With its great feasts, its white stone churches, its merchant visitors from many lands, Sadko felt there was no better place to be. Yet he was lonely too, for the rich young ladies who danced to his music would never favor anyone so poor. One night he takes his twelve-string gusli and goes alone to play by the River Volkhov. Suddenly from the water rises the Sea King, who invites the astonished musician to play at his underwater palace. But how will Sadko get there? And how will he get back? And will he want to return at all, when he meets the Sea King's lovely daughter? One of the most popular legends of Russia, Sadko's story is found in medieval epic ballads, as well as in a popular opera by Rimsky-Korsakov. It is retold here in elegant prose, complemented by the entrancing illustrations of a modern Russian master. TEACHERS AND LIBRARIANS -- A READER'S THEATER SCRIPT OF THIS BOOK IS AVAILABLE IN AARON'S BOOK "FOLKTALES ON STAGE," OR FREE ON AARON'S WEB SITE. ///////////////////////////////////////////////// Aaron Shepard is the award-winning author of "The Baker's Dozen," "The Sea King's Daughter," "The Monkey King," and many more children's books. His stories have appeared often in Cricket magazine, while his Web site is known internationally as a prime resource for folktales, storytelling, and reader's theater. Once a professional storyteller, Aaron specializes in lively retellings of folktales and other traditional literature, which have won him honors from the American Library Association, the New York Public Library, the Bank Street College of Education, the National Council for the Social Studies, and the American Folklore Society. Gennady Spirin, with a style he describes as "fairy-tale realism," is one of the world’s most esteemed children’s illustrators. His honors include five gold medals from the Society of Illustrators, the Golden Apple from the Bratislava International Biennial, First Prize at the Bologna and Barcelona international book fairs, and four appearances on the New York Times list of Ten Best Illustrated Books of the Year. Born and trained in Russia before moving to the United States, Gennady already knew well the legend of Sadko and welcomed the chance to contribute his sumptuous art to this retelling.  ///////////////////////////////////////////////// HONORS 1997 New York Times Ten Best Illustrated Books of the Year  1998 American Library Association Notable Children's Books  1998 NCSS/CBC Notable Trade Books in the Field of Social Studies  1997 Aesop Accolade, American Folklore Society  1998 Honor Title, Storytelling World Awards  1997 Cincinnati Enquirer Best Illustrated Children's Books  American Bookseller Pick of the Lists  Starred review, Publishers Weekly  Featured on "CBS This Morning" ///////////////////////////////////////////////// "Emotionally authentic prose and jewel-like illustrations make this an exquisite volume. . . . [A] mood of eloquent enchantment." -- Publishers Weekly, Aug. 25, 1997, starred review "Exquisite." -- The New York Times Book Review, Oct. 26, 1997 "Knock-your-socks-off beautiful. . . . Will stay in a family's library forever." -- Valerie Lewis, "CBS This Morning," Dec. 11, 1997 "Retains the flavor of Old Russia. . . . A fascinating spin on mermaid/human interaction." -- Denise Anton Wright, School Library Journal, Dec. 1997 "The telling is descriptive yet very accessible. . . . The pictures are gorgeous and resplendent with extraordinary details." -- Stephanie Zvirin, American Library Association Booklist, Nov. 15, 1997

    In this autobiography, Hurnard recounts how God's transforming power replaced her despair and fearfulness with his joy, testifying that anyone can experience personal communion with the Lord.

    Providing vital evidence of the views of the Greek philosophers of the Hellenistic age, Cicero also casts light on the intellectual life of first-century Rome. When these Greek beliefs are translated into the Roman context they result in a fascinating clash of ideologies.This new translation of a work whose importance is becoming increasingly recognized is complemented by an invaluable introduction to the main philosophical issues, as well as substantial and helpful annotation.

    While drawing on ancient wisdom, Donald Altman embraces twenty-first-century brain science to create practical, everyday strategies for experiencing a less-encumbered, less-entangled state of being. These techniques reactivate natural abilities you already possess.The four keys for unlocking mindfulness are the body, the mind, the spirit, and relationships. Altman presents practices for turning each key toward contentment, confidence, and joy, including shifting our mental and emotional perceptions, inhabiting the body and its “sense-abilities,” exploring spiritual connection, and tapping into the healing powers of community and relationship. Inviting and accessible to those new to mindfulness but comprehensive enough for more experienced practitioners, these powerful tools will help you transform your life from the inside out.

    He felt that achieving purity by avoiding meat and refraining from committing harm further promoted the pursuit of a peaceful life. Elements of the worship of Dionysus, such as shape-shifting and ritualistic ecstasy, were fused with Orphic beliefs to produce a powerful and illuminating new religion that found expression in the mystery cults. Practitioners of this new religion composed a great body of poetry, much of which is translated in The Orphic Hymns.The hymns presented in this book were anonymously composed somewhere in Asia Minor, most likely in the middle of the third century AD. At this turbulent time, the Hellenic past was fighting for its survival, while the new Christian faith was spreading everywhere. The Orphic Hymns thus reflect a pious spirituality in the form of traditional literary conventions. The hymns themselves are devoted to specific divinities as well as to cosmic elements. Prefaced with offerings, strings of epithets invoke the various attributes of the divinity and prayers ask for peace and health to the initiate. Apostolos N. Athanassakis and Benjamin M. Wolkow have produced an accurate and elegant translation accompanied by rich commentary.

    By carefully examining the context in which sculptures and paintings were produced, author Robin Osborne shows how artists responded to the challenges they faced in the formidable and ambitious world of the Greek city-state, producing the rich diversity of forms apparent in Greek art. Artistic developments of the period combined the influences of the symbolism and imagery of eastern Mediterranean art with the explorations of humanity embodied in the narratives of Greek poetry, while drawings and sculptures referred so intimately to the human form as to lead both ancient and modern theorists to talk in terms of the 'mimetic' role of art. Ranging widely over the fields of sculpture, vase painting, and the minor arts, and offering a wide selection of unusual images alongside the familiar masterpieces, this work discusses the changing forms of art, and how art was used to define men's relationships with other men, women, slaves, society, nature, and the gods.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    

    Inside you'll find 30 Daily Lessons, 20 Fun Activities, 180 Multiple Choice Questions, 60 Short Essay Questions, 20 Essay Questions, Quizzes/Homework Assignments, Tests, and more. The lessons and activities will help students gain an intimate understanding of the text; while the tests and quizzes will help you evaluate how well the students have grasped the material.

    Secret mystery cults flourished within the larger culture of the public religion of Greece and Rome for roughly a thousand years. This book is neither a history nor a survey but a comparative phenomenology. Concentrating on five major cults. In defining the mysteries and describing their rituals, membership, organization, and dissemination, Walter Burkert displays the remarkable erudition we have come to expect of him; he also shows sensitivity and sympathy in interpreting the experiences and motivations of the devotees.

    ca. 165), a convert to Christianity from traditional Greek religion. The Dialogue purports to be a two-day dialogue that took place in Asia Minor between Justin and Trypho, a Hellenized Jew. Justin argues extensively on the basis of lengthy Old Testament quotations that Christ is the Messiah and God incarnate, and that the Christian community is the new Israel. In the beginning of the work Justin recounts how he converted to Christianity.The Dialogue remains of great, and varying, interest. It has important information on the development of Jewish-Christian relations, on the development of the text of the Old Testament, and on the existence and character of the early Jewish Christian community. Justin's story of how he became a Christian is one of our earliest conversion accounts. The Dialogue is an ideal textbook for classes investigating the development of religion in Late Antiquity since it touches on many aspects of religion in the Roman Empire.This edition of the Dialogue with Trypho is a revision of Thomas B. Falls's translation, which appeared in Fathers of the Church, vol. 6. Thomas P. Halton has emended the translation in light of the 1997 critical edition by Miroslav Marcovich, and he has provided extensive annotation to recent scholarship on the Dialogue. Michael Slusser has edited the volume to bring it into conformity with the new Selections from Fathers of the Church series.ABOUT THE TRANSLATOR:Thomas P. Halton is Professor Emeritus of Greek and Latin at the Catholic University of America. He has served as the general editor of the Fathers of the Church series since 1983.

    In this follow-up volume, young people's literature through the ages is given new life by the best comics artists and illustrators. Fairy tales, fables, fantastical adventures, young adult novels, swashbuckling yarns, your favorite stories from childhood and your teenage years...they're all here, in all their original complexity and strangeness, before they were censored or sanitized.

    It is an arduous journey. At every turn, unimaginable dangers await him: terrible monsters and giants; supernatural hazards sent by the enraged goddess Juno; and worst of all, an eerie, death-defying descent into the Underworld, where he will be allowed a glimpse of his Roman descendants' glorious future.

    A "Who's Who" of fairyland, with entries by fairy name and additional legends, songs, and anecdotes within each entry.

    . . . The style is brilliant and exhilarating."—Jasper Griffin, Times Literary Supplement