His plan may have worked all too well. Now, to save us from creeping socialism, death panels and everything progressive, he has written the antidote, Tea Party Fairy Tales. In Tea Party Fairy Tales, Red Riding Hood stands up for her Second Amendment rights, the Little Match Girl defends the magic of the free market to her grave, and Jack of “Beanstalk” fame shows the moral decay of a life on the dole. For those who find these too long-winded, more than a dozen Aesop’s Fables have been reworked to illustrate the eternal truths of American conservatism in handy, shouting-points form. Tea Party Fairy Tales deserves a place on every young American’s nightstand, right next to the Rush Limbaugh plush doll and a Smith & Wesson automatic, to help prevent the destruction of everything good and true in American culture. “Wake up, Storybookland! Before it’s too late!”

    side at the top, and shot into the next hollow, twisting in the descent. A huge swell pushed up exactly under her middle, and her bow and stern hung free with nothing to support them. Then one joking wave caught her up at the bow, and another at the stern, while the rest of the water slunk 251 away from under her just to see how she would like it; so she was held up at her two ends only, and the weight of the cargo and the machinery fell on the groaning iron keels and bilge-stringers. "Ease off! Ease off, there!" roared the garboard-strake. "I want one-eighth of an inch fair play. D' you hear me, you rivets!" "Ease off! Ease off!" cried the bilge-stringers. "Don't hold us so tight to the frames!" "Ease off!" grunted the deck-beams, as the Dimbula rolled fearfully. "You've cramped our knees into the stringers, and we can't move. Ease off, you flat-headed little nuisances." Then two converging seas hit the bows, one on each side, and fell away in torrents of streaming thunder. "Ease off!" shouted the forward collision-bulkhead. "I want to crumple up, but I'm stiffened in every direction. Ease off, you dirty little forge-filings. Let me breathe!" All the hundreds of plates that are riveted to the frames, and make the outside skin of every steamer, echoed the call, for each plate wanted to shift and creep a little, and each plate, according to its position, complained against the rivets. "We can't help it! We can't help it!" they murmured in reply. "We're put here to hold you, and we're going to do it; you never pull us twice in the same direction. If you'd say what 252 you were going to do next, we'd try to meet your views." "As far as I could feel," said the upper-deck planking, and that was four inches thick, "every single iron near me was pushing or pulling in opposite directions. Now, what's the sense of that? My friends, let us all pull together." "Pull any way you please," roared the funnel, "so long as you don't try your experiments on me. I...

    The only authorized audio companion to the widely respected Norton Anthology of Poetry, Third Edition, this audio collection includes the greatest poems of the English language, ranging from the writings of Shakespeare, Milton, Blake, and Wordsworth, to the best-loved verse of Whitman, Dickinson, the Brownings, and Yeats. Thirty-nine poets in all. The readings by brilliant classic actors Alexander Scourby, Nancy Wickwire, and Bramwell Fletcher are presented in the order they appear in Norton and are selected for their ability to delight. It is simply a collection of the best.

    

    each) : analog.Part Two Of Two Parts It is 30,000 years ago, the final Ice Age of the Pleistocene Epoch. The earth is peopled by Neanderthals -- squat, bow-legged, nonverbal, they live in clans, exist by foraging, and are ruled by taboos. The Cro-Magnons, the people who will replace them, are just emerging. When an earthquake destroys a Cro-Magnon dwelling, they tame the prairie, to the sudden fortune of a lucky few. "A ripping yarn...a gorgeous piece of work." (Saturday Review of Literature)

    One snowy night, he crosses paths with Evie, a homeless girl, and it changes everything. Three years on, Evie’s life is very different. She’s the assistant to a prestigious wedding gown designer, she’s settled in Manhattan, has her own apartment and friendships she holds dear. But the past is lurking in the background, threatening to spoil everything, and it’s catching up with her. Kent has kept a family secret for two decades, a secret he never wanted to share with his son, Jack. And even though she doesn’t realise it yet, his life is inextricably tangled with Nicole’s, the woman who was his housekeeper for thirteen years and the woman who helped Evie turn her life around. It’s Christmas and a time for forgiveness, love and Happy Ever Afters. And when the snow starts to fall, the truth could finally bring everyone the gift of happiness they’re looking for. Grab a hot chocolate, turn on the twinkly lights and snuggle up with this unputdownable heart-warming novel.

    She’s engaged to a man solely to win her father’s approval, and the sheltered beauty never steps out of line. Until one encounter changes everything. Now this good girl must marry Holden to protect her family—or their desire could spell downfall for them all…

    With "Nightfall," written in 1941, Asimov triggered a spark of awareness in the publishing community that science fiction could be more than Buck Rogers comic books. His "Foundation" series and robot novels (he coined the word "robotics") are acknowledged as the cornerstone of modern science fiction. Asimov's Foundation series was awarded the Best All-time Novel Series Hugo Award in 1966. He was awarded the special lifetime Nebula Grandmaster award in 1987.Over the next fifty years, Isaac Asimov would distinguish himself as one of the most prolific, versatile, and creative authors ever. His broad range of works includes histories, children's books, collections of articles, mysteries, and books concerning the Bible, literature, geography, humor, and nonfiction science material. He managed over his creative lifetime to have at least one book included in each of the Dewey Decimal System's 10 major library classifications. He was known for his profound knowledge of Shakespeare, the Bible, Gilbert and Sullivan, limericks, and history, whether it be Roman, Greek or American. Isaac Asimov died in 1992 at the age of 72.Volume 1 of "Isaac Asimov: Short Stories" contains the Hugo and Nebula Award Nominee, Locus Poll Award Winner and Asimov's Reader's Choice Award Winner "Robot Dreams," the Hugo Award Winner and Locus Poll Award Nominee "Gold," the Locus Poll Award Nominee "Potential," the Asimov's Reader's Choice Award Nominated "Kid Brother," and more excellent short science fiction, including arare 1974 Saturday Evening Post four-part series, collectively entitled the "The Dream."

    For more than forty years, Hitchens delivered to numerous publications on both sides of the Atlantic essays that were astonishingly wide-ranging and provocative. The judges for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, posthumously bestowed on Hitchens, praised him for the way he wrote “with fervor about the books and writers he loved and with unbridled venom about ideas and political figures he loathed.” He could write, the judges went on to say, with “undisguised brio, mining the resources of the language as if alert to every possibility of color and inflection.” He was, as Benjamin Schwarz, his editor at The Atlantic magazine, recalled, “slashing and lively, biting and funny—and with a nuanced sensibility and a refined ear that he kept in tune with his encyclopedic knowledge and near photographic memory of English poetry.” And as Michael Dirda, writing in the Times Literary Supplement, observed, Hitchens “was a flail and a scourge, but also a gift to readers everywhere.”The author of five previous volumes of selected writings, including the international bestseller Arguably, Hitchens left at his death nearly 250,000 words of essays not yet published in book form. And Yet… assembles a selection that usefully adds to Hitchens’s oeuvre. It ranges from the literary to the political and is, by turns, a banquet of entertaining and instructive delights, including essays on Orwell, Lermontov, Chesterton, Fleming, Naipaul, Rushdie, Pamuk, and Dickens, among others, as well as his laugh-out-loud self-mocking “makeover.” The range and quality of Hitchens’s essays transcend the particular occasions for which they were originally written. Often prescient, always pugnacious, and formidably learned, Hitchens was a polemicist for the ages. With this posthumous volume, his reputation and his readers will continue to grow.Christopher Hitchens was the cartographer of his own literary and political explorations. He sought assiduously to affirm—and to reaffirm—the ideas of secularism, reason, libertarianism, internationalism, and solidarity, values always under siege and ever in need of defending. Henry James once remarked, “Nothing is my last word on anything.” For Hitchens, as for James, there was always more to be said.

    From Hurricane Sandy to the murder of Sandra Bland to the massacre at Sandy Hook, from the sand in the gizzards of birds to the desertified mountains of Haiti, from Attar's Conference of the Birds to Chaucer's Parliament of Fowls to Twitter, a sand book is about change and quantification, the relationship between catastrophe and cultural transmission. It moves among houses of worship and grocery stores, flitters between geological upheaval and the weird weather of the Internet. In her long-awaited follow-up to Mercury, Reines has written her most ambitious work to date, but also her most visceral and satisfying.

    The roller-coaster period covered in the collection brought an end to the end of history, a financial crash, the rise of Trump and a pandemic. From debt to tech, the climate crisis to freedom, from when to dispense advice to the young (answer: only when asked) and how to define granola, we have no better guide than Atwood to the many and varied mysteries of our universe.

    This collection is many things: an exploration of strength and femininity, an invitation to let things go wrong, a reminder that growth comes in many forms, and an acknowledgment that “some things can’t be written in sugar, only salt.” Some of the writings are extravagant, some are sparse, but all are infused with Guinery’s introspection, stillness, and kindness.

    The Black Cat; The Fall of the House of Usher, The Raven; The Tell Tale Heart, The Masque of the Red Death, the Premature Burial and six others that are a shuddering delight to read and listen to. Turn off the lights, settle down and hear these stories read to you as only LibriVox readers can perform them. (Summary by Phil Chenevert)THE TELL-TALE HEART.THE FACTS IN THE CASE OF M. VALDEMARTHE BLACK CAT.THE FALL OF THE HOUSE OF USHERTHE MASQUE OF THE RED DEATH.THE CASK OF AMONTILLADO.THE PREMATURE BURIALBERENICELIGEIAHOP-FROGTHE RAVENTHE PIT AND THE PENDULUM

    As the country battled through a hundred years of wars, revolutions and seismic transformations, the three Soong sisters from Shanghai were at the center of power, and each of them left an indelible mark on history.Red Sister, Ching-ling, married the 'Father of China', Sun Yat-sen, and rose to be Mao's vice-chair.Little Sister, May-ling, became Madame Chiang Kai-shek, first lady of pre-Communist Nationalist China and a major political figure in her own right.Big Sister, Ei-ling, became Chiang's unofficial main adviser - and made herself one of China's richest women.All three sisters enjoyed tremendous privilege and glory, but also endured constant mortal danger. They showed great courage and experienced passionate love, as well as despair and heartbreak. They remained close emotionally, even when they embraced opposing political camps and Ching-ling dedicated herself to destroying her two sisters' worlds.Big Sister, Little Sister, Red Sister is a gripping story of love, war, intrigue, bravery, glamour and betrayal, which takes us on a sweeping journey from Canton to Hawaii to New York, from exiles' quarters in Japan and Berlin to secret meeting rooms in Moscow, and from the compounds of the Communist elite in Beijing to the corridors of power in democratic Taiwan. In a group biography that is by turns intimate and epic, Jung Chang reveals the lives of three extraordinary women who helped shape twentieth-century China.

    Sixto is his hulking, pistol-packing attendant, whose job satisfaction is on the wane. When an aging mobster enters their lives with a promise to help the rebel cause—with a planeload of chickens originally intended for voodoo sacrifice—a tense situation turns combustible. From the wickedly funny mind of Carl Hiaasen comes “The Edible Exile,” a raucous story of sleazeball nihilists, lovable thugs, and jungle-weary freedom fighters who collide in a battle of wills, ego, and the almighty dollar. This cheeky tale, written twenty-five years ago, set aside, and recently rediscovered, is a time-capsule glimpse of Miami during the over-the-top 1980s, when everyone was on the make and gross excess was the order of the day. In an intriguing twist, Hiaasen had lost his original ending to the story. “So I decided to write a new ending,” he says. “As a friend said, ‘How often does a writer get the opportunity to collaborate with a younger version of himself?’” “The Edible Exile” is a wild romp through Hiaasen Country, sure to appeal to the outlaw in all of us.