Ian Frazier, long considered one of our most treasured humorists, proves that comedy can be just as smart as it is entertaining.

    The pervasiveness of images of torture, horror, and war has all but demolished the twentieth-century hope that such imagery might shock us into a less alienated state, or aid in the creation of a just social order. What to do now? When to look, when to turn away?Genre-busting author Maggie Nelson brilliantly navigates this contemporary predicament, with an eye to the question of whether or not focusing on representations of cruelty makes us cruel. In a journey through high and low culture (Kafka to reality TV), the visual to the verbal (Paul McCarthy to Brian Evenson), and the apolitical to the political (Francis Bacon to Kara Walker), Nelson offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo, and permissibility.

    Achsa is a lonely, passionate and precocious fourteen-year-old. Isolated at school by her intelligence and disfigurement, troubled at home by the undercurrents in her parents' relationship, she finds comfort and inspiration in the tunes and rhythms she hears on her radio. Hearing a recording by an unknown 20-year-old country singer named Elvis Presley, she fires off a fan letter, telling him she knows he's going to be a star.

    Kennedy Jr., from The Atlantic Monthly “Watching the Detectives” by Jay Kirk, from Harper’s Magazine “For the Love of God” by Jon Krakauer, from GQ “Chief Bratton Takes on LA” by Heather Mac Donald, from City Journal “Not Guilty by Reason of Afghanistan” by John H. Richardson, from Esquire “Megan’s Law and Me” by Brendan Riley, from Details “Unfortunate Con” by Mark Schone, from The Oxford American “To Kill or Not to Kill” by Scott Turow, from The New Yorker

    Here we go again with real life and opinions made to look like one big, preposterous animal not unlike an invention by Dr. Seuss...--Kurt Vonnegut, from Fates Worse Than Death

    These authors tell good tales. Contributory autobiographical essays by: John Grisham, Pat Conroy, Howard Bahr, Rick Bragg, Larry Brown, Connie May Fowler, Tom Franklin, Tim Gautreaux, William Gay, Winston Groom, Silas House, Suzanne Hudson, Joshilyn Jackson, Barb Johnson, Cassandra King, Janis Owens, Michelle Richmond, Clay Risen, George Singleton, Matthew Teague, Daniel Wallace, Brad Watson, Steve Yarbrough and Sonny Brewer. Cover picture by Barry Moser.If you wonder what work preceded their efforts to produce a great pile of books, if you would like to know how they made the transition to, as William Gay said, “clocking in at the culture factory,” then this is the book you’ve been waiting for. Sonny Brewer, Editor Fairhope, Alabama.These authors tell good tales. If you wonder what work preceded their efforts to produce a great pile of books, if you would like to know how they made the transition to, as William Gay said, “clocking in at the culture factory,” then this is the book you’ve been waiting for. Sonny Brewer, Editor Fairhope, Alabama.

    It's even bemoaned by poets: "I, too, dislike it," wrote Marianne Moore. "Many more people agree they hate poetry," Ben Lerner writes, "than can agree what poetry is. I, too, dislike it and have largely organized my life around it and do not experience that as a contradiction because poetry and the hatred of poetry are inextricable in ways it is my purpose to explore."In this inventive and lucid essay, Lerner takes the hatred of poetry as the starting point of his defense of the art. He examines poetry's greatest haters (beginning with Plato's famous claim that an ideal city had no place for poets, who would only corrupt and mislead the young) and both its greatest and worst practitioners, providing inspired close readings of Keats, Dickinson, McGonagall, Whitman, and others. Throughout, he attempts to explain the noble failure at the heart of every truly great and truly horrible poem: the impulse to launch the experience of an individual into a timeless communal existence. In The Hatred of Poetry, Lerner has crafted an entertaining, personal, and entirely original examination of a vocation no less essential for being impossible.

    With its pioneering introduction, this collection provides a comprehensive history of the development of the prose poem up to its current widespread appeal. Half critical study and half anthology, The Field Guide to Prose Poetry is a not-to-be-missed companion for readers and writers of poetry, as well as students and teachers of creative writing.

    Topics range from ruminations on why Charles Dickens was among the best of writers and the worst of men to the haunting science fiction of J.G. Ballard; from the enduring legacies of Thomas Jefferson and George Orwell to the persistent agonies of anti-Semitism and jihad. Hitchens even looks at the recent financial crisis and argues for the enduring relevance of Karl Marx. The book forms a bridge between the two parallel enterprises of culture and politics. It reveals how politics justifies itself by culture, and how the latter prompts the former. In this fashion, Arguably burnishes Christopher Hitchens' credentials as (to quote Christopher Buckley) our "greatest living essayist in the English language."

    —New York Times Book ReviewNo writer I know of comes close to even trying to articulate the weird magic of poetry as Ruefle does. She acknowledges and celebrates in the odd mystery and mysticism of the act—the fact that poetry must both guard and reveal, hint at and pull back... Also, and maybe most crucially, Ruefle’s work is never once stuffy or overdone: she writes this stuff with a level of seriousness-as-play that’s vital and welcome, that doesn’t make writing poetry sound anything but wild, strange, life-enlargening fun. -The Kenyon ReviewProfound, unpredictable, charming, and outright funny...These informal talks have far more staying power and verve than most of their kind. Readers may come away dazzled, as well as amused... —Publishers WeeklyThis is a book not just for poets but for anyone interested in the human heart, the inner-life, the breath exhaling a completion of an idea that will make you feel changed in some way. This is a desert island book. —Matthew DickmanThe accomplished poet is humorous and self-deprecating in this collection of illuminating essays on poetry, aesthetics and literature... —San Francisco ExaminerOver the course of fifteen years, Mary Ruefle delivered a lecture every six months to a group of poetry graduate students. Collected here for the first time, these lectures include "Poetry and the Moon," "Someone Reading a Book Is a Sign of Order in the World," and "Lectures I Will Never Give." Intellectually virtuosic, instructive, and experiential, Madness, Rack, and Honey resists definition, demanding instead an utter—and utterly pleasurable—immersion. Finalist for the 2012 National Book Critics Circle Award.Mary Ruefle has published more than a dozen books of poetry, prose, and erasures. She lives in Vermont.

    Also available The late Judith Kitchen, editor of the perennially popular anthologies Short Takes, In Short, and In Brief, was greatly influential in recognizing and establishing flash creative nonfiction as a form in its own right. In Brief Encounters, she and writer/editor/actor Dinah Lenney expand this vibrant field with nearly eighty new selections: shorts—as these sharply focused pieces have come to be known— representing an impressive range of voices, perspectives, sensibilities, and forms. Brief Encounters features the work of the emerging and the established—including Stuart Dybek, Roxanne Gay, Eduardo Galeano, Leslie Jamison, and Julian Barnes—arranged by theme to explore the human condition in ways intimate, idiosyncratic, funny, sad, provocative, lyrical, unflinching. From the rant to the rave, the meditation to the polemic, the confession to the valediction, this collection of shorts—this celebration of true and vivid prose—will enlarge your world.

    The result is an extraordinary, complex portrait of "white girls," as Als dubs them—an expansive but precise category that encompasses figures as diverse as Truman Capote and Louise Brooks, Malcolm X and Flannery O’Connor. In pieces that hairpin between critique and meditation, fiction and nonfiction, high culture and low, the theoretical and the deeply personal, Als presents a stunning portrait of a writer by way of his subjects, and an invaluable guide to the culture of our time.

    The dowager claims to have seen a corpse on the dining room floor, but all she has to prove it is a bloodied bobble hat. Henry hires the women of the WISE Enquiries Agency. The duke wants the strange matter explained. But the truth of what happened at the Chellingworth Estate is more complex, dangerous, and deadly, than anyone could have foreseen . . .BOOK 2: THE CASE OF THE MISSING MORRIS DANCERHenry, eighteenth Duke of Chellingworth, is about to marry Stephanie Timbers in a grand ceremony at his Welsh estate. But one of the Morris dancers, who must lead the wedding party through the village, is missing. Along with the troupe’s kit of exquisite sixteenth-century silver bells and engraved sticks. Can the ladies of the WISE Enquiries Agency track him down and save the day?BOOK 3: THE CASE OF THE CURIOUS COOKHenry, eighteenth Duke of Chellingworth, is terribly worried about some water damage to the priceless books in his library and hires a local book restorer to tackle the repairs. Meanwhile, strange shenanigans are going on at his book shop and Dowager Duchess Althea brings the case to the women of the WISE Enquiries Agency. They come across a valuable book of miniatures which seems to be the work of a famous local artist, who was murdered by her own brother. The WISE women are on the case — and nothing will get in their way . . .BOOK 4: THE CASE OF THE UNSUITABLE SUITORSuccessful businessman and charmer Huw Hughes has his sights set on Annie. But Huw has been widowed three times and the other women of the WISE Enquiries Agency want to know why. Mavis and Carol have to work with Dowager Duchess Althea Twyst to ensure their unsuspecting friend Annie’s safety . . . and possibly protect the lives of other villagers. And of course all this mustn’t disrupt the Duke’s annual croquet tournament! Someone seems to want it to turn out very nasty indeed.Perfect for fans of Stella Cameron, Faith Martin, Agatha Christie, Frances Evesham, Betty Rowlands, or M.C. Beaton.

    Everybody wins! Old Christmas: When professional chef Casey Gray returns to the southeast Texas town where she grew up, she doesn't expect to feel anything for her former lover Kalin McBride. It will take every bit of determination Kalin has, plus a little help from the magical spirit of the holiday, to convince Casey that her future lies with him. Sutherland's Pride: Pride Donovan's former lover, Flynn Sutherland, does not recognize her little boy as his when she returns to the Texas Gulf Coast town of Anahuac. But he definitely wants his Pride back - can their second chance withstand the bombshell she's about to drop into his life? Georgie's Heart: Georgeanne Hartfield, author of the explosive nonfiction book Faking It, never counted on meeting a man like Zane Bryant, who makes her feel like a woman for the first time in her life. But if he ever discovers she's behind the infamous Fritzi Field pen name, how could he possibly believe that her response to him is the real thing? The Counterfeit Cowgirl: Felicity Clayton has carefully cultivated her fashion-house cowgirl image, so she's astonished to find the citizens of Foxe, Texas, dislike her almost before she steps out of her Dodge pickup. Aaron Whitaker, a local rancher, has no use for a flashy, fake cowgirl - so why is he beginning to feel an unwanted attraction to her? The Look-Alike Bride: Leonie Daniel leads a double life, often standing in for her glamorous older sister who works as a government agent. All Leonie has to do this time is spend a few weeks in Zara's lakeside cabin near Hot Springs, Arkansas, behave like Zara, and avoid Adam Silverthorne, the man her sister is interested in. But now Adam is falling for Leonie . . . or is he? Bride by the Book: Small-town Arkansas attorney Garner Holt badly needs an assistant to sort out his cluttered office, but he didn't expect a super-secretary like Miss Angelina Brownwood. She's perfect until an online search reveals a flaw: Angelina isn't a secretary. But does her secret mean she's also not the girl for him? Sensuality Level: Behind Closed Doors

    But there he is, sexy as ever, sitting at her table. He’s even got a pretty impressive job; security guard to the stars. Wishing her writing career that she always dreamed of had ever taken off, Rachel concocts a plan. What if she can use some of Jayden’s insider information to write a bestselling book? She’ll only have to use him a little bit to get what she needs, what harm can there be? Except she never expected to begin to fall for him again…when she does can she still go through with her plan? Part 2 Max is the carefree younger brother of broken hearted Reid. He tries to keep his sarcasm in check and his jokes on point. Very little could ever get in the way of his jovial mood. Except the assignment Salvatore just gave him. Max’s new long term job is to work security for a pop-up fashion boutique series, which doesn’t sound all that bad if the pop-ups weren’t being opened by the one person he can’t stand - Reid’s ex-girlfriend Hannah. As he expects the two can’t seem to get along, there’s fireworks as usual when they’re around each other as they fight. But soon those fireworks turn from fighting into passion and something that could ruin his relationship with his brother forever. Part 3 Heartbroken after his breakup with Hannah, and confused by his brother’s new relationship with her, Reid has decided that romance isn’t in the cards. Not unless it's truly real. But does that even exist? He’s challenged by his new job from Spotlight, guarding the infamous and gorgeous Jennifer White from her wreck of an ex-boyfriend, also infamous Ian. How can Reid keep her protected from her ex when she is required to keep up appearances with Ian for publicity of their new movie? And what is he supposed to do when he believes that what he feels for her is real, but she’s too tied up with another man? Part 4 As the only female guard at Spotlight, Ireland has her work cut out for her among the boys, but this girl can hold her own. Her newest job is to help protect child star Kelly while she’s at school as there seems to be a stalker on the loose. Until she’s safe, Ireland will be reporting to elementary school every day to watch this spunky little girl. It seems like an easy task, though reliving the memories of her childhood feels haunting, Ireland tries to stay focused. But it’s hard to stay focused when Kelly’s newly single father is just so irresistible. Part 5 Salvatore has never recovered from the pain of his little sister’s unsolved murder when he was only a kid, and that’s why he began Spotlight to begin with. As new information comes to light for the police, her cold case is reopened, and with it all of Salvatore’s wounds. One misstep has landed him in court ordered counseling where he can’t stop fighting with his perky, perfect blonde counselor Ginny. Salvatore has a past he has to deal with and a future he needs to begin to make. If only he could stop fighting with, or kissing, his counselor, maybe he could find a way to work through his pain and see there’s more to the world.