Conceived as a handbook and teaching aid for artists, instructors, and students, this timeless book presents Albers’s unique ideas of color experimentation in a way that is valuable to specialists as well as to a larger audience.Originally published by Yale University Press in 1963 as a limited silkscreen edition with 150 color plates, Interaction of Color first appeared in paperback in 1971, featuring ten representative color studies chosen by Albers. The paperback has remained in print ever since and is one of the most influential resources on color for countless readers.This new paperback edition presents a significantly expanded selection of more than thirty color studies alongside Albers’s original unabridged text, demonstrating such principles as color relativity, intensity, and temperature; vibrating and vanishing boundaries; and the illusions of transparency and reversed grounds. Now available in a larger format and with enhanced production values, this expanded edition celebrates the unique authority of Albers’s contribution to color theory and brings the artist’s iconic study to an eager new generation of readers.

    They are the portal to connect with a world that resides beyond our imagination.We are drawn to supernatural stories and mysteries – they have the power to evoke curiosity and widen our perception.But the stories you’re about to uncover aren’t some spiritual mumbo jumbo… each one has a compelling truth attached to it supported by convincing evidence.In Ghost Stories, you’ll unearth a goldmine of haunting stories that will leave goosebumps from head to toe. Inside, you’ll discover: 20 bone-chilling ghost stories that will challenge your sanity and force you to question reality The story of the ghost who testified to a murder mystery The ghastly story of Taunton State Hospital – and what it’s infamous for What’s really hiding in the veins of the famous Roosevelt Hotel The frightening secret hiding in an innocent-looking doll The mystery behind the never-ending construction of the Winchester Mystery House The silent empire that exists beneath the streets of the ‘City of Love’ The dark chapter in the history of Cannock Chase Does science approve of paranormal activities – and does it matter?And so much more!A horror movie or book may scare the soul out of your body, but you at least have the relief that it’s all fiction. What’s more terrifying is when such stories have happened in real life… and make Stephen King’s stories look like lullabies.While these supernatural stories might seem fabricated, there's always some truth in them… and that’s what makes them more terrifying.There are powers in the cosmos that can’t be explained, but it doesn’t change the fact that there’s always an explanation – it depends on how willing you are to explore things further...

    Following the death of his world-renowned father, a great Israeli statesman, a young man finds himself confronting his father's legacy as he travels across Europe in search of his brother.

    An analysis of letter forms, from Garamond and Bembo to the design and manufacture of sans-serif and newspaper type.

    Guns, which lead to so much death, work exactly as they’re designed to work. And every time we “improve” their design, they get better at killing. Facebook’s privacy settings, which have outed gay teens to their conservative parents, are working exactly as designed. Their “real names” iniative, which makes it easier for stalkers to re-find their victims, is working exactly as designed. Twitter’s toxicity and lack of civil discourse is working exactly as it’s designed to work.The world is working exactly as designed. And it’s not working very well. Which means we need to do a better job of designing it. Design is a craft with an amazing amount of power. The power to choose. The power to influence. As designers, we need to see ourselves as gatekeepers of what we are bringing into the world, and what we choose not to bring into the world. Design is a craft with responsibility. The responsibility to help create a better world for all.Design is also a craft with a lot of blood on its hands. Every cigarette ad is on us. Every gun is on us. Every ballot that a voter cannot understand is on us. Every time social network’s interface allows a stalker to find their victim, that’s on us. The monsters we unleash into the world will carry your name.This book will make you see that design is a political act. What we choose to design is a political act. Who we choose to work for is a political act. Who we choose to work with is a political act. And, most importantly, the people we’ve excluded from these decisions is the biggest (and stupidest) political act we’ve made as a society.If you’re a designer, this book might make you angry. It should make you angry. But it will also give you the tools you need to make better decisions. You will learn how to evaluate the potential benefits and harm of what you’re working on. You’ll learn how to present your concerns. You’ll learn the importance of building and working with diverse teams who can approach problems from multiple points-of-view. You’ll learn how to make a case using data and good storytelling. You’ll learn to say NO in a way that’ll make people listen. But mostly, this book will fill you with the confidence to do the job the way you always wanted to be able to do it. This book will help you understand your responsibilities.

    

     This novella collection features all four of the Quincy Harker, Demon Hunter books that make up Year Four - She Talks to Angels Shout at the Devil Angel of Harlem Sympathy for the Devil She Talks to Angels - She's part Harley Quinn and part Wynona Earp. She's the granddaughter of the greatest vampire hunter who ever lived. She's part of The Shadow Council, a secret group of people working to save the world. She's Gabriella Van Helsing, and she's going to blow some crap up. In the fifth part of the Quincy Harker crossover series, Gabby helps hunt down a rogue archangel in St. Louis, learning more about herself, about history, and about that cute doctor's son than she expected when she took the gig. The fate of the world is in her hands, and now this non-magical woman from Chicago has to suit up and play in the metaphysical big leagues to hunt down The Voice of God and keep the Midwest from becoming Ground Zero for the Apocalypse! Shout at the Devil - For the past year, Quincy Harker and the Shadow Council have been hurtling toward a climactic confrontation with Lucifer for the fate of the world. That final battle moves ever nearer as Harker learns of the murder of an old friend in San Francisco. He puts his quest on hold to find his friend's killer, but when he gets to the City by the Bay, he finds that his two cases are irrevocably entwined and leading to a cataclysmic confrontation that may leave all of San Francisco a smoking ruin! Ah crap, aren't angels supposed to be the good guys? Well, nothing is ever easy with Harker and the gang! Angel of Harlem - The Quest for Glory rushes toward its conclusion as Quincy Harker steps in for a missing Shadow Council member and goes to New York City to find the last Archangel. But when pieces of his past come back to haunt him, Quincy Harker must face feelings long buried and horrors brand new when the Big Apple and a band of angry demons try to take a bite out of him! Sympathy for the Devil - t's been a two-year quest that has spanned the continent, and now Quincy Harker, Charlotte, NC's favorite (and only) Demon Hunter is crossing dimensions to do battle with Lucifer and restore his Guardian Angel Glory's divinity. Harker and his band of merry angels, monsters, and humans set off to keep Lucifer from re-starting the War on Heaven, but things go sideways right from the jump. How will Harker navigate the tortures and temptations of Hell to save his friend and the world? Can Harker keep himself together in the face of everything Lucifer and his minions will throw at him? Is he really hero enough to stand toe to toe with the Devil himself and come out alive? Or will he fall prey to the "man of wealth and taste?"

    We're rebelling against technology that's too complicated, DVD players with too many menus, and software accompanied by 75-megabyte "read me" manuals. The iPod's clean gadgetry has made simplicity hip. But sometimes we find ourselves caught up in the simplicity paradox: we want something that's simple and easy to use, but also does all the complex things we might ever want it to do. In The Laws of Simplicity, John Maeda offers ten laws for balancing simplicity and complexity in business, technology, and design—guidelines for needing less and actually getting more.Maeda—a professor in MIT's Media Lab and a world-renowned graphic designer—explores the question of how we can redefine the notion of "improved" so that it doesn't always mean something more, something added on.Maeda's first law of simplicity is "Reduce." It's not necessarily beneficial to add technology features just because we can. And the features that we do have must be organized (Law 2) in a sensible hierarchy so users aren't distracted by features and functions they don't need. But simplicity is not less just for the sake of less. Skip ahead to Law 9: "Failure: Accept the fact that some things can never be made simple." Maeda's concise guide to simplicity in the digital age shows us how this idea can be a cornerstone of organizations and their products—how it can drive both business and technology. We can learn to simplify without sacrificing comfort and meaning, and we can achieve the balance described in Law 10. This law, which Maeda calls "The One," tells us: "Simplicity is about subtracting the obvious, and adding the meaningful."

    The subject is presented, not as a foreign language, but as a native one that the student knows but cannot yet read.Responding to the need she so clearly perceives, Ms. Dondis, a designer and teacher of broad experience, has provided a beginning text for art and design students and a basic text for all other students; those who do not intend to become artists or designers but who need to acquire the essential skills of understanding visual communication at a time when so much information is being studied and transmitted in non-verbal modes, especially through photography and film. Understanding through seeing only seems to be an obviously intuitive process. Actually, developing the visual sense is something like learning a language, with its own special alphabet, lexicon, and syntax. People find it necessary to be verbally literate whether they are writers: or not; they should find it equally necessary to be visually literate, artists or not. This primer is designed to teach students the interconnected arts of visual communication. The subject is presented, not as a foreign language, but as a native one that the student knows but cannot yet read. The analogy provides a useful teaching method, in part because it is not overworked or too rigorously applied. This method of learning to see and read visual data has already been proved in practice, in settings ranging from Harlem to suburbia. Appropriately, the book makes some of its most telling points through visual means. Numerous illustrated examples are employed to clarify the basic elements of design (teach an alphabet), to show how they are used in simple syntactic combinations (See Jane run.), and finally, to present the meaningful synthesis of visual information that is a finished work of art (the apprehension of poetry...).

    But David Airey’s “Logo Design Love” is something different: it’s a guide for designers (and clients) who want to understand what this mysterious business is all about. Written in reader-friendly, concise language, with a minimum of designer jargon, Airey gives a surprisingly clear explanation of the process, using a wide assortment of real-life examples to support his points. Anyone involved in creating visual identities, or wanting to learn how to go about it, will find this book invaluable. - Tom Geismar, Chermayeff & GeismarIn Logo Design Love, Irish graphic designer David Airey brings the best parts of his wildly popular blog of the same name to the printed page. Just as in the blog, David fills each page of this simple, modern-looking book with gorgeous logos and real world anecdotes that illustrate best practices for designing brand identity systems that last. David not only shares his experiences working with clients, including sketches and final results of his successful designs, but uses the work of many well-known designers to explain why well-crafted brand identity systems are important, how to create iconic logos, and how to best work with clients to achieve success as a designer. Contributors include Gerard Huerta, who designed the logos for Time magazine and Waldenbooks; Lindon Leader, who created the current FedEx brand identity system as well as the CIGNA logo; and many more. Readers will learn:• Why one logo is more effective than another• How to create their own iconic designs• What sets some designers above the rest• Best practices for working with clients• 25 practical design tips for creating logos that last

    This book contains the entire series: Outbreak, Integration, Invasion, War and SurviveA mysterious virus emerges after a meteor lands near a remote village in Peru. Authorities brought in to investigate discover the horrific virus, not only kills, but it reanimates its victims, turning them into the walking dead.Believing they have contained the outbreak, samples of the contagion are brought to the United States via infected military and other victims. The virus breaks boundaries and the infection spreads initiating the ground invasion of the War against the Undead.The war begins as the numbers of the undead increase and civil unrest begins. The fate of the world hangs in the balance as it is not only man against the undead, but man against man.

    Gelb identified seven aspects of Da Vinci's genius that contemporary readers can emulate and apply in their own lives. Now, in WORK LIKE DA VINCI, Gelb adapts these principles to the specific demands of the workplace, sharing the innovative solutions to contemporary corporate and career challenges that have kept him in constant demand as a top-tier speaker and consultant to Fortune 500 clients. In Gelb's expert perspective, Da Vinci's genius can be distilled into seven principles for the business listener: Ask the right questions (Curiosit�) Put your answers to work (Dimostrazione) Develop your business senses (Sensazione) Turn uncertainty into opportunity (Sfumato) Strike a profitable balance (Arte/Scienza) Integrate for success (Corporalit�) Make the break-through connection (Connessione) These principles will help you tackle such timeless business challenges as: leadership; innovation; teamwork; strategic planning; decision-making; managing change and uncertainty; giving powerful presentations; giving and receiving feedback; and more.

    However, nothing good comes without a price. Will learns that with the good, comes the bad. How much is Will prepared to pay for the answers that he seeks?

    Broken into sections covering the fundamental elements of design, key works by acclaimed designers serve to illustrate technical points and encourage readers to try out new ideas. Themes covered include form, narrative, color, type and image, ornament, simplicity, and wit and humour. The result is an instantly accessible and easy to understand guide to graphic design using professional techniques.

    How does design help choose our leaders?Why do we"really"have an environmental crisis?How can accessible design broaden your audience?Why does the U.S. economy now struggle to compete?How has design thinking added to the bottom line of the world s most valuable companies? Design matters. As it never has before. Design creates so much of what we see, what we use, and what we experience. In a time of unprecedented environmental, social, and economic crises, designers must now choose what their young profession will be about: deploying weapons of mass deception or helping repair the world. "Do Good Design"is a call to action: This book alerts us to the role design plays in persuading global audiences to fulfill invented needs. The book then outlines a sustainable approach to both the practice and the consumption of design. All professionals will be inspired by the message of how we can feel better and do better while holding onto our principles. In a time when anything has become possible, design thinking offers a way forward for us all. What will you do? "