and Stewart Copeland ? Exclusive back-stage and on-stage footage from concerts including Plaza de Toros (Barcelona, 1980), Budokan (Tokyo, 1981), Wembley Stadium (London, 1981), and Shea Stadium (New York, 1983) ? Inside the tour busses, limousines, helicopters, private planes, parties, and hotel rooms ? Behind the scenes on music video shoots, at press conferences, and in-store appearances ? Life on the road with other bands including The Go-Go?s, XTC, and The B-52's ? Rain-soaked train windows, trashed hotel rooms, island retreats, over-capacity stadiums, and thousands of screaming, singing, sobbing, fans Countries covered in the book: America, Argentina, Australia, Brazil, Canada, Chile, Denmark, Egypt, France, Germany, Greece, Japan, Mexico, Netherlands, New Zealand, Portugal, Spain, Sweden, United Kingdom The artist: While Andy Summers is best known as the guitarist of The Police (1977-86), he has since forged a successful and acclaimed solo career with contemporary instrumental music that, like his work with Sting and Stewart Copeland, draws on his love of jazz, world, classical music, and his fascination with creating sonic textures. His post-Police years have produced more than two dozen solo albums, soundtracks, and collaborations, plus hundreds of international concerts, and induction to both the Guitar Player Hall of Fame and the Rock and Roll Hall of Fame. Summers's parallel passion for photography has led him to document subjects ranging from rural communities throughout Southeast Asia to timeless noir-style street scenes in cities around the world. His photographs have been shown in galleries in New York, Los Angeles, Tokyo, Amsterdam, Paris and London, and his books include Throb (1983), the Ralph Gibson collaboration Light Strings: Impressions of the Guitar (2004), and the memoir One Train Later (2006).

    He is best known as a photographer, a career he took up in the 1930s. Starting with fashion and portraiture, he honed his skill and his passion for documenting social ills working for the New Deal's Farm Security Administration. During World War II he became the first black photographer employed by the War Office of Information. After the war, he became Life magazine's first black staff photographer and established an international reputation publishing images and photo-essays that helped transform and liberalize American society by informing Americans about the plight of the urban poor. Maren Stange, an authority on documentary photography, provides an introduction to his work, surveying his career and analyzing the distinguished qualities of his compelling images. This catalog accompanies the traveling exhibition organized by the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University.

    Mangelsen takes the reader on a visual odyssey, from the wildebeest migration on the plains of the Serengeti to the penguins of Antarctica, from the grizzlies of Alaska to the frozen landscape of polar bears on Hudson Bay. Featuring excerpts from his journals detailing his experiences in the field, this book offers an intimate look into the natural world that has inspired artists, conservationists, and adventurers for centuries.With a foreword written by renowned primatologist Dr. Jane Goodall, this book contains Mangelsen's selection of 120 of his most important panoramic images out of a library of more than 20,000. A quiet call to action, an inventory of our planet as it battles climate change, and a celebration of wildness and its intrinsic value, The Natural World is a record of Earth's last great locales, one that will inspire present and future generations with the message that what we have can, and must, be saved.

    Each image is accompanied by a brief text providing geographical and historical background.

    She created Surrealist-inspired photographs of haunting originality, portraits of genius, and daring war photographs. This unprecedented book brings together all of Miller’s major vintage prints for the first time, including sensational works never before published, rare and revealing drawings, selections from Miller’s writings as a war correspondent for Vogue magazine, and an extraordinary collage from 1937.Miller performed with unique success on both sides of the camera. A renowned beauty, she began her career being photographed as a fashion and fine art model by such luminaries as Arnold Genthe and Edward Steichen, stunning examples of which are included in this book. Miller moved to Paris in 1928, determined to take up photography; there she became the apprentice, collaborator, and muse of Man Ray. In the 1930s and ’40s, Miller shot remarkable portraits of such iconic figures as Marlene Dietrich, Charlie Chaplin, Pablo Picasso, and Salvador Dalí. Turning her Surrealist eye to unexpected photographic subjects, she earned major commissions from American and European fashion magazines and also became a respected photo-journalist. Miller’s startling images of the Dachau concentration camp are among the most powerful records of the Holocaust.Published in conjunction with the centenary of Miller’s birth, this beautifully designed and produced book is an essential survey of this fascinating woman’s life and career.

    In this book he brings together some of his best work, revealing not only the animals themselves, but much that is new about ourselves.

    Planet Earth is now regarded as the ultimate wildlife TV series, and its magic lies in its photography. Featuring the very best of Planet Earth images - from breathtaking aerials to unique, intimate portraits - Planet Earth, The Photographs is full of surprises, spectacle and a sense of awe. It is also, to quote David Attenborough, "an eloquent rallying call to all of us who care for the Earth's welfare to redouble our efforts to protect those wonders that still survive." Accompanying the images are thought-provoking captions by Planet Earth series producer Alastair Fothergill, along with quotes from the good and great of the wildlife and conservation world. Together they reveal the wonders of life on earth today and remind us that, without action, "within the next few years, the world itself may never look the same again.""There is something about the wonder of nature, nature in its infinite variety and mystery, that touches people in their very souls." Planet Earth - The Future

    But, as the stunning photographs from the original At Ease attest, ordinary American men in the extraordinary circumstances of World War II were affectionate, winsome and playful - disarmingly innocent in a time of cataclysmic peril. This book provides even more of these rarely-seen photos of enlisted men. Led by photography giant Captain Edward J. Steichen, the U.S. Naval Aviation Photographic Unit was organised during the war to record the daily experiences of Navy men all over the world and provide newspapers and magazines with images to promote the American cause. The unit's photographers, which included Wayne Miller, Horace Bristol, Victor Jorgensen and Barrett Gallagher, took thousands of pictures of soldiers as they relaxed, trained, prepared for the next battle and waited. This book, like the original At Ease, brings together more than 150 of those photographs, culled from the National Archives, including many that have never before been published. monumental depictions of weaponry, these photographs offer a rare, intimate look at the Navy men themselves.

    It was the only book on this subject that Weston himself participated in creating. The sample book intersperses landscapes and still lifes with nude studies and includes an essay written by Newhall on the artist's aesthetic. The proposal was rejected in the 1950s, however, by publishers of fine art photographs, who were reluctant to address the subject. In 1985 the mock-up was acquired by the J. Paul Getty Museum with some pages and prints missing, yet it was only in 2006 that curator Brett Abbott recognized the key to reconstructing the unpublished book in its entirety. Now, in association with the Center for Creative Photography in Tucson, Arizona, the Getty has finally been able to realize Newhall and Weston's vision. The present volume has been produced with distinctions of paper and ink to indicate those elements that have been added-including a preface by the curator and thumbnail reproductions of the mock-up as it now exists-and those elements that were part of the original, including Newhall's essay and all thirty-nine photographs, arranged on the pages as Newhall and Weston had placed them.

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    It comprises all the winning and commended photographs from the 2007 Shell Wildlife Photographer of the Year Competition - the most prestigious event of its kind in the world - selected by an international panel of judges out of 32,300 entries from 78 countries.The range of subjects and styles is diverse - from abstract nature images to animal behaviour and portraits to environmental reportage. Together they celebrate the splendour, drama and variety of life on Earth. Each is accompanied by a memorable caption that tells the story of how and why the shot was taken.

    At dawn, the streets of New York resonate with a life of its own: muted, subdued, and mysterious. That s precisely the moment in which Berts has elected to capture it.The City s greatest landmarks and views are captured here like they never have been before, framed by Berts s camera obscura. Buildings, bridges, completely deserted streets, and even its trees and empty flights of stairs take on a poetic, ethereal, almost dream-like quality. Much more than a hymn, this photographic gem is a moving homage to the world greatest city, seen as a virtuoso sculptor s masterpiece. Each of the print is given ample breathing space in a gift-volume whose opulent trim size befits the spectacular quality of the shots.

    This massive volume features large scale photographs throughout, many of which have never been seen before.Live at the Masque – Nightmare in Punk Alley is an impressive document of the most notorious punk scene ever. Text by Brendan Mullen and Kristine McKenna.

    He was admired by many for his achievements as a fine-art photographer, while impressing countless others with the force of his commercial accomplishments. The influence of his legendary exhibition, The Family of Man, is still felt. This volume traces Steichen’s career trajectory from his Pictoralist beginnings to his time with Condé Nast through his directorship of photography at the Museum of Modern Art. Hundreds of his photographs are reproduced in stunning four-color to reveal the complexities and nuances of these black-and-white images. Essays from a range of scholars explore his most important subjects and weigh his legacy. Contributors include A. D. Coleman, Joanna T. Steichen, and Ronald Gedrim. With a full bibliography and chronology, this is the most complete and wide-ranging volume on Steichen ever published.

    This gorgeously illustrated book celebrates her popularity as an enduring icon, providing a unique insight into her career, personality, and trademark style that still fascinates and captivates today. A detailed biography is accompanied by more than 160 photographs taken by some of the world's top photographers, many reproduced for the first time. Famous quotes on and from Audrey Hepburn complement the numerous family pictures and the information from private collections, press agencies, and newspapers. From her enchanting appearances on the big screen to her charity work for UNICEF and fascinating family life, this book is a highly individual portrait of a much-loved movie and fashion legend.

    Dignity. Humanity. Grace. These qualities are not commonly associated with America's homeless, so often overlooked or avoided on our city streets. Yet they are precisely the qualities that illuminate the faces pictured in this astonishing volume. These are our sisters and brothers, and this collection of portraits honors them. Photographer Lynn Blodgett is the head of the nation's largest provider of computer-based services to state and local governments. While traveling for work, Blodgett began compiling a photographic journal of the homeless people he encountered in each of the cities he visited. He discovered the grace and dignity in his subjects. He listened to their stories. And in response he has created a compelling social document, at once gorgeous and simple. Finding Grace: The Face of America's Homeless is Lynn Blodgett's elegant statement on humanity. Through his lens we are reminded of the inspiration that can be found in the gravest of circumstances, and that can be the source of change. Proceeds from the sale of the book will benefit the Finding Grace Homeless Initiative in its efforts to raise awareness for homeless issues across the country.

    As with earlier equipment, he mastered the camera and produced a provocative body of work that both honored his wife and lifted him out of depression.Here Kertész dips into his reserves one last time, tapping new people, ideas, and tools to generate a whole new body of work through which he transforms from a broken man into a youthful artist. Taken in his apartment just north of New York City’s Washington Square, many of these photographs were shot either from his window or in the windowsill. We see a fertile mind at work, combining personal objects into striking still lifes set against cityscape backgrounds, reflected and transformed in glass surfaces. Almost entirely unpublished work, these photographs are a testament to the genius of the photographer’s eye as manifested in the simple Polaroid.

    Now, scrapbooking and memory art enthusiasts have a photography instruction book written just for them. Expressions reveals how to create extraordinary photos that will make any scrapbook or display project a vivid record of special events and everyday life. Focusing on portraiture, the book follows the family life cycle, from babies to grandparents, with each subject explored from a fresh perspective.

    For some time now he has been collecting a personal archive of off-screen moments, often snatched spontaneously before, during, and after more official sittings for Vanity Fair, Vogue, and Testino's many clients in the world of fashion. The result is a portrait not just of a generation of the most wanted and talked-about, but an invitation to be part of the backstage parties and unstaged moments of Testino's life. Sometimes offbeat, but always on the pulse, Let me in!, with Testino's eye for a modern kind of elegance liberated from conventional polish, is a new chapter from the photographer who has already made his mark with the books Any Objections, Front Row Backstage, Alive, Portraits, Kids, Diana Princess of Wales, and numerous exhibitions and publications worldwide. Features include:-Introduction by Michael Roberts, fashion director of Vanity Fair;-Foreword by Nicole Kidman;-300 pages in color and black and white featuring more than 100 contemporary stars.

    At the time she believed that since the ousting of the suffocating Taliban in 2001, Afghan women and girls were living under considerably less oppressive conditions. She soon discovered that life for Afghan women was not as she expected and felt compelled to stay and document their story. With the help of a young female Afghan as her friend and translator, Šlezic photographed women all over the country. Over endless cups of tea in sitting rooms from city to village, Šlezic learned that Afghan women are still living in a harrowingly oppressive society where forced marriage, domestic violence, honor killings, and an unpalatable lack of freedom still exist. Even today many are not allowed to leave their homes or go to school, and the burka remains a common sight on the dusty streets of the war-torn country. Forsaken is a collection of photographs and vignettes that document Šlezic's journey over the two-year period during which she lived and worked in Afghanistan.

    Taking us on her travels around the world photographing horses, Slawik tells the stories behind the photos and about her personal love of horses. She writes: "Horses have been fascinating for me in a way that I can describe only with difficulty. This feeling and fascination I try to capture with my camera--this one magical moment that not only I can take home with me in my heart but that others can share in my photos. A moment that can be everything: Strength and elegance, dynamics, combined with wild and simultaneously gentle spirit. Beauty, innocence and curiosity and again and again the wonderful and permanent will to make it right to man. "One shouldn't regard horses as using animals. They are so much more. These heavenly creatures are our partners. Infinitely patient, attentive, and always ready to give their life for us. They make us proud, they give us luck, harmony and inner peace. If we only allow it they even train our character and take care that we grow beyond ourselves. Horses are the most astonishing creatures whom I know." Through Slawik's incredible photography and inspirational words, we view a portrait of both these magnificent animals and also of Slawik herself. The American Horse Council Foundation estimates the horse population in this country has reached 9.2 million, and that the industry's economic impact reaches $102 billion. Horse lovers of all kinds love exquisite photography of horses, and this book delivers, showcasing multiple breeds shot in locations from around the world.

    She stares out of his acclaimed work, sometimes sharp and sometimes blurred, sometimes Classical and sometimes Modern, in public parks and city streets, at the beach, in a tent, in the studio and their home, nude and clothed, eventually pregnant and then mothering. The couple's longstanding collaboration makes up an intimate visual diary of their relationship and of Callahan's artistic exploration: these are seldom portraits in the traditional sense. More than studies of Eleanor, they are stages in Callahan's lifelong exploration of photography as a creative medium, showing his embrace of an array of materials and techniques, including highly detailed large-format negatives, distortions of movement and focus, silhouettes and multiple exposures. The subject was always Eleanor, but there were always new ways of seeing her.

    Sebald's books are sui generis hybrids of fiction, travelogue, autobiography and historical expos�, in which a narrator (both Sebald and not Sebald) comments on the quick blossoming of natural wonders and the long deaths that come of human atrocities. All his narratives are punctuated with images--murky photographs, architectural plans, engravings, paintings, newspaper clippings--inserted into the prose without captions and often without obvious connection to the words that surround them. This important volume includes a rare 1993 interview called "'But the written word is not a true document': A Conversation with W.G. Sebald about Photography and Literature," in which Sebald talks exclusively about his use of photographs. It contains some of Sebald's most illuminating and poetic remarks about the topic yet. In it, he discusses Barthes, the photograph's "appeal," the childhood image of Kafka, family photographs, and even images he never used in his writings. In addition, Searching for Sebald positions Sebald within an art-historical tradition that begins with the Surrealists, continues through Joseph Beuys and blossoms in the recent work of Christian Boltanski and Gerhard Richter, and tracks his continuing inspiration to artists such as Tacita Dean and Helen Mirra. An international roster of artists and scholars unpacks the intricacies of his unique method. Seventeen theoretical essays approach Sebald through the multiple filters of art history (Krauss), film studies (Kluge), cultural theory (Benjamin), psychoanalysis (Freud), and especially photographic history and theory (Barthes, Kracauer), and 17 modern and contemporary art projects are read through a Sebaldian filter. If Sebald's artistic output acts as a touchstone for new critical theory being written on "post-medium" photographic practices, Seaching for Sebald suggests a model for new investigations in the burgeoning field of visual studies.

    Since the first issue of 30 xeroxed pamphlets was printed in 2002, Hamburger Eyes has become an elegant yet underground periodical combining the documentary approach of National Geographic with the hit-’em-hard sensibility of a late-night tagger. A pictorial history of both the intimate and iconic moments of everyday life, Hamburger Eyes is a travel journal, a personal diary, and a family album. Inspired by the traditions that began with Life magazine and Robert Frank, the magazine revitalizes the sensation of photography as a craft as well as a tool to record and document. Now, in their first book, Hamburger Eyes: Inside Burgerworld , they put you through the grinder with a selection of photographs by magazine masterminds Ray Potes, David Potes, Stefan Simikich, and Jason Roberts Dobrin, as well as regular contributors Ted Pushinsky, Dave Schubert, Boogie, David Uzzardi, Tobin Yelland, Ryan Furtado, and countless other upstarts. Get ready for photography on the loose.

    Beginning in the late 1960s, the author plunged into the scene, filming concerts, directing documentaries, launching her own music career, and befriending artists, all the while taking the photographs that are featured in this collection.

    Their story has been told many times in many ways over the years. . . but it has never been told like this. Barney Stein was the Dodgers' official team photographer from 1939 until the team left for Los Angeles in 1957. With access that no other photographer had, his camera chronicled every aspect of the team's most vibrant and memorable period. But his Brooklyn Dodger work has remained one of the sports world's lost treasures, since--except for rare and scattered glimpses--it has not been published or otherwise seen since the team left New York. Now, to commemorate the 50th anniversary of the Dodgers' last season in Brooklyn, Barney Stein's Dodgers photographs live again. Through a Blue Lens takes you to every corner of Ebbets Field--to the playing field, the dugout, the locker room, even to the fabled Marble Rotunda. You'll see the on-and-off-the-field legends who made the Brooklyn years so unforgettable, as well as never-before-seen photos of the final game at Ebbets Field and the legendary ballpark's demolition. In addition, first-person memories and anecdotes from surviving members of the Brooklyn Dodgers give a unique dimension to what is truly a family album of those unforgettable years. They also pay a fitting tribute to Barney not only as a great news photographer, but as a loving and considerate friend to all who wore the Dodger Blue.

    Paying tribute to houses and buildings that had slipped from public view, Shulman's stunning photographs uncovered a rarely seen side of California Modernism. This extensive, three-volume follow-up to that remarkable volume brings hundreds more architectural gems into the spotlight. The photographs, most of which are published here for the first time in a book, depict buildings by Albert Frey, Louis Kahn, John Lautner, Le Corbusier, Ludwig Mies van der Rohe, Richard Neutra, and more, as well as the work of many lesser known architects. Not just restricted to the West Coast this time, the images were taken all across the United States as well as in Mexico, Israel, and Hong Kong. Widely considered the greatest architectural photographer of our time, Julius Shulman has once again opened his archives so that we may rediscover the world's hidden Modernist treasures. The author: Hunter Drohojowska-Philp writes about modern art, design and architecture. Full Bloom: The Art and Life of Georgia O?Keeffe, her first book and the most definitive biography of the artist to date, was published in 2004. She is a regular contributor to Artnews, Artnet, Western Interiors and Design, and the Los Angeles Times.

    He was a founder of the modernist photography that originated in the European avant-garde movements of the 1920s, and although his lifelong unwillingness to compromise his independence and his creation of "photographic poetry" made him an almost marginal figure for most of his life, his influence on the development of photography, particularly photojournalism, during the middle years of the century was profound.This comprehensive book accompanies a major retrospective exhibition of Kertész’s work at Paris’s Jeu de Paume Museum (also visiting several other European venues including Winterthur, Berlin, and Budapest). The text is organized around the three main periods of Kertész’s seventy-year-long career: Budapest, 1914–25; Paris, 1925–36; and New York, 1936–85. Each section of the text includes an illustrated historical analysis, a portfolio of works, and notes on particular elements of Kertész’s style and practice. Many rare vintage and period prints produced under the photographer’s control are reproduced to highest standards in this beautiful book, reflecting the visual quality of this exceptional body of compelling and poetic images.

    For example, there is an image of a man mowing his lawn while it begins to rain and the sun illuminates each drop. These filmic haiku avoid summation; life simply flows past, enveloping the viewer in its beauty.Comprised of 12 individual hardcover books, the first limited edition of 1,000 copies sold out immediately. This new paperback edition, published concurrently with an exhibition at The Museum of Modern Art, New York, unites the 12 books in one volume.

    This title is suitable as a gift for dog lovers.

    "In Control" is his visual diary of the making of the film, with handwritten notations, drawings, and a wealth of photographs detailing the creative process from pre-production to first screenings.IN CONTROL is the story of the making of CONTROL as captured by its director

    When the Marines he accompanied reached the village, they ordered the civilians there to evacuate their homes—grass huts whose thatched roofs they set ablaze with Zippo lighters. Safer’s report on the event soon aired on CBS and was among the first to paint a harrowing portrait of the War in Vietnam. LBJ responded to the segment furiously, accusing Safer of having “shat on the American flag.” For the first time since World War II, American boys in uniform had been portrayed as murderers instead of liberators. Our perception of the war—and the Zippo lighter—would never be the same.But as this stunning book attests, the Zippo was far more than an instrument of death and destruction. For the American soldiers who wielded them, they were a vital form of social protest as well. Vietnam Zippos showcases the engravings made by U.S. soldiers on their lighters during the height of the conflict, from 1965 to 1973. In a real-life version of the psychedelic war portrayed in Francis Ford Coppola’s Apocalypse Now, Sherry Buchanan tells the fascinating story of how the humble Zippo became a talisman and companion for American GIs during their tours of duty. Through a dazzling array of images, we see how Zippo lighters were used during the war, and we discover how they served as a canvas for both personal and political expression during the Age of Aquarius, engraved with etchings of peace signs and marijuana leaves and slogans steeped in all the rock lyrics, sound bites, combat slang, and antiwar mottos of the time.Death from Above. Napalm Sticks to Kids. I Love You Mom, From a Lonely Paratrooper. The engravings gathered in this copiously illustrated volume are at once searing, caustic, and moving, running the full emotional spectrum with both sardonic reflections—I Love the Fucking Army and the Army Loves Fucking Me—and poignant maxims—When the Power of Love Overcomes the Love of Power, the World Will Know Peace. Part pop art and part military artifact, they collectively capture the large moods of the sixties and the darkest days of Vietnam—all through the world of the tiny Zippo.

    Wall's own work takes center stage in the many interviews he has granted over the past two decades. Both the essays and the interviews are indispensable to the study of Wall's work, which will be the subject of a major American traveling retrospective, with stops in New York, Chicago and San Francisco, throughout 2007. Thanks to Wall's wide-ranging curiosity, nimble mind, and articulate voice, the texts are also of considerable interest outside of the context of his own oeuvre. This generous selection of 14 essays and 23 interviews from the past 25 years is the first collection of Wall's texts to be published in English, and as such, is an instant collector's item. This affordable volume also includes 120 black-and-white illustrations for reference purposes.

    'Wonderland' is a photographic exploration that portrays both the reality beneath the veneer of a utopian USSR and the affirmation of hope that should never be abandoned.

    But the true origins of one of the most powerful pop-cultural influences in the world are in the spontaneous, progressive musical culture that grew out of tough Bronx neighborhoods of the 1970s and led to a renaissance of poetry, music, and fashion.Through years of research, writer and curator Johan Kugelberg has pulled together the scattered remains of a movement that never had its eye on posterity. The book includes the improvisational artwork of previously unpublished street flyers of the era, Polaroids buried for decades in basements across the Bronx, and testimonials from influential figures such as Tony Tone, LA Sunshine, and Charlie Chase. Through the work of pioneering hip-hop photographer Jow Conzo–the man The New York Times calls “the chronicler who took hip hop’s baby pictures”–Born in the Bronx presents a unique introduction to an explosive and experimental period in music history.

    As a special bonus, this edition includes a print of one of Ansel Adams finest scenic photos suitable for framing.Hachette Book Group USA

    It begins with photographs by the two great female photographers of the 19th century, Clementina Lady Hawarden and Julia Margaret Cameron, and covers a period of over 100 years to the present day. Some 160 images by 90 photographers present us with the entire spectrum of female self-definition both behind and in front of the camera. As such, the four major themes of social reality, the family, the female body and virtual reality come to the fore with their multifarious pictures from the worlds of art, literature, fashion, dance and show business. There are self-portraits as well as female photographers’ portraits of female photographers, daughters, mothers and, of course, several important female figures including Virginia Woolf, Greta Garbo, Martha Graham, Simone de Beauvoir, Maria Callas, Madonna, Hillary Clinton, and even Her Majesty the Queen.

    His compelling duotone photographs document the human condition. Kalvar seeks to emphasize the unusual, and his penetrating lens reveals a unique brand of humanity. He explores everyday life but with an altogether fresh perspective, at times funnier or darker. This collector's monograph was produced in conjunction with the artist from photographic "evidence" compiled on his travels from Rome to Paris, New York to Varsovie, and San Francisco to Tokyo.This is the first monograph published on Kalvar, one of the world's most important post war photographers.

    Silvester was essentially adopted by his subjects during his travels, and his stunning color photographs present a rare, intimate view of their world. The first volume of this deluxe two-volume set presents the everyday lives of the Omo people, their rituals, parades, childrens games, and even their battles. In the second volume, each photograph becomes a masterpiece of abstract art, revealing close-ups of the tribes traditional body paintings. Silvesters accompanying text traces his journey to the Horn of Africa, revealing the fascinating beauty of a world now in danger of extinction.

    For thirty years he has hauled his large-format camera with him, seeking to capture on film the elusive birds, the wildflowers and grasses, and the unique wild beauty of the marshes. In this breathtakingly lovely book, he selects ninety of his most striking photographs. He also offers his reflections on the marshes he has visited, inviting his readers to come with him and become acquainted with this hidden world, its richness, and its vulnerability. Burt explores marshes near and far, from Connecticut to Manitoba, the Gulf of Mexico, California’s Central Valley, the Northern Plains, and elsewhere. His photographs explore all aspects and seasons of marsh life but focus especially on such shy inhabitants as rails, bitterns, grebes, and gallinules. While the photographs tell stories of their own, Burt’s narrative invokes the marshes of the past and compares them to today’s, with prose as picture-sharp as the photography. No book has ever evoked the mystery and beauty of the marshes so compellingly as this by William Burt. And no reader, having accompanied the author to this secret world, will fail to appreciate the rare privilege of having been there.

    He reveals not only the swiftly vanishing cultural phenomenon of the circus, but what might be called the eternal human circus. At a three-ring show in 1958 he climbed to the top of the tent to view the performances of the famous liontamer Clyde Beatty and human cannonball Hugo Zacchini. His deeper interest lay in the daily lives of circus performers and producers--the roustabouts and riggers, and the pretty girl who rode an elephant in what was called the "spec." He also made an intimate series of a dwarf clown. In 1965 at a huge multi-ring coliseum show, Davidson took a more critical look at performances under a steel-and-concrete environment; continuing behind the scenes, his vision became sharper and more surreal. And in 1967, Davidson caught the elegant exuberance of an Irish one-ring circus. He photographed the kinds of performances that are the essence of the medium, including a face-to-face encounter with an exceptional trapeze artist. Most of these pictures are published here for the first time.

    While working in the advertising photography industry can be glamorous and financially rewarding, it can also be intimidating and difficult to break into, requiring networking savvy, financial know-how, and marketing and business skills on top of photographic talent. Advertising Photography strips away the glitz and presents a candid and complete picture with solid advice to newcomers. You'll learn how to get your business started, including writing a business strategy, successfully negotiating a bid, what to expect during the shoot, post production and delivery tips, and how to properly invoice your clients. The book explores several business management styles supported by the real-world experiences of veteran advertising photographers, illustrated with stunning full-color images of the work that got them where they are today. By examining the methods and strategies used by those who have already made it in the industry, you'll learn smart business practices to apply to your own work, giving you time to focus on the creative aspects of your craft, which is what will ultimately lead you to a successful advertising photography career. Learn from the experiences--good and bad--of those who have been there! -Practical how-to tips, information, and examples from each of the top genres -Learn how to get your business started, including writing a business strategy, licensing and copyright information, creating branding for websites and portfolios, insurance and legal issues, and more -Essential industry resources for estimating and invoicing software, professional organizations, marketing services, and creative consultants

    His studies of the idiosyncrasies of mass culture and consumerism around the world, his innovative imagery and his prolific output have placed him firmly at the forefront of contemporary art. He has also made a number of influential photobooks on his work, including The Last Resort, Think of England and Boring Postcards and is himself an avid collector of books and a world authority on the photobook, co-authoring The Photobook: A History Volume I and Volume II with Gerry Badger. He has been the subject of numerous exhibitions including a major travelling retrospective that originated at the Barbican Art Gallery in London in 2002, with an accompanying catalogue by Val Williams. An active member of the Magnum photographic agency since 1994, Parr has also worked in fashion and commercial photography, and film-making.

    Together with the publisher, Moriyama worked with larger prints and chose higher contrasts, abolishing all text in order to emphasize the dynamic, broken, blurred, vertiginously tilted, starkly cropped and timeless photography reproduced here. Moriyama is one of the most respected and influential photographers today, and this book bears the testimony of his early work, with all of its alluring landmark elements. Almost resulting in mayhem, these accidentally continuous black-and-white images can feel both invasive and intimate, as they freeze the animate and inanimate world before it is gone. An overwhelming torrent of early talent by an extraordinary artist.

    WWF Global 200 identifies the world’s most critical and endangered natural sites. Magnificent photographs, presented in large-scale format, depict a diverse range of global ecoregions, conveying the unique characteristics of each region and the threats to each, and demonstrating the need for us to take action now to preserve these irreplaceable natural resources.Vibrant full-color photographs transport the reader to the East African Acacia savannas which are home to an exceptional diversity of large land mammals and birds threatened by poaching, agriculture, land use conflicts with pastoralists, and uncontrolled trophy hunting. The reader will visit the Patagonian Steppe, one of the largest single habitats in the world, and home to a number of threatened and endangered endemic species, and learn the sobering reality of this largely unprotected region. From the forest of Borneo to the Hawaiian forests and marine ecoregion, from the Siberian taiga to the Antarctic Peninsula and the Weddell Sea, this volume demonstrates the beauty, fragility, and inestimable significance of ecoregions around the world. Conservationists, nature lovers, fine-photography aficionados, and armchair travelers alike will appreciate the superb photography and urgent message of this call to action.

    She began by experimenting with makeup and costumes, getting dressed up for parties and surprising her friends. She then moved on to photograph herself in the various personas she had created, producing highly inventive but somewhat more primitive versions of the seminal work for which she would later become known, the Untitled Film Stills series. It was during this early period that Sherman created A Play of Selves--a visual tale of a young woman overwhelmed by various alter-egos that compete inside of her, and her final conquering of self-doubt. Acted out with 16 separate characters, these 72 photographic assemblages mark Sherman's earliest explorations of herself-as-subject in a series of staged photographs. Published here for the first time, these photographs include hundreds of shots of the artist costumed as various characters in dozens of poses. Organized in a four-act "play" with an elaborate, handwritten script, the individual images were cut by the artist from original black-and-white prints. Preface by Cindy Sherman.

    One hundred years later, Kasebier's portraits remain significant visual records into the lives of these Sioux performers and their nation. Her striking photographs capture the strength and character of each individual, documenting the complexity of true warriors playing a staged version of themselves.In 1898, Kasebier wrote to William F. Cody requesting to photograph Indians performing in his Wild West show at Madison Square Garden. Her photographs proved poignant. Her studio had no elaborate backdrops, and she removed Indian regalia to depict her subjects as "raw" individuals, with strong personalities and experiences that blurred the distinction between traditional life and contemporary times. Kasebier developed long relationships with several of the Indians, corresponding with a few for many years. Examples of these letters appear in the volume, as well as drawings done by Indians waiting in her studio, photographs of Dakota Sioux on their reservation, little-known historical background, and Wild West show memorabilia, including rare pages from Buffalo Bill's original route book.Kasebier's photographs are preserved at the National Museum of American History's Photographic History Collection at the Smithsonian Institution.

    For the past five years, Greg Girard has been photographing the city’s buildings, shops, homes, and neighborhoods. This stunning photographic journey is a look at present-day Shanghai, where politically inspired neglect meets politically inspired development.Greg Girard is a Canadian photographer living in Shanghai since 1998. Largely self-taught, he combines anthropology with a lyrical realism in his work. He is represented in North America by Monte Clark Gallery in Toronto. His editorial work appears in publications such as TIME, Newsweek, Fortune, and The New York Times Magazine.William Gibson is an American-born Canadian science fiction author. He has been called the father of the cyberpunk subgenre of science fiction. He is credited with coining the term “cyberspace.” His first novel, Neuromancer, has sold more than 6.5 million copies worldwide since its publication in 1984. He is also responsible for Pattern Recognition and the screenplay for Johnny Mnemonic.

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    Some 50 percent of the world's terrestrial species, including rare - and often unique - animals and plants are found here, while during the rainy season, a staggering one fifth of all fresh water on the planer flows along the mighty river Amazon. Nick Gordon's photographs give us an unrivalled insight into that wilderness. Having lived in Amazonia for more than ten years, filming and photographing the wildlife and indigenous peoples of the area, he has amassed a unique and wide-ranging collection of images. Written in a lively and accessible style, the accompanying text is both informative and entertaining.

    What others may take for granted, Randlett sees as quintessential: overcast days with endless and often exquisite variations of gray clouds, raindrops on puddles, dripping branches, and distant shafts of sunlight breaking through the cloud cover. She is steeped in the history of the Northwest and its many art forms.Mary Randlett Landscapes presents a visual record of the Northwest at its most pristine and poetic. During her many years of finely tuned observation, Randlett has learned to take the time to ponder the essences of what she sees--the curl of a bird's drifting feather, a water strider not quite breaking the surface of the water, fog ascending a hillside, the moment a pond's surface turns to ice. Her photography brings this corner of the Northwest to the world.

    Loengard's elegant black and white images capture the grand, solitary woman in the desert, and candid shots record her daily routine at Ghost Ranch. Juxtaposed here with selected O'Keeffe paintings, these photographs reveal how the austere poetry of the landscape corresponded to the artist's own painterly world. This unique marriage of paintings and photographs, presented in a stunningcollectible volume, also includes a touching introduction by Loengard describing his first encounter with O'Keeffe and contemplative writings by the artist herself on her work and inspirations.