Too personal for an almanac, too sophisticated for a domestic history,and too funny and self-doubting for a literary journal, One Man's Meatcan best be described as a primer of a countryman's lessons a timelessrecounting of experience that will never go out of style.

    Determined to clone an endangered flower—the rare ghost orchid Polyrrhiza lindenii—a deeply eccentric and oddly attractive man named John Laroche leads Orlean on an unforgettable tour of America’s strange flower-selling subculture, through Florida’s swamps and beyond, along with the Seminoles who help him and the forces of justice who fight him. In the end, Orlean—and the reader—will have more respect for underdog determination and a powerful new definition of passion.   In this new edition, coming fifteen years after its initial publication and twenty years after she first met the “orchid thief,” Orlean revisits this unforgettable world, and the route by which it was brought to the screen in the film Adaptation, in a new retrospective essay.

    Clichés around marriage—eternal bliss, domestic harmony, soul mates—leave out the real stuff. After marriage you may still want to sleep with other people. Sometimes your partner will bore the hell out of you. And when stuck paying for your spouse’s mistakes, you might miss being single.In Wedding Toasts I’ll Never Give, Ada Calhoun presents an unflinching but also loving portrait of her own marriage, opening a long-overdue conversation about the institution as it truly is: not the happy ending of a love story or a relic doomed by high divorce rates, but the beginning of a challenging new chapter of which “the first twenty years are the hardest.”Calhoun’s funny, poignant personal essays explore the bedrooms of modern coupledom for a nuanced discussion of infidelity, existential anxiety, and the many other obstacles to staying together. Both realistic and openhearted, Wedding Toasts I’ll Never Give offers a refreshing new way to think about marriage as a brave, tough, creative decision to stay with another person for the rest of your life. “What a burden,” Calhoun calls marriage, “and what a gift.”

    By Jim Bouton, author of the classic 1969 memoir, Ball Four.

    Jeff Jarvis tells Gutenberg's story from an entrepreneurial perspective, examining how he overcame technology hurdles, how he operated with the secrecy of a Steve Jobs but then shifted to openness, how he raised capital and mitigated risk, and how, in the end, his cash flow and equity structure did him in. This is also the inspiring story of a great disruptor. That is what makes Gutenberg the patron saint of entrepreneurs.

    Shear rode a wild wave of employment (sixty-four jobs in all) on her way to realizing her dream of becoming an actress. Before landing the starring role in the upcoming film, Body Language, and scoring a deal with Steven Spielberg and Jeffrey Katzenberg for her own sitcom, she worked as (among other things) a pastry chef, a nude model, a waitress (a lot), a receptionist in a whorehouse, a brunch chef on Fire Island, a proofreader on Wall Street (a lot), and an Italian translator. On the surface her life makes for a hilarious tour de resume. But underneath is a universal lesson learned about life in the workplace.

    It shows the kind of father that John Kennedy was, and the kind of mother that Jacqueline Kennedy turned out to be. It examines the Kennedy clan, with its loyalties, scandals, secret feuds and open splits, and the roles that Robert and Ted Kennedy played in trying to be father figures to John, Jr. It offers a riveting, at times shocking account of Jackie's strange marriage to Aristotle Onassis, her relationships with other men, and how they affected John as he grew up in a world that he never made but that would not let him forget who he was and what was expected of him. But most of all, of course, the revealing spotlight is on John Kennedy, Jr., himself, bewildered at his father's death and its devastating effects on all he thought was normal; growing up with Secret Service men as his constant companions; trying to be just another kid in a New York private school and finding how impossible that was; his break-out years at Phillips Andover, where he displayed a wild streak few imagined in him; his time at Brown University, where he discovered the power he had over women. It reveals his dreams of becoming an actor and how close he was to total commitment before familial pressures made him choose law as a career. And it intimately details his relationships with a string of the most stunning and sexy women in America - including Madonna and Daryl Hannah - a list that indicates he is his father's son in more ways than one.

    Now, in his first book, he presents a blistering collection of new and newly expanded essays--including the achingly funny viral hit "Things You Only Know When Both Your Parents Are Dead." In these pages, he travels to Saudi Arabia, where he acts as a perplexed bystander at a camel pageant; offers a survival guide for the modern dinner party (i.e. how to tactfully escape at the first sign of an adult board game); and gets pitted head-to-head, again and again, with an unpredictable, unpitying subspecies of Londoner: the landlord.Through it all, he shows that no matter how cruel the misfortune, how absurd the circumstance, there's always the soft punch of a lesson tucked within. This is a book for anyone who overshares, overthinks, has ever felt lost or confused--and who wants to have a good laugh about it.

    Or April, the Neo-Nazi bringing up her twin daughters Lamb and Lynx (who have just formed a white-power folk group for kids called Prussian Blue), and her youngest daughter, Dresden. For a decade now, Louis Theroux has been making programs about offbeat characters on the fringes of U.S. society. Now he revisits the people who have most intrigued him to try to discover what motivates them, and why they believe the things they believe. From his Las Vegas base (where else?), Theroux calls on these assorted dreamers, schemers, and outlaws--and in the process finds out a little about the workings of his own mind. What does it mean, after all, to be weird, or "to be yourself"? Do we choose our beliefs or do our beliefs choose us? And is there something particularly weird about Americans? America, prepare yourself for a hilarious look in the mirror that has already taken the rest of the English-speaking world by storm: "Paul Theroux's son writes with just as clear an eye for character and place as his father.... And he's funny.... Theroux's final analysis of American weirdness is true and new." -- Literary Review (England)

    Most thieves, of course, steal for profit. John Charles Gilkey steals purely for the love of books. In an attempt to understand him better, journalist Allison Hoover Bartlett plunged herself into the world of book lust and discovered just how dangerous it can be.John Gilkey is an obsessed, unrepentant book thief who has stolen hundreds of thousands of dollars worth of rare books from book fairs, stores, and libraries around the country. Ken Sanders is the self-appointed "bibliodick" (book dealer with a penchant for detective work) driven to catch him. Bartlett befriended both outlandish characters and found herself caught in the middle of efforts to recover hidden treasure. A cat-and-mouse chase that not only reveals exactly how Gilkey pulled off his dirtiest crimes, where he stashed the loot, and how Sanders ultimately caught him but also explores the romance of books, the lure to collect them, and the temptation to steal them. Bartlett looks at the history of book passion, collection, and theft through the ages, to examine the craving that makes some people willing to stop at nothing to possess the books they love.

    Ian Frazier, long considered one of our most treasured humorists, proves that comedy can be just as smart as it is entertaining.

    With a charismatic young coach and a freshman phenom, this small Indiana city hoped to see its team shine in the national spotlight. Then, on a foggy night, after just four games, the plane carrying the team and its coach crashed after takeoff, killing everyone on board.The tragedy seemed insurmountable, a devastating blow to the identity of a fading factory town. But, with the support of a city in mourning, ambitious new coach Dick Walters promised to rebuild the cherished institution. Assembling a team of castoffs, walk-ons, and overachievers, Walters restored the legacy of the team and its fans. Against all odds, his young men made history.A tribute to those who were lost, and to those who carried on, We Will Rise is the rich and powerful story of an underdog team and its fans and the spirit of a resilient community.

    As broadcaster and pitchman, John Madden has been inside the locker rooms, broadcasts booths, and in front of the camera doing what he does best—being himself. He's seen an awful lot and he wrote a book to prove it. Hey, wait a minute, you'll love it!

    He knew it was wrong at the time. But he went ahead and did it anyway. Now he's begging for forgiveness.Based on his popular segment from The Late Show, Stephen Colbert and his team of writers now reveal his most shameful secrets to millions (although, actually, he'd like you not to tell anyone). Midnight Confessions is a collection of Stephen Colbert at his most brilliant and irreverent.

    And if other people can laugh at your awful shit as well, then I guess you can officially call yourself a comedian.In Boston, a college student fears leaving her own room—even to use the toilet. In Pennsylvania, a meek personal assistant finally confronts a perpetually enraged gay spiritual guru. In Texas, a rookie high school teacher deals with her male student’s unusually, er, hard personal problem. Sara Benincasa has been that terrified student, that embattled employee, that confused teacher—and so much more. Her hilarious memoir chronicles her attempts to forge a wonderfully weird adulthood in the midst of her lifelong struggle with agoraphobia, depression, and unruly hair.Relatable, unpretentious, and unsentimental, Agorafabulous! celebrates eccentricity, resilience, and the power of humor to light up even the darkest corners of our lives. (There are also some sexy parts, but they’re really awkward. Like really, really awkward.)