Its roots stem from a heady blend of horror movies, heavy metal music, Satanism, Paganism, and adolescent angst. In the early-mid 1990s, members of this extremist underground committed murder, burned down medieval wooden churches, and desecrated graveyards. What started as juvenile frenzy came to symbolize the start of a war against Christianity, a return to the worship of the ancient Norse gods, and the complete rejection of mainstream society.

    From how to look at works by great masters to explaining key movements, styles, and techniques, this monumental book is the quintessential visual guide to more than 2,500 of the world's most revered paintings and sculptures.DK

    Reissue of the collectible Charley Harper classic, which pairs his beautiful paintings with poetic commentary.

    With Emmy award-winning, longtime PBS host Mark Kistler as your guide, you'll learn the secrets of sophisticated three-dimensional renderings, and have fun along the way -- in just twenty minutes a day for a month. Inside you'll find:Quick and easy step-by-step instructions for drawing everything from simple spheres to apples, trees, buildings, and the human hand and faceMore than 500 line drawings, illustrating each stepTime-tested tips, techniques, and tutorials for drawing in 3-DThe 9 Fundamental Laws of Drawing to create the illusion of depth in any drawing75 student examples to encourage you in the process

    This is the book Haring wanted to make, based on the outline of a monograph that was never completed due to his untimely death in 1989.

    During the heyday of the American circus from the mid-1800s to mid-1900s, traveling circuses performed for audiences of up to 12,000-14,000 per show, employed as many as 1,600 men and women, and crisscrossed the country on 20,000 miles of railroad in one season alone. The spectacle of death-defying daredevils, strapping super-heroes and scantily-clad starlets, fearless animal trainers, and startling freaks gripped the American imagination, outshining theater, vaudeville, comedy, and minstrel shows of its day, and ultimately paved the way for film and television to take root in the modern era. Long before the Beat generation made ""on the road"" expeditions popular, the circus personified the experience and offered many young Americans the dream of adventure, reinvention, excitement, and glamour.

    The art will be displayed in its full glory with all the notes, flaws, and hole punches that were so much a part of the story development process. Featuring the best examples-many never published before-as well as some pieces by unidentified artists-Story will be the must-have art book for collectors, artists, and Disney fans.

    And we need constant reminders to keep us on the right path.With the support of his clients, Sagmeister transformed these sentences into typographic works, from billboards in France to sign-toting inflatable monkeys on the streets of Scotland. Accompanied by essays from design historian Steven Heller, Guggenheim chief curator Nancy Spector, and UK psychologist Daniel Nettle, as well as Sagmeister's own words, the series is revealed as a complex blend of personal revelation, art, and design--an eclectic mix of visual audacity and sound advice.This book consists of 15 unbound signatures in a laser-cut slipcase. Shuffling the sequence of the signatures will produce 15 different covers.

    Gary Panter has been one of the most influential figures in visual culture since the mid-1970s. From his era-defining punk graphics to his cartoon icon Jimbo to his visionary design for "Pee-wee's Playhouse," he has left his mark on every medium he's touched. Working in close collaboration with the artist, PictureBox has assembled the definitive volume on Panter's work from the early 1970s to the present. This monumental, slipcased set is split into two 350-page volumes. The first is a comprehensive monograph featuring over 700 images of paintings, drawings, sculptures, posters and comics, alongside essays by Robert Storr, Mike Kelley, Richard Klein, Richard Gehr, Karrie Jacobs and Byron Coley, as well a substantial commentary by the artist himself. The second volume features a selection from Panter's sketchbooks--the site of some of his most audacious work--most of which has never been published in any form.A three-time Emmy Award-winner for his production design on "Pee-wee's Playhouse" and the recipient of the 2000 Chrysler Award for Design Excellence, graphic artist Gary Panter has drawn inspiration from diverse vernacular and traditional art arenas over the course of the past four decades. Closely associated with the underground comics and music scenes on both coasts, he is responsible for designing the Screamers iconic 1970s poster, many record covers for Frank Zappa, the Red Hot Chili Peppers and The Residents and the ongoing comic character Jimbo. Most recently Panter has performed psychedelic light shows at the Hirshhorn Museum in Washington, D.C. and at New York's Anthology Film Archives. He was a featured artist in the major 2006-2007 touring exhibition, "Masters of American Comics."

    One of the masters of modern European painting, he helped found the popular Viennese Secession, or Art Nouveau, movement. This lushly illustrated volume explores his fascinating artistic career, covering Vienna at the time of Klimt’s creative peak. With more than 300 beautifully reproduced pictures, paintings, and photographs, it presents Klimt’s entire artistic production: posters for exhibitions, erotic drawings, and pictorial masterpieces such as The Kiss, Death and Life, and Tree of Life, along with countless portraits such as the famous Adele Bloch-Bauer I.

    It is rather Kenya Haras attempt to explore the essence of White, which he sees as being closely related to the origin of Japanese aesthetics – symbolising simplicity and subtlety. The central concepts discussed by Kenya Hara in this publication are emptiness and the absolute void. Kenya Hara also sees his work as a designer as a form of communication. Good communication has the distinction of being able to listen to each other, rather than to press one's opinion onto the opponent. Kenya Hara compares this form of communication with an “empty container”. In visual communication, there are equally signals whose signification is limited, as well as signals or symbols such as the cross or the red circle on the Japanese flag, which – like an “empty container” – permit every signification and do not limit imagination. Not alone the fact that the Japanese character for white forms a radical of the character for emptiness has prompted him the closely associate the color white with emptiness.

    Showcasing fascinating examples from 15 nations, this collection of more than 1,500 exemplary designs is a must-have for film buffs, design and poster aficionados alike. The posters are organized by country of origin, offering an intriguing glimpse into each region's unique visual sensibility and sometimes unexpected takes on familiar films. Gathered from the renowned collection of the Posteritati Gallery in New Yorkone of the largest holdings of international film posters in the worldthis volume is the definitive survey of both film and popular graphic art in the modern era.

    But nothing equals Noah’s incredibly beautiful, odd, and often humorous pieces: they’re made from an astounding variety of materials, from toothpaste to melted candle wax, from tea leaves to plastic straws. One is even carved into a watermelon! (Yes, it was eaten.)Each of the 150 skulls shown is accompanied by a brief description and fun anecdotal stories. As a bonus, there are four skull projects to make. Irresistibly merging pop, Internet, and craft culture, this fantastic collection provides an inspiring example of how to find creative potential in every aspect of daily life.

    This book focuses on graphic materials such as typefaces, logos, posters, advertisements, children's books, flags, and medals. It also explores the meaning of color systems.

    It goes without saying that the book is suited for the classroom, but every design studio will also find this manual an asset, because in spite of the ascendancy of the computer, hand-drawn sketches are still a very much used.

    The 84-page guidebook offers insights for living, and guidance on using the oracle cards.

    Proving everyday found objects--staples, rivets, fibers, resins--can be used to make beautiful jewelry, sculpture, or mixed media, this guide explains how to craft original works with just about anything. Each chapter offers a new technique with a different attaching method along with descriptive sketches showing the connecting layers. This handy crafter's resource showcases a gallery of 23 top jewelry artists and offers insights, philosophies, and techniques as well as pages of creative musings and stunning photos of marionettes and jewelry.

    Bilal eventually made it to the United States to become a professor and a successful artist, but when his brother was killed at a checkpoint in Iraq in 2005, he decided to use his art to confront those in the comfort zone with the realities of life in a conflict zone.Thus the creation and staging of “Domestic Tension,” an unsettling interactive performance piece: for one month, Bilal lived alone in a prison cell-sized room in the line of fire of a remote-controlled paintball gun and a camera that connected him to Internet viewers around the world. Visitors to the gallery and a virtual audience that grew by the thousands could shoot at him twenty-four hours a day. The project received overwhelming worldwide attention, garnering the praise of the Chicago Tribune, which called it “one of the sharpest works of political art to be seen in a long time,” and Newsweek’s assessment “breath taking.” It spawned provocative online debates, and ultimately, Bilal was awarded the Chicago Tribune’s Artist of the Year Award.Structured in two parallel narratives, the story of Bilal’s life journey and his “Domestic Tension” experience, this first-person account is supplemented with comments on the history and current political situation in Iraq and the context of “Domestic Tension” within the art world, including interviews with art scholars such as Dean of the School of Art at Columbia University, Carol Becker, who also contributes the introduction. Shoot an Iraqi is equally pertinent reading for those who seek insight into the current conflict in Iraq and for those fascinated by interactive art technologies and the ever-expanding world of online gaming.

    His Romantic style, full of drama, imagination and verve, remains unparalleled.This sumptuously produced edition presents Doré’s finest works alongside carefully chosen excerpts from the texts they illustrate. Each section covers a different project, and provides detailed introductory text to both the literary work and the illustrations. Containing over 180 unforgettable images, this volume will bring hours of enjoyment.

    They illustrate the author's commitment to the fundamental idea that drawing is not simply a way to represent reality, but a way to understand and experience the world.

    This volume, the first in a new contemporary architecture series, presents his manifesto for architecture and in so doing showcases the architect's works and projects to date. Recently realized buildings, such as the T-House' and House O' are presented alongside designs, sketches and models of unrealized works and competition entries.

    Posters for the People presents these works for what they truly are: highly accomplished and powerful examples of American art. All are iconic and eye-catching, some are humorous and educational, and many combine modern art trends with commercial techniques of advertising. More than 100 posters have never been published or catalogued in federal records; they are included here to ensure their place in the history of American art and graphic design.   The story of these posters is a fascinating journey, capturing the complex objectives of President Franklin Roosevelt’s New Deal reform program. Through their distinct imagery and clear and simple messages, the WPA posters provide a snapshot of an important era when the U.S. government employed hundreds of artists to create millions of posters promoting positive social ideals and programs and a uniquely American way of life. The resulting artworks now form a significant historical record. More than a mere conveyor of government information, they stand as timeless images of beauty and artistic accomplishment.

    The Typographic Desk Reference (aka TDR) is comprised of a thousand facts on the form of Latin-based writing systems. The book includes the following four main sections: Terms - Definitions of format, measurements, practice, standards, tools, and industry lingo; Glyphs -The list of standard ISO and extended Latin characters, symbols, diacritics, marks, and various forms of typographic furniture; Anatomy & Form - Letter stroke parts and the variations of impression and space used in Latin-based writing systems; and Classification & Specimens - An historical line with examples of form from blackletter to contemporary sans serif types. Designed for quick consultation, entries are concise and factual, making it handy for the desk. Its foreword is written by Ellen Lupton.

    The gifted artists come from across the globe—including Africa, Asia, Europe, and North America—and their work displays their varying sensibilities, backgrounds, and talents.Abstract appliquéd shapes cascade across the surface of Ita Ziv’s brilliantly colored quilts, creating vibrant celebrations of life. Noriko Endo captures her deep feeling for trees in a stunning interplay of light, shadow, and leaves. Gloves appear in nearly every quilt by Jane Burch Cochran, representing probing hands and, sometimes, angel wings. John Lefelhocz’s fantastic imagery—including an airplane silhouette that lights up—grabs viewers’ attention.Esteemed curator Martha Sielman, executive director of Studio Art Quilt Associates, contributes an illuminating essay for each of the 40 featured artists, who are showcased in 8- to 10-page features. The best-selling Masters: Art Quilts stands all on its own as a coffee-table keepsake volume or with the follow-up book Masters: Art Quilts, Vol. 2 as a truly irreplaceable set to cherish for a lifetime.

    While patterns have been around forever, there'sa recent movement, a tendency among designers, to allow patterns to animate their work with colorful and exuberant complexity. Over and Over: A Catalog of Hand-Drawn Patterns collects groundbreaking work from fifty of today's most talented designers who create patterns by hand and use them in their work in inventive and innovative ways. From Deanne Cheuk's patterns that adorn current fashion to those of Robin Cameron that explore her interest in art to Garrett Morin's patterns that arose from an exercise for a character called Eloie, the examples in this book push the boundaries of the traditional concept of what a pattern is. The selected works are often not an end result but the beginning of something else, of something bigger and broader. While the computer is sometimes involved in the production of patterns, the hand-drawn element is always evident in the uniqueness of these works. Featuring more than 250 vibrant and exciting patterns, Over and Over explores this magic on every single page and will inspire designers everywhere.

    In this brilliantly illustrated  survey, edited by a leading Waterhouse scholar, the painter's seductive vision of femininity is captured in sumptuous reproductions and illuminated by an engaging and informative text.Published to accompany an important exhibition of the artist's work, the book explores Waterhouse's creative responses to such contemporary concerns as medievalism, the classical tradition, and spiritualism. A comprehensive examination of his life and work, including his well-known painting The Lady of Shallott, this volume explores also the artist's connection to the Pre-Raphaelite Brotherhood and his engagement with French art of the period.

    Twenty-six illustrated charts track how spoken languages developed into written alphabets.

    This heartfelt Disney computer-animated film follows Bolt on a cross country journey as he learns his entire life has been fake and discovers he doesn’t need super powers to be a hero.The Art of Bolt is a beautiful collection of more than 250 pieces of concept art created for the film, including storyboards, sketches, color scripts, full-color illustrations, as well as material from the fabled Disney archives. Quotes by the director, producer, and artists contextualize the art, and thoughtful essays explore Disney’s past, present, and future in animation.

    Formed by Storm Thorgerson and Aubrey Powell in London in 1968 (with the addition of Throbbing Gristle's Peter Christopherson in 1974), Hipgnosis specialized in creative photography for the music business, making classic album covers for bands and musicians like Pink Floyd, Led Zeppelin, Electric Light Orchestra, Genesis, 10cc, Yes, Peter Gabriel, The Gods, Black Sabbath, Rainbow, Paul McCartney, Syd Barrett, Scorpions and Styx, among others. Over the course of its 15 year existence, Hipgnosis produced timeless rock iconography--everybody knows at least one Hipgnosis cover, thanks to Pink Floyd's Dark Side of the Moon. The firm's inventive takes on the themes or titles of any given album opened up a new visual language in album cover art, one in which theatrical tableaux, trick photography and logo design played notable roles. For the Love of Vinyl is the first book to survey Storm and Powell's output in detail, focusing on more than 60 package designs--from cover to label--described with entertaining detail by the team who created them. Also included are short essays by musicians (such as Pink Floyd's Nick Mason and artists (British Pop artist Peter Blake) and fellow designers (Paula Scher) on their favorite Hipgnosis covers, as well as previously unseen photographs and ephemera. Complementing all this material is a lengthy critical-historical text examining Hipgnosis and its legacy. For the Love of Vinyl is the rock book of 2008. Storm Thorgerson and Aubrey Powell are award-winning graphic designers and the founders of Hipgnosis.

    I'm so glad he was with us throughout the madness: in his evocative and stylish photos he captured those moments as no other photographer could." - Elton John Elton John and iconic photographer Terry O'Neill worked together for many years, taking in excess of 5,000 photographs. From intimate backstage shots to huge stadium concerts, the photographs in this book represent the very best of this archive, with most of the images being shown here for the first time.O'Neill has drawn on his personal relationship with Elton John to write the book's introduction and captions.

    Led by renowned Danish-Icelandic artist Olafur Eliasson, it functions as an interdisciplinary space, generating fresh dialogues between art and its surroundings. This rich sourcebook enables the reader to delve into the corners and crevices of the Studio's diverse projects. The key concepts behind the works are presented alphabetically, and unfold in the course of short conversations with the artist. The majority of Eliasson's thought-provoking installations, photographs, sculptures, and architectural projects to date is included, with additional material focusing on the research processes at Studio Olafur Eliasson. The introduction is provided by the noted art historian Philip Ursprung, who also participates in the conversations.

    From the ultra-hot Colette fashion concept store to Tom Ford's secret hideaway to Hemingway's favorite brasserie, all of the best insider tips are gathered together between these covers so that when you hop out from under yours, you'll have plenty of exciting things on your agenda.

    None are as swift. Its unmatched fleetness is key to the breed’s longtime survival. Bred to hunt, the greyhound has a lineage extending back 8,000 years. Throughout their history, greyhounds have been the companions of kings and an inspiration to writers and artists alike.Today hundreds of young and healthy purebred greyhounds that do not make the grade on U.S. racetracks are in need of adoptive homes. Through the efforts of hundreds of greyhound-adoption groups, more than 20,000 former racing dogs are adopted into loving homes each year. With greater exposure of the breed, and greater awareness of their plight, all of these dogs can be placed after their tenure on the track and the breeding farms is over.The otherworldly beauty, quiet grace, and loving disposition of the retired racing greyhound were Barbara Karant’s inspiration for Greyhounds. By photographing her subjects against a pristine white background, she captures the dogs’ indomitable spirit—their spunk, humor, mystery, and charm. Karant’s gloriously expressive pictures, along with evocative texts by Alice Sebold and other writers, make this book a wonderful gift for anyone who has ever shared his or her life with a dog.

    Visions of Paradise is the magnificent result of their work. Through breathtaking images from across the globe, and stories as exquisite as the glance of a leopard seal, these men and women share the places they have personally found to be Heaven on Earth. Explore stunning re-naturalized habitats in New Zealand with Brian Skerry, share the thrilling sight of an undiscovered waterfall with Stephen Alvarez, enjoy the refreshing cover of a Congo jungle with Nick Nichols, and spot the most beautiful butterfly in Borneo with Tim Laman—to name just a few. Swim with penguins beneath Antarctic ice, rest on a leaf with a dragonfly, follow the tracks of dinosaurs…and know, that every beautiful sight that meets your eyes is a precious paradise worth preserving a special place that feels like Heaven on Earth.Visions of Paradise is the next bestselling gift photography book in the tradition of National Geographic’s Through the Lens, In Focus, Wide Angle, and Work. Surprising, life-affirming, and visually breathtaking, Visions of Paradise is for everyone who enjoys great photography and values the stunning natural wonder and diversity of our Earth.

    Their historical authenticity, combined with their startling realism, caused an overnight sensation when they were first shown in France in 1998 as “papiers à la mode.” Since then, the dynamic, light-hearted collection has traveled all over the world to critical and popular acclaim. Paper Illusions does full justice to De Borchgrave’s magical workshop, where paper is cut, folded, and painted on the way to being transformed into shimmering visions of beautiful clothing and luxurious living.  In Rene Stoeltie’s vivid photographs, figures from the history of style seem to breathe in atmospheric rooms, while details of color, pattern, and form jump off the page. It is a publishing event of unprecedented creativity, wit, and elegance.

    He draws inspiration from his older brother's struggle with schizophrenia. "...From my hands, my mission: To free the oppressed; to champion the persecuted, and the submissive; to liberate through revelation the actualized Self in those proposed by some to have no self at all. It's in every single one of us, somewhere underneath that word on our chest. In my hands, my version: All art is political in some sense, be it through conformity, reflection, propaganda or rebellion. My paintings are rallies and trials, photographs of a moment when Truth was made public, and Mercy known. Question why a villain is villainized, a victim martyred. Ask why a group is demonized, and the motives for control. See for yourself what the truth looks like in your hands. Dig it up and hold it for a while. This work you see, it's my Truth. But please don't take my word for it." "Minneapolis artist Chris Mars is living proof that F. Scott Fitzgerald was dead wrong when he said there are no second acts in American lives. Though famous in the 1980s as the drummer for alt-rock heroes The Replacements, Mars eventually left the music world behind entirely to focus on the visual arts, now specializing in stunningly evocative, macabre portraits." -The Onion A.V. Club.

    Bucher and you're looking at a collection of my monsters.For 100 days, I filmed myself putting a few drops of ink on a piece of paper each day and transforming the resulting blot into a new monster. Every night I posted the result on my website dailymonster.com and stood back in wonder as visitors from all over the world told me the amazing stories behind each creature.WHAT'S INSIDE THIS BOOK? 100 Daily Monsters 257 of my favorite monster stories 1 DVD featuring all 100 Daily Monster video clips, 701 bonus comments and stories, one Real Time Monster, a special video message from yours truly, and 10 Open Source Ink Blots that let you make your own Daily Monsters. GO AHEAD! TAKE A LOOK INSIDE!The monsters aren't going to bite...Well ... hang on ... they actually might. But I made sure they all had their rabies shots before I sent the book to print. Just look out for Monsters 44 and 57. And for No.79. He just gets too excited. And No.82. He's got a circular saw for a hand, and he's off his medication. Other than that you should be fine!

    This book departs from such traditional interpretations of the infamous queen’s reign and chooses to reflect on the humanistic aspects of her private realm. To escape the formalities and royal obligations of Louis XVI’s court, Marie-Antoinette created a private realm of pleasure for herself at the Petit Trianon and Hameau, where she planted the first Anglo-Chinese garden; created a trysting grotto; a working farm; and revolutionized architecture and gardening trends for the century to come. Marie-Antoinette’s entire private domain and its story are told in beautiful photographic detail by François Halard for the first time since its recent restoration and accompanied by well-researched texts by garden expert Christian Duvernois.

    Questioning how design can improve daily lives, editors Bryan Bell and Katie Wakeford map an emerging geography of architectural activism--or -public-interest architecture---that might function akin to public-interest law or medicine by expanding architecture's all too often elite client base. With 30 essays by practicing architects and designers, urban and community planners, historians, landscape architects, environmental designers and members of other fields, this volume presents recent work from around the world that illustrates the ways in which design can address issues of social justice.

    Internationally renowned watercolor artist David Curtis’s comprehensive handbook offers expert guidance on harnessing the power of this medium to produce striking landscapes, portraits, and scenes. Curtis shares his methods for painting on location and in the studio, with sections devoted to selecting materials, developing ideas, choosing subjects and colors, and interpreting light effects. A generous selection of his atmospheric sketches, studies, and finished paintings—more than 100—accompany in-depth instructions for each technique, along with invaluable bits of practical wisdom garnered from years of experience.

    This is a long overdue career retrospective of a true originator, who created the look of an era.

    Especially now, it's worth taking a look at the region's creativity. Young designers are just beginning to chart their own compelling course between local visual convention and a modern, international style. Arabesque investigates the creative potential of the Arab World and Iran. This book features examples of recent innovative and groundbreaking design work that is inspired by the richness of the region's visual culture. Given the important role of calligraphy in the Middle East, Arabesque focuses on typography. The book presents a wide range of Arabic fonts and typefaces inspired by traditional calligraphy; these are accompanied by a rich selection of applications. Further examples of design and graffiti serve as powerful demonstrations of how text can be used illustratively. This work is particularly relevant to those now creating street art and poster design. Arabesque also features graphic design, logos and illustration by young designers and activists from Egypt, Iran, Saudi Arabia and the United Arab Emirates, which is complemented by selected projects by Western designers, who are strongly influenced by Arab culture. Regardless of the location and ancestry of their creators, all of the examples included in Arabesque combine modern design with the traditional, letter-based canon of Arab forms in striking ways. Supplemental texts describe the environments in which the featured designers and artists work. Arabesque also includes a CD-ROM that features a typeface created by the book's editors, Ben Wittner and Sascha Thoma.

    Far from it! The book has not only survived, but ???????????? as tactile qualities have gained significance in our increasingly digital world ???????????? there is also more unhindered experimentation with bound paper pages now than ever before. The materiality of the medium can give sensual emphasis to complex visual and textual content or appreciate its value. Some content isn't even apparent until it takes the form of a real object ???????????? the printed book. Fully Booked is devoted to current cover and book design. It presents material from printed publications that succeed in striking a crucial balance ???????????? between the market's demands for availability, legibility and durability on the one hand and sophisticated visual and content design on the other. By featuring projects in this experimental field that combine enormous creativity with skilled craftsmanship, Fully Booked also reveals trends in today's graphic design. In addition, Fully Booked presents a choice selection of artist books. Created by hand and printed in limited editions, these publications push the boundaries of conventional book design. Its range of inspiring examples not only makes Fully Booked a must-have for graphic designers, book creators and publishers, but also for every book lover.

    Providing multiple palette possibilities for every project, this complete collection is an indispensable tool for designers, illustrators, photographers, crafters, fine artists and others.Each color palette includes a swatch, an example of the colors used in a design, and accurate CMYK and RGB formulas, making it easy for you to find appropriate colors and implement them immediately. The palettes in Color Index are divided into categories based on the moods they evoke, while the palettes in Color Index 2 are based on color families. No matter your preferred method for searching, you'll be able to easily reference hundreds of hues at a glance.

    This comprehensive exploration of their work includes an interview with the designers, a detailed biography and texts on each collection.

    Schneer, author of the Amazing Stories novelization of 20 Million Miles to Earth Henry Slesar, and many others, some of whom have since passed away.PLUS- Animation stills, live action/production photos, and "behind-the-scenes" candids Frame enlargements from Harryhausen's own reel of outtakes, featuring unused animation from The Beast from 20,000 Fathoms and It Came From Beneath the Sea Obscure advertising art & posters from many different countries Ray Harryhausen "Timeline" charting key dates in Ray's life and career The officlal story synopses originally issued by the studios Filmographies of key cast and crew The actual forms submitted by the studios for Academy Award® consideration of the visual effects for the individual films Essays on the music for the films covered in this volume, including reproductions of pages of David Buttolph's original hand-written manuscript of his score for The Beast from 20,000 Fathoms Harryhausen collectibles pertaining to the films covered in this volume, from the 8mm editions to laserdiscs to resin kits and toys

    From 48 Nudes to Zombies vs. Robots, and now Sparrow #0, Mr. Wood remains as indelible as ever.

    Up-and-coming architects?tomorrow's superstars?are featured alongside the field's most respected practitioners, such as Santiago Calatrava, Herzog & de Meuron, Koolhaas/OMA, Daniel Libeskind, Richard Meier, Oscar Niemeyer, and Jean Nouvel.

    In this book, accounts of scientific experimentation blend with stories of showmanship to reveal how developments in 19th-century technology could enlighten as well as frighten and amaze. Through a series of 200 vintage images—produced by photographers, scientists, and amateur inventors—this book ultimately traces the rise of popular science.The images demonstrate early experiments with microscopes, telescopes, electricity and magnetism, motion studies, X-rays and radiation, and spirit photography. We learn how these pictures circulated among the public, whether through the press, world’s fairs, or theaters. What started out as scientific progress, however, often took on the trappings of magic and superstition, as photography was enlisted to offer visual evidence of clairvoyance, spirits, and other occult influences.With beautifully reproduced plates and engaging narratives, this book embodies the aesthetic pleasures and excitement of the tale it tells.

    Introduced in 1856 as a low-cost alternative to the daguerreotype and the albumen print, the tintype was widely marketed from the 1860s through the first decades of the twentieth century as the most popular photographic medium. The picture-making preference of the people, it was almost never used for celebrity portraiture: It was affordable, portable, unique and available almost everywhere. Because of its ubiquity, the tintype provides a startlingly candid record of the political upheavals that rocked the four decades following the American Civil War-and the personal anxieties they induced. As this book's author, Steven Kasher, argues, the tintype studio became a kind of performance space in which sitters could act out their personal identities. Sitters brought to the tintype studio not just their family and friends but also the tools of their trade, costumes, toys, stuffed animals and other such props. Often they would enact stereotypes and fantasies that reflected or challenged conventional gender, race and class roles. Surprisingly, the tintype was almost exclusively an American phenomenon, rarely used in other countries, and this book demonstrates how this modest form of photography provides extraordinary insight into the development of national attitudes and characteristics in the formative years of the early Modern era. Featured in this book are more than 200 remarkable examples of tintypes, mostly drawn from the Permanent Collection of the International Center of Photography in New York.

    "It should be like breath on the surface of a pane of glass.” Through an innovative manner of handling paint, a group of American artists around 1900 created deceptively simple canvases that convey images of shimmering transience, visions suggested rather than delineated. Focusing on this singular aesthetic characteristic—softness—Like Breath on Glass explores this painterly phenomenon through works by fifteen important artists, including Whistler, George Inness, William Merritt Chase, Thomas Wilmer Dewing, John Twachtman, and Edward Steichen. Leading scholars in American art consider a wide variety of topics: the very different motives—technical, social, religious, and scientific—that prompted these artists in their experimentation; their materials; their techniques for creating the appearance of effortlessness; period notions of “the vague” through art and writing; and the revival of "painting softly" in the 1950s and 1960s. This beautifully produced and lavishly illustrated catalogue highlights a surprisingly understudied yet important aspect of American cultural and painterly achievement.

    Nedko Solakov: 99 Fears will include the full series of drawings accompanied by an introduction by critic Suzaan Boettger placing them in the context of the artist’s prior work and connecting them to other representations of fear in art history.

    The resultant image is, then, not a copy of the original image or object but an original in its own right. This rigorous process of exploiting the photocopier's potential was developed by the quixotic Italian artist and designer Bruno Munari in the series Quaderni di Design (1977), and is reproduced here--flying in the face of digital technology--for a new generation of xerography enthusiasts. Every phase of the copy-making process, from reading limits to toner concentration has been systematically tested (to exacting 1970s standards) by Munari. The result is a witty series of samples that exhaustively detail every imaginable potential of the machine, some of which are quite unexpected.

    It offers readers a meticulous, reliable instrument to knowing these gems, which are often true and proper little works of art. In the two volumes, over 966 photographs show hundreds of jewelry items in full color, with an additional 729 illustrations of patents, advertisements, and historic photos. Thirty-seven companies are included, with addtional chapters on jelly belly jewelry and patriotic jewelry in the second volume. In-depth research of the companies makes this the best source on the American costume jewelry industry. The first volume, A-M, covers the companies from Accessocraft to Mosell, and includes Boucher, Coro, Eisenberg, Miriam Haskell, Hobe and others. The second volume N-Z, continues with Norma Jewelry Corp., through Rebajes, R�ja, Trifari, to Uncas Manufacturing, with chapters on jelly belly jewelry and American patriotic jewelry.

    Each technique is shown with step-by-step photography to make it easy for jewelry makers at the advanced beginner to intermediate levels to learn the art of metal clay, while the enclosed DVD offers the opportunity to see the author’s signature style in action. The 12 unique projects within have multiple components made from metal clay, including clasps, chains, and settings; moveable and removable pieces; unusual textures and patinas; and unique construction and engineering. Creative tips on incorporating beads are also included. This handbook offers jewelry artists the design inspiration needed to create gallery-level pieces that are truly wearable art.

    The majority of the photographs are from the 1970s when the sexual revolution first freed photographers to depict nude men.

    Spanning from the late 1970s until 2005, this large, square volume features a comprehensive collection of the duo's signature highly retouched portraits. Whether depicting celebrities or friends, the work of Pierre et Gilles is both idealized and irreverent, always erotic and usually set against fantasy backgrounds. It was compared sympathetically to the work of David LaChapelle, Mariko Mori and even Gregory Crewdson in a 2000 "Artforum" review by Vince Aletti, where the oeuvre was fittingly described as a "seductively gaudy, frankly homoerotic utopia, where saints, sailors and movie stars inhabit the same candy-colored never-never land."

    Monet's dazzling depictions of flowers, sunsets, fields, and oceans, in which line and shape are suggested through pure color, changed the way we perceive our natural surroundings. His numerous series, in which he depicts the same object at varying times of the day and in different seasons, pushed the limits of representational art. His final series of water lilies are considered to have ushered in the abstract movement of the twentieth century. Overflowing with images, this book offers full-page spreads of masterpieces as well as highlights of smaller details, allowing every aspect of the artist's technique and oeuvre to be appreciated. Chronologically arranged, the book covers important biographical and historic events that reflect the latest scholarship. Additional information includes a list of works, timeline, and suggestions for further reading.