She was unaware of his lifestyle. A man of his caliber was way out of her reach, yet he chose her anyway. Christian Knight was a man that people only dreamed about in their sleep. Petty hustlers admired him off the strength of stories they heard in the hood. You could walk past Christian Knight in the mall and not know that he was “The Connect." Real men moved in silence. Wealth is quiet, rich is flashy. Christian Knight was more than a man that supplied the streets with the work. He was a mogul, a self-made billionaire who found comfort, peace and joy in the arms of Farren, a woman almost ten years younger than he was. Many people never expected him to settle down or to be so open with his affection. Despite what he heard about her, he chose her to wear his last name and to become, “The Connect’s Wife."

    The Architecture of Happiness starts from the idea that where we are heavily influences who we can be, and it argues that it is architecture's task to stand as an eloquent reminder of our full potential.Whereas many architects are wary of openly discussing the word beauty, this book has at its center the large and naïve question: What is a beautiful building? It is a tour through the philosophy and psychology of architecture that aims to change the way we think about our homes, our streets and ourselves.

    In this revolutionary book, Gehl presents his latest work creating (or recreating) cityscapes on a human scale. He clearly explains the methods and tools he uses to reconfigure unworkable cityscapes into the landscapes he believes they should be: cities for people.Taking into account changing demographics and changing lifestyles, Gehl explains how to develop cities that are lively, safe, sustainable, and healthy.The book is extensively illustrated with over 700 photos and drawings of examples from Gehl’s work around the globe.

    Classical buildings as widely spaced in time as a Roman temple, an Italian Renaissance palace and a Regency house all show an awareness of these rules even if they vary them, break them or poetically contradict them. Sir Christopher Wren described them as the Latin of architecture and the analogy is almost exact. There is the difference, however, that whereas the learning of Latin is a slow and difficult business, the language of classical architecture is relatively simple. It is still, to a great extent, the mode of expression of our urban surroundings, since classical architecture was the common language of the western world till comparatively recent times. Anybody to whom architecture makes a strong appeal has probably already discovered something of its grammar for himself.In this book, the author's purpose is to set out as simply and vividly as possible the exact grammatical workings of this architectural language. He is less concerned with its development in Greece and Rome than with its expansion and use in the centuries since the Renaissance. He explains the vigorous discipline of the orders and the scope of rustication; the dramatic deviations of the Baroque and, in the last chapter, the relationship between the classical tradition and the modern architecture of today. The book is intended for anybody who cares for architecture but more specifically for students beginning a course in the history of architecture, to whom a guide to the classical rules will be an essential companion.

    Whether you are involved in farming or ranching, or simply want to explore your herding dog's heritage, you will find a wealth of information here. For those with competitive goals, Herding Dogs will enhance your knowledge with a philosophy that has the dog's individual breed and personality as the central focus.Vergil S. Holland teaches the handler to understand the dog's reactions before beginning this progressive training. Whether it is your dog's first exposure to stock or your older dog with a new problem, you, as a handler, will find solutions to each problem and sound advice on each phase of training.Special chapters on different personalities of the various herding breeds, with training modifications tailored to these differences, make it possible for you and your dog as a team to reach your maximum potential.Herding commands and terms are thoroughly covered, as are those of basic Obedience for the stock dog. Working various kinds of stock-sheep, cattle and ducks-is covered to meet the needs of every stock dog owner. Detailed diagrams and concept maps throughout the book highlight the individualized training methods for each type of dog and stock.A Howell Dog Book of Distinction

    Originally headed by Walter Gropius, the Bauhaus counted among its members artists and architects such as Paul Klee, Lyonel Feininger, Wassily Kandinsky, Laszlo Moholy-Nagy, and Marcel Breuer. In 1930, Ludwig Mies van der Rohe took over as the leader, but soon after, in 1933, the Nazi government shut down the school. During its fourteen years of existence, Bauhaus managed to change the faces of art, architecture, and industrial design forever and is still hugely influential today. About the Series: Each book in TASCHEN s Basic Architecture Series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts and plans) "

    Introducing the science of "proxemics," Hall demonstrates how man's use of space can affect personal business relations, cross-cultural exchanges, architecture, city planning, and urban renewal.

    The subject is presented, not as a foreign language, but as a native one that the student knows but cannot yet read.Responding to the need she so clearly perceives, Ms. Dondis, a designer and teacher of broad experience, has provided a beginning text for art and design students and a basic text for all other students; those who do not intend to become artists or designers but who need to acquire the essential skills of understanding visual communication at a time when so much information is being studied and transmitted in non-verbal modes, especially through photography and film. Understanding through seeing only seems to be an obviously intuitive process. Actually, developing the visual sense is something like learning a language, with its own special alphabet, lexicon, and syntax. People find it necessary to be verbally literate whether they are writers: or not; they should find it equally necessary to be visually literate, artists or not. This primer is designed to teach students the interconnected arts of visual communication. The subject is presented, not as a foreign language, but as a native one that the student knows but cannot yet read. The analogy provides a useful teaching method, in part because it is not overworked or too rigorously applied. This method of learning to see and read visual data has already been proved in practice, in settings ranging from Harlem to suburbia. Appropriately, the book makes some of its most telling points through visual means. Numerous illustrated examples are employed to clarify the basic elements of design (teach an alphabet), to show how they are used in simple syntactic combinations (See Jane run.), and finally, to present the meaningful synthesis of visual information that is a finished work of art (the apprehension of poetry...).

    Gropius traces the rise of the New Architecture and the work of the now famous Bauhaus and, with splendid clarity, calls for a new artist and architect educated to new materials and techniques and directly confronting the requirements of the age.

    Two of the wildest tales of frontier vengeance from William Johnstone's classic bestselling saga. This is how Smoke Jensen became a legend.REVENGE OF THE MOUNTAIN MANThey came in the dead of night like a pack of wolves. They invaded Smoke Jensen's ranch. They destroyed Smoke Jensen's dream. Then they finished the job by putting three bullets in Smoke Jensen's wife. By the time Smoke arrived on the scene, it was too late to save her. Now he lives for revenge. Ruthless, righteous, merciless revenge...VENGEANCE OF THE MOUNTAIN MANWith his darkest days behind him, Smoke Jensen hopes to return to a normal life. Unfortunately, he can't escape his past. A vicious young gunfighter named Sundance holds an all-consuming grudge against the mountain man. He's got backup from Mexico, bullets to spare, and bloodlust in his eyes. Tonight, the past is coming for Smoke Jensen. With a vengeance...

    It seeks to answer a simple question: why is there such a thing as style? The question may be simple but there is no easy answer, and Professor Gombrich's brilliant and wide-ranging exploration of the history and psychology of pictorial representation leads him into countless crucial areas. Gombrich examines, questions and re-evaluates old and new ideas on such matters as the imitation of nature, the function of tradition, the problem of abstraction, the validity of perspective and the interpretation of expression: all of which reveal that pictorial representation is far from being a straightforward matter. First published more than 40 years ago, Art and Illusion has lost none of its vitality and importance. In applying the findings of experimental science to a nuanced understanding of art and in tackling complex ideas and theoretical issues, Gombrich is rigorous.Yet he always retains a sense of wonder at the inexhaustible capacity of the human brain, and at the subtlety of the relationships involved in seeing the world and in making and seeing art. With profound knowledge and his exceptional gift for clear exposition, he advances each argument as an hypothesis to be tested. The problems of representation are forever fundamental to the history of art: Art and Illusion remains an essential text for anyone interested in understanding the complexities of art. For the sixth edition Professor Gombrich has written an entirely new 12-page preface, in which he makes use of the distinction between an image and a sign, so as to clarify his intentions in writing the book in the first place.

    Just to give her cheating husband a dose of how it feels. She sought a one night stand; but instead, stumbled upon a serendipitous situation. Nothing should have come from it, but it changed the dynamics of her marriage. A bed unmade… Niecey had always piqued his senses; just as much then as she does now. Although she is considered off limits, it doesn’t stop Asad from seizing the opportunity once it presents itself. He could care less about boundaries. But as bad as he wants her, he knows he could never have her. Two things prevent him from wanting more of her: One, he is about to go away to prison for a few years; and two, he knows she doesn’t want anything more. He understands that he was only something she needed for that night. Those few years have passed; and through familiar circumstances, they have to face one another again. Asad is a young arrogant tatted up diabolical thug known for his churlish disposition. His mouth is reckless, his attitude sucks, and empathetic he is not. Niecey is an entrepreneur, beautiful, and well-off. She’s flawed, but has learned to love herself anyway. They’re not a likely pair, but those factors don’t matter much when they touch. The connection and unquestionable sexual chemistry between them turns their reunion into an ongoing carnal affair. However, things take a turn in a direction Niecey wasn’t intending. The bed has been made… Neither can contend the interdependence that exists between them. Succumbing to its power, they can no longer deny love’s right to live. But how deep will Niecey let their situation get before she can no longer keep the truth away, and from hurting everyone she cherishes, including Asad? Now they must lie in the bed they’ve made…

    In these essays Peter Zumthor expresses his motivation in designing buildings, which speak to our emotions and understanding in so many ways, and possess a powerful and unmistakable presence and personality. This book, whose first edition has been out of print for years, has been expanded to include three new essays: "Does Beauty Have a Form?," "The Magic of the Real," and "Light in the Landscape." It has been freshly illustrated throughout with new color photographs of Zumthor's new home and studio in Haldenstein, taken specially for this edition by Laura Padgett, and received a new typography by Hannele Gronlund.

    When you finally reach your destination, you’ll understand your journey.” 

Love is a fickle thing that can take your life on the least expected detours. Creed Mason was learning that the hard way. Married to a woman who refuses to forget his past, he was burning himself out trying to prove that he was a changed man. Until he meets a woman who offers him the help he needs with healing, in more ways than one. 

 Kamaria Jones is living what she feels is her best life. Happily divorced, working a job she loves, and the existence of a much appreciated friend-with-benefits to take care of her sexual needs. Love is the furthest thing from her mind. But when she meets a man that is determined to infiltrate her heart, she’s forced to decide if she’s ready to give love another try.

 Will Kamaria and Creed be able to handle the shifts in their atmospheres and give each other the love that they deserve?

    I was a fool! Austin was no Prince Charming. Rather than sweeping me off my feet, he broke my heart.That was fourteen years ago, and I am completely over Austin. He is in my past, and that’s where he’s going to stay. At least, that’s what I thought until he moved back to the San Francisco Bay Area. Now, he’s determined to win me over. It won’t work. I will not think about how good Austin looks playing the drums shirtless, or what an incredible kisser he is. All right, I might think about those things a little, but I’m definitely not going to fall for him again.AustinI’ve never been the guy who rides off into the sunset with the girl and makes all her dreams come true. I’ve always been the rebound guy, the one who helps rebuild a woman’s confidence after a breakup. It hasn’t been a bad gig. I got all the benefits with none of the drama. It was all I wanted until Piper walked back into my life.She’s not ready to forgive me, and I don’t deserve a second chance. I should just leave her alone, but after seeing her smile, I can’t do that. I’m done being the rebound guy. Piper doesn’t know it yet, but I’m going to do everything in my power to make her love me again. This time, I’m not letting her go.