Just beneath the surface of the phonemes, a gendered name rhythmically explodes into a founding variousness. And then the strictures of the text assert again themselves. I want to claim for this inconspicuousness a transformational agency that runs counter to the teleology of readerly intention. Syllables might call to gods who do and don't exist. That is, they appear in the text's absences and densities as a motile graphic and phonemic force that abnegates its own necessity. Overwhelmingly in my submission to reading's supple snare, I feel love.

    Thus, from her own personal experiences she has gathered a priceless treasury of helpful thoughts for those who are ill.

    With a new Introduction by Ralph Metzner, Leary's Harvard colleague, this book of poetry and meditations is being published in its first new edition in 25 years. Illustrations/photos.

    The PCs, the i- phones, the i-pods, the tablet PCs all will be a constant reminder of the genuine and witty ways that Steve handled and fondled. He was always lost in a world of his own. He hugged the glory and the downfalls with equal aloofness. Not once were his beliefs shattered. Throughout his life, he struggled and dared to bring his dreams come true. His dreams had a silvery lining of consistency, persuasion and intention. He was unique in every way. The life threatening disease of cancer could not prevent him from working till his last breath, literally. Though stubborn and dominant by nature he stood as a magician in the field of technology. Here is a simple gesture to pay him respect and honour. A magnificent journey presented authentically.

    

    Fusing family memoir with a meditation on creative block, depression, solitude, class, place and the intractable politics of our present moment, Dan Fox draws upon his experiences as a writer to consider the role that fallow periods and states of impasse play in art and life. LIMBO is an essay about getting by when you can't get along, employing a cast of artists, exiles, ghosts, hermits and sailors - including the author's older brother who, in 1985, left England for good to sail the world - to reflect on the creative, emotional and political consequences of being stuck, and how these are also crucial to our understanding of inspiration, flow and productivity. From Thomas Aquinas to radical behavioural experiments, from creative constraints to the social horrors of THE TWILIGHT ZONE and Get Out's SUNKEN PLACE, LIMBO argues that there can be no growth without stagnancy, no movement without inactivity, and no progress without refusal.

    The original edition cost seventy-five cents, but there was something priceless about its eponymous piece. Although it gave a voice to the new generation that came of age in the conservative years following World War II, the poem also conferred a strange, subversive power that continues to exert its influence to this day. Ginsberg went on to become one of the most eminent and celebrated writers of the second half of the twentieth century, and "Howl" became the critical axis of the worldwide literary, cultural, and political movement that would be known as the Beat generation.The year 2006 marks the fiftieth anniversary of the publication of "Howl," and The Poem That Changed America will celebrate and shed new light on this profound cultural work. With new essays by many of today's most distinguished writers, including Frank Bidart, Andrei Codrescu, Vivian Gornick, Phillip Lopate, Daphne Merkin, Rick Moody, Robert Pinsky, and Luc Sante, The Poem That Changed America reveals the pioneering influence of "Howl" down through the decades and its powerful resonance today.

    The editing, with excellent notes, excerpts from Brecht's own views about poetry and Mr. Willett's concise introduction is exemplary. Most important, the translations by 35 poets, among them H.R. Hayes, Peter Levi, Christopher Middleton, and Naomi Replansky, maintain a high standard of accuracy and often convey a very clear idea of the texture and feeling of the German." --Stephen Spender, "The New York Times Book Review"

    On entering the Society of Jesus at the age of 24, he burnt all his poetry and 'resolved to write no more, as not belonging to my profession, unless by the wish of my superiors.' The poems, letters, and journal entries selected for this edition were written in the following twenty years of his life and published posthumously in 1918.His verse is wrought from the creative tensions and paradoxes of a poet-priest who wanted to evoke the spiritual essence of nature sensuously, and to communicate this revelation in natural language and speech-rhythms while using condensed, innovative diction and all the skills of poetic artifice. Intense, vital, and individual, his writing is the 'terrible crystal' through which the soul--the inscape, the nature of things--may be illuminated.

    The correspondent, a young medical student diagnosed with cancer himself and facing his own mortality, asked these difficultQuestions. The two began a long-distance correspondence, culminating in Price's thoughtful response, originally delivered as the Jack and Lewis Rudin Lecture at Auburn Theological Seminary, and now expanded onto the printed page as Letter to a Man in the Fire. Harvesting a variety of sources -- diverse religious traditions, classical and modern texts, and a lifetime of personal experiences, interactions, and spiritual encounters -- Price meditates on God's participation in our fate. With candor and sympathy, he offers the reader such a rich variety of tools to explore these questions as to place this work in the company of other great tetsaments of faith from St. Augustine to C. S. Lewis. Letter to a Man in the Fire moves as much as it educates. It is a rare combination of deep erudition, vivid prose, and profound humanity.

    Hart Crane, prodigiously gifted and tragically doom-eager, was the American peer of Shelley, Rimbaud, and Lorca. Born in Garrettsville, Ohio, on July 21, 1899, Crane died at sea on April 27, 1932, an apparent suicide. A born poet, totally devoted to his art, Crane suffered his warring parents as well as long periods of a hand-to-mouth existence. He suffered also from his honesty as a homosexual poet and lover during a period in American life unsympathetic to his sexual orientation. Despite much critical misunderstanding and neglect, in his own time and in ours, Crane achieved a superb poetic style, idiosyncratic yet central to American tradition. His visionary epic, The Bridge, is the most ambitious and accomplished long poem since Walt Whitman's Song of Myself. Marc Simon's text is accepted as the most authoritative presentation of Hart Crane's work available. For this centennial edition, Harold Bloom, who was introduced to poetry by falling in love with Crane's work while still a child, has contributed a new introduction.

    From a life marred by drug addiction and breakdowns, he created work of great depth and power, brought hauntingly to life in Margitt Lehbert's close and sympathetic versions.Georg Trakl (1887-1914) was born in Salzburg, Austria, where he lived apart from spells in Vienna. After qualifying as a pharmacist he spent his year of military service in the Innsbruck garrison hospital pharmacy. In the wake of the Battle of Grodek, he died of a drug overdose in a military hospital in Krakow.Margitt Lehbert was born in Geneva, Switzerland, to German parents in 1957. She grew up in the United States and Germany, studied in Konstanz and Iowa City, and translates into German as well as English. In 2006 she founded Edition Rugerup, which publishes mostly poetry in translation. She lives in south Sweden.

    This is a short collection of poetry from the pen and mind of Nyles Adams, most of which originally appeared in other Alexandria House works.Read, absorb and snap your fingers if you are so inclined.

    It was a window into Beth’s tender and creative soul that before could only be viewed at her speaking engagements where she often shares her poems and short stories. The perennial success of Things Pondered proves that many continue to be moved by Beth’s reflections.Broadman & Holman is pleased to offer a second collection of Beth’s creative writings. Further Still once again proves Beth Moore a gifted, sensitive writer and poet.

    In each journal, Handke concentrates on small things he observes, trying to capture their essence, their “simple, unadorned validity.” What results is a work of remarkable precision, in which he uncovers the general appearance of random objects––an ash tree, a shoeshine man, hats in a crowd, a boat loading on a pier––and discovers their inner workings and mystery. Always, his writing hints at the unknown. Describing the snow melting in a garden or falling during a train ride through inland Japan, the glowworms illuminating the plains in Friuli, the tidal waters flowing and receding off the Atlantic coast of Spain, these amazing little “epics” reveal a narrator obsessed with the wonders of detail and marveling, as are we, at the scope and variety of the natural world.