I accepted, then and there, my place in the world. I was a fighter of windmills. I was a chaser of whales. I was Not Sidney Poitier.Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor, and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation.Percival Everett’s hilarious new novel follows Not Sidney’s tumultuous life, as the social hierarchy scrambles to balance his skin color with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not gets arrested in rural Georgia for driving while black, sparks a dinnertable explosion at the home of his manipulative girlfriend, and sleuths a murder case in Smut Eye, Alabama, all while navigating the recurrent communication problem: “What’s your name?” a kid would ask. “Not Sidney,” I would say. “Okay, then what is it?”

    Eula Biss explores race in America and her response to the topic is informed by the experiences chronicled in these essays -- teaching in a Harlem school on the morning of 9/11, reporting for an African American newspaper in San Diego, watching the aftermath of Katrina from a college town in Iowa, and settling in Chicago's most diverse neighborhood.As Biss moves across the country from New York to California to the Midwest, her essays move across time from biblical Babylon to the freedman's schools of Reconstruction to a Jim Crow mining town to post-war white flight. She brings an eclectic education to the page, drawing variously on the Eagles, Laura Ingalls Wilder, James Baldwin, Alexander Graham Bell, Joan Didion, religious pamphlets, and reality television shows.These spare, sometimes lyric essays explore the legacy of race in America, artfully revealing in intimate detail how families, schools, and neighborhoods participate in preserving racial privilege. Faced with a disturbing past and an unsettling present, Biss still remains hopeful about the possibilities of American diversity, "not the sun-shininess of it, or the quota-making politics of it, but the real complexity of it."

    Miami is usually a place people go to have a vacation, but to choice its pure hell. Choice is a young beautiful girl, who tries to make a bad situation a little better for her and her little sister Kyree, but that seems futile with crackheads for parents. Things change when she lays eyes on Supreme. David Givens aka Supreme is from New York, he's fresh outta prison. He moves to Miami to be close to family. With some of his friends following him from New York to Miami, Supreme makes a name for him and his crew selling drugs and running an underground dog fighting business called Da Cage. Supreme is also a lady's man and he vows to never settle down until he meets Choice. Everything is not what it always seems and sometimes family is foe. The word loyal doesn't exist and in some cases the word mother doesn't either.

    From the sex games they play with each other to the cons they pull on their unsuspecting marks, they are unstoppable. To the outside world, Jake and Eva are just another young buppie couple living their dream under the bright lights of New York City. Life is good, money is flowing, and living is large.  They couldn't ask for more---until Jake gets greedy. Only this time they pick the wrong mark. The tables have turned and their addiction to the game could cost them everything---even their lives.Now Jake and Eva are forced to pull off the sting of their careers. With the help of Jake's brother Jinx and Eva's look-alike cousin Rita they board a cruise ship from Brazil to take down Xavier Suarez, one of the most notorious figures in the underworld. From the streets of New York City to the steamy tropics of Brazil, from the coast of Miami to the paradise of Hawaii, they hatch a plan with no room for errors. With the FBI hot on their trail and under the threat of Suarez's unspeakable wrath, every trick they've ever learned comes into play. But it is their own dark past that threatens their future, and the secret that Eva harbors that could ruin everything.

    At his peak he published the country’s finest literary journal on the smell of an oily rag from a falling-down house overflowing with books, long-haired children and chickens – an island of nonconformity in the heart of 1970s Auckland suburbia. Yet when Robin’s uncompromising integrity tipped into something much more self-destructive, a dark shadow fell over his career and personal life.In My Father’s Island, Adam Dudding writes frankly about the rise and fall of an unconventional cultural figure. But this is also a moving, funny and deeply personal story of a family, of a marriage, of feuds and secret loves – and of a son’s dawning understanding of his father.

    Raised on a farm by a father who would have preferred a son, Emma can ride, shoot, and hunt as well as any man. She defies convention to become a soldier, an army nurse, even a spy. Dangers surround her, from enemy fire in battle to the risk of discovery by her friends, which would end in court-martial and disgrace. Always she seeks to reconcile the necessity of deception with her deeply-held values, but her greatest challenge arises when her friendship with a fellow-soldier becomes so close that she is tempted to confess the truth and risk everything for a chance at love. Based on the true adventures of Sarah Emma Edmonds, who served for two years in the 2nd Michigan Volunteers as Private Frank Thompson.

    Bennett's sensational trial pitted an aggressive, mercurial county prosecutor against the author's father, a civil trial attorney who had never before defended anyone for murder. The book not only recreates the tension and excitement of this courtroom battle, but also highlights the uncertain edge that often divides guilt from innocence. The author was ten years old when he answered the phone late at night when Bennett called his father from jail, seeking his legal representation. Forty years later and long after his father's death, the author found the Bennett file in the bottom of his mother's closet. From the moment he began reading the papers, the long-forgotten drama cast a spell on him. As he uncovered more and more of the facts, the story he had known as a child disappeared, replaced by one far different. The Edge of Innocence takes the reader through the criminal justice system and ultimately to the trial where the reader, like a juror, must sift through competing claims and conflicting evidence. Full of twists and turns and colorful characters, The Edge of Innocence is all the more entertaining because it tells a true story.

    Photographs.

    I just didn’t expect to get so many.When Juanita Lewis arrived in Paper Moon, Montana, courtesy of a Greyhound bus, she was just looking for a brief respite. Instead, she found a home, friends, and a man to love. But this leave-your-attitude-by-the-door woman made a promise to herself–one that she intends to keep. Now that she’s got a place to come back to, Juanita wants to see the world.A trip out West with her eccentric trucker friend, Peaches, leads to a cooking stint at a new age spa for skinny celebrities. Crazy, but its here that Juanita decides to take her talent for cooking to a new level . . . and make it her dream. She also learns something about life: It does turn out the way you planned it–just be ready to change the plan a few times along the way.Just as Juanita’s journey begins, she’s called back to Paper Moon, having inherited an old, slightly haunted B&B, as well as a mountain of decisions. There’s her self-centered, irresponsible daughter, insisting that she get some sense and come back home to Columbus, and a son who’s doing things Juanita can’t bear to think about. So how does a middle-aged black woman from the projects follow her heart when it’s heading in so many different directions? By asking the right questions, then listening with her soul.

    For the past ten years he has been attempting to decode the numerical pattern beneath the ultimate system of ordered chaos-the stock market. As Max verges on a solution, chaos is swallowing the world around him. He is pursued by an aggressive Wall Street firm set on financial domination as well as by a Kabbalah sect intent on unlocking the secrets behind its ancient holy texts. Max races to crack the code, hoping to defy the madness that looms before him. In succeeding, he uncovers a secret everyone is willing to kill for.Also included with the screenplay is a full journal of how Darren Aronofsky made this award-winning film on a minuscule budget of $60,000, providing practical advice and inspiration to film students and offering film buffs rare insight into how an independent film is made.

    Taking the self out feels like obeying a gag order - pretending an objectivity where there is nothing objective about the experience of confronting and engaging with and swooning over literature." - from HeroinesOn the last day of December, 2009 Kate Zambreno began a blog called Frances Farmer Is My Sister, arising from her obsession with the female modernists and her recent transplantation to Akron, Ohio, where her husband held a university job. Widely reposted, Zambreno's blog became an outlet for her highly informed and passionate rants about the fates of the modernist "wives and mistresses." In her blog entries, Zambreno reclaimed the traditionally pathologized biographies of Vivienne Eliot, Jane Bowles, Jean Rhys, and Zelda Fitzgerald: writers and artists themselves who served as male writers' muses only to end their lives silenced, erased, and institutionalized. Over the course of two years, Frances Farmer Is My Sister helped create a community where today's "toxic girls" could devise a new feminist discourse, writing in the margins and developing an alternative canon.In Heroines, Zambreno extends the polemic begun on her blog into a dazzling, original work of literary scholarship. Combing theories that have dictated what literature should be and who is allowed to write it - from T. S. Eliot's New Criticism to the writings of such mid-century intellectuals as Elizabeth Hardwick and Mary McCarthy to the occasional "girl-on-girl crime" of the Second Wave of feminism - she traces the genesis of a cultural template that consistently exiles female experience to the realm of the "minor" and diagnoses women for transgressing social bounds. "ANXIETY: When she experiences it, it's pathological," writes Zambreno. "When he does, it's existential." By advancing the Girl-As-Philosopher, Zambreno reinvents feminism for her generation while providing a model for a newly subjectivized criticism.

    The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

    A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question. The books in the series will all follow the same structure:a biography of the novelist, including other works, influences, and, in some cases, an interview; a full-length study of the novel, drawing out the most important themes and ideas; a summary of how the novel was received upon publication; a summary of how the novel has performed since publication, including film or TV adaptations, literary prizes, etc.; a wide range of suggestions for further reading, including websites and discussion forums; and a list of questions for reading groups to discuss.

    In addition to all Cave's lyrics recorded with The Bad Seeds during this time, King Ink II includes several lyrics as yet unrecorded, as well as a number written for other artists and for the Wim Wenders films Faraway, So Close! and Until the End of the World. A short film treatment and a substantial essay on the subject of language and the Bible, "The Flesh Made Word, " are among further material which is not available elsewhere.

    This collection has more than twenty-five selections, including such important statements as "Modern Fiction" and "The Modern Essay."