In this revolutionary book, Gehl presents his latest work creating (or recreating) cityscapes on a human scale. He clearly explains the methods and tools he uses to reconfigure unworkable cityscapes into the landscapes he believes they should be: cities for people.Taking into account changing demographics and changing lifestyles, Gehl explains how to develop cities that are lively, safe, sustainable, and healthy.The book is extensively illustrated with over 700 photos and drawings of examples from Gehl’s work around the globe.

    Macaulay has revised texts based on new research, created gorgeous new drawings, in some cases wholly re-imagined scenes from the books—bringing Castle and Cathedral to life in full-color for the very first time. The resulting illustrations add to the reader’s understanding of these buildings, capturing intriguing new perspectives and a depth of detail in structure and atmosphere.This impeccably researched volume is not only a necessary addition to the bookshelf of any David Macaulay or architecture fan, but will delight readers of all ages who are experiencing his work for the first time.

    From the cabaret to the Broadway stage, from television and film stardom to her acclaimed work as a director, from the recording studio to the concert hall, she has demonstrated that the extraordinary voice that launched her career was only one of her remarkable gifts. Now, in her first book, Barbra Streisand reveals another aspect of her talent: the taste and style that have inspired her beautiful homes and collections. My Passion for Design focuses on the architecture and construction of her newest homes, the dream refuge that she has longed for since the days when she shared a small Brooklyn apartment with her mother, brother, and grandparents. A culmination and reflection of Streisand's love of American architecture and design between the eighteenth and twentieth centuries, the book contains many of her own photographs of the rooms she has decorated, the furniture and art she has collected, and the ravishing gardens she has planted on her land on the California coast. In addition to glimpses of her homes, Barbra shares memories of her childhood, the development of her sense of style, and what collecting has come to mean to her. My Passion for Design is a rare and intimate private tour into the world of one of our most beloved stars. It will be welcomed by her many fans and all lovers of the great achievements of American design.

    Among significant mid-century interiors, none are more celebrated yet underpublished as the homes created by architects and interior designers for themselves. This collection of newly commissioned photographs presents the most compelling homes by influential mid-century designers, such as Russel Wright, George Nakashima, Harry Bertoia, Charles and Ray Eames, and Eva Zeisel, among others. Intimate as well as revelatory, Williamson’s photographs show these creative homes as they were lived in by their designers: Walter Gropius’s historic Bauhaus home in Massachusetts; Albert Frey’s floating modernist aerie on a Palm Springs rock outcropping; Wharton Esherick’s completely handmade Pennsylvania house, from the organic handcarved staircase to the iconic furniture. Personal and breathtaking by turn—these homes are exemplary studies of domestic modernism at its warmest and most creative.

    Over the last few decades, urban real estate has become the primary source of financing for political parties and the politicians who run them, and as Correa acknowledges, “you cannot look at cities without wandering into architecture on the one hand and politics on the other.” A Place in the Shade identifies the defining issues of the urbanization trends that are so rapidly transforming India.

    Algorithmic processes, harnessed through the medium of computer code, allow artists to generate increasingly complex visual forms that they otherwise might not have been able to imagine, let alone delineate. The newest volume in our Design Brief series Form+Code in Design, Art, and Architecture is a non-technical introduction to the history, theory, and practice of software in the arts. Organized into themes linked to aspects of code—repetition, transformation, parameters, visualization, and simulation—each of the book's sections contains an essay, code samples, and numerous illustrations. An accompanying website (www.formandcode.com) features code samples in various programming languages for the examples in the book. An ideal introductory text for digital design and media arts courses, this unique primer will also appeal to students and professionals looking for a survey of this exciting new area of artistic production.

    Along with Dankmar Adler (1844–1900) he designed many of the buildings that defined nineteenth-century architecture not only in Chicago but in cities across America—and continue to be admired today. Among their iconic designs are the former Chicago Stock Exchange, Chicago’s Auditorium Building and Carson Pirie Scott flagship store, the Wainwright Building in St. Louis, and the Guaranty Building in Buffalo. This first-of-its-kind catalogue raisonné of the work of Adler and Sullivan—both as a team and individual architects—is a lavish celebration of the designs of these two seminal architects who paved the way for the modern skylines that continue to inspire city dwellers today.The quest to pull together a complete catalogue of their work was first undertaken in 1952 by photographer Aaron Siskind and Richard Nickel, one of his graduate students at what is now the Illinois Institute of Technology in Chicago. This intense, decades-long labor of love has resulted in an extensive and unique resource that includes a complete listing of all of the buildings and projects undertaken by Adler and Sullivan. Each listing contains historic photographs, architectural plans (when available), and a description of each project. Alongside over two and hundred fifty essays are eight hundred photographs of their buildings—many of which have since been demolished—including images by Nickel, Siskind, and other noted photographers.This rich, incomparable reference will be treasured by readers interested in architecture, photography, and Chicago’s rich history as an architectural mecca.

    Its work involves house, building and utility design. The company is run by Kevin Low who returned to Malaysia and culture shock after nine years in the west with a bachelor's and master's degree in architecture and a minor in art and architectural history. Kevin has, over various periods in his life, been professionally involved in writing, environmental sculpture, illustrating, teaching and copyrighting. He has presented papers on building technology at Harvard University and lectured in the architectural department at MIT. While in the United States, Kevin worked in architectural practices both on the East and West coasts and studied closely with the Aga Khan Foundation, earning awards of research grants and fellowships to Italy, North Yemen, Spain and Bangladesh. He joined GDP Architects upon his return to Kuala Lumpur where he stayed for the next eleven years, running the r + d and special projects division. His work while at GDP architects included project branding, budget hotels and high end condominiums, a refurbished warehouse for a corporate office, various housing types, guardhouses, garden memorials, mailboxes and master plans; the last one being the master plan for Sentul in Kuala Lumpur.

    In the tradition of Rizzoli’s Historic Houses of the Hudson Valley and Great Houses of New England, Great Houses of the South features a stunning array of newly photographed homes that range over three centuries and are distinctive examples of the architecture of the region. While in popular imagination the "Southern Style" is embodied in the classic Southern plantation house with its Greek Revival detailing—its stately white columns, wide porch, and symmetrical shape—the houses themselves are much more various and engaging, as shown in this important volume. From stately Stanton Hall of Natchez, Mississippi, one of the most magnificent and palatial residences of antebellum America; to Longue Vue House and Gardens of New Orleans, the luxurious Classical Revival–style home of Edgar and Edith Stern; to the fabled Biltmore of Asheville, North Carolina, the opulent French Renaissance–inspired chateau and Gilded Age estate of George Washington Vanderbilt, this lavish volume is comprehensive in scope and a landmark work of enduring interest to homeowners, architects, architecture historians, and all those who love fine architecture.

    

    In the 1980s the Spomeniks still attracted millions of visitors from the Eastern bloc; today they are largely neglected and unknown, their symbolism lost and unwanted. Antwerp-based photographer Jan Kempenaers travelled the Balkans photographing these eerie objects, presented in this book as a powerful typological series. The beauty and mystery of the isolated, crumbling Spomeniks informs Kempenaer's enquiry into memory, found beauty, and whether former monuments can function as pure sculpture.

    It also contains the easy to follow instructions on how to analyze and compute the structural design of critical building parts such as: reinforced concrete slabs, beams, columns and footings. There are also simple designs and floor plans for a variety of building types to be found in this book.BUILDING DESIGN AND CONSTRUCTION should be of interest to architects, engineers, contractors, developers and allied professionals who are engaged in building design, planning and construction. Students and graduates reviewing for the board examinations for architects and engineers would find in this book valuable practical knowledge to supplement the theories learned in their classrooms.Project owners studying this book would appreciate and get a clear understanding of how their envisioned pet project, which sprang only from a mere idea - is transformed slowly step-by-step - into concrete form.Explanations and instructions in BUILDING DESIGN AND CONSTRUCTION are conveyed in direct and simple language for easy understanding even by the layman. Plans and drawings are clearly presented, to be easily interpreted by construction workers.

    No one was more skilled at this than the Rafael Guastavino family, a father and son team of Spanish immigrants who oversaw the construction of thousands of spectacular thin-tile vaults across the United States between the 1880s and the 1950s. These versatile, strong, and fireproof vaults were built by Guastavino in more than two hundred major buildings in Manhattan, and in hundreds more across the country, including Grand Central Terminal, Carnegie Hall, the Biltmore Estate, the Cathedral of St. John the Divine, the Registry Hall at Ellis Island, and many major university buildings. Their patented vaulting techniques made it possible for Beaux-Arts architects such as McKim, Mead and White to create the bold, broad spaces that made them famous. Yet, because the Guastavinos served only as contractors on these projects, their firms accomplishments have remained relatively unknown to the public. Guastavino Vaulting traces the development of the remarkable construction technology from its Mediterranean roots to its highest achievements in the United States. This long overdue first monograph features archival images, drawings, and beautiful new color photography showcasing the most incredible Guastavino vaulted spaces. An extensive appendix lists the addresses of all known extant Guastavino vaults, over six hundred masterpieces small and large.

    For worshippers these were places of religious education and an awe-inspiring feast that satisfied both the senses and the soul. Today, in an age less attuned to iconography, such places of worship are often seen merely as magnificent works of architecture. This book restores the lost spiritual meaning of these fine and fascinating buildings. "The Secret Language of Churches & Cathedrals"provides a three-part illustrated key by which modern visitors can understand the layout, fabric and decorative symbolism of Christian sacred structures - thereby bringing back to life their original atmosphere of awe and sanctity. Part Oneis an analysis of structural features, outside and in, from spires and domes to clerestories and brasses. Part Twois a theme-by-theme guide, which identifies significant figures, scenes, stories, animals, flowers, and the use of numbers, letters and patterns in paintings, carvings and sculpture. Part Threeis a historical decoder, revealing the evolution of styles - from basilicas through Byzantine, Romanesque, Gothic and beyond. For all those who seek to know more about Christian art and architecture, this richly illustrated book will instruct and delight in equal measure."

    It features container structures used as pop-up stores and temporary exhibits as well as sophisticated housing and office spaces that provoke and inspire while setting new standards in functionality and aesthetics. But the book is not only visually inspiring. Because it documents plans, describes associated costs, and suggests concrete solutions for common problems, it is a practical reference for architects, planners, and cultural activists as well as event and marketing managers, to guide them in deciding what types of containers are best suited to their upcoming projects.

    Is it simply about compliance to green accreditation systems (such as LEED or BREEAM)? Currently these rating systems apply only to buildings, and though it is true that a large part of climate change is attributable to buildings and their use, is it sufficient that our buildings and masterplans achieve the highest possible scores in these rating systems? Surely we need to go beyond these systems to look at the more complete picture of sustainable design. The question of how we do this forms the basis of this book. Leading architects have joined forces to discuss this important and timely subject.Presented here are a series of essays, each by experts in their fields, on the current state of Green Design covering the spectrum from theory to practice. Contributing writers include Bill Dunster, Stefan Behnisch, Lam Khee Poh, Nadav Malin, Tom Hicks, Bob Berkbile, Thomas Herzog and Stefan Behnisch. The contributors each bring their own thoughts and questions on how to improve sustainable design, how important it is and how it can be enforced. Their writings express concerns regarding the built environment, its affect on physical well-being, how we live in cities and how this could change in the future. These discussions are given a contemporary relevance through inclusion of the work of contemporary architects, artists, writers and commentators.Green Design provides a thought provoking look at the built environment and how it can improve or effect our lives, making this an interesting read for architects, town planners and anyone with an interest in the environment.

    Today, those hand-powered aids have been replaced by computers and Computer-aided design (CAD). Digital Drawing for Landscape Architects bridges the gap between the traditional analog and the new digital tools and shows you how to apply timeless concepts of representation to enhance your design work in digital media.Building on the tried-and-true principles of analog representation, Digital Drawing for Landscape Architecture explores specific techniques for creating landscape design digitally. It explains the similarities and differences between analog and digital rendering, and then walks you through the steps of creating digitally rendered plans, perspectives, and diagrams. You'll explore:Computing Basics Raster and vector images Setting up the document Base imagery and scaling Hand-drawn linework and diagrams Text, leaders, and page layout Color, shading, and textures Creating a section elevation Perspective drawing Techniques for using the newest versions of Adobe Illustrator, Photoshop, and Acrobat as well as older versions With more than 500 full-color drawings and photographs alongside proven techniques, Digital Drawing for Landscape Architects will help you enhance your skills though a unique marriage of contemporary methods with traditional rendering techniques.

    The premise of the book is that an ecological approach is urgently needed both as a remedial device for the contemporary city and an organizing principle for new cities. Ecological urbanism approaches the city without any one set of instruments and with a worldview that is fluid in scale and disciplinary approach. Design provides the synthetic key to connect ecology with an urbanism that is not in contradiction with its environment. The book brings together design practitioners and theorists, economists, engineers, artists, policy makers, environmental scientists, and public health specialists, with the goal of reaching a more robust understanding of ecological urbanism and what it might be in the future.

    It is divided into three main sections: “Media and Masters" profiles key creators, including Charles and Ray Eames, George Nakashima, Jean Prouvé, and Eero Saarinen; “Houses and Interiors” presents 20 seminal and complete Mid-Century Modern homes and their furnishings, including buildings by Philip Johnson, Mies van der Rohe, Alvar Aalto, and Marcel Breuer; and an alphabetical dictionary of people, terms, and places is a comprehensive reference to the movement. The informed and accessible texts are illustrated with more than 1,000 images that bring together classics and rarities, mass-produced items and unusual objets d’art.

    It explains what questions should be asked and shows the alternative solutions on offer and their advantages and disadvantages. Written by an expert team of authors the book is aimed at anyone involved in planning an office.

    This book examines the fundamental characteristics of interior space—the analysis and understanding of existing buildings, the nature and qualities of organizing an interior space, and an understanding of the material and surface qualities of found and applied textures. What is Interior Design? contextualizes current issues around education and practice, examines both historical and contemporary concerns in design, and looks at the work of key practitioners in the field. The study and practice of designing interior spaces is a constantly evolving subject. However, despite the popularity of interior design at both undergraduate and postgraduate level, there is still very little legislation or definition available.

    A stunning presentation of 19th-century gouache and watercolor archival paintings of New Orleans neighborhoods, this volume presents what old, renovated, restored, and new buildings not only might look like, but how they should look. An educational tool, architectural pattern book, city planner's handbook, and visual treasure, this resource invites its readers to study the footprints of the city's original edifices in order to rebuild and restore with authenticity. Examples of each New Orleans house type, historic plans for each house, and contemporary adaptive-use floor plans are highlighted.

    The winning entry, Coupling, imagined six daring projects: a high-speed rail system across the Bering Strait that also collects freshwater from the seasonal iceshelf; a decommissioned airport transformed into a geothermal data farm and agriculture site; thickening on/off ramps around "big box" stores into circular parking lots; a call toinclude landfills in the list of preserved open spaces; and a saline terminal lake turned into a water farm, recreational retreat, and habitat haven. Coupling argues that infrastructures behave as artificially maintained natural systems. Rather than a New Deal approach of massive engineering or iconic infrastructure, Coupling employs adaptable, responsive, small-scale interventions whose impacts are global in scale.

    A colossus of commerce, itwelcomes over one hundred thousand shoppers daily and ranks among the most profitable commercial real estate in the entire country, and is also home to some of the city's most recognized institutions, including cheesecake mecca Junior's, that have been immortalized in song, film, and culture. Despite its historic link to Brooklyn's past and its financial success as a shopping district, Fulton Street is rarely celebrated in New York. The street's hand-painted signs, customized jewelry, rare sneakers, mega-church, and vendors offer a special sampling of noncorporate commerce, but many consider its sensorial and physical density a sign of blight. Misunderstandings about race, class, and profitability have led Fulton Street to be characterized as run-down, dangerous, or underutilized, and as a result it has been subject to nearly continuous renovation. Recently rezoned and becoming increasingly attractive to national chain stores, Fulton Street is once again poised for big changes. Street Value is a challenge to creatively rethink the planning and urban design of Fulton Street and other urban shopping districts. Street Value explores the mall's historical and contemporary conditions through original essays, oral histories, new and archival photographs, historic documents, and interviews with key planners, developers, city officials, historians, and activists from the 1960s to the present. Street Value probes the ideology of redevelopment and demonstrates how commercial, governmental, and activist forces have coalesced to produce one of Brooklyn's most legendary public spaces.

    Accompanied by stunning art and ingenious pop engineering, Renaissance Art Pop-Up Book presents the talent and imagination of some of the most influential artists in history. Ranging from the influences of Gothic art on the early Renaissance to the culmination of High Renaissance, this book follows the appearance of new forms in religious and secular painting and the burgeoning use of groundbreaking techniques, such as perspective and narrative in painting; new innovations in architecture; and the unique genius of artists from all over Europe. The book features the most outstanding artists, art, and architecture of the period, including the frescoes of Giotto, Michelangelo’s Sistine Chapel, and the works of Caravaggio, Botticelli, Titian, Dürer, and Massacio, to name only a few. Innovative pop-ups include a working camera obscura; da Vinci’s "flying machine"; Piero della Francesca’s View of the Ideal City, with removable perspective lines; Brunelleschi’s majestic Duomo in Florence; and a fold-out timeline of the Renaissance. Showcasing the artistic innovations of the era in interactive format, this book gives the reader a fresh perspective, thereby teaching the principles and history of the Renaissance in a new and unique way. Renaissance Art Pop-Up Book is a superb tour of the greatest achievements of the world’s early masters, and is the perfect educational gift for art lovers of all ages.

    It delivers a wholly new perspective on architectural achievements and will help to manifest the approach's huge innovative potential.

    In a series of exquisite houses and residences from the Low Countries to America, Van Duysen has reduced living space to its elemental form while using a refined palette of materials that ensure the highest emotional response.As Ilse Crawford, former editor of Elle Decoration, whose own home was refashioned by Van Duysen, writes in her foreword, “ You are not just impressed by the beauty of the spaces but by the memory of the details and the feeling of the materials.”Here are more than thirty projects, many accompanied by specially commissioned photographs taken by Alberto Piovano. The book includes tributes by leading international architects David Adjaye and Michael Gabellini, fashion designer Ann Demeulemeester, and furniture designer Patricia Urquoila, all of whom provide insights into Van Duysen’s work. This book reveals to the full why he has become such a cult figure in international architecture and design.

    The Language of Towns & Cities is a landmark publication that clarifies the language by which we talk about urban planning and design. Everyday words such as "avenue," "boulevard," "park," and "district," as well as less commonly used words and terms such as "sustainability," "carbon-neutral," or "Bilbao Effect" are used with a great variety of meanings, causing confusion among citizens, city officials, and other decision-makers when trying to design viable neighborhoods, towns, and cities. This magnificent volume is the fruit of more than a decade of research and writing in an effort to ameliorate this situation. Abundantly illustrated with over 2,500 photographs, drawings, and charts, The Language of Towns & Cities is both a richly detailed glossary of more than seven hundred words and terms commonly used in architecture and urban planning, and a compendium of great visual interest. From "A" and "B" streets to Zero Lot and Zeitgeist, the book is at once comprehensive and accessible. An essential work for architects, urban planners, students of design, and all those interested in the future of towns and cities, this is destined to become a classic in its field.

    There are those idiots who define my work as abstract, he once said; yet what they call abstract is what is most realistic. What is real is not the appearance but the idea, the essence of things. This volume includes 35 color images; a commentary by Carolyn Lanchner, a former curator of painting and sculpture at MoMA, accompanies each work, elucidating its significance and its context.

    Joseph Urban (1872–1933) began his career as an architect and artist in Vienna before moving to America in 1911. In 1914 he moved to New York, where he ultimately signed on as set designer of the Metropolitan Opera. He also became immersed in an astonishing array of outside projects, designing nightclubs, hotel lounges, skyscrapers, theaters, stage and film sets, and even children’s books. Though his creative output was immense, little remains of his work except the Mar-a-Lago in Palm Beach, and the New School and the base of the Hearst Tower in New York. Praise for Joseph Urban:"a trove of his luminous renderings and photos" --Elle Décor

    This book argues that the model of 'function' and the concept of a 'functional building' that we have inherited from the twentieth-century Modernists is limited in scope and detracts from a full understanding of the purposes served by the built environment. It simply does not cover the range of functions that buildings can afford nor is it tied in a conceptually clear manner to our contemporary concepts of architectural theory. Based on Abraham Maslow's theory of human motivations, and following on from Lang's widely-used text, Creating Architectural Theory: The Role of the Behavioral Sciences in Environmental Design, Lang and Moleski here propose a new model of functionalism that responds to numerous observations on the inadequacy of current ways of thinking about functionalism in architecture and urban design. Copiously illustrated, the book puts forward this model and then goes on to discuss in detail each function of buildings and urban environments.

    Fusing house and dream, it probes the relationship between interior and shell, object and space, and it elaborates “the marvelous” and “compulsive beauty” as espoused by André Breton. The haunted house, the cabinet of curiosities, the ruined castle, the cage, the cave, the box, the labyrinth, the bell jar, and the womb are among the uniquely surreal habitats explored.Shaped by the irrational and the subversive, the flip side of the modernist paradigm of the functional, rational dwelling, The Surreal House is ripe for discovery. Mirroring the surrealist love of poetic juxtaposition, the project brings together works by artists such as Edward Hopper, Marcel Duchamp, Giorgio de Chirico, Man Ray, Max Ernst, René Magritte, Joseph Cornell, and Salvador Dalí. A surreal legacy is to be found in the interiors of little-known Italian architect and designer Carlo Mollino, in Frederick Kiesler’s model for “The Endless House” (1957–59), in sculptures by Louise Bourgeois and Rebecca Horn, and in installations by Edward Kienholz and Ilya Kabakov. Contemporary architecture is represented by the work of Rem Koolhaas and Diller & Scofidio, among others.A manifesto for a poetic reading of the house, The Surreal House reflects on the unquestionable importance of the dwelling, the cradle of our being, in the imaginative realm. This richly illustrated account brings together a host of commentators and historians, and accompanies a major exhibition.

    Supported by the author’s extensive topographical research, this book presents a unified vision of the city that links improvements to public and private water systems with political, religious, and social change. Between 1560 and 1630, in a spectacular burst of urban renewal, Rome’s religious and civil authorities sponsored the construction of aqueducts, private and public fountains for drinking, washing, and industry, and the magnificent ceremonial fountains that are Rome’s glory. Tying together the technological, sociopolitical, and artistic questions that faced the designers during an age of turmoil in which the Catholic Church found its authority threatened and the infrastructure of the city was in a state of decay, Rinne shows how these public works projects transformed Rome in a successful marriage of innovative engineering and strategic urban planning.

    That innovative style is instantly recognizable today.David Mathias, author of this richly personal appreciation of the Greenes...comes to Greene and Greene from the perspective of an amateur woodworker with a fine aesthetic sense. Through his writing we are able to appreciate the Greenes' houses and furnishings almost as if we were hearing from one of their builders. Through stunning and perceptive new photography, the illustrated spaces and furnishings illuminate the genius of the Greenes' designs, material selection and craft, which has caused so many to celebrate and be seduced by their work...Being a woodworker, Mathias also pays due homage to John and Peter Hall, the Swedish brothers who worked closely with the Greenes on their finest houses. Mathias correctly grasps how without the Halls, the Greenes would lack a significant measure of the reputation that they enjoy today. Relatively few writers have focused exclusively on Greene and Greene, and so it is a privilege whenever a talented one such as Mr. Mathias comes along. Be forewarned that through this book his seduction may become yours, too.Edward R. Bosley, James N. Gamble DirectorThe Gamble House, PasadenaSchool of Architecture, University of Southern California

    Form and texture are valued as much as color, and perennials--prized for their beauty throughout a natural life cycle--are used almost exclusively. Oudolf challenges conventional approaches to gardening that rely on short-lived bursts of color and constant maintenance and shows the delights of working with versatile, expressive perennials to create lasting, ecologically sound panoramas that relate to the greater landscape and the shifting seasons. This glorious full-color volume features twenty-three of Oudolf's most beautiful public and private gardens, including the widely acclaimed High Line and the Battery in New York City; the Lurie Garden in Millennium Park in Chicago; Wisley, the Royal Horticultural Society Garden in Surrey, England; the Pensthorpe Nature Reserve and Gardens in Norfolk, England; the Trentham Estate in Staffordshire, England; Il Gardino delle Vergini at the 2010 Venice Biennale; the Dream Park in Enkoping, Sweden; and his own perpetually evolving garden in Hummelo, The Netherlands. Insightful, accessible text by gardening author Noël Kingsbury places Oudolf's work in context and explains how each garden and the plants selected for it fit the specific environment. Oudolf's detailed plans provide inspiration and insight for all interested in small personal gardens and the design of large-scale public landscapes alike.

    Instead of waiting for commissions to come their way, architects are initiating and developing practical solutions in response to dramatically changing living conditions in many parts of the world today. Small Scale, Big Change focuses on a central chapter of this shift, presenting recently built or under-construction works in underserved communities around the globe by these 11 architects and firms: Elemental (Chilean); Anna Heringer (Austrian); Di'b'do Francis K'r' (Burkinab'); Hashim Sarkis A.L.U.D. (Lebanese); Jorge Mario Jauregui (Brazilian); Fr'd'ric Druot, Anne Lacaton & Jean Philippe Vassal (French); Michael Maltzan Architecture (American); Noero Wolff Architects (South African); Rural Studio (American); Estudio Teddy Cruz (American, born Guatemala); and Urban Think Tank (American/Austrian/Venezuelan). Without sacrificing concern for aesthetics, these architects have developed projects that reveal a post-utopian specificity of place; their architectural solutions emerge from close collaboration with future users and sustained research into local conditions. The projects--which include schools, parks, housing and infrastructural interventions--reveal an exciting change in the longstanding dialogue between architecture and society, as the architect's roles, methods, approaches and responsibilities are dramatically reevaluated. They also offer an expanded definition of sustainability that moves beyond experimentation with new materials and technologies to encompass larger concepts of social and economic sustainability. Small Scale, Big Change examines the evolving standards of responsibility and participation in architecture and the ways in which architects can engage critically with larger social, economic and political issues currently facing communities around the world.

    A masonry heater's design, placement in the home, and luxurious radiant heat redefine the hearth for the modern era, turning it into a piece of the sun right inside the home. Like the feeling one gets from the sun on a spring day, the environment around a masonry heater feels fresh. The radiant heat feels better on the skin. It warms the home both gently and efficiently. In fact, the value of a masonry heater lies in its durability, quality, serviceability, dependability, and health-supporting features. And it is an investment in self-sufficiency and freedom from fossil fuels.The book discusses different masonry heater designs, including variations extant in Europe, and explains the growth of their popularity in the United States beginning in the late 1970s. For the reader who may be familiar only with open fireplaces and metal woodstoves, Masonry Heaters will bring a new understanding and appreciation of massive heat storage and gentle-but-persistent radiant heat. Masonry heaters offer a unique comfort that is superior to that from convection heat from forced-air systems, and more personal than that offered by "radiant" floors. As Matesz demonstrates, the heat from the sun or from a masonry heater is genuine heat instead of just insulation against the loss of heat.Those who are looking to build, add onto, or remodel a house will find comprehensive and practical advice for designing and installing a masonry heater, including detailed discussion of materials, code considerations, and many photos and illustrations. While this is not a do-it-yourself guide for building a masonry heater, it provides facts every heater builder should know. Professional contractors will find this a useful tool to consult, and homeowners considering a new method of home heating will find all they need to know about masonry heaters within these pages.

    Although the concept may seem revolutionary, it is an obvious solution to overcrowded metropolises. Most world cities are situated on the water and have too little space where it's most needed: in the city center. Building on water allows inner-city areas to expand.Floating buildings have many advantages. They are both flexible and mobile. A buoyant structure can be moved to make space for a new building, decreasing the need for the demolition of a development that still has a productive economic future. Floating buildings outwit changing water levels by rising and falling with the tide and, in so doing, promote a more responsible water management. They leave no scars on their sites, permitting planners to actively meet the demands of the moment.Floating buildings are not new. People of nearly every creed and culture have lived on houseboats since time immemorial. Using modern technologies borrowed from the offshore and shipping industries, architects and engineers can adapt existing construction methods for use in erecting large building complexes on water.It's up to the architects of the climate-change generation to respond to the world's spatial needs with smart, sustainable proposals. Float! will help them to do just that.Koen Olthuis is an architect at Waterstudio.NL.David Keuning is on the editorial staff of Mark: Another Architecture, a bimonthly journal on architecture. His website is davidkeuning.com

    Instead, he extracts his art from the institutions in which it is shown, culling it from collections, histories, or museums' own walls. Since the late 1960s, Asher has been creating situations that have not only taught us about the conditions and contexts of contemporary art, but have worked to define it.In Situation Aesthetics, Kirsi Peltomäki examines Asher's practice by analyzing the social situations that the artist constructs in his work for viewers, participants, and institutional representatives (including gallery directors, curators, and other museum staff members). Drawing on art criticism, the reports of viewers and participants in Asher's projects, and the artist's own archives, Peltomäki offers a comprehensive account of Asher's work over the past four decades. Because of the intensely site-specific nature of this work, as well as the artist's refusal to reconstruct past works or mount retrospectives, many of the projects Peltomäki discusses are described here for the first time.By emphasizing the social and psychological sites of art rather than the production of autonomous art objects, Peltomäki argues, Asher constructs experientially complex situations that profoundly affect those who encounter them, bringing about both personal and institutional transformation.

    Brighter design, careful planning and what was called 'Townscape' began to replace the traditional character of Victorian housing. The 1951 Festival of Britain was regarded as a tonic to the nation and ushered in modernity in all aspects of living.Now homes were bathed in sunlight and every where was finished in the new materials of vinyl and Formica. DIY was all the rage, and there were novel ideas in interior decor. New technology introduces the housewife to modern gadgets - cookers, vacuum cleaners and fridges.This book is ideal for those who want to learn more about the background to the period - how houses and flats were built and fitted out and the different styles of decoration. For some it may be a nostalgic trip; for others a useful starting point to renovating a period home. Trevor Yorke's numerous diagrams, drawings and photographs enhance an authoritative, but approachable text.

    Necessity and investigation are prerequisites for the design of housing: Total Housing refers to the need to understand that social, environmental, and economic factors affect form, and that living space is a base for our increasingly complex and varied societies. This new survey into multi - family housing focuses on the responses proposed by architects who are dealing with the dynamic and diverse demands of contemporary society. Featuring works by Lacaton - Vassal, BIG, + JDS, Sadar Vuga Arhitekti, Ryue Nishizawa, FOA, SHoP, and many emerging new architects, this volume is not a simple catalog, but rather a studied collection of inventive projects.

    Both volumes have been gathered into one single volume and unified in terms on content, which permits the consideration of facades and roofs as envelopes. This is of particular interest as to design and its creative freedom. Using current examples of renowned architects, Andrew Watts presents the constructive and material related details. This presentation is based on an easy-to-understand text, photos, and standardized detail drawings as well 3D representations of the components. By means of this information, the partly complex structure of modern envelopes can easily be understood and used as know-how for one s own needs. The final part of this book deals with the topic Future focusing on digitally controlled construction parts and upcoming application solutions for material und technology.

    Based in Tokyo and Paris, Ban consistently challenges accepted notions of architecture, designing a house without walls, or an exhibition space made from paper tubes and shipping containers. As one of his most important buildings nears completion—the Centre Pompidou-Metz in eastern France—this monograph, compiled with the architect's collaboration, traces his career and features every built work of Shigeru Ban, showing clearly why he is one of the world's most innovative and significant architects. Unlike many of his peers, Ban can create remarkable residences and still find time to design emergency relief housing for disaster areas from Kobe to New Orleans. Often using paper or cardboard tubes as a structural element, his designs give new meaning to the term "Paper Architect."

    For most of the history of building, architects have applied the principles of Euclidean geometry, the description of points, lines, and volumes according to the three axes of space.Recently, however, digital design tools and massive computer processing power, along with an increasing interest in physics and pure mathematics, have given architects the means to describe and build spatial constructs that would have been inconceivable even ten years ago.This carefully researched survey of some forty international projects—largely built—offers an overview of how different strategies are being employed through accessible illustrations and clear text. Each section presents case studies of projects by globally recognized architects through diagrams, photographs, and texts.

    His distinguished firms, McAlpine Tankersley Architecture and McAlpine Booth & Ferrier Interiors, are renowned nationwide for their talent in designing residences that resonate with nostalgia, fantasy, and a sense of place. Their dwellings—from country and seaside retreats to homes in historic American neighborhoods—offer favorite period styles with a timeless quality. Presented are over twenty houses in a variety of settings that illustrate concepts running throughout their work. Juxtaposing intimate spaces with lofty entertaining areas and combining unexpected materials, such as stone with thatch, are among the hallmarks of these prestigious firms. Examples include a Mediterranean-revival house with sleek factory-sash windows and classical Roman columns, a beach house with a vaulted hallway leading to a light-filled contemporary salon, and an unusual house that blends Scottish vernacular style with modern details. With lush photography capturing the romance of these houses, The Home Within Us is ideal for anyone wishing to be inspired by the poetic design of a romantic home.

    Kahn's rethinking of modern architecture's paradigm of space belongs to his most important contributions to the metier. In tracing the genesis of the unbuilt project for the Dominican Motherhouse we are given a close-up view of Kahn at work on a few fundamental questions of architectural space: seeking the sources of its meaning in its social, morphological, landscape and contextual dimensions. This rich and multivalent project opens the way to a second section, which sheds new light on several of major works in a timely reappraisal of Kahn's work.The result of extensive research, illustrated with unpublished archival material and new analytic drawings, this affordable volume is an indispensible companion to Drawing to Find Out.

    With a sensitivity to materials and context unmatched by any living architect, Moneo has created a series of important works, including the Audrey Jones Beck Building at the Museum of Fine Arts in Houston, Our Lady of the Angels Cathedral in Los Angeles, and, perhaps most notably, the extension to the Prado Museum in Madrid.A teacher and critic, Moneo now turns his analytical eye to his own work. Twenty-one carefully selected projects are presented in detail, from the initial idea and through construction to the completed work and illustrated by a spectacular suite of new color images by architectural photographer Michael Moran. These are combined with Moneo’s own drawings as well as informal documentary material from the design of each of the projects.

    Architect presents all 33 recipients of the Pritzker Prize, and captures in pictures and in their own words the awe-inspiring achievements of each architect. Organized by architect, each chapter features approximately four to six major works that represent a range of skills, materials, and methods, as well as a variety of structures including museums, libraries, transportation hubs, hotels, places of worship, and more. The text, culled from diaries, interviews, articles, speeches, and notebooks, and provided by each architect, illuminates his works and enlightens on topics such as his influences and inspirations, personal philosophy, and aspirations for his own work and the future of architecture.  The book includes 700 stunning and fascinating photographs, blueprints, sketches, and CAD drawings representing each architect's major works.Architect is a unique work that offers an unprecedented view into the minds of some of the most creative thinkers, dreamers, and builders of the last three decades.

    Well-designed objects not only offer superior performance but also look better and last longer, which ultimately means that they are more sustainable and provide better value for money. They also give the user a satisfying sense of reliability--they are the household tools that we use on a daily basis, that we come to grow fond of, tools that enhance life. Among the design classics celebrated here are Tapio Wirkkala's Kurve cutlery (1963), Enzo Mari's Formosa perpetual wall and desk calendars (1963, 1967), Bjorn Dahlstrom's Tools cookware (1998) and Ross Lovegrove's Agaricon table light (2001) and Istanbul sanitary ware (2008). Many of the objects included in Tools for Living are famous design classics that remain in production today. This comprehensive sourcebook features these objects in full-color illustrations that are augmented with full descriptions of their historic relevance and design excellence. Manufacturers' web addresses are shown for each product, so that readers can easily locate where to buy them.

    What unites all the work is a clarity and precision of expression. Through both his designs and his writings Max Bill has long been a major figure of reference in the German-speaking world.

    In Jasper Morrison's collection of pictures, the icons of design history meet up with the unassuming objects of everyday life. Every picture tells a story and creates a new one in juxtaposition with its neighbor -- without words, in the language of form. Morrison responds to the arbitrariness of form with simplicity and complexity, poetry and humor in a repertoire of compelling designs. A World Without Words is a pocket-sized school of seeing that addresses designers and consumers who wish to explore the universe of goods. -

    Imagine San Francisco without the Golden Gate Bridge, Manhattan without the Brooklyn Bridge, or Sydney without Sydney Harbour Bridge.Not only this, but they are spectacles of engineering, and have influenced the development of cultures, economies, environments and lives in more ways than we can count. Now, Dan Cruickshank looks at what bridges mean to us, and draws on some of his personal favourites from all over the world to tell the story of their architectural, cultural and aesthetic influence.Chapters include:EMPIRE – Bridges from the Roman and ancient worldNATURE AGAINST NATURE -Timber bridgesREVOLUTION – Pioneering structural designs from North America and EuropeUNITING PEOPLE – Bringing nations, cities, and communities togetherVISIONS – Contemporary structures

    This book looks at the history and process of the project and shows how it has been both restored to its original glory and extended for the demands of 21stcentury rail travel.

    His wide-ranging and paradigm-shifting oeuvre is the subject of TASCHEN's three-volume monograph that covers all of his designs (numbering approximately 1100), both realized and unrealized. Made in cooperation with the Frank Lloyd Wright Archives in Taliesin, Arizona, this collection leaves no stone unturned in examining and paying tribute to Wright's life and work. From his early Prairie Houses (typified by the Robie House) to the Usonian concept home and progressive "living architecture" buildings to late projects like the spiral Guggenheim Museum in New York and the development of his fantastic vision of a better tomorrow via his concept of the "living city," all of the phases of Wright's career are painstakingly described and illustrated herein. Author and preeminent Wright expert Bruce Brooks Pfeiffer highlights the latest research and gives fresh insight into the work, providing new dating for many of the plans and houses. A plethora of personal photos gives readers a feeling of what it was like to work in Frank Lloyd Wright's fellowship, traveling each spring from Taliesin West to the old Taliesin complex in Wisconsin and returning the next fall to spend the winter in sunny Arizona again. This volume, Volume 1, covers the early Chicago years and the Prairie Houses, the period which provoked a profound influence on European architects. Wright's architectural work during these early years was mostly residential, as it would be throughout his career, and from his earliest work, Frank Lloyd Wright demonstrated a knowledge of and respect for natural materials. In the ten years betweeen 1896 and 1906 he developed and perfected the so-called "prairie house." Wright believed the architect should have complete charge of architectural design, and for him this meant interior furnishings as well as exterior landscape. He was not often given this freedom, but the 1908 Avery Coonley residence in Riverside, Illinois is one of the finest examples. With the administration building for the Larkin Soap Company (1903–1905) and the Unity Temple (1905) he could realize bigger commissions. In 1910 he worked on his famous publication "Ausgeführte Bauten und Entwürfe" for the German publisher Wasmuth, which brought his ideas to a worldwide recognition. The personal tragedy of 1914 brought a shadow over his successful, but struggled life: A servant at Taliesin had set fire to the residence and murdered his mistress Mamah, her two children, a draftsman, and three workmen. But this could not stop Wright on his permanent search for a new architecture.

    The clients include grassroots community organizations like the Homeless Prenatal Program of San Francisco, as well as national and international nonprofits, among them Goodwill, Habitat for Humanity, KIPP Schools and Planned Parenthood. These public-interest projects were designed by a range of award-winning practices, from SHoP Architects in New York and Studio Gang in Chicago, to young studios including Stephen Dalton Architects in Southern California and Hathorne Architects in Detroit, to some of the largest firms in the country, such as Gensler, HOK and Perkins + Will. Scores of private donors, local community foundations and companies, and material and service donations made these projects possible. So have some of the most progressive funders in the country, ranging from Brad Pitt's Make It Right Foundation in New Orleans to the Robin Hood Foundation in New York. Taken as a whole, the selected works represent six general categories: Arts, Civic, Community, Education, Health and Housing. This book is inspired and informed by the advocacy and design work of Public Architecture, a national nonprofit founded in 2002 by San Francisco-based architect John Peterson. The 1% program of Public Architecture challenges architecture and design firms nationwide to pledge a minimum of one percent of their time to pro bono service, leveraging in excess of $25 million in donated services annually.

    300 to the early nineteenth century.Byzantine art abandoned classical ideals in favor of formulas that conveyed spiritual concepts through stylized physical forms. Scholarship dealing with Byzantine icons has previously been largely focused on depictions of holy figures, dismissing representations of architecture as irrelevant space-filling background. Architecture as Icon demonstrates that background representations of architecture are meaningful, active components of compositions, often as significant as the human figures. The book provides a critical view for understanding the Byzantine conception of architectural forms and space and the corresponding intellectual underpinnings of their representation.Introduced by four thought-provoking essays, the catalogue divides the material as included in the exhibition into four categories identified as: generic, specific, and symbolic representations, and a final grouping entitled “From Earthly to Heavenly Jerusalem.” This handsomely illustrated volume addresses various approaches to depicting architecture in Byzantine art that contrast sharply with those of the Renaissance and subsequent Western artistic tradition.

    Conceived as an almanac, the series looks at emerging thematics in our global age that are shaping the built environment in radically significant, yet often unexpected ways.Bracket 1: On Farming looks at the capacity for architecture to address ideas and issues of productive landscapes and urbanisms. Entries were selected by an international jury including Nathalie de Vries, Charles Waldheim and Michael Speaks. Once merely understood in terms of agriculture, today information, energy, labour, and landscape, among others, can be farmed. Farming harnesses the efficiency of collectivity and community. Whether cultivating land, harvesting resources, extracting energy or delegating labor, farming reveals the interdependencies of our globalized world. Simultaneously, farming represents the local gesture, the productive landscape, and the alternative economy. The processes of farming are mutable, parametric, and efficient. Farming is the modification of infrastructure, urbanisms, architectures, and landscapes toward a privileging of production.

    This book traces its development from rudimentary shophouse through various incarnations of decorative style Neoclassical, Chinese Baroque, Jubilee-style, Edwardian, Rococo, Tropical Modern all the while commenting on the various influences that fueled its evolution. Each individual feature of the shophouse is examined, as is its change from rudimentary out-of-China structure to sophisticated dwelling house. Numerous examples of shophouse interiors today complete the odyssey showcasing Shophouse as Temple, Clan House, Home, Boutique Hotel, Shop, Restaurant Coffeeshop and more, we see how these heritage buildings continue to be relevant in the era of the skyscraper and shopping mall.

    Each building is featured in a rich, fine-resolution duotone photograph. Information including the building's name, its address and location, and year of completion or renovation is included underneath the image. A brief description of each building, which highlights its distinctive features and places it in historical context, is included at the back of the book.

    Stunning photographs, fascinating text, and easy GPS directions for finding gracious architecture, fabulous artwork, and memorable gravesites of famous Los Angeles “residents.”

    At the same time, the sectoral city of Chandigarh was rising according to plans by Le Corbusier. The "test tube city" arose as an export of modernity from a Western planning euphoria that displayed utopian traits. In both cities, foreign architecture entered into a harmonious relationship with indigenous culture, forming new and independent identities.This publication addresses the question of how modernism has been appropriated in both cities, and how the people who live in them deal with it. Commonalities and differences are identified and images of everyday urban life showcased. On the initiative of the publisher, the young photographer Iwan Baan has taken stock of contemporary life in both cities. With commentary in the form of essays by Cees Nooteboom on the photographs and by Martino Stierli on the architectural and planning history.

    They don t want to depend just on knowledge acquired from books. They venture out into the landscape at all times of the day and year and interrogate what they see there. They make room for art and science in their studies and use the same tools to turn their landscape designs into reality. Most of their "field trips" begin out of curiosity based on something they ve seen, heard, or read. Against this backdrop, they explore, among other things, fortifications in France, the Upper Rhine in Switzerland, and national parks in England. The results of their "field trips," research projects, and practical implementations are collected in this publication. Distance and Engagement takes up where Miniatur und Panorama left off and shows not only what Gunther Vogt is working on but also, and above all, how he works.

    The previous mutually sustaining relationships of animals, humans and the land have been lost with the progress of industry.The Smartcity - an ecological symbiosis between nature, society and the built form - is the innovative response to contemporary problems from one of the world's leading urban design and architectural thinkers. Addressing the problems of unchecked city growth, the idea of the Smartcity questions whether we could begin to live once again from first principles, focusing in on the inhabitants of the city.The holistic construct of the Smartcity is developed through a series of international case studies, some commissioned by government organisations, others speculative and polemic. Reframing the way people think about urban green space and the evolution of cities, CJ Lim and Ed Liu explore how the reintegration of agriculture in urban environments can cultivate new spatial practices and social cohesion in addition to food for our tables.Representing an emerging architectural voice in matters of environmental and social sustainability, Smartcities and Eco-warriors is a long overdue treatment of the subject from a designer's perspective, and is essential reading for practitioners and students in the fields of architecture, urban planning, environmental engineering, landscape design, agriculture and sociology. An inspiration to government agencies and NGOs dealing with climate change, it also resonates with anyone concerned about cities, energy conservation and the future of food

    The story of its past is the story of the people for whom, down the centuries, it was the center of the community. But how many people actually understand the reason for it being built in a particular place, how it was constructed, or why it was decorated in such a style? Discovering the information can sometimes be difficult but this new book places the period styles of church fabric and decoration into an easy to read form that is packed with photographs, pictures and diagrams. Trevor Yorke's simple but graphic approach will be welcomed by all for whom a visit to a church is also a brief journey through time itself

    

    The way Florence eludes understanding, however, can be an opportunity--to keep seeking, to keep exploring. Ponsi's Florence is endlessly suggestive. His tour of the city is one of continually shifting light and perspective, of stunning symmetry and an even more compelling asymmetry, of sudden transitions from bustling streets to the most perfect silence.While Ponsi does consider such celebrated sites as the Piazza Santa Croce, the Ponte Vecchio, and the Duomo, the book is a decidedly personal view of Florence. The author notes the city's recurring geometry--the square courtyards, triangular spires, octagonal plaques and pillars--and marvels at a room almost too big to be called a room. He views the city from various terraces and likens the expanse of rising and falling rooftops to ocean waves.Here is Florence as labyrinth, possessing a medieval density that is relieved only by the sudden views of sky framed by its piazzas. Ponsi shows us a six-street intersection and ponders the abundance of acute angles, both indoors and out, in this city of infinite corners.In Florence, humans and buildings commingle. The author equates haircuts and changes of clothes with fresh coats of paint and re-shingling jobs, and contemplates the way a human hand, feeling its way down a city block, adds to the patina of a stucco wall. Ponsi sees the city itself as a living body, through whose veins its inhabitants course.This is the way we dream an architect could speak to us, fully communicating his passion. The book's elegant, concise prose--as well as its balance of the civic with the intensely personal--recalls the Calvino of Marcovaldo and Invisible Cities. The text is accompanied by Ponsi's own spare but evocative watercolors and sketches, which, like his words, seek to behold rather than pin down. This lyrical tribute is as much an ode to the lost art of contemplation as it is to Florence--a city where every moment is different from every other moment.

    . . is beyond theory, and beyond most of what we think we know about pods, containers, mods, and joints. This book is more than 'Prefabrication 101.' It is the Joy of Cooking writ large for the architecture and construction industries." --From the Foreword by James Timberlake, FAIATHE DEFINITIVE REFERENCE ON PREFAB ARCHITECTURE FOR ARCHITECTS AND CONSTRUCTION PROFESSIONALSWritten for architects and related design and construction professionals, Prefab Architecture is a guide to off-site construction, presenting the opportunities and challenges associated with designing and building with components, panels, and modules. It presents the drawbacks of building in situ (on-site) and demonstrates why prefabrication is the smarter choice for better integration of products and processes, more efficient delivery, and realizing more value in project life cycles. In addition, Prefab Architecture provides:A selected history of prefabrication from the Industrial Revolution to current computer numerical control, and a theory of production from integrated processes to lean manufacturing Coverage on the tradeoffs of off-site fabrication including scope, schedule, and cost with the associated principles of labor, risk, and quality Up-to-date products featuring examples of prefabricated structure, enclosure, service, and nterior building systems Documentation on the constraints and execution of manufacturing, factory production, transportation, and assembly Dozens of recent examples of prefab projects by contemporary architects and fabricators including KieranTimberlake, SHoP Architects, Office dA, Michelle Kaufmann, and many others In Prefab Architecture, the fresh approaches toward creating buildings that accurately convey ature and expanded green building methodologies make this book an important voice for adopting change in a construction industry entrenched in traditions of the past.

    This book focuses on the Metabolists' utopian concept of the city and investigates the design and political implications of their visionary planning in the postwar society. At the root of the group's urban utopias was a particular biotechical notion of the city as an organic process. It stood in opposition to the Modernist view of city design and led to such radical design concepts as marine civilization and artificial terrains, which embodied the metabolists' ideals of social change.Tracing the evolution of Metabolism from its inception at the 1960 World Design Conference to its spectacular swansong at the Osaka World Exposition in 1970, this book situates Metabolism in the context of Japan's mass urban reconstruction, economic miracle, and socio-political reorientation. This new study will interest architectural and urban historians, architects and all those interested in avant-garde design and Japanese architecture.

    It describes the design studio and the activities that take place there.The architectural design process is as diverse as the people who practise it; all architects follows their own individual design process. In this dynamic new text the realities of the design process and the relationship between education and practice are explored in detail.The book introduces a variety of processes through examples and case studies. This allows readers to identify with certain methods with which they could respond to in their own work, and enables them to develop their own unique approach.

    Cherished for its intimate, community-centered spirit, New England lays claim to some of the most wonderful architecture of the country—and, significantly, its buildings are among the nation’s very oldest. Featured here are twenty-five of the most beautiful examples, ranging from the storied House of the Seven Gables of 1668, in its magnificent colonial splendor, to the Corwin House of 1675, nicknamed the "Witch House" for its direct association to the infamous Salem witch trials, to the bucolic Cogswell farmhouse of 1728. Each house exemplifies its style, which range from early colonial Pilgrim, Puritan, and Shaker, to later Georgian, Federal, and Greek Revival. With richly crafted interiors formed from old woods, fine plasterwork, thoughtfully set beams, brick, and stonework, the houses return us to a more gracious time when the simple pleasures of staying at home were paramount, a time to which many of us, even now, long to return.

    Nearly 300 images include outstanding bridges, courthouses, churches, homes, and buildings east of the Mississippi, many of them now demolished. In addition to honoring the past, these volumes issue a warning to preserve the places that define the American sense of place and identity.Numerous historical and preservation groups, including the National Trust for Historic Preservation, contributed photographs and drawings to this collection. Illustrations range from civic buildings such as post offices and prisons to structures associated with commerce and industry—banks, markets, mills, and carriage houses. Hotels, railway stations, parks, and opera houses offer fascinating glimpses of lost architectural grandeur. Each image is accompanied by a detailed caption, and this edition features a new preface by the author.

    Celebrating 200 years, this historic small town captures an era gone by in modern America.

    On the one hand sensual and warm, on the other rational yet rhythmic, Brazilian Modernism is the soulful alternative to its European parent, better known for theoretical rigor and cold precision. Using the modern materials of concrete and reinforced glass, as well as wood and steel, Brazilians brought to Modernism an unspoken philosophy that allowed for the free flow of nature and built forms, so that the one was not dominated by the other but rather embraced by it. The undulating and amorphous buildings of Oscar Niemeyer are perhaps the best known expressions of this philosophy, in which the typical straight line of Europe’s Modern home becomes a graceful arabesque. The story of the Brazil Modern house is a tradition, a great flowering of talents and vision and a revealing new experience of Modernism, that until now has not been properly documented. Casa Modernista is the first volume to comprehensively cover this extraordinary architecture. Within its pages is featured not only the work of Niemeyer, but also that of all the most important modern architects of this extremely rich, multifaceted nation, including Affonso Eduardo Reidy, Jorge Machado Moreira, Carlos Leao, Alvaro Vital Brazil, Paulo Mendes da Rocha, Joao Walter Toscano, and Abrahao Sanovicz.

    Application management software employs measurements of response times, and other component and resource interactions, to help manage the overall stability and usability of the software within its purview. This book, presented in three parts, is intended to take you from the first discussions about planning and assessing your monitoring needs, through the details and considerations of an APM technology implementation, and onto the types of skills, processes and competencies that you will need to be completely successful in the utilization of APM. And it is not simply a discussion of ideas for you to consider. The approach used is largely metrics-based. I have included the appropriate artifacts so that you may conduct these activities exactly the same as I would if I were working with you. My role as an APM practitioner is to guide stakeholders through every phase of the journey to APM excellence and the discussions in this book are taken directly from my presentations, engagement artifacts and training materials. In particular, I lead client teams through a comprehensive program of best practices that allow them to establish and staff an APM discipline.

    In pre-modern Europe, the architect built not just with imagination, brick and mortar, but with time, using vast quantities of duration to erect monumental buildings that otherwise would have been impossible. Not mere medieval muddling-through, this entailed a sophisticated set of norms and practices. Virtually all the great cathedrals of France and the rest of Europe were built under this regime, here given the name ‘Building-in-Time’. In particular, the major works of pre-modern Italy, from the Pisa cathedral group to the cathedrals of Milan,Venice and Siena, and from the monuments of fourteenth-century Florence to the new St Peter’s – the apotheosis of the practice – are thus cast in an entirely new light. Even as ‘Building-in-Time’ was flourishing, the fifteenth-century Italian architect Leon Battista Alberti proposed a new temporal regime whereby time would ideally be excluded from the making of architecture (‘Building-outside-Time’). Planning and building, which had formed one fluid, imbricated process, were to be sharply divided, and the change that always came with time excluded from architectural facture. Ironically, it was Brunelleschi, as creator of the cupola of Florence cathedral and one of the supreme practitioners of Building-in-Time, who was the lynchpin of Alberti’s turn to the arts in the mid-1430s. That he arrived in Florence just at the moment Brunelleschi’s dome was being completed was crucial to Alberti’s subsequent career in visual culture. Yet his relationship to Brunelleschi was conflicted; first praising and attaching himself to Brunelleschi, later Alberti silently sought to banish him from history’s central stage. In telling this story, Marvin Trachtenberg rewrites the history of medieval and Renaissance architecture in Italy and recasts the turn to modernity in new terms, those of temporality and its role in architectural theory and practice. Recovering this lost element of the deep architectural past allows us also to see the present in a new way: that temporality is not any neutral or secondary factor in modern architecture culture, but an epistemic condition that silently affects all production and experience of the built environment.

    These include the renovation of the Neues Museum in Berlin, the Liangzhu Museum in Hangzhou, China, Naga Museum in Sudan, private houses in Kensington, Blankenese (Germany), Deurle (The Netherlands) and Oxfordshire, and the Empire Riverside Hotel. With an extensive interview with Sir David Chipperfield and an essay on Chipperfield s work, both by Juan Antonio Cortés.

    It reads very easily, explaining why certain buildings and places speak to our hearts, thus illuminating many of our old assumptions about taste. Salingaros establishes, using biology, why traditional architecture is perceived intuitively by most people as more natural and life-affirming than modernist architecture. A deep malaise of contemporary society is tied to the shocking state of architecture and urbanism in our times, characterized by distorted buildings and unusable urban spaces. Salingaros is the archetypal deep thinker and punctures the pretenses of our most respected architecture critics. He is a charismatic teacher, and manages to explain seemingly inaccessible concepts such as fractals, scaling, the golden mean, cellular automata, genetic algorithms, and complexity in simple hand-drawn sketches. He has found a way to translate the complexities inherent in the design of our environment into imagery that even a general reader can understand. Twelve Lectures on Architecture includes an excellent introduction to Christopher Alexander’s recent and remarkable work on how biology and architecture intersect in humankind’s unconscious perceptions. This book has the importance to change the world because it goes into things that people should have thought about but haven’t. What They're Saying... "With Nikos as our guide, we see through the invisibility of the emperor’s new clothes, and we laugh (or cry) all the harder at the joke played on mankind by modern architecture.”— The Providence Journal “Salingaros is a charismatic teacher. The author presents mathematical concepts and computer technologies: fractals, cellular automata, genetic algorithms. He shows us the beauty of mathematics through its usage….Formulating his message through a broad spectrum of topics, Salingaros appears to be a true Renaissance figure.”— Jadwiga Zarnowiecka, professor and architect, Bialystok, Poland."This book is intended for students, yet I think it should be read by everyone who is interested in or works with the built environment. Those who teach urban planning do it for their own ego, not for people who are supposed to live there. The result is an architectural object for imaginary people."— Cristina Caramelo Gomes, professor and architect, Lisbon, Portugal

    Subjects covered include how to develop a program with a client; taking an idea from brief to project; types of visual presentation including drawings, models, and computer renderings; project planning andmanagement; the diverse roles within a company; and the future of architectural practice. This book is a must for anyone considering taking an architecture course or just beginning one.

    An essential means of understanding this sacred architecture is through the recognition of its role as an in-between place. Establishing the contexts, approaches and understandings of architecture through the lens of the mediating roles often performed by sacred architecture, this book offers the reader an extraordinary insight into the forces behind these extraordinary buildings.Written by a well-known expert in the field, the book draws on a unique range of cases, reflecting on these inspiring places, their continuing ontological significance and the lessons they can offer today. Fascinating reading for anyone interested in sacred architecture.

    

    Following the Civil War, Milwaukee's growth at the onset of the Industrial Era afforded the city a fanciful array of Victorian streetscapes. The 1890s followed with an era of ethnic architecture in which bold interpretations of German Renaissance Revival and Baroque designs paid homage to Milwaukee's overwhelming German population. At the turn of the century, Milwaukee's proximity to Chicago influenced the streetscape with classicized civic structures and skyscrapers designed by Chicago architects. World War I and the ensuing anti-German sentiment, as well as Prohibition, inevitably had adverse effects on "Brew City." By the 1920s, Milwaukee's architecture had assimilated to the national aesthetic, suburban development was on the rise, and architectural growth would soon be stunted by the Great Depression.

    First-time author Debra Shriver tells the compelling story of finding and restoring a beautiful and unique house in the French Quarter in the wake of Hurricane Katrina.

    As a concept, Emergence has captured the zeitgeist, embodying the pervasive cultural interest in genetics and biological sciences. In the sciences, Emergence is an explanation of how natural systems have evolved and maintained themselves, and it has also been applied to artificial intelligence, information systems, economics and climate studies. The potential of the mathematics of Emergence that underlie the complex systems of nature is now being realised by engineers and architects for the production of complex architectural forms and effects, in advanced manufacturing of 'smart' materials and processes, and in the innovative designs of active structures and responsive environments.The first book to provide a detailed exploration of the architectural and engineering consequences of this paradigm, and a detailed analysis of geometries, processes and systems to be incorporated into new methods of working. Sets out a new model of 'Metabolism' that uses natural systems and processes as a model far beyond the minimising environmental strategies of 'sustainability'. www.architectureofemergence.om

    Aided by diagrams Yorke explains construction techniques, including the infill, fittings and decorative panneling. He also includes some suggestions of representative buildings to visit.

    This book captures the spell cast by these superb sacred buildings in magnificent photographs and informative text. Additional churches of significance are included, as well, for a total of 240 wonderful examples of sacred Christian architecture dating from the medieval period to modern times.

    Originally (before the Thermostat Age) they had no choice but to build green, otherwise people would not survive very long. The Original Green aggregates and distributes the wisdom of sustainability through the operating system of living traditions, producing sustainable places in which it is meaningful to build sustainable buildings. Original Green sustainability is common-sense and plain-spoken, meaning "keeping things going in a healthy way long into an uncertain future." Sustainable places should be nourishable because if you cannot eat there, you cannot live there. They should be accessible because we need many ways to get around, especially walking and biking because those methods do not require fuel. They should be serviceable because we need to be able to get the basic services of life within walking distance. We also should be able to make a living where we are living if we choose to. They should be securable against rough spots in the uncertain future because if there is too much fear, the people will leave. Sustainable buildings should be lovable because if they cannot be loved, they will not last. They should be durable because if they cannot endure, they are not sustainable. The should be flexible because if they endure, they will need to be used for many uses over the centuries. They should be frugal because energy and resource hogs cannot be sustained in a healthy way long into an uncertain future.

    Retail spaces are at the forefront of contemporary interior design because they are updated regularly to stay competitive and appealing.This book examines brand and identity as a starting point for the design concept, and the relationship between the interior and its context, site and setting.It introduces ways of manipulating space and volume, exploring the spatial elements of ceilings, floors and walls, and investigating the notions of layout, circulation and pace. It also pays close attention to the effects of a building on the environment.This is a complete guide to creating retail spaces that entice, excite and enthral the consumer by creating an experience with which they can relate.

    Whether the living space is large or small, anyone can create a modern interior.Hundreds of photographs reveal stylish residences around the world, in particular from places where modern living has achieved its best expression, such as California, Brazil, Scandinavia, and Australia, but also from places where modern forms have been fused with vernacular styles or set against exotic vegetation. From desert to jungle, from city to country, Living Modern offers a boundless resource for achieving a personal vision of contemporary stylishness.

    When the mass-produced furniture of impersonal department stores reigned supreme, this boutique retailer dared to provide a learned yet unpretentious environment for sleek design. Today, Design Research's legacy can be seen in the showrooms of Crate & Barrel and Design Within Reach. Through interviews, anecdotes and lush photographs, Design Research documents the array of household objects and furniture introduced to the American home through the legendary store that made good design available to all.

    This revisionist study explores the history of modernist architecture in Greater Los Angeles from the early twentieth century to the 1970s, focusing on both its regional and international contexts. Thomas Hines critically analyzes the concepts of modernism and regionalism and begins his exploration by contrasting the turn-of-the-century Craftsman work of Charles and Henry Greene with the rationalist modernism of their contemporary Irving Gill and the expressionist modernism of Frank Lloyd Wright and his son Lloyd Wright. The book re-interprets the modernist variations of Wright’s disciple Rudolph Schindler and the International Style of his contemporary Richard Neutra, as well as of their followers: Gregory Ain, Raphael Soriano, and Harwell Harris. The minimalist Case Study House program is contrasted with the sensuous modernism of John Lautner and with the large-scale modernism of William Pereira and Welton Becket. Hines ends the book in the early 1970s, as modernism began to confront the challenge of the post-modernist critique. A personal epilogue reflects on the author’s exploration of Los Angeles modernism from the late 1960s to 2009.

    Trees are trained and sculpted until they epitomize the very best of the trees' tree-like qualities; the finest natural landscapes are reproduced in miniature; and the seasons are celebrated with spring blossom and the fiery leaves of autumn. This book showcases 28 of the finest examples. Gardens such as Katsura Rikyu exemplify stroll gardens: large, beautifully landscaped parks where a narrow, winding path leads visitors along the water's edge, over bridges and stepping stones, through groves of beautifully pruned trees, between artificial rolling hills and past tea houses and elaborate arrangements of rocks. While Alex Ramsay's photographs capture the gardens' beauty, Helena Attlee elegantly and informatively explains their composition, and the people and influences who made them. Words and pictures marry to make a most pleasing introduction to the gardens of Japan.

    This publication documents the social activity and history of the international architectural team and sheds light on its financing strategies, such as participatory building and projects devoted to infrastructure and transportation.

    Brown argues that as we try to minimize human-induced changes to the climate and reduce our dependence on fossil fuels-as some areas become warmer, some cooler, some wetter, and some drier, and all become more expensive to regulate-good microclimate design will become increasingly important. In the future, according to Brown, all designers will need to understand climatic issues and be able to respond to their challenges. Brown describes the effects that climate has on outdoor spaces-using vivid illustrations and examples-while providing practical tools that can be used in everyday design practice. The heart of the book is Brown's own design process, as he provides useful guidelines that lead designers clearly through the complexity of climate data, precedents, site assessment, microclimate modification, communication, design, and evaluation. Brown strikes an ideal balance of technical information, anecdotes, examples, and illustrations to keep the book engaging and accessible. His emphasis throughout is on creating microclimates that attend to the comfort, health, and well-being of people, animals, and plants. Design with Microclimate is a vital resource for students and practitioners in landscape architecture, architecture, planning, and urban design.

    The focus of the presentation is on the individual manuscripts of the architects and designers.

    Their work is best experienced through the senses. Tactility, expressed through an eloquence of craft, the use of textured materials, and the logical design of structural systems, gives their buildings a rightness within the landscape. In their hands, daylight becomes a building material. Small wall apertures, three-sided dormers, clerestories, and other details grab, bend, and thread sunlight from one end of their houses to the other. Full of light and atmosphere, the houses are the physical embodiment of the great Charles Moore's influential tenet that architecture is about enhancing a sense of place.Natural Houses presents seven of the Austin, Texas-based firm's exquisitely crafted projects. Precise and cool, with forms often derived from the American vernacular of barns and cottages, these are painstakingly crafted houses made from regionally appropriate and aesthetically timeless materials. Natural Houses presents a range of sites and residences—from a small cabin in the woods to a multibuilding camp. Sited on a cliff, the House Above Lake Austin uses terraces to descend its steeply hilly site. The building's simple materials celebrate thesite and climate not by drawing attention to themselves, but by blending in. The stone foundation is similarly tied to the natural stone of the mountain. Smooth plaster walls above the stone foundation appear to have been chiseled from the rock itself. In a deceptively simple boathouse the walls fold down to become impromptu diving platforms.Exceptional photography captures the light and atmosphere of each project setting and illustrates how the firm rigorously expresses the design concept through detailing and construction. An introduction by Rick Sundberg of Olson Sundberg Kundig Allen Architects and essays by Jen Renzi and Frederick Steiner chart the firm's evolution and influences.

    Photographs and illustrations detail the way in which companies accommodate creative activity through spaces that: stimulate, enable reflection, promote collaboration and encourage play. Easy-to-adopt principles assist the design, creation or selection of spaces that support creative endeavour. Never before has a title looked specifically at how the working environment fosters the flow of ideas from both practical and emotional perspectives - with business results. Each case study is extensively illustrated with new photography by Edward Denison and diagrams by Will Knight that detail activity.Behind-the-scenes interviews reveal insights that show what makes a space really work, while business metrics evidence the birth of ideas, breakthroughs and successes.Includes foreword by Ivy Ross, Executive Vice President of marketing for The Gap Brand at Gap, Inc.Featured companies:Aardman Animations, Ltd * Bloomberg LLC * DreamWorks Animation * Dyson * Electronic Arts * Google Inc * Hasbro * Innocent Drinks * Johnson & Johnson * The LEGO Group * Nike Inc * Oakley * Philips Design * Procter & Gamble * Sony Design * Sony Music * T-Mobile * Urban Outfitters * Virgin * Walt Disney Imagineering

    This is a painstakingly illustrated book about Hong Kong architecture, based around the experiences of Lau's own family. With pop-up shophouses, shantytowns and public housing estates, "Pop Up" is one of the most richly-imagined books about Hong Kong that we have seen.

    This book traces the history of New York's tallest structures from the late 19th century, when church spires ruled the skyline, through the 20th century, when a succession of amazing buildings soared to new heights. From the Flatiron and Woolworth Buildings to the Chrysler and Empire State Buildings, the skyscrapers of New York have long captured the imagination of people around the world.

    Here for the first time in three quarters of a century a series of comparative architectural details is reissued. Once appearing regularly in professional journals, worthy examples of similar building elements by leading architects were one of the most time-tested and fruitful means of improving the practice of architecture. Now for the first time ever, a rare and particularly useful series, one pairing drawn details with photographs of the built details, has been assembled from dozens of journal issues and bound into one volume. These crisply printed to-scale drawings and companion CD should prove indispensable in the drafting room and vital to the full practice of traditional architecture. 256 illustrations

    'Authentic Ecolodges' culls together the best lodges in the world and celebrates their visionary design.