In the big white house on the hill angels are said to appear. A forgotten tenant in an isolated building becomes addicted to milk. A strange goddess is worshipped by a home-invading disciple. The least remembered gods still haunt the oldest forests. Cannibalism occurs in high society at the end of the world. The sainted undead follow their prophet to the Great Dead Sea. A confused and vengeful presence occupies the home of a first-time buyer . . . In ghastly harmony with the nightmarish visions of the award-winning writer's novels, these stories blend a lifelong appreciation of horror culture with the grotesque fascinations and childlike terrors that are the author's own. Adam Nevill's best early horror stories are collected here for the first time.

    Luckily, her search is aided by an enchanting cast of characters, including a seven-foot tall housemaid; a melancholic, tattoo-covered ghost; and an avuncular apothecary. But secrets abound in this foggy underworld where spectacle is king and nothing is quite what it seems.Blending darkness and light, history and folklore, Things in Jars is a spellbinding Gothic mystery that collapses the boundary between fact and fairy tale to stunning effect and explores what it means to be human in inhumane times.

    Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer.A Chronology and a Selected Bibliography are included.

    Down the road from a working-class British pub, along the brick wall of a narrow alley, if the conditions are exactly right, you’ll find the entrance to Slade House. A stranger will greet you by name and invite you inside. At first, you won’t want to leave. Later, you’ll find that you can’t. Every nine years, the house’s residents — an odd brother and sister — extend a unique invitation to someone who’s different or lonely: a precocious teenager, a recently divorced policeman, a shy college student. But what really goes on inside Slade House? For those who find out, it’s already too late... Spanning five decades, from the last days of the 1970s to the present, leaping genres, and barreling toward an astonishing conclusion, this intricately woven novel will pull you into a reality-warping new vision of the haunted house story—as only David Mitchell could imagine it.

    Once, a family disappeared there. And now Constance Langton has inherited this dark place as well as the mysteries surrounding it. Having grown up in a house marked by the death of her sister, Constance is no stranger to mystery, secrets, and the dark magic around us. Her father was distant. Her mother was in perpetual mourning for her lost child. In a desperate attempt to coax her mother back to health, Constance took her to a seance hoping she would find supernatural comfort. But tragic consequences followed, leaving her alone in the world-- alone with Wraxford Hall. Saddled with this questionable bequest, she must find the truth at the heart of all these disappearances, apparitions, betrayal, blackmail, and villainy, even if it costs her life. John Harwood's second novel delivers on the great promise proven by his first with this gripping mystery set in the heart of Victorian England.

    Pitcher Orel Hershiser and the Los Angeles Dodgers had beaten the Oakland A's in five games to win the World Series. People were waiting in line at movie theaters to watch Tom Cruise and Dustin Hoffman in Rain Man. Tom Clancy's The Cardinal of the Kremlin and Anne Rice's The Queen of the Damned were atop the bestseller lists. The most acclaimed genre books of the year were Thomas Harris's The Silence of the Lambs and Peter Straub's Koko.And twenty-two year old college student Richard Chizmar had just published the premiere issue of a horror magazine named Cemetery Dance.Twenty-five years later, there have been seventy issues of Cemetery Dance magazine. There have been more than 275 signed Limited Edition hardcovers in the Cemetery Dance book line. There have been awards including the World Fantasy Award, the International Horror Critics Guild Award, and the HWA Board of Trustees Excellence in Specialty Press Publishing Award, as well as nominations for the British Fantasy Award, the American Horror Award, and the Bram Stoker Award, just to name a few.To celebrate the 25th anniversary of that premiere issue of Cemetery Dance, we're proud to announce Turn Down the Lights, an anthology of authors who helped make the magazine what it is today. These original horror stories by Stephen King, Norman Partridge, Jack Ketchum, Brian James Freeman, Bentley Little, Ed Gorman, Ronald Kelly, Steve Rasnic Tem, Clive Barker, and Peter Straub capture the genuine love of the genre that pushes Cemetery Dance Publications forward year after year.Now, turn down the lights, flip the page, take my hand, and start the dance…

    A shrewd, funny, and completely unique collection of musings on pop music, why it’s good, what makes us listen and love it so much, and the ways in which it attaches itself to our lives—all with the beat of a perfectly mastered mix tape.

    Quiller-CouchThe Open Door by Mrs. Margaret OliphantThe Deserted House by Ernest Theodor Amadeus HoffmanThe Mysterious Sketch by Erckmann-ChatrianGreen Branches by Fiona MacleodThe Four-Fifteen Express by Amelia B. EdwardsThe Were-Wolf by H.B. MarryattThe Withered Arm by Thomas HardyClarimonde by Theophile GautierThe Stalls of Barchester Cathedral by Montague Rhodes JamesWhat Was It? by Fitz-James O'Brien

    Anne’s College, Oxford. Her lectures took the shape of this set of discursive stories. Refusing to be tied down to either fiction or the essay form, Artful is narrated by a character who is haunted—literally—by a former lover, the writer of a series of lectures about art and literature.A hypnotic dialogue unfolds, a duet between and a meditation on art and storytelling, a book about love, grief, memory, and revitalization. Smith’s heady powers as a fiction writer harmonize with her keen perceptions as a reader and critic to form a living thing that reminds us that life and art are never separate.Artful is a book about the things art can do, the things art is full of, and the quicksilver nature of all artfulness. It glances off artists and writers from Michelangelo through Dickens, then all the way past postmodernity, exploring every form, from ancient cave painting to 1960s cinema musicals. This kaleidoscope opens up new, inventive, elastic insights—on the relation of aesthetic form to the human mind, the ways we build our minds from stories, the bridges art builds between us. Artful is a celebration of literature’s worth in and to the world and a meaningful contribution to that worth in itself. There has never been a book quite like it.

    And the world is changed..." One of the judges who awarded him the 2011 Man Booker Prize described him as "an unparalleled magus of the heart." This book confirms that opinion.

    The two men are sucked into the perilous depths of this moral and ethical vacuum when Lord Palmerston commissions Burton to investigate assaults on young women committed by a weird apparition known as Spring Heeled Jack, and to find out why werewolves are terrorizing London's East End.Their investigations lead them to one of the defining events of the age, and the terrifying possibility that the world they inhabit shouldn't exist at all!

    Though newspapers have dubbed him ‘the Torso Killer’, this murderer’s work is overshadowed by the hysteria surrounding Jack the Ripper’s Whitechapel crimes. The victims are women too, but their dismembered bodies, wrapped in rags and tied up with string, are pulled out of the Thames – and the heads are missing. The murderer likes to keep them.Mayhem is a masterwork of narrative suspense: a supernatural thriller set in a shadowy, gaslit London, where monsters stalk the cobbled streets and hide in plain sight.

    Eliza Caine arrives in Norfolk to take up her position as governess at Gaudlin Hall on a dark and chilling night. As she makes her way across the station platform, a pair of invisible hands push her from behind into the path of an approaching train. She is only saved by the vigilance of a passing doctor.When she finally arrives, shaken, at the hall she is greeted by the two children in her care, Isabella and Eustace. There are no parents, no adults at all, and no one to represent her mysterious employer. The children offer no explanation. Later that night in her room, a second terrifying experience further reinforces the sense that something is very wrong.From the moment she rises the following morning, her every step seems dogged by a malign presence which lives within Gaudlin’s walls. Eliza realises that if she and the children are to survive its violent attentions, she must first uncover the hall’s long-buried secrets and confront the demons of its past…

    The couple is just getting cozy, not at all bothered by the storm outside. But when Lady Emily looks out the window to see a woman standing in the blowing snow, without a coat, an eerie feeling falls over her, and she rushes out to help, only to find that the woman has disappeared. Colin is convinced her eyes were playing tricks on her, but Emily is haunted by the woman's image. Clearly, there is something spooky afoot, and she is determined to get to the bottom of it. . . .Complete with the vivid descriptions and period detail Lady Emily fans have come to expect from this series, That Silent Night is a delicious morsel of a mystery, with an irresistible ghost story at its heart.*Jacqueline Winspear, New York Times bestselling author of the Maisie Dobbs series

    John H. Watson opens to reveal eleven all new tales of mystery and dark fantasy. Sherlock Holmes, master of deductive reasoning, confronts the irrational, the unexpected and the fantastic in the weird worlds of the Gaslight Grimoire.