Conceived as a handbook and teaching aid for artists, instructors, and students, this timeless book presents Albers’s unique ideas of color experimentation in a way that is valuable to specialists as well as to a larger audience.Originally published by Yale University Press in 1963 as a limited silkscreen edition with 150 color plates, Interaction of Color first appeared in paperback in 1971, featuring ten representative color studies chosen by Albers. The paperback has remained in print ever since and is one of the most influential resources on color for countless readers.This new paperback edition presents a significantly expanded selection of more than thirty color studies alongside Albers’s original unabridged text, demonstrating such principles as color relativity, intensity, and temperature; vibrating and vanishing boundaries; and the illusions of transparency and reversed grounds. Now available in a larger format and with enhanced production values, this expanded edition celebrates the unique authority of Albers’s contribution to color theory and brings the artist’s iconic study to an eager new generation of readers.

    Originally published in 1971, this seminal study is clearly written and richly illustrated. Now reprinted by Phaidon Press, History of the Poster is an essential read for anyone intrigued by this most modern medium. The book presents an exhaustive collection of posters, ranging from the end of the nineteenth century until the early seventies, when the book was published for the first time. Conceived, written and designed by one of the best and most influential poster designers of the twentieth century, the book defines the nature of a poster and indicates the laws of designing it. Muller-Brockmann defines and describes four fundamental conceptions of the poster, approaching the function-type of each and presenting an array of methods used to capture the attention of the viewer. guides us through the formation and evolution of style, emphasis and connotation in poster design. This reprint has not tampered with the original edition's design or layout and stays true to Muller-Brockmann's original concept.

    The Greeks knew the simplest of them. Since then the range of figures has grown; 75 are known today and are called, more generally, 'uniform' polyhedra. The author describes simply and carefully how to make models of all the known uniform polyhedra and some of the stellated forms. Fully illustrated with drawings and photographs, this is the first practical guide to making these intricate and beautiful solids.

    This classic reference provides a detailed introduction to the use of the flat pattern as a means of developing original ideas effectively and efficiently. It presents thoroughly the use of the three basic slopers - waist, sleeve and skirt - and some popular variations of these such as the kimono waist, raglan sleeves and pants. A companion text to How to Draft Basic Patterns (4th Edition), the book provides a number of applications for each sloper variation to supply variety and sufficient practice.

    Foreword by Wayne Higby "A moving book based on the knowledge of facts together with their overtones and resonances. . . . Its method is valid for an appreciation of art in all its branches."--Stella Kramrisch "With the unassuming title of Ceramics, Rawson has presented a very clear, orderly and thought-provoking guide for discussion. He provides words for those nebulous, or nonexistent, thoughts that students avoid talking about in critiques, and our professional associates talk all around, using whatever art language is being worn out at the time--'Is your work postmodernist yet?' Now we have no excuse to complain that there is no vocabulary. . . . "There is enough material in this little 223 page book to last a long time as a stimulus for thought and work in clay. It would be an excellent gift to your local newspaper art critic and a great reference book for teachers. . . . "Rawson defines a clear framework for discussing both the visual and psychological elements of the pottery tradition. The book presents a way to analyze and understand which particular elements touch or SPEAK to us across cultures and history. And there are enough pictures and diagrams to help out the less verbal."--National Council on Education for the Ceramic Arts Newsletter 1984 240 pages 5 1/2 x 8 1/2 203 illus. ISBN 978-0-8122-1156-6 Paper $27.50t �18.00 World Rights Arts and Crafts Short copy: "It is rare to find a book on art that presents complex aesthetic principles in clear readable form. Ceramics, by Philip Rawson, is such a book. I discovered it ten years ago, and today my well-worn copy has scarcely a page on which some statement is not underlined and starred."--Wayne Higby, from the Foreword

    The Third Edition is thoroughly updated, reflecting the impact of micro-computers on engineering, and including a greater emphasis on linear programming.

    New information and new images make this perennial best-seller an even more valuable tool for anyone interested in learning about typography. The fifth edition has been integrated with a convenient website, www.designingwithtype.com, where students and teachers can examine hundreds of design solutions and explore a world of typographic information. First published more than thirty-five years ago, Designing with Type has sold more than 250,000 copies—and this fully updated edition, with its new online resource, will educate and inspire a new generation of designers.