His 1966 piece for Esquire, one of the most celebrated magazine articles ever published, describes a morose Frank Sinatra silently nursing a glass of bourbon, struck down with a cold and unable to sing, like 'Picasso without paint, Ferrari without fuel - only worse'. The other writings in this selection include a description of a meeting between two legends, Fidel Castro and Muhammad Ali; a brilliantly witty dissection of the offices of Vogue magazine; an account of travelling to Ireland with hellraising actor Peter O'Toole; and a profile of fading baseball star Joe DiMaggio, which turns into a moving, immaculately-crafted meditation on celebrity. Gay Talese (b. 1932) is an American author. He wrote for The New York Times in the early 1960s and helped to define literary journalism or 'new nonfiction reportage', also known as New Journalism. His most famous articles are about Joe DiMaggio, Dean Martin and Frank Sinatra. He lives in New York with his wife, Nan Talese.If you enjoyed Frank Sinatra has a Cold, you might like George Orwell's Essays, also published in Penguin Modern Classics.'The best American prose of the second half of the twentieth century' Atlantic Monthly'The best non-fiction writer in America' Mario Puzo, author of The Godfather'A masterful New Journalism pioneer ... raises the magazine article to the level of an art form'Los Angeles Times

    Screwtape Proposes a Toast and other Pieces

    Her comments are so fresh and direct, it's as if the movies had only been released last week.

    Sartre challenged his readers to think beyond the meaning of their everyday thoughts and beliefs. His essays on nothingness, on the emotions, and on the image—including “The Problem of Nothingness,” “The Role of the Image in Mental Life,” and “Essays in Aesthetics”—contain the essentials of his metaphysical speculations.An introductory essay by Professor Jean Wahl clarifies the origins of Sartre’s humanistic, religious, and aesthetic ideas.Essays in Existentialism challanges and encourages us to alter how we think about the choices that we make: to live “authentically” we must be concious of our freedom to choose and concerned with the effect our choice will have on all others. It is an essential text for any student of philosophy.

    In this volume of selected prose, Roethke articulates his commitments to imaginative possibilities, offers tender advice to young writers, and zings darts at stuffed shirts, lightweights and fools."Art is our defense against hysteria and death."With the assistance of Roethke's widow, this volume has been edited to include the finest selections from out of print collections of prose and journal entries. Focused on the making and teaching of poetry,On Poetry and Craft will be prized in the classroom-and outrageous Roethke quotes will once again pepper our conversations."You must believe a poem is a holy thing, a good poem, that is."Theodore Roethke was of an illustrious generation of poets which included Sexton, Plath, Lowell, Berryman, and like them he received nearly every major award in poetry, including the Pulitzer Prize and twice the National Book Award. In spite of his fame, he remained a legendary teacher, known for the care and attention he gave to his students, poets such as James Wright, Carolyn Kizer, Tess Gallagher, and Richard Hugo. Roethke died on August 1, 1963, while swimming in a friend's pool."But before I'm reduced to an absolute pulp by my own ambivalence, I must say goodbye. The old lion perisheth. Nymphs, I wish you the swoops of many fish. May your search for the abiding be forever furious."On Poetry and CraftI am overwhelmed by the beautiful disorder of poetry, the eternal virginity of words.The poem, even a short time after being written, seems no miracle; unwritten, it seems something beyond the capacity of the gods.We can't escape what we are, and I'm afraid many of my notions about verse (I haven't too many) have been conditioned by the fact that for nearly 25 years I've been trying to teach the young something about the nature of verse by writing it--and that with very little formal knowledge of the subject or previous instruction. So it's going to be lik

    This new edition re-present's seminal collection of essays by one of our foremost African-American thinkers. These audacious essays range from short, impressionistic pieces on urban life and culture to longer political statements on the Cuban revolution, black sexuality, and the artist's role as a force for social change. But more than a collection of occasional pieces, Home is truly an ideological autobiography.

    As explored in this volume, Emersonian thought is a unique blend of belief in individual freedom and in humility before the power of nature. “I become a transparent eyeball,” Emerson wrote in Nature, “I am nothing; I see all; the currents of the Universal Being circulate through me; I am part or particle of God.” Written over a century ago, this passage is a striking example of the passion and originality of Emerson’s ideas, which continue to serve as a spiritual center and an ideological base for modern thought.From the Paperback edition.

    While many pages have been devoted to visual Surrealism, this is the only book on the suject by the movement's founder and prime theorist. It contains Andra Breton's seminal treatise on the origins and foundations of artistic Surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays--many of them classics in their own right--on Picasso, Duchamp, Kahlo, Dal', Ernst, Masson, Gorky, Picabia, MirA, Magritte, Kandinsky, and others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But above and beyond the subject matter, what makes this book so enduringly compelling is Breton's signature mixture of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. Long unavailable in English, Surrealism and Painting is not only a supremely exciting work of art criticism, but also one of the three or four indispensable references for any serious discussion of modern art.

    

    "Religio Medici" is a fascinating, witty and intimate exploration of his views on faith and tolerance, while substantial selections from "Pseudodoxia Epidemica" display Browne's breadth of knowledge and omnivorous curiosity in his account of common errors in a startling array of subjects including sciences, history, literature and philosophy. "Hydriotaphia" or 'Urn Buriall' is an intriguing meditation on death and the desire for immortality. "The Garden of Cyrus" considers the mysterious order to be found in nature, and "A Letter to a Friend" and the aphoristic "Christian Morals" provide profound spiritual guidance to readers.

    Check out Virge Whitfield, who combined wisdom with a limitless love of dogs; or Pat Craddock, whose skill at cooking whiskey cost him a leg; or Jack Hillhouse, the one-armed giant beach-dweller who had an unusual way of obtaining fresh eggs. Hale takes us along with him, down winter beaches from Galveston to Port Aransas, deep into the Piney Woods of East Texas, through the bottom lands of the Trinity, the Brazos, and the Colorado Rivers, as he searches for the unique characters who inhabit the part of Texas you don't find in guide books.http://www.leonhale.com/Many of the places and most of the people chronicled in this delightful Texas classic have vanished by now, and we are the poorer for it. Fortunately for us, however, Hale has captured with warm affection the language and spirit of this memorable part of his state's social and oral history, in the shape of stories and characters you won't forget.

    

    Merton’s writing is both lively and profound as he leads the reader through the hard questions of modern existence. “Merton was...one of the most prophetic Catholic writers of our time” (New Republic). Preface by Father M. Louis.

    Ranging from the funny to the furious, they follow Queneau from modernism to postmodernism by way of countless fascinating detours, including his thoughts on language, literary fashions, myth, politics, poetry, and other writers (Faulkner, Flaubert, Hugo, and Proust). Translator Jordan Stump provides an introduction as well as explanatory notes about key figures and Queneau himself.

    

    S. Eliot span nearly a half century--from 1917, when he published The Love Song of J. Alfred Prufrock, to 1961, four years before his death. With the luminosity and clarity of a first-rate intellect, Eliot considers the uses of literary criticism, the writers who had the greatest influence on his own work, and the importance of being truly educated. Every thoughtful person who yearns to do more than simply get through the day will be reinforced by The Aims of Education. Other pieces include To Criticize the Critic, From Poe to Valéry, American Literature and the American Language, What Dante Means to Me, The Literature of Politics, The Classics and the Man of Letters, Ezra Pound: His Metric and Poetry, and Reflections on Vers Libre.