He marched side-by-side with Martin Luther King as the youngest leader of the Civil Rights Movement that would change a nation forever.Now, experience John Lewis' incredible story first-hand, brought to life in a stunning graphic novel trilogy. With co-writer Andrew Aydin and Eisner Award-winning artist Nate Powell, John Lewis' MARCH tells the story of how a poor sharecropper's son helped transform America, from a segregated schoolhouse to the 1963 March on Washington and beyond.

    But to do so robs the millions who suffered in bondage of their full legacy.As historian Edward Baptist reveals in The Half Has Never Been Told, the expansion of slavery in the first eight decades after American independence drove the evolution and modernization of the United States. In the span of a single lifetime, the South grew from a narrow coastal strip of worn-out tobacco plantations to a continental cotton empire, and the United States grew into a modern, industrial, and capitalist economy. Until the Civil War, Baptist explains, the most important American economic innovations were ways to make slavery ever more profitable. Through forced migration and torture, slave owners extracted continual increases in efficiency from enslaved African Americans. Thus the United States seized control of the world market for cotton, the key raw material of the Industrial Revolution, and became a wealthy nation with global influence.Told through intimate slave narratives, plantation records, newspapers, and the words of politicians, entrepreneurs, and escaped slaves, The Half Has Never Been Told offers a radical new interpretation of American history. It forces readers to reckon with the violence at the root of American supremacy, but also with the survival and resistance that brought about slavery’s end—and created a culture that sustains America’s deepest dreams of freedom.

    Unlike the Civil Rights Movement that called for full citizenship rights for blacks within the U.S., the Black Panther Party rejected the legitimacy of the U.S. government and positioned itself as part of a global struggle against American imperialism. In the face of intense repression, the Party flourished, becoming the center of a revolutionary movement with offices in 68 U.S. cities and powerful allies around the world.Black against Empire is the first comprehensive overview and analysis of the history and politics of the Black Panther Party. The authors analyze key political questions, such as why so many young black people across the country risked their lives for the revolution, why the Party grew most rapidly during the height of repression, and why allies abandoned the Party at its peak of influence. Bold, engrossing, and richly detailed, this book cuts through the mythology and obfuscation, revealing the political dynamics that drove the explosive growth of this revolutionary movement, and its disastrous unraveling. Informed by twelve years of meticulous archival research, as well as familiarity with most of the former Party leadership and many rank-and-file members, this book is the definitive history of one of the greatest challenges ever posed to American state power. Read an excerpt here: Black Against Empire: The History and Politics of the Black Panther Party by Joshua Bloom and Waldo E. Mart... by University of California Press Listen to an interview with the authors here:http://www.ucpress.edu/book.php?isbn=...

    Beautiful, self-assured Ifemelu heads for America, where despite her academic success, she is forced to grapple with what it means to be black for the first time. Quiet, thoughtful Obinze had hoped to join her, but with post-9/11 America closed to him, he instead plunges into a dangerous, undocumented life in London. Fifteen years later, they reunite in a newly democratic Nigeria, and reignite their passion—for each other and for their homeland.

    Not sure how or if I've helped many folks say yes to life, but I've definitely aided in a few folks dying slowly in America, all without the aid of a gun'Kiese Laymon grew up in Jackson, Mississippi. That was where he started to write and where he began to seek to create an honest account of living in the US, a country striving to declare itself multi-cultural, post-racial and mostly innocent. This is that account.Drawing on his own personal experiences, these essays are Laymon's attempt to deal with many issues occupying America today, from race, identity and writing to music, celebrity and violence. Through letters between his own disparate family members, pleas to performers whose voices will never be heard again, recollections of his own failure to become a world-famous emcee, analysis of the growing culture of fear in the media and detailed accounts of his clashes with an education system that has both advanced and failed the generation he grew up in, Laymon gets closer not only to the truth behind himself, but to the promises behind the promised land.Searing and passionate, this timely collection of essays introduces a vibrant new voice in US literature and offers a unique insight into the forces that are tearing America apart today.

    Dealing with these losses, one after another, made Jesmyn ask the question: why? And as she began to write about the experience of living through all the dying, she realized the truth--and it took her breath away. Her brother and her friends all died because of who they were and where they were from, because they lived with a history of racism and economic struggle that fostered drug addiction and the dissolution of family and relationships. Jesmyn says the answer was so obvious she felt stupid for not seeing it. But it nagged at her until she knew she had to write about her community, to write their stories and her own. Jesmyn grew up in poverty in rural Mississippi. She writes powerfully about the pressures this brings, on the men who can do no right and the women who stand in for family in a society where the men are often absent. She bravely tells her story, revisiting the agonizing losses of her only brother and her friends. As the sole member of her family to leave home and pursue high education, she writes about this parallel American universe with the objectivity distance provides and the intimacy of utter familiarity.

    The role of intellectuals in racial strife is explored in an international context that puts the American experience in a wholly new light. The views of individual intellectuals have spanned the spectrum, but the views of intellectuals as a whole have tended to cluster. Indeed, these views have clustered at one end of the spectrum in the early twentieth century and then clustered at the opposite end of the spectrum in the late twentieth century. Moreover, these radically different views of race in these two eras were held by intellectuals whose views on other issues were very similar in both eras.Intellectuals and Race is not, however, a book about history, even though it has much historical evidence, as well as demographic, geographic, economic and statistical evidence -- all of it directed toward testing the underlying assumptions about race that have prevailed at times among intellectuals in general, and especially intellectuals at the highest levels. Nor is this simply a theoretical exercise. The impact of intellectuals' ideas and crusades on the larger society, both past and present, is the ultimate concern. These ideas and crusades have ranged widely from racial theories of intelligence to eugenics to "social justice" and multiculturalism. In addition to in-depth examinations of these and other issues, Intellectuals and Race explores the incentives, the visions and the rationales that drive intellectuals at the highest levels to conclusions that have often turned out to be counterproductive and even disastrous, not only for particular racial or ethnic groups, but for societies as a whole.

    Today the general wealth of social life finds itself confronted by mutations in the mechanisms of control, from the proliferation of capitalist logistics through governance by credit and management of pedagogy. Working from and within the social poesis of life in the undercommons Moten and Harney develop and expand an array of concepts: study, debt, surround, planning, and the shipped. On the fugitive path of an historical and global blackness, the essays in this volume unsettle and invite the reader to the self-organised ensembles of social life that are launched every day and every night amid the general antagonism of the undercommons.

    He was a young drug dealer with a quick temper who had been hardened by what he experienced selling drugs on the unforgiving streets of Detroit. For years, as he served out his sentence for second degree murder, he blamed everybody else but himself for the decision he made to shoot on that fateful night. It wasn't until Shaka started writing about the pain from his childhood and his life on the streets that he was able to get at the root of the anger that led him to prison. Through the power of journaling, he accepted responsibility for his violent behavior and now uses his experience to help others avoid the same path.

    More than twenty essays assemble a chorus of vibrant voices, including geographers, scholars of sugar and bananas, the city's remarkable musicians, prison activists, environmentalists, Arab and Native voices, and local experts, as well as the coauthors' compelling contributions. Featuring 22 full-color two-page-spread maps, Unfathomable City plumbs the depths of this major tourist destination, pivotal scene of American history and culture and, most recently, site of monumental disasters such as Hurricane Katrina and the BP oil spill.The innovative maps' precision and specificity shift our notions of the Mississippi, the Caribbean, Mardi Gras, jazz, soils and trees, generational roots, and many other subjects, and expand our ideas of how any city is imagined and experienced. Together with the inspired texts, they show New Orleans as both an imperiled city--by erosion, crime, corruption, and sea level rise--and an ageless city that lives in music as a form of cultural resistance. Compact, lively, and completely original, Unfathomable City takes readers on a tour that will forever change the way they think about place.Read an excerpt here: Unfathomable City: A New Orleans Atlas by Rebecca Solnit and Rebecca Snedeker by University of California PressListen to an interview with the authors here:http://www.ucpress.edu/blog/16097/new...

    As Roger Reeves said in an interview, "While writing King Me, I became very interested in the mythology of king, the one who is sacrificed at the end of the harvest season. . . . For me, the myth manifests in the killing of young black men, Emmett Till, and in the ways America deems young, black male bodies as expendable—Jean Michel Basquiat, Mike Tyson, Jack Johnson. These are the young kings whom we love to kill—over and over again."From "Some Young Kings":The hummingbirds inside my chest,with their needle-nosed pliers for tonguesand hammer-heavy wings, have left a messof ticks in my lungs and a punctured lullabyin my throat. Little boy blue come blowyour horn. The cow's in the meadow. And Dorothy's alone in the corn with Jack, his black fingers, the brass of his lips, the half-moons of his fingernails clickingalong her legs until she howls—Charlie Parker. Charlie Parker. Charlie Parker . . .

    In trumpeting these tales of welfare run amok, Reagan never needed to mention race, because he was blowing a dog whistle: sending a message about racial minorities inaudible on one level, but clearly heard on another. In doing so, he tapped into a long political tradition that started with George Wallace and Richard Nixon, and is more relevant than ever in the age of the Tea Party and the first black president. In Dog Whistle Politics, Ian Haney Lopez offers a sweeping account of how politicians and plutocrats deploy veiled racial appeals to persuade white voters to support policies that favor the extremely rich yet threaten their own interests. Dog whistle appeals generate middle-class enthusiasm for political candidates who promise to crack down on crime, curb undocumented immigration, and protect the heartland against Islamic infiltration, but ultimately vote to slash taxes for the rich, give corporations regulatory control over industry and financial markets, and aggressively curtail social services. White voters, convinced by powerful interests that minorities are their true enemies, fail to see the connection between the political agendas they support and the surging wealth inequality that takes an increasing toll on their lives. The tactic continues at full force, with the Republican Party using racial provocations to drum up enthusiasm for weakening unions and public pensions, defunding public schools, and opposing health care reform. Rejecting any simple story of malevolent and obvious racism, Haney Lopez links as never before the two central themes that dominate American politics today: the decline of the middle class and the Republican Party's increasing reliance on white voters. Dog Whistle Politics will generate a lively and much-needed debate about how racial politics has destabilized the American middle class — white and nonwhite members alike.

    Johnson. Introduction by Ehn Nothing. Fantastic zine! -EF

    He had come to that city of racist terror convinced that massive protest could topple Jim Crow. But the insurgency faltered. To revive it, King made a sacrificial act on Good Friday, April 12, 1963: he was arrested. Alone in his cell, reading a newspaper, he found a statement from eight "moderate" clergymen who branded the protests extremist and "untimely."King drafted a furious rebuttal that emerged as the "Letter from Birmingham Jail"-a work that would take its place among the masterpieces of American moral argument alongside those of Thoreau and Lincoln. His insistence on the urgency of "Freedom Now" would inspire not just the marchers of Birmingham and Selma, but peaceful insurgents from Tiananmen to Tahrir Squares.Scholar Jonathan Rieder delves deeper than anyone before into the Letter-illuminating both its timeless message and its crucial position in the history of civil rights. Rieder has interviewed King's surviving colleagues, and located rare audiotapes of King speaking in the mass meetings of 1963. Gospel of Freedom gives us a startling perspective on the Letter and the man who wrote it: an angry prophet who chastised American whites, found solace in the faith and resilience of the slaves, and knew that moral appeal without struggle never brings justice.

    It should make it abundantly clear that the violence/nonviolence dichotomy is too simple to capture the thinking of Black Southerners about the forms of effective resistance."—Charles M. Payne, University of ChicagoThe notion that the civil rights movement in the southern United States was a nonviolent movement remains a dominant theme of civil rights memory and representation in popular culture. Yet in dozens of southern communities, Black people picked up arms to defend their leaders, communities, and lives. In particular, Black people relied on armed self-defense in communities where federal government officials failed to safeguard activists and supporters from the violence of racists and segregationists, who were often supported by local law enforcement. In We Will Shoot Back: Armed Resistance in the Mississippi Freedom Movement, Akinyele Omowale Umoja argues that armed resistance was critical to the efficacy of the southern freedom struggle and the dismantling of segregation and Black disenfranchisement. Intimidation and fear were central to the system of oppression in Mississippi and most of the Deep South. To overcome the system of segregation, Black people had to overcome fear to present a significant challenge to White domination. Armed self-defense was a major tool of survival in allowing some Black southern communities to maintain their integrity and existence in the face of White supremacist terror. By 1965, armed resistance, particularly self-defense, was a significant factor in the challenge of the descendants of enslaved Africans to overturning fear and intimidation and developing different political and social relationships between Black and White Mississippians. This riveting historical narrative relies upon oral history, archival material, and scholarly literature to reconstruct the use of armed resistance by Black activists and supporters in Mississippi to challenge racist terrorism, segregation, and fight for human rights and political empowerment from the early 1950s through the late 1970s. Akinyele Omowale Umoja is Associate Professor and Chair of the Department of African-American Studies at Georgia State University, where he teaches courses on the history of the Civil Rights, Black Power, and other social movements.

    Davis’s execution was protested by hundreds of thousands across the globe. How did one man capture the world’s imagination and become the iconic face for the campaign to end the death penalty?I Am Troy Davis, coauthored by Jen Marlowe and Davis’s sister Martina Davis-Correia, tells the intimate story of an ordinary man caught up in an inexorable tragedy. From his childhood in racially charged Savannah; to the confused events that led to the 1989 murder of a police officer; to Davis’s sudden arrest, conviction, and two-decade fight to prove his innocence; I Am Troy Davis takes us inside a broken legal system where life and death hang in the balance. It is also an inspiring testament to the unbreakable bond of family, to the resilience of love, and to how even when you reach the end of justice, voices from across the world will rise together in chorus and proclaim, “I am Troy Davis,” I stand with you.

    The book chronicles the full sweep of 500 years of African American history, from the origins of slavery on the African continent and the arrival of the first black conquistador, Juan Garrido, in Florida in 1513, through five centuries of remarkable historic events right up to Barack Obama's second term as president. The book explores these topics in even more detail than possible in the television series, and examines many other fascinating matters as well, such as the ethnic origins—and the regional and cultural diversity—of the Africans whose enslavement led to the creation of the African American people. It delves into the multiplicity of cultural institutions, political strategies, and religious and social perspectives that African Americans have created in the half a millennium since their African ancestors first arrived on these shores. Like the television series, this book guides readers on an engaging journey through the Black Atlantic world—from Africa and Europe to the Caribbean, Latin America, and the United States—to shed new light on what it has meant, and means, to be an African American. By highlighting the complex internal debates and class differences within the Black Experience in this country, readers will learn that the African American community, which black abolitionist Martin R. Delany described as a "nation within a nation," has never been a truly uniform entity, and that its members have been debating their differences of opinion and belief from their very first days in this country. The road to freedom for black people in America has not been linear; rather, much like the course of a river, it has been full of loops and eddies, slowing and occasionally reversing current. Ultimately, this book emphasizes the idea that African American history encompasses multiple continents and venues, and must be viewed through a transnational perspective to be fully understood.

    These stories of community, displacement, and poverty in the wake of gentrification give voice to those who have long been ignored, but whose hopes and struggles exist firmly at the heart of our national identity.

    We cluster in theological groups, gender groups, age groups, ethnic groups, educational and economic groups. We criticize freely those who disagree with us, don't look like us, don't act like us and don't even like what we like. Though we may think we know why this happens, Christena Cleveland says we probably don't. In this eye-opening book, learn the hidden reasons behind conflict and divisions. Learn: Why I think all my friends are unique but those in other groups are all the same Why little differences often become big sources of conflict Why categorizing others is often automatic and helpful but can also have sinister side effects Why we are so often victims of groupthink and how we can avoid it Why women think men are judging them more negatively than men actually are, and vice versa Why choices of language can actually affect unity With a personal touch and the trained eye of a social psychologist, Cleveland brings to bear the latest studies and research on the unseen dynamics at work that tend to separate us from others. Learn why Christians who have a heart for unity have such a hard time actually uniting. The author provides real insight for ministry leaders who have attempted to build bridges across boundaries. Here are the tools we need to understand how we can overcome the hidden forces that divide us.

    However, very little is known about how their historical and contemporary relationship with America may shape their psychological experiences. The most insidious psychological consequence of their historical and contemporary experiences is colonial mentality or internalized oppression. Some common manifestations of this phenomenon are described below: Skin-whitening products are used often by Filipinos in the Philippines to make their skins lighter. Skin whitening clinics and businesses are popular in the Philippines as well. The "beautiful" people such as actors and other celebrities endorse these skin-whitening procedures. Children are told to stay away from the sun so they do not get "too dark." Many Filipinos also regard anything "imported" to be more special than anything "local" or made in the Philippines. In the United States, many Filipino Americans make fun of "fresh-off-the-boats" (FOBs) or those who speak English with Filipino accents. Many Filipino Americans try to dilute their "Filipino-ness" by saying that they are mixed with some other races. Also, many Filipino Americans regard Filipinos in the Philippines, and pretty much everything about the Philippines, to be of "lower class" and those of the "third world." The historical and contemporary reasons for why Filipino -/ Americans display these attitudes, beliefs, and behaviors - often referred to as colonial mentality - are explored in Brown Skin, White Minds. This book is a peer-reviewed publication that integrates knowledge from multiple scholarly and scientific disciplines to identify the past and current catalysts for such self-denigrating attitudes and behaviors. It takes the reader from indigenous Tao culture, Spanish and American colonialism, colonial mentality or internalized oppression along with its implications on Kapwa, identity, and mental health, to decolonization in the clinical, community, and research settings. This book is intended for the entire community - teachers, researchers, students, and service providers interested in or who are working with Filipinos and Filipino Americans, or those who are interested in the psychological consequences of colonialism and oppression. This book may serve as a tool for remembering the past and as a tool for awakening to address the present."

    The American demand for Oriental goods took these migrants on a curious path, from New Jersey's beach boardwalks into the heart of the segregated South. Two decades later, hundreds of Indian Muslim seamen began jumping ship in New York and Baltimore, escaping the engine rooms of British steamers to find less brutal work onshore. As factory owners sought their labor and anti-Asian immigration laws closed in around them, these men built clandestine networks that stretched from the northeastern waterfront across the industrial Midwest.The stories of these early working-class migrants vividly contrast with our typical understanding of immigration. Vivek Bald's meticulous reconstruction reveals a lost history of South Asian sojourning and life-making in the United States. At a time when Asian immigrants were vilified and criminalized, Bengali Muslims quietly became part of some of America's most iconic neighborhoods of color, from Treme in New Orleans to Detroit's Black Bottom, from West Baltimore to Harlem. Many started families with Creole, Puerto Rican, and African American women.As steel and auto workers in the Midwest, as traders in the South, and as halal hot dog vendors on 125th Street, these immigrants created lives as remarkable as they are unknown. Their stories of ingenuity and intermixture challenge assumptions about assimilation and reveal cross-racial affinities beneath the surface of early twentieth-century America.

    Over many nights, hundreds of slaves paddled out to the warships seeking protection for their families from the ravages of slavery. The runaways pressured the British admirals into becoming liberators. As guides, pilots, sailors, and marines, the former slaves used their intimate knowledge of the countryside to transform the war. They enabled the British to escalate their onshore attacks and to capture and burn Washington, D.C. Tidewater masters had long dreaded their slaves as "an internal enemy." By mobilizing that enemy, the war ignited the deepest fears of Chesapeake slaveholders. It also alienated Virginians from a national government that had neglected their defense. Instead they turned south, their interests aligning more and more with their section.In 1820 Thomas Jefferson observed of sectionalism: "Like a firebell in the night [it] awakened and filled me with terror. I considered it at once the knell of the union." The notes of alarm in Jefferson's comment speak of the fear aroused by the recent crisis over slavery in his home state. His vision of a cataclysm to come proved prescient. Jefferson's startling observation registered a turn in the nation’s course, a pivot from the national purpose of the founding toward the threat of disunion. Drawn from new sources, Alan Taylor's riveting narrative re-creates the events that inspired black Virginians, haunted slaveholders, and set the nation on a new and dangerous course.

    Cleared of Native Americans and the remnants of European empires by Andrew Jackson, the Mississippi Valley was transformed instead into a booming capitalist economy commanded by wealthy planters, powered by steam engines, and dependent on the coerced labor of slaves. "River of Dark Dreams" places the Cotton Kingdom at the center of worldwide webs of exchange and exploitation that extended across oceans and drove an insatiable hunger for new lands. This bold reaccounting dramatically alters our understanding of American slavery and its role in U.S. expansionism, global capitalism, and the upcoming Civil War.Walter Johnson deftly traces the connections between the planters pro-slavery ideology, Atlantic commodity markets, and Southern schemes for global ascendency. Using slave narratives, popular literature, legal records, and personal correspondence, he recreates the harrowing details of daily life under cotton s dark dominion. We meet the confidence men and gamblers who made the Valley shimmer with promise, the slave dealers, steamboat captains, and merchants who supplied the markets, the planters who wrung their civilization out of the minds and bodies of their human property, and the true believers who threatened the Union by trying to expand the Cotton Kingdom on a global scale.But at the center of the story Johnson tells are the enslaved people who pulled down the forests, planted the fields, picked the cotton who labored, suffered, and resisted on the dark underside of the American dream."

    Challenging democracy, he shaped a diametrical philosophy of life that experienced widespread approval in his own country and limited acceptance in other European lands. Regarding the German social and economic renaissance as a threat to their political and commercial interests, Western statesmen opposed Hitler s peacetime diplomacy and prepared for war. Passages cited from period German publications and speeches, most of which are unavailable in English, offer penetrating insight into the National Socialist creed and the waning age of European nationalism. The author critically examines the supposedly idealistic motives of members of the German resistance, whose covert sabotage of the war effort is overlooked by military historians. A fresh perspective based on research from over 200 published volumes, the majority in German language, as well as on documents from British, Russian and U.S. archives.

    elections confirms that it remains a word in flux. Redefining Rape tells the story of the forces that have shaped the meaning of sexual violence in the United States, through the experiences of accusers, assailants, and advocates for change. In this ambitious new history, Estelle Freedman demonstrates that our definition of rape has depended heavily on dynamics of political power and social privilege.The long-dominant view of rape in America envisioned a brutal attack on a chaste white woman by a male stranger, usually an African American. From the early nineteenth century, advocates for women's rights and racial justice challenged this narrow definition and the sexual and political power of white men that it sustained. Between the 1870s and the 1930s, at the height of racial segregation and lynching, and amid the campaign for woman suffrage, women's rights supporters and African American activists tried to expand understandings of rape in order to gain legal protection from coercive sexual relations, assaults by white men on black women, street harassment, and the sexual abuse of children. By redefining rape, they sought to redraw the very boundaries of citizenship.Freedman narrates the victories, defeats, and limitations of these and other reform efforts. The modern civil rights and feminist movements, she points out, continue to grapple with both the insights and the dilemmas of these first campaigns to redefine rape in American law and culture.

    In downtown Stockton, they created Little Manila, a vibrant community of hotels, pool halls, dance halls, restaurants, grocery stores, churches, union halls, and barbershops. Little Manila was home to the largest community of Filipinas/os outside of the Philippines until the neighborhood was decimated by urban redevelopment in the 1960s. Narrating a history spanning much of the twentieth century, Dawn Bohulano Mabalon traces the growth of Stockton's Filipina/o American community, the birth and eventual destruction of Little Manila, and recent efforts to remember and preserve it.Mabalon draws on oral histories, newspapers, photographs, personal archives, and her own family's history in Stockton. She reveals how Filipina/o immigrants created a community and ethnic culture shaped by their identities as colonial subjects of the United States, their racialization in Stockton as brown people, and their collective experiences in the fields and in the Little Manila neighborhood. In the process, Mabalon places Filipinas/os at the center of the development of California agriculture and the urban West.

    African American Studies. "Here is a voice of complete authority: I think of Willa Cather in all her fullness of range and depth, her grief, sureness of step, and ease with life's own half-familiar withholdings. TJ Jarrett pierces the listener with her new seemingly accustomed, but new unsettlings; I was more lonely before I heard this voice." Jean Valentine"

    The nine stories write and rewrite "myth" from a woman's of view, as they tell stories of women and children whose lives are shaped by the social, political, ecological, and economic disruption and violence of the borderlands.A poet and fiction writer, ire'ne lara silva has been an active participant in the literary culture of Austin, Texas, for many years. Her first collection of poetry, furia, was published by Mouthfeel Press in 2010. She is the recipient of the Gloria Anzaldúa Milagro Award and a 2010 Cantomundo Inaugural Fellowship.

    The rise of DNA testing has further complicated the issues and raised the stakes.In Native American DNA, Kim TallBear shows how DNA testing is a powerful—and problematic—scientific process that is useful in determining close biological relatives. But tribal membership is a legal category that has developed in dependence on certain social understandings and historical contexts, a set of concepts that entangles genetic information in a web of family relations, reservation histories, tribal rules, and government regulations. At a larger level, TallBear asserts, the “markers” that are identified and applied to specific groups such as Native American tribes bear the imprints of the cultural, racial, ethnic, national, and even tribal misinterpretations of the humans who study them.TallBear notes that ideas about racial science, which informed white definitions of tribes in the nineteenth century, are unfortunately being revived in twenty-first-century laboratories. Because today’s science seems so compelling, increasing numbers of Native Americans have begun to believe their own metaphors: “in our blood” is giving way to “in our DNA.” This rhetorical drift, she argues, has significant consequences, and ultimately she shows how Native American claims to land, resources, and sovereignty that have taken generations to ratify may be seriously—and permanently—undermined.

    Onyeka's book acknowledges this predilection but challenges our perceptions. Onyeka's book is about the presence, status and origins of Africans in Tudor England. In it Onyeka argues that these people were present in cities and towns throughout England, but that they did not automatically occupy the lowest positions in Tudor society. This is important because the few modern historians who have written about Africans in Tudor England suggest that they were all slaves, or transient immigrants who were considered as dangerous strangers and the epitome of otherness. However, this book will show that some Africans in England had important occupations in Tudor society, and were employed by powerful people because of the skills they possessed. These people seem to have inherited some of their skills from the multicultural societies that they came from, but that does not mean all of those present in England were born in other countries: some were born in England. The arguments in this book are supported by evidence from a variety of sources both manuscript and printed, most of which has not been widely discussed - whilst some of it Onyeka has discovered, and this may be the first time that it has been revealed. Other evidence is taken from texts that are the subject of popular discussion by historians, linguists and so on, but Onyeka encourages the reader to re-examine these works in a different way because they reveal information about the presence, status and origins of Africans in Tudor England.

    But instead of being able to transform into cool super-beings, they take on the characteristics of the kids they bully. Sure their abilities may be at an all-time high, but do they really have what it takes to save their school when their self-esteem is at an all-time low? "The Offenders is the best use of detention since The Breakfast Club - funny, exciting, and the most charming thing I've read in ages. Writing something entertaining is tough, but writing something important is even tougher. Jerry and his boys have made it look easy." - Drew Pearce, writer of Iron Man 3

    Williams focuses on the life and violent death of Fred Hampton, a charismatic leader who served as president of the NAACP Youth Council and continued to pursue a civil rights agenda when he became chairman of the revolutionary Chicago-based Black Panther Party. Framing the story of Hampton and the ILBPP as a social and political history and using, for the first time, sealed secret police files in Chicago and interviews conducted with often reticent former members of the ILBPP, Williams explores how Hampton helped develop racial coalitions between the ILBPP and other local activists and organizations.Williams also recounts the history of the original Rainbow Coalition, created in response to Richard J. Daley's Democratic machine, to show how the Panthers worked to create an antiracist, anticlass coalition to fight urban renewal, political corruption, and police brutality.

    In the twentieth century, compelled by the Spirit of God and a yearning for freedom, the African American church took the lead in heralding the effort. Like almost no other movement before or since, Christian people gave force to a social mission. And, remarkably, they did it largely through nonviolent actions. Dr. Martin Luther King Jr.'s words and historic efforts as the Moses of this civil rights movement stand out as perhaps the most significant instance of a modern Christian leader acting in a prophetic role to instigate political change. In many ways The Letter from Birmingham Jail stands at the center of that movement. In this book African American journalist Edward Gilbreath explores the place of that letter in the life and work of Dr. King. Birmingham Revolution is not simply a work of historical reflection. Gilbreath encourages us to reflect on the relevance of King's work for the church and culture of our day. Whether it's in debates about immigration, economic redistribution or presidential birth certificates, race continues to play a role in shaping society. What part will the church play in the ongoing struggle?

    Quinones MillerThe Willie Lynch Letter, aka The Making of a Slave, is one of the most controversial texts in African-American studies.It was purportedly written by Willie Lynch, a British West Indies plantation owner, and given to a group of Virginia slaveowners as a masterplan to keep Blacks enslaved -- not just physically but mentally as well -- using such tactics as pitting on slave against the other. Lynch, in his letter, says by using these tactics for just one year it will keep slaves mentally in chains for at least 300 years.Modern historians have asserted that the letter is a hoax, but most still agree that it's a text worth reading as it points out the different divides in the African-American community that seem specifically designed to keep the race from throwing off mental chains that impede communal progress.Includes foreword by Karen E. Quinones Miller, author of An Angry-Ass Black WomanIncludes excerpt from The Narrative of the Life of Frederick Douglass, An American SlaveIncludes Clickable Table of Contents

    Two months earlier, President John Kennedy had sent a civil rights bill to Congress, but it was struck down. Although Kennedy was concerned about the possibility of widespread violence during this protest, he realized he was powerless to stop it and embraced the movement instead.Known as the "March on Washington for Jobs and Freedom," the country expected to hear King deliver strong words to his opponents. Instead, his "I Have a Dream" speech was one of heartfelt passion and poetic eloquence that still echoes in our memory.

    And so the Christian Community Development Association (CCDA) was born, with Wayne Gordon an immediate and enthusiastic participant. Nearly thirty years later CCDA's eight key components of community development still set the bar for how churches, parachurches and nonprofits engage cities with the whole gospel.Relocation Reconciliation Redistribution Leadership Development Listening to the Community Church-Based Development A Wholistic Approach to Ministry Empowerment In Making Neighborhoods Whole Perkins and Gordon revisit these eight commitments and how they've played out in real communities, even as they scan the horizon of urban ministry to set a new tone. With profiles of longstanding and emerging community development ministries, they guide a new conversation and empower disciples of Jesus to seek the welfare of their cities to the glory of God.

    Gregory Ellison says that this is the plight of African American young men. They are stigmatized with limited opportunity for education and disproportionate incarceration. At the same time, they are often resistant to help from social institutions including the church. They are mute and invisible to society but also in their inward being. Their voice and physical selves are not acknowledged, leaving them ripe for hopelessness and volatility. So if the need is so great yet the desire for help wanes, where is the remedy? Healing can begin by reframing the problem. While to cut dead is destructive, it also refers to pruning and repotting a disfigured plant--giving it new possibilities for life. In this provocative book, Ellison shows how caregivers can sow seeds of life, and nurture with guidance, admonition, training, and support in order to help create a community of reliable others, serving as an extended family.

    While qualitative methods have been rigorously critiqued and reformulated, the population statistics relied on by virtually all research on Indigenous peoples continue to be taken for granted as straightforward, transparent numbers. This book dismantles that persistent positivism with a forceful critique, then fills the void with a new paradigm for Indigenous quantitative methods, using concrete examples of research projects from First World Indigenous peoples in the United States, Australia, and Canada. Concise and accessible, it is an ideal supplementary text as well as a core component of the methodological toolkit for anyone conducting Indigenous research or using Indigenous population statistics"--

    This analysis by an Indigenous feminist scholar challenges the United Nations–based human rights agendas and colonial theory that until now have shaped Indigenous models of self-determination. Gender inequality and gender violence, Dian Million argues, are critically important elements in the process of self-determination. Million contends that nation-state relations are influenced by a theory of trauma ascendant with the rise of neoliberalism. Such use of trauma theory regarding human rights corresponds to a therapeutic narrative by Western governments negotiating with Indigenous nations as they seek self-determination. Focusing on Canada and drawing comparisons with the United States and Australia, Million brings a genealogical understanding of trauma against a historical filter. Illustrating how Indigenous people are positioned differently in Canada, Australia, and the United States in their articulation of trauma, the author particularly addresses the violence against women as a language within a greater politic. The book introduces an Indigenous feminist critique of this violence against the medicalized framework of addressing trauma and looks to the larger goals of decolonization. Noting the influence of humanitarian psychiatry, Million goes on to confront the implications of simply dismissing Indigenous healing and storytelling traditions.Therapeutic Nations is the first book to demonstrate affect and trauma’s wide-ranging historical origins in an Indigenous setting, offering insights into community healing programs. The author’s theoretical sophistication and original research make the book relevant across a range of disciplines as it challenges key concepts of American Indian and Indigenous studies.

    

    The last task proved to be the easiest--diCorcia simply used his fellowship money to pay the men whatever price they charged for their most typical service--and ultimately prompted a complaint of misuse of government funds. In 1993, twenty-five selected images were initially exhibited at the Museum of Modern Art, marking Philip-Lorca diCorcia's first solo exhibition. The show, entitled "Strangers" was accompanied by a museum catalog. Twenty years later, steidldangin publishes the series in its entirety. Hustlers is an empathetic yet melancholic poem of the Hollywood dream gone wrong, prescribing to the heavily-staged pictorialism and happenstance of street casting for which diCorcia is most widely recognized. Knowing precisely what he wanted from each photograph, and fearful of police involvement, diCorcia would prearrange all settings: this motel room, that vacant lot, in between cars, in a fast-food restaurant--the narrative was always deliberate. From the moment diCorcia approached a potential subject (usually around Santa Monica Boulevard in Hollywood), to the completion of the shoot, seldom more than one hour had passed. The titles of these encounters amplify the facts: Ralph Smith, 21 years old, Ft. Lauderdale, Florida, and $25.

    This path-breaking ethnography shifts the conversation from one of victimhood to one of ongoing resistance and resilience as a means of healing the soul wounds of settler colonialism. Yakama Rising: Indigenous Cultural Revitalization, Activism, and Healing argues that Indigenous communities themselves have the answers to the persistent social problems they face. This book contributes to discourses of Indigenous social change by articulating a Yakama decolonizing praxis that advances the premise that grassroots activism and cultural revitalization are powerful examples of decolonization.Michelle M. Jacob employs ethnographic case studies to demonstrate the tension between reclaiming traditional cultural practices and adapting to change. Through interviewees’ narratives, she carefully tacks back and forth between the atrocities of colonization and the remarkable actions of individuals committed to sustaining Yakama heritage. Focusing on three domains of Indigenous revitalization—dance, language, and foods—Jacob carefully elucidates the philosophy underlying and unifying each domain while also illustrating the importance of these practices for Indigenous self-determination, healing, and survival.In the impassioned voice of a member of the Yakama Nation, Jacob presents a volume that is at once intimate and specific to her home community and that also advances theories of Indigenous decolonization, feminism, and cultural revitalization. Jacob’s theoretical and methodological contributions make this work valuable to a range of students, academics, tribal community members, and professionals, and an essential read for anyone interested in the ways that grassroots activism can transform individual lives, communities, and society.

    Renowned theoretician and philosopher Zeus Leonardo surveys the dominant race theories and, more specifically, focuses on those frameworks that are considered essential to cultivating a critical attitude toward race and racism. The book examines four frameworks: Critical Race Theory (CRT), Marxism, Whiteness Studies, and Cultural Studies, with a critique following each one in order to analyze its strengths and set its limits. The last chapter offers a theory of "race ambivalence," which combines aspects of all four theories into one framework. Engaging and cutting edge, Race Frameworks is a foundational text suitable for courses in education and critical race studies.Chapters:Introduction: Critical Frameworks on Race1.; Critical Race Theory in Education: On Racial State Apparatuses2.; Marxism and Race: The Racialized Division of Labor 3.; Whiteness Studies and Educational Supremacy: The Unbearable Whiteness of Schooling4.; Cultural Studies, Race Representation, and Education: From the Means of Production to the Production of Meanness5.; Race Ambivalence and a Multidimensional Theory of Racism and Education

    The exhibition catalogue is co-published by The Studio Museum in Harlem and The Gordon Parks Foundation and features approximately 80 black-and-white photographs of the Fontenelle family, whose lives Gordon Parks documented as part of a 1968 Life magazine photo essay. A searing portrait of poverty in the United States, the Fontenelle photographs provide a view of Harlem through the narrative of a specific family at a particular moment in time.

    Nearly two million people died at sea during the agonizing journey. For the next two centuries, the enslavement of black people in the United States created wealth, opportunity, and prosperity for millions of Americans. As American slavery evolved, an elaborate and enduring mythology about the inferiority of black people was created to legitimate, perpetuate, and defend slavery. This mythology survived slavery's formal abolition following the Civil War. In the South, where the enslavement of black people was widely embraced, resistance to ending slavery persisted for another century following the passage of the Thirteenth Amendment in 1865. Today, 150 years after the Emancipation Proclamation, little has been done to address the legacy of slavery and its meaning in contemporary life. In many communities like Montgomery, Alabama - which by 1860 was the capital of the domestic slave trade in Alabama - there is little understanding of the slave trade, slavery, or the longstanding effort to sustain the racial hierarchy that slavery created. In fact, an alternative narrative has emerged in many Southern communities that celebrates the slavery era, honors slavery's principal proponents and defenders, and refuses to acknowledge or address the problems created by the legacy of slavery. Slavery in America: The Montgomery Slave Trade documents American slavery and Montgomery's prominent role in the domestic slave trade. The report is part of a project focused on developing a more informed understanding of America's racial history and how it relates to contemporary challenges. Equal Justice Initiative believes that reconciliation with our nation's difficult past cannot be achieved without truthfully confronting history and finding a way forward that is thoughtful and responsible.

    With more than 130 raw and revolutionary photographs, The Dirty Side of Glamour showcases Tyler Shields’s unrestrained creative spirit and offers a visual commentary on fame, excess, youth, the trappings of celebrity, and the power of letting go.

    Martin Luther King Jr. led the historic March on Washington for Jobs and Freedom, where he delivered the most iconic speech of the civil rights movement. In The Speech, Gary Younge explains why King's "I Have a Dream" speech maintains its powerful social relevance by sharing the dramatic story surrounding it. Today, that speech endures as a guiding light in the ongoing struggle for racial equality.Younge roots his work in personal interviews with Clarence Jones, a close friend of Martin Luther King Jr. and his draft speechwriter; with Joan Baez, a singer at the march; and with Angela Davis and other leading civil rights leaders. Younge skillfully captures the spirit of that historic day in Washington and offers a new generation of readers a critical modern analysis of why "I Have a Dream" remains America's favorite speech."Younge's meditative retrospection on [the speech's] significance reminds us of all the micro-moments of transformation behind the scenes--the thought and preparation, vision and revision--whose currency fed that magnificent lightning bolt in history." --Patricia J. Williams, legal scholar and theorist

    Starting with the evolutionary origin of the White race, this book focuses on the the Classical Grecian and Roman civilizations, the White nations of the Middle East, the rise of the Germanic powers, the Vikings, Christianity, Nazi Germany, World War II and the racial crisis facing the West today. It contains, characteristically for the author, a highly critical appraisal of Jewish influence in Europe, and ends with a proposal of how the essence of the west can be saved. The book contains the entire text and almost all the illustrations which accompanied the original. It has also been fully indexed.

    Brimming with creative and political energy, the neighborhood’s diverse array of artists and activists took advantage of a brief period of progressivism during the war years to launch a bold cultural offensive aimed at winning democracy for all Americans, regardless of race or gender. Ardent believers in America’s promise, these men and women helped to lay the groundwork for the Civil Rights Movement before Cold War politics and anti-Communist fervor temporarily froze their dreams at the dawn of the postwar era.In Harlem Nocturne, esteemed scholar Farah Jasmine Griffin tells the stories of three black female artists whose creative and political efforts fueled this historic movement for change: choreographer and dancer Pearl Primus, composer and pianist Mary Lou Williams, and novelist Ann Petry. Like many African Americans in the city at the time, these women weren’t native New Yorkers, but the metropolis and its vibrant cultural scene gave them the space to flourish and the freedom to express their political concerns. Pearl Primus performed nightly at the legendary Café Society, the first racially integrated club in New York, where she débuted dances of social protest that drew on long-buried African traditions and the dances of former slaves in the South. Williams, meanwhile, was a major figure in the emergence of bebop, collaborating with Dizzy Gillespie, Thelonious Monk, and Bud Powell and premiering her groundbreaking Zodiac Suite at the legendary performance space Town Hall. And Ann Petry conveyed the struggles of working-class black women to a national audience with her acclaimed novel The Street, which sold over a million copies—a first for a female African American author.A rich biography of three artists and the city that inspired them, Harlem Nocturne captures a period of unprecedented vitality and progress for African Americans and women, revealing a cultural movement and a historical moment whose influence endures today.

    The 1960s were a turbulent time for race relations in the United States, but no other area in the country epitomized the radical social change that was taking place more than the San Francisco Bay Area--the epicenter of the Black Panthers movement. This social history introduces fans of soul music and 20th-century U.S. history enthusiasts to the Black Panthers' own band, the Lumpen, a group comprised of rank-and-file members of the Oakland, California-based Party. During their year-long tenure, the Lumpen produced hard-driving rhythm-and-blues that asserted the revolutionary ideology of the Black Panthers. Through his rediscovery of the Lumpen, and based on new interviews with Party and band members, author Rickey Vincent provides an insider's account of Black Power politics and soul music aesthetics in an original narrative that reveals more detail about the Black Revolution than ever before.

    It’s a coming-of-age-story but instead of finding herself during a road trip, Danielle found herself through the effects of racism. This book humorously chronicles Danielle’s quest for understanding what black identity means to her–instead of what it means to everyone else.

    Frustratingly, each tradition suggests that Adiele herself is responsible for her condition (and potential barrenness) for having violated gender or racial norms. While wittily detailing her struggles with doctors determined either to remove or to use her uterus as a Midwestern teaching tool, she draws parallels to history: her Nordic family’s immigration experiences, her Nigerian family’s independence struggles, and the fate of women, the poor, and folks of color in American medicine. Award-winning memoirist (PEN Beyond Margins Award for Meeting Faith; Millennium Award from Creative Nonfiction) Adiele takes a clear-eyed, sharp-tongued look at healing, from Western science to a good metaphor to Nigerian healers advertising the cure for “Lady Problems”.

    Wright Mills Book Award presented by the Society for the Study of Social ProblemsCompelling interviews uncover why tough drug policies disproportionately impact women in the American prison systemSince the 1980s, when the War on Drugs kicked into high gear and prison populations soared, the increase in women's rate of incarceration has steadily outpaced that of men. As a result, women's prisons in the US have suffered perhaps the most drastically from the overcrowding and recurrent budget crises that have plagued the penal system since harsher drugs laws came into effect. In Breaking Women, Jill A. McCorkel draws upon four years of on-the-ground research in a major US women's prison to uncover why tougher drug policies have so greatly affected those incarcerated there, and how the very nature of punishment in women's detention centers has been deeply altered as a result.Through compelling interviews with prisoners and state personnel, McCorkel reveals that popular so-called "habilitation" drug treatment programs force women to accept a view of themselves as inherently damaged, aberrant addicts in order to secure an earlier release. These programs were created as a way to enact stricter punishments on female drug offenders while remaining sensitive to their perceived feminine needs for treatment, yet they instead work to enforce stereotypes of deviancy that ultimately humiliate and degrade the women. Theprisoners are left feeling lost and alienated in the end, and many never truly address their addiction as the programs' organizers may have hoped. A fascinating and yet sobering study, Breaking Women foregrounds thegendered and racialized assumptions behind tough-on-crime policies while offering a vivid account of how thecontemporary penal system impacts individual lives.

    These young men are celebrated as cultural icons for upholding the proud traditions of the jazz funeral and the second line parade, yet they remain subject to the perils of poverty, racial marginalization, and urban violence that characterize life for many black Americans. Some achieve a degree of social mobility while many more encounter aggressive policing, exploitative economies, and a political infrastructure that creates insecurities in healthcare, housing, education, and criminal justice. The gripping narrative moves with the band members from back street to backstage, before and after Hurricane Katrina, always in step with the tap of the snare drum, the thud of the bass drum, and the boom of the tuba.

    

    Wang makes an impassioned case that now is the time. Thinking Its Presence calls for a radical rethinking of how American poetry is being read today, offering its own reading as a roadmap.While focusing on the work of five contemporary Asian American poets—Li-Young Lee, Marilyn Chin, John Yau, Mei-mei Berssenbrugge, and Pamela Lu—the book contends that aesthetic forms are inseparable from social, political, and historical contexts in the writing and reception of all poetry. Wang questions the tendency of critics and academics alike to occlude the role of race in their discussions of the American poetic tradition and casts a harsh light on the double standard they apply in reading poems by poets who are racial minorities. This is the first sustained study of the formal properties in Asian American poetry across a range of aesthetic styles, from traditional lyric to avant-garde. Wang argues with conviction that critics should read minority poetry with the same attention to language and form that they bring to their analyses of writing by white poets.

    financial crisis and the rise of a people s movement for economic justice, dignity, and freedom from foreclosure. With power and humanity, Laura Gottesdiener bears witness to the ordinary people organizing their communities to challenge the banks and legal system. Their stories are extraordinary but the situation is all too common. The ongoing mortgage crisis has created one of the longest and largest mass displacements in U.S history. While profiting from government bailouts, banks have evicted more than ten million Americans from their homes, their life savings, and their dreams. As many of the families victimized by bank fraud, predatory loans and other corporate crimes are African American, communities of color have been among the most outspoken and organized in confronting the banks. Woven throughout Gottesdiener s page-turning narrative are clear explanations of the origins of the crisis, the consequences for housing, and how community organizing and social movements are having national impact. PRAISE FOR LAURA GOTTESDIENER AND"A DREAM FORECLOSED" Alice Walker, Pulitzer Prizewinning author of The Color Purple"I m spreading the word about Laura Gottesdiener s FINE book wherever I go and wherever I am. [It's] a wonderful book." Naomi Klein, author of "The Shock Doctrine""A riveting book." Ralph NaderLaura Gottesdiener has the acute eye and pen of a young progressive star with extraordinary talent. Her pages should grip you with motivational indignation." Johanna Fernandez professor in the Department of History at Baruch College From the time of their capture in Africa, through Emancipation and the Great Migration, to the national economic and housing crisis of today, people of African descent in the United States have been defined by their search for home. Using the dreams and aspirations of four families as her point of departure, Laura Gottesdiener narrates a beautifully crafted story about predatory lending, foreclosure abuse, the racial politics of home ownership, and the brave struggles launched by African American communities to keep their dignities and their homes. ... a powerful, impressive and page-turning testimony that ordinary people can fight back and win. Noam Chomsky The legislation to rescue the perpetrators of the current financial crisis included provisions for limited compensation to their victims...the enormity of the crime strikes home vividly in the heart-rending accounts of those who are brutally thrown out of their modest homes for African Americans particularly, almost all they have then survive in the streets, struggle on, and sometimes even regain something of what was stolen from them thanks to the courageous and inspiring work of the home liberation activists, now reinforced by the Occupy movement. All recounted with historical depth and analytic insight." Tim Wise A brilliant and needed narrative by an insightful and inspiring author. Clarence Lusane, author of "The Black History of the White House" [a] brilliant discourse on the battle over home and community by African Americans... [w]e owe Gottesdiener a great debt for her research and powerful argument that permeates A Dream Foreclosed. ... She takes sides in this battle and gives voice to those who are rarely if ever heard. Mumia Abu-Jamal, "Counterpunch" "A Dream Foreclosed" finds beauty amidst immense pain and sufferingthe beauty of people continuing to fight back against rapacious banks, the politicians they buy and the lawyers they hire. It is a work both beautiful and terrible that deserves to be read by many. Marc Lamont Hill, "Huffington Post Live""An incredible booka great set of stories being told hereand more importantly, a powerful narrative about the relationship between black people and ownership""

    While most histories of McCarthyism focus on the devastation of the blacklist and the intersection of leftist politics and American culture, few include the activities of radical writers and artists from the Black Popular Front. Washington's work incorporates these black intellectuals back into our understanding of mid-twentieth-century African American literature and art and expands our understanding of the creative ferment energizing all of America during this period.Mary Helen Washington reads four representative writers--Lloyd Brown, Frank London Brown, Alice Childress, and Gwendolyn Brooks--and surveys the work of the visual artist Charles White. She traces resonances of leftist ideas and activism in their artistic achievements and follows their balanced critique of the mainstream liberal and conservative political and literary spheres. Her study recounts the targeting of African American as well as white writers during the McCarthy era, reconstructs the events of the 1959 Black Writers' Conference in New York, and argues for the ongoing influence of the Black Popular Front decades after it folded. Defining the contours of a distinctly black modernism and its far-ranging radicalization of American politics and culture, Washington fundamentally reorients scholarship on African American and Cold War literature and life.

    She is a cultural, nonfictionist tyrannosaurus rex and her narration of the lives of Ivoiriens during her 2 years living in Cote d'Ivoire, West Africa as a Peace Corps Volunteer makes you fall in love with this story and laugh out loud when you least expect it. How do Ivoiriens define color, class, gender, sexuality, religion, and more, differently than you or I do? "Padre!" will enthrall you, surprise you, entertain you, and give you a profound, new view of the world that will help you to navigate it better at any level.

    In October 1968 the Congress of Black Writers at McGill University brought together well-known Black thinkers and activists from Canada, the United States, Africa, and the Caribbean--people like C.L.R. James, Stokely Carmichael, Miriam Makeba, Rocky Jones, and Walter Rodney. Within months of the Congress, a Black-led protest at Sir George Williams University (now Concordia) exploded on the front pages of newspapers across the country--raising state security fears about Montreal as the new hotbed of international Black radical politics.

    Wild in its leaps and images, these poems explore personal and psychological exile from a marriage, lovers, expectations, and finally, country.

    Following the grotesque murder of his cousin Baseem in 2009, and Baseem's sister Jawaher in 2011, Hamde has dedicated his life as journalist and activist, documenting the oppression and occupation, of the Palestinians living in the West Bank.This book is a selection of Hamde's work, illustrating the lives of a people who refuse to surrender their homes. After all, roots run deep.

    Gang Member exploded on the scene and gave us all a front row seat to explore the genocidal brutality of the neo-colonial world of gangbanging. A world that exists at the expense of New Afrikan communities and New Afrikan youth in particular, through our social savage way of attempting to gain power through AK’s, bats and beat downs ... it was in the belly of the beast (prison) that ‘Monster’ underwent a revolutionary transformation, dissecting and re-building himself from the inside out, slaying the colonial thug ‘Monster’ and emerging through a re-birth as ‘Sanyika Shakur,’ a New Afrikan Revolutionary Nationalist.” -- from the Foreword by Yusef “Bunchy” ShakurThis collection of writings by Sanyika Shakur, formerly known as Monster Kody Scott, includes several essays written from within the infamous Pelican Bay Security Housing Unit in the period around the historic 2011 California prisoners’ hunger strike, as well as two interviews conducted just before and after his release in Black August 2012. Shakur rejects the easy answers and false solutions of the neocolonial age - integration and racism, the colonial-criminal mentality and subservience to imperialism - as the “oppo-sames” that they are. Firmly rooted in the New Afrikan Communist tradition, he skillfully uses the tools of dialectical materialism to lay bare the deeper connections between racism, sexism, and homophobia and how these mental diseases relate to the ongoing capitalist (neo-)colonial catastrophe we remain trapped within. Defending the legacy of New Afrikans’ historic struggle for Land, Independence, and Socialism, Shakur spells out a uniquely liberatory Revolutionary Nationalist vision. Annihilating the “amerikan” mental fog that has new generations continuing to self-defeat rather than coming together against the real enemy, Stand Up, Struggle Forward serves as a battle cry against all forms of oppression. Stand Up, Struggle Forward also contains a valuable account of political repression in the California prison system, including several of the intelligence memoranda they were used to condemn Shakur to years of solitary confinement in Pelican Bay. These internal prison documents clearly show that this prolonged solitary confinement was a direct result of Shakur’s continuing promotion of New Afrikan Revolutionary Nationalist politics. As such, they provide a clear example of the way in which solitary confinement continues to be used as a tool of political repression against thousands of prisoners in California today. PRAISE FOR THIS BOOK“i love his book Monster, because his military approach in things sets it up. One time there was a shooting in my block, and i asked the brother: ‘What do you think you are doing? Here, read this!’ And i gave him a copy of Monster. He took it real serious. Sanyika can reach people i can’t. Checking out his newest book, i’m glad he’s on our side.” —  Hondo T’chikwa, Spear & Shield Collective “The Pentagon knows that the most famous soldier of his times never wore their uniform, but fought on the oppressed streets of L.A. Now, Sanyika Shakur is still a soldier for his people, but is a revolutionary teacher as well. His words here, his politics, are uncompromising as iron.” — J. Sakai, author of Settlers: Mythology of the White Proletariat “i thought i’d wait a long time after Meditations for a new work that would provide a major building block to rebuild the movement. But here it is. The chapter on patriarchy, colonialism, imperialism and neo-colonialism is a bomb — study this.” — Butch Lee, author of Night-Vision: Illuminating War and Class on the Neo-Colonial Terrain

    Wade, one of the most divisive rulings ever to shape American politics. In recent years, attempts to overturn Roe v. Wade have reached a fevered pitch. Since 2010 hundreds of bills banning or creating roadblocks to abortion access, contraception, and basic women s health have been proposed across the United States, with nearly one hundred new laws going into effect. The goal is to create a law that will eventually be brought before the most conservative Supreme Court ever to occupy the bench, in order to overturn Roe v. Wade. Crow After Roe: How Separate But Equal Has Become the New Standard In Women's Health And How We Can Change That takes a look at twelve states that since 2010 have each passed a different anti-abortion or anti-women's health law, and how each law is explicitly written to provoke a repeal of Roe v. Wade. The book will detail not just the history of the laws in question, but how they challenge Roe v. Wade and create a reproductive health care system that puts womenespecially poor, rural, or those of colorinto a separate class with fewer choices or control. Robin Marty is RH Reality Check's senior political reporter, focusing primarily on state legislation restricting women s reproductive rights. Her political, women's rights, and reproductive articles have appeared in Ms. magazine, Truthout, AlterNet, and BlogHer. Jessica Mason Pieklo is the assistant director of the Health Law Institute at Hamline Law School in St. Paul, Minnesota. She covers law and politics at Care2.com and RH Reality Check. Her articles have appeared in Ms. magazine, Truthout, and AlterNet."

    Statutorily referred to as “the rule of hypodescent,” this definition of Blackness is more popularly known as the “one-drop rule,” meaning that one solitary drop of Black blood is enough to render a person Black. Said differently, the one-drop rule holds that a person with any trace of Black ancestry, however small or (in)visible, cannot be considered White. A method of social order that began almost immediately after the arrival of enslaved Africans in America, by 1910 it was the law of the land in almost all southern U.S. states. At a time when the one-drop rule functioned to protect and preserve White racial purity, Blackness was both a matter of biology and the law. One was either Black or White. Period. One hundred years later, however, the social and political landscape has changed. Or has it?(1)ne Drop: Shifting the Lens on Race sets out to explore the extent to which historical definitions of race continue to shape contemporary racial identities and lived experiences of racial difference, particularly among those for whom the legacy of the one-drop rule perceptibly lingers. Featuring the perspectives of 60 contributors representing 25 countries and combining candid narratives with simple yet striking portraiture, this book provides living testimony to the diversity of Blackness. Although contributors use varying terms to self-identify, they all see themselves as part of the larger racial, cultural, and social group generally referred to as Black. They all have experienced having their identity called into question simply because they do not fit neatly into the stereotypical “Black box” — dark skin, “kinky” hair, broad nose, full lips, etc. Most have been asked “What are you?” or the more politically correct “Where are you from?” numerous times throughout their lives. It is through contributors’ lived experiences with and lived imaginings of Black identity that we are able to visualize multiple possibilities for Blackness above and beyond the one-drop rule.The inspiration behind CNN’s Black in America: “Who is Black in America?” and featured on CNN Newsroom, (1)ne Drop continues to spark much-needed dialogue about the intricacies and nuances of racial identity and the influence of skin color politics on questions of who is Black and who is not.(1)ne Drop takes the very literal position that in order for us to see Blackness differently, we have to see Blackness differently.

    This first published collection of his accumulated works showcases his sharp and profound understanding of the current historical moment, with clear proposals for how to move forward embracing new political concepts and practices. Informed by Shoatz’s experience as a leader in the Black Liberation Movement in Philadelphia, the pieces in this book put forth his fresh and self-critical retelling of the black liberation struggle in the United States and provide cutting-edge analysis of the prison-industrial complex. Innovative and revolutionary on multiple levels, the essays also discuss such varied topics as eco-socialism, matriarchy and eco-feminism, food security, prefiguration and the Occupy Wall Street movement. Including new essays written expressly for this volume, Shoatz’s unique perspective offers many practical and theoretical insights for today’s movements for social change.

    Focusing each chapter on the culinary and social history of one dish--such as fried chicken, chitlins, yams, greens, and red drinks--Miller uncovers how it got on the soul food plate and what it means for African American culture and identity.Miller argues that the story is more complex and surprising than commonly thought. Four centuries in the making, and fusing European, Native American, and West African cuisines, soul food--in all its fried, pork-infused, and sugary glory--is but one aspect of African American culinary heritage. Miller discusses how soul food has become incorporated into American culture and explores its connections to identity politics, bad health raps, and healthier alternatives. This refreshing look at one of America's most celebrated, mythologized, and maligned cuisines is enriched by spirited sidebars, photographs, and twenty-two recipes.

    But in the northeastern city of Salvador, Brazil, it is these very women who determine how urban policies are established. Focusing on the Gamboa de Baixo neighborhood in Salvador’s city center, Black Women against the Land Grab explores how black women’s views on development have radicalized local communities to demand justice and social change.In Black Women against the Land Grab, Keisha-Khan Y. Perry describes the key role of local women activists in the citywide movement for land and housing rights. She reveals the importance of geographic location for understanding the gendered aspects of urban renewal and the formation of black women–led social movements. How have black women shaped the politics of urban redevelopment, Perry asks, and what does this kind of political intervention tell us about black women’s agency? Her work uncovers the ways in which political labor at the neighborhood level is central to the mass mobilization of black people against institutional racism and for citizenship rights and resources in Brazil.Highlighting the political life of black communities, specifically those in urban contexts often represented as socially pathological and politically bankrupt, Black Women against the Land Grab offers a valuable corrective to how we think about politics and about black women, particularly poor black women, as a political force.

    As they travel together, they get tangled up in the French Resistance and their efforts against a growing German presence under the leadership of a fanatical, hook-handed SS officer hellbent on wiping them out!This Deluxe Edition collects the first 10 issues of Peter Panzerfaust. Contains never before seen illustrations by TYLER JENKINS and reveals the Peter Pan Easter eggs as written by KURTIS J. WIEBE.

    Drawing on current scholarship, Shelley Lee brings forward the many strands of Asian American history, highlighting the distinctive nature of the Asian American experience while placing the narrative in the context of the major trajectories and turning points of U.S. history. Covering the history of Filipinos, Koreans, Asian Indians, and Southeast Indians as well as Chinese and Japanese, the book gives full attention to the diversity within Asian America. A robust companion website features additional resources for students, including primary documents, a timeline, links, videos, and an image gallery.From the building of the transcontinental railroad to the celebrity of Jeremy Lin, people of Asian descent have been involved in and affected by the history of America. A New History of Asian America gives twenty-first-century students a clear, comprehensive, and contemporary introduction to this vital history.

    Born in 1904, Dover grew up hearing the elders of her tribe tell of the hardships involved in moving from their villages to the reservation on Tulalip Bay: inadequate supplies of food and water, harsh economic conditions, and religious persecution outlawing potlatch houses and other ceremonial practices.Dover herself spent ten traumatic months every year in an Indian boarding school, an experience that developed her political consciousness and keen sense of justice. The first Indian woman to serve on the Tulalip board of directors, Dover describes her experiences in her own personal, often fierce style, revealing her tribe's powerful ties and enduring loyalty to land now occupied by others.

    His keen legal analysis and compelling narrative has resulted in a fascinating examination of how far we have come as a nation, but more importantly, of how far we have to go."—Barbara A. Mikulski, U.S. Senator for Maryland When America inaugurated its first African American president, in 2009, many wondered if the country had finally become a "post-racial" society. Was this the dawning of a new era, in which America, a nation nearly severed in half by slavery, and whose racial fault lines are arguably among its most enduring traits, would at last move beyond race with the election of Barack Hussein Obama? In Ghosts of Jim Crow, F. Michael Higginbotham convincingly argues that America remains far away from that imagined utopia. Indeed, the shadows of Jim Crow era laws and attitudes continue to perpetuate insidious, systemic prejudice and racism in the 21st century. Higginbotham's extensive research demonstrates how laws and actions have been used to maintain a racial paradigm of hierarchy and separation—both historically, in the era of lynch mobs and segregation, and today—legally, economically, educationally and socially. Using history as a roadmap, Higginbotham arrives at a provocative solution for ridding the nation of Jim Crow's ghost, suggesting that legal and political reform can successfully create a post-racial America, but only if it inspires whites and blacks to significantly alter behaviors and attitudes of race-based superiority and victimization. He argues that America will never achieve its full potential unless it truly enters a post-racial era, and believes that time is of the essence as competition increases globally. F. Michael Higginbotham is the Wilson H. Elkins Professor of Law at the University of Baltimore School of Law. He is the author of Race Law: Cases, Commentary, and Questions.

    Bringing together twelve essays by college students who identify themselves as multiracial, this book considers what this identity means in a reality that occasionally resembles the post-racial dream of some and at other times recalls a familiar world of racial and ethnic prejudice.Exploring a wide range of concerns and anxieties, aspirations and ambitions, these young writers, who all attended Dartmouth College, come from a variety of racial, ethnic, and socioeconomic backgrounds. Unlike individuals who define themselves as having one racial identity, these students have lived the complexity of their identity from a very young age. In Mixed, a book that will benefit educators, students, and their families, they eloquently and often passionately reveal how they experience their multiracial identity, how their parents' race or ethnicity shaped their childhoods, and how perceptions of their race have affected their relationships.

    By documenting the practices of socially committed teachers at an urban private academy and a suburban public school, Katy Swalwell helps educators and educational theorists better understand the challenges and opportunities inherent in this work. She also examines how students responded to their teachers' efforts in ways that both undermined and realized the goals of social justice pedagogy. This analysis serves as the foundation for the development of a curricular framework helping students to foster an "Activist Ally" identity: the skills, knowledge, and dispositions necessary to negotiate privilege in ways that promote justice. Educating Activist Allies provides a powerful introduction to the ways in which social justice curricula can and should be enacted in communities of privilege.

    Always in full makeup, he ridicules, inspires, and entertains; he is both mother and father, pageant and relief.Tortured by his zealous father, Gabriel moves to Cleveland, Ohio, to start a new life. Soon, he learns that his presence, despite giving order to those closest to him, incites fear and hatred. As past and present collide, Gabriel becomes the mirror that reflects the lives of the people surrounding him, the spectacle that isn’t as bad as the histories they want to escape completely.Set against the backdrop of a city recovering from one of the worst race riots in history, The Butterfly Lady is filled with pain encased in the blues. This stunning first novel wrestles with the horrors of love and the consequences of being black, gay, and male."In The Butterfly Lady, Hoey, clearly driven by love for his characters and a passion to understand their lives, weaves a cocoon of community. Fearless, in the tradition of Morrison, he looks under beds and throws open closet doors to present truth - drawing the reader in to the place where lives crash."- Anton Nimblett, author of Sections of an Orange"The Butterfly Lady riffs from the page in bursts and twists, conflagrating image, sound, language and character in a literary mimicry of jazz ... Danny Hoey's confident prose takes the reader into the heart of Cleveland's inner-city where its inhabitants face sometimes unanswerable questions of sexuality, identity, and race."- Britta Coleman, author of Potter Springs, winner of the Lone Star Scribe Award"Danny M. Hoey, Jr.'s The Butterfly Lady presents haunting characters that ask - demand - a great deal: Understand and embrace the complications and nuances of African-American identity. Arm yourself with these revelations. This is a terrific novel; devastating and hopeful because Hoey so unflinchingly educates the reader. He writes with the fierceness and truth of James Baldwin and has given us a story that lingers and informs long after the last sentence."- Dana Johnson, author of Elsewhere, California and Break Any Woman Down, winner of the Flannery O'Connor Award

    As vividly as Mexican Technicolor, these poems capture life in the barrio: vendors hauling carts with elote, raspados, botes y más. Vatos fighting to exist. Mujeres claiming space. Summer evenings, children playing in the calles of East L.A., El Paso, and bordered tierras everywhere. Reyes’s work exudes the pride, strength, turmoil and struggle of neighborhoods brimming with tradition and invention, estilo a la brava. These homegrown verses reveal the barrio in all its intricate layers. Revering difference, they fight to make room for something new: Marimacha Poetry. ¡Y Qué!

    She had her first solo show at The Drawing Center in New York City in 1994 and, at the age of 28 in 1997, was one of the youngest people to receive a MacArthur Fellowship. This publication documents Dust Jackets for the Niggerati--and Supporting Dissertations, Drawings Submitted Ruefully by Dr. Kara E. Walker, a major series of graphite drawings and hand-printed texts on paper that grew out of Walker's attempts to understand how interpersonal and geopolitical powers are asserted through the lives of individuals. In scenes that range from the grotesque to the humorous to the tragic, these works vividly and powerfully explore the themes of transition and migration that run through the African-American experience. The accompanying essays take us through Walker's saga of American experience--the dual streams of renewal and destruction that trace parallel lines through the last century's rapid urbanization and the complementary emergence of a "New Negro" identity. Fully illustrated with reproductions of the entire series, and designed by award-winning design studio CoMa with Walker's close collaboration, Dust Jackets for the Niggerati represents a major contribution to the career of one of our most significant and complex contemporary artists.

    Now an old man, exhausted by life on the run, he is compelled to confront his past only to find most of his memories buried by urban sprawl.He seeks solace in Mabel, the sister he abandoned, a lifelong alcoholic who presumed him dead.As the surviving Weesfree family exhumes their history, Gus finds that not all was as it seemed in Tradition. The love and betrayal of his youth ran far deeper than he ever imagined. Moving seamlessly between the present day and the 1930s and 40s, award-winning author Marci Blackman revelas the powerful force exerted by the past on the present. Tradition gracefully uncovers the Weesfree family secrets—and how race, family, and loyalty can shape a life.

    Her example as an educator is still followed: the system she set up in the first quarter of the nineteenth century, for the education of rural women, has not only survived in its homeland—through the traumas of the colonization of West Africa and the establishment of the modern state of Nigeria—but is also being revived and adapted elsewhere, notably among Muslim women in the United States.This book, richly illustrated with maps and photographs, recounts Asma'u's upbringing and critical junctures in her life from several sources, mostly unpublished: her own firsthand experiences presented in her writings, the accounts of contemporaries who witnessed her endeavors, and the memoirs of European travelers. For the account of her legacy the authors have depended on extensive field studies in Nigeria, and documents pertaining to the efforts of women in Nigeria and the United States, to develop a collective voice and establish their rights as women and Muslims in today's societies.Beverley Mack is an associate professor of African studies at the University of Kansas. She is co-editor (with Catherine Coles) of Hausa Women in the Twentieth Century and co-author (with Jean Boyd) of The Collected Works of Nana Asma'u, 1793–1864 and One Woman's Jihad: Nana Asma'u Scholar and Scribe.Jean Boyd is former principal research fellow of the Sokoto History Bureau and research associate of the School of Oriental and African Studies at the University of London. She is the author

    In Forgotten Dead, William D. Carrigan and Clive Webb uncover a comparatively neglected chapter in the story of American racial violence, the lynching of persons of Mexican origin or descent. Over eight decades lynch mobs murdered hundreds of Mexicans, mostly in the American Southwest. Racial prejudice, a lack of respect for local courts, and economic competition all fueled the actions of the mob. Sometimes ordinary citizens committed these acts because of the alleged failure of the criminal justice system; other times the culprits were law enforcement officers themselves. Violence also occurred against the backdrop of continuing tensions along the border between the United States and Mexico aggravated by criminal raids, military escalation, and political revolution. Based on Spanish and English archival documents from both sides of the border, Forgotten Dead explores through detailed case studies the characteristics and causes of mob violence against Mexicans across time and place. It also relates the numerous acts of resistance by Mexicans, including armed self-defense, crusading journalism, and lobbying by diplomats who pressured the United States to honor its rhetorical commitment to democracy. Finally, it contains the first-ever inventory of Mexican victims of mob violence in the United States. Carrigan and Webb assess how Mexican lynching victims came in the minds of many Americans to be the "forgotten dead" and provide a timely account of Latinos' historical struggle for recognition of civil and human rights.

    Walidah Imarisha’s first poetic collection invokes this same process of alchemy, transforming both individual and collective scars into North Stars, guideposts that center us and keep us moving in the right direction. Scars/Stars reminds us that even in ravaged earth, something beautiful can still grow.

    Raised in a Black-Jewish household in Providence, Rhode Island, Samuels is an award-winning poet, educator, and community organizer who has compiled a new collection of naked, poetic work shared at readings in prisons and workshops all across the US.

    It joins the essential canon created by touchstone books like Divided by Faith by Michael Emerson and Christian Smith and the ever-popular Race Matters by Cornel West. With a no-blame attitude, powerful personal narratives from a dozen other black, Hispanic, Asian, Native American and white Christians, interactive histories of missions, and the writings of MLK and Howard Thurman (the entire "Letter From Birmingham Jail" and Howard Thurman's motivational speech "Sound of the Genuine"), Barber addresses this tough issue in a way that will inspire and motivate readers of all races toward change.

    These essays and interviews present powerful lessons for transformative organizing. It offers a firsthand look at the challenges and the opportunities of antiracist work in white communities, feminist work with men, and bringing women of color feminism into the heart of social movements. Drawing on two decades of personal activist experience and case studies within these areas, Crass’s essays insightfully explore ways of transforming divisions of race, class, and gender into catalysts for powerful vision, strategy, and building movements in the United States today. This collection will inspire and empower anyone who is interested in implementing change through organizing.

    Like the doors of many professions, those of the theater world were shut to minorities for decades. While the Civil War may have freed the slaves, it was not until the Civil Rights Movement of the 1960s that the playing field began to level. In this remarkable book, theater producer and historian Stewart F. Lane uses words and pictures to capture this tumultuous century and to highlight the rocky road that black actors have travelled to reach recognition on the Great White Way.After the Civil War, the popularity of the minstrel shows grew by leaps and bounds throughout the country. African Americans were portrayed by whites, who would entertain audiences in black face. While the depiction of blacks was highly demeaning, it opened the door to African-American performers, and by the late 1800s, a number of them were playing to full houses. By the 1920s, the Jazz Age was in full swing, allowing black musicians and composers to reach wider audiences. And in the thirties, musicals such as George Gershwin's Porgy and Bess and Eubie Blake's Swing It opened the door a little wider.As the years passed, black performers continued to gain ground. In the 1940s, Broadway productions of Cabin in the Sky, Carmen Jones, and St. Louis Woman enabled African Americans to demonstrate a fuller range of talents, and Paul Robeson reached national prominence in his awarding-winning portrayal of Othello. By the 1950s and '60s, more black actors--including Ruby Dee, Ossie Davis, and Sidney Poitier--had found their voices on stage, and black playwrights and directors had begun to make their marks. Black Broadway provides an entertaining, poignant history of a Broadway of which few are aware. By focusing a spotlight on both performers long forgotten and on those whom we still hold dear, this unique book offers a story well worth telling.

    In the United States, ethnicity is often positioned as a counterweight to race, and we celebrate our various hyphenated-American identities. But Vilna Bashi Treitler argues that we do so at a high cost: ethnic thinking simply perpetuates an underlying racism.In The Ethnic Project, Bashi Treitler considers the ethnic history of the United States from the arrival of the English in North America through to the present day. Tracing the histories of immigrant and indigenous groups—Irish, Chinese, Italians, Jews, Native Americans, Mexicans, Afro-Caribbeans, and African Americans—she shows how each negotiates America's racial hierarchy, aiming to distance themselves from the bottom and align with the groups already at the top. But in pursuing these "ethnic projects" these groups implicitly accept and perpetuate a racial hierarchy, shoring up rather than dismantling race and racism. Ultimately, The Ethnic Project shows how dangerous ethnic thinking can be in a society that has not let go of racial thinking.

    Do these statistics illuminate social reality and produce coherent social policy, or cloud that reality and confuse social policy? Does America still have a color line? Who is on which side? Does it have a different "race" line-the nativity line-separating the native born from the foreign born? You might expect to answer these and similar questions with the government's "statistical races." Not likely, observes Kenneth Prewitt, who shows why the way we count by race is flawed.Prewitt calls for radical change. The nation needs to move beyond a race classification whose origins are in discredited eighteenth-century race-is-biology science, a classification that once defined Japanese and Chinese as separate races, but now combines them as a statistical "Asian race." One that once tried to divide the "white race" into "good whites" and "bad whites," and that today cannot distinguish descendants of Africans brought in chains four hundred years ago from children of Ethiopian parents who eagerly immigrated twenty years ago. Contrary to common sense, the classification says there are only two ethnicities in America-Hispanics and non-Hispanics. But if the old classification is cast aside, is there something better?What Is Your Race? clearly lays out the steps that can take the nation from where it is to where it needs to be. It's not an overnight task-particularly the explosive step of dropping today's race question from the census-but Prewitt argues persuasively that radical change is technically and politically achievable, and morally necessary.

    In particular, this book illuminates the obstacles that mitigate the potential for teachers to serve as social justice advocates in the classroom by connecting teachers' behaviors and attitudes to the institutional complexes in which they participate

    Focusing on the experiences of black women calling attention to and resisting social injustice, the astonishing scale of mass and politically driven imprisonment in the United States, and issues relating to government and civic powers in American democracy, Joy James gives voice to people and ideas persistently left outside mainstream progressive discourse those advocating for the radical steps necessary to acknowledge and remedy structural injustice and violence, rather than merely reforming those existing structures.Ebook also available.

    Gay-bashing by high political and religious figures in Zimbabwe and Gambia; draconian new laws against lesbians and gays and their supporters in Malawi, Nigeria, Uganda; the imprisonment and extortion of gay men in Senegal and Cameroon; and so-called corrective rapes of lesbians in South Africa have all rightly sparked international condemnation. However, much of the analysis thus far has been highly critical of African leadership and culture without considering local nuances, historical factors and external influences that are contributing to the problem. Such commentary also overlooks grounds for optimism in the struggle for sexual rights and justice in Africa, not just for sexual minorities but for the majority population as well. Based on pioneering research on the history of homosexualities and engagement with current lgbti and HIV/AIDS activism, Mark Epprecht provides a sympathetic overview of the issues at play, and a hopeful outlook on the potential of sexual rights for all.

    Arica L. Coleman tells the story of Virginia's racial purity campaign from the perspective of those who were disavowed or expelled from tribal communities due to their affiliation with people of African descent or because their physical attributes linked them to those of African ancestry. Coleman also explores the social consequences of the racial purity ethos for tribal communities that have refused to define Indian identity based on a denial of blackness. This rich interdisciplinary history, which includes contemporary case studies, addresses a neglected aspect of America's long struggle with race and identity.

    Addressing this seismic shift, one of today's leading Christian scholars reflects on what he has learned about justice through his encounters with world Christianity.Philosopher Nicholas Wolterstorff's experiences in South Africa, the Middle East, and Honduras have shaped his views on justice through the years. In this book he offers readers an autobiographical tour, distilling the essence of his thoughts on the topic. After describing how he came to think about justice as he does and reviewing the theory of justice he developed in earlier writings, Wolterstorff shows how deeply embedded justice is in Christian Scripture. He reflects on the difficult struggle to right injustice and examines the necessity of just punishment. Finally, he explores the relationship between justice and beauty and between justice and hope.This book is the first in the Turning South series, which offers reflections by eminent Christian scholars who have turned their attention and commitments toward the global South and East.

    Of course, the evidence tells a very different story. And while social scientists are fullyengaged in examining the facts of race, normative political thought has failed to grapple with race as an interesting moral case or as a focus in the expansive theory of social justice. Political thought's under participation in the debate over the status of blacks in American society raises seriousconcerns since the main academic task of political theory is to adjudicate discrepancies between the demands of ideal justice and social realities.Christopher J. Lebron contends that it is the duty of political thought to address the moral problems that attend racial inequality and to make those problems salient to a democratic polity. Thus, in The Color of Our Shame, he asks two major questions. First, given the success of the Civil RightsAct and the sharp decline in overt racist norms, how can we explain the persistence of systemic racial inequality? Second, once we have settled on an explanation, what might political philosophy have to offer in terms of a solution?In order to answer these questions Lebron suggests that we reconceive of racial inequality as a condition that marks the normative status of black citizens in the eyes of the nation. He argues that our collective response to racial inequality ought to be shame. While we reject race as a reason formarginalizing blacks on the basis of liberal democratic ideals, we fail to live up to those ideals - a situation that Lebron sees as a failure of national character. Drawing on a wide array of resources including liberal theory, virtue ethics, history, and popular culture, Lebron proposes a movetoward a perfectionist politics that would compel a higher level of racially relevant moral excellence from individuals and institutions and enable America to meet the democratic ideals that it has set for itself.

    Picking up where J. Anthony Lukas’s Pulitzer Prize–winning Common Ground left off, Lessons from the Heartland offers a sweeping narrative portrait of an All-American city at the epicenter of American public education reform, and an exploration of larger issues of race and class in our democracy. Miner (whose daughters went through the Milwaukee public school system and who is a former Milwaukee Journal reporter) brings a journalist’s eye and a parent’s heart to exploring the intricate ways that jobs, housing, and schools intersect, underscoring the intrinsic link between the future of public schools and the dreams and hopes of democracy in a multicultural society.This book will change the way we think about the possibility and promise of American public education.

    Most students in these programs are not themselves students of color, meaning the topics and the faculty teaching them are often faced with groups of students whose backgrounds and perspectives may be decidedly different - even hostile - to multicultural pedagogy and curriculum. This edited collection brings together an interdisciplinary group of scholars of color to critically examine what it is like to explore race in predominantly white classrooms. It delves into the challenges academics face while dealing with the wide range of responses from both White students and students of color, and provides a powerful overview of how teachers of color highlight the continued importance and existence of race and racism. Exploring Race in Predominately White Classrooms is an essential resource for any educator interested in exploring race within the context of today's classrooms

    Arguing against the prevailing approach to these texts that says African American writers retreated from issues of "race" when they wrote about whiteness, Veronica T. Watson instead identifies this body of literature as an African American intellectual and literary tradition that she names "the literature of white estrangement."In chapters that theorize white double consciousness (W. E. B. Du Bois and Charles Chesnutt), white womanhood and class identity (Zora Neale Hurston and Frank Yerby), and the socio-spatial subjectivity of southern whites during the civil rights era (Melba Patillo Beals), Watson explores the historically situated theories and analyses of whiteness provided by the literature of white estrangement from the late nineteenth through the mid-twentieth centuries. She argues that these texts are best understood as part of a multipronged approach by African American writers to challenge and dismantle white supremacy in the United States and demonstrates that these texts have an important place in the growing field of critical whiteness studies.

    Engaging with indigenous histories of survival and transformation, James Clifford opens fundamental questions about where we are going, separately and together, in a globalizing, but not homogenizing, world.It was once widely assumed that native, or tribal, societies were destined to disappear. Sooner or later, irresistible economic and political forces would complete the work of destruction set in motion by culture contact and colonialism. But many aboriginal groups persist, a reality that complicates familiar narratives of modernization and progress. History, Clifford invites us to observe, is a multidirectional process, and the word "indigenous," long associated with primitivism and localism, is taking on new, unexpected meanings.In these probing and evocative essays, native people in California, Alaska, and Oceania are understood to be participants in a still-unfolding process of transformation. This involves ambivalent struggle, acting within and against dominant forms of cultural identity and economic power. Returns to ancestral land, performances of heritage, and maintenance of diasporic ties are strategies for moving forward, ways to articulate what can paradoxically be called "traditional futures." With inventiveness and pragmatism, often against the odds, indigenous people today are forging original pathways in a tangled, open-ended modernity. The third in a series that includes The Predicament of Culture (1988) and Routes (1997), this volume continues Clifford's signature exploration of late-twentieth-century intercultural representations, travels, and now returns.

    The Honorable Walter E. Fauntroy was the Chairman of the Congressional Black Caucus and the Prayer Breakfast was chaired by The Honorable Louis Stokes. The breakfast was attended by several hundred major Black leaders from across the nation.

    In particular, she considers U.S. militarism—humanitarian militarism—during the Vietnam War, the Soviet-Afghan War, and the 1990s wars of secession in the former Yugoslavia.What this book brings to light—through novels, travel narratives, photojournalism, films, news media, and political rhetoric—is in fact a system of postsocialist imperialism based on humanitarian ethics. In the fiction of the United States as a multicultural haven, which morally underwrites the nation’s equally brutal waging of war and making of peace, parts of the world are subject to the violence of U.S. power because they are portrayed to be homogeneous and racially, religiously, and sexually intolerant—and thus permanently in need of reform. The entangled notions of humanity and atrocity that follow from such mediations of war and crisis have refigured conceptions of racial and religious freedom in the post–Cold War era. The resulting cultural narratives, Atanasoski suggests, tend to racialize ideological differences—whereas previous forms of imperialism racialized bodies. In place of the European racial imperialism, U.S. settler colonialism, and pre–civil rights racial constructions that associated racial difference with a devaluing of nonwhite bodies, Humanitarian Violence identifies an emerging discourse of race that focuses on ideological and cultural differences and makes postsocialist and Islamic nations the potential targets of U.S. disciplining violence.

    Written for upper-level undergraduate and graduate students, it is the only textbook to integrate genetic, archaeological, and linguistic perspectives on human evolution, and to offer a genomic perspective, reflecting the shift from studies of specific regions of the genome towards comprehensive genomewide analyses of human genetic diversity.Human Evolutionary Genetics is suitable for courses in Genetics, Evolution, and Anthropology. Those readers with a background in anthropology will find that the streamlined genetic analysis material contained in the Second Edition is more accessible. The new edition also integrates new technologies (including next-generation sequencing and genome-wide SNP typing) and new data analysis methods, including recent data on ancient genomes and their impact on our understanding of human evolution. The book also examines the subject of personal genomics and its implications.