In these sharp, hilariously entertaining, and vividly observed pieces, Ephron illuminates an era with wicked honesty and insight. From the famous “A Few Words About Breasts” to important pieces on her time working for the New York Post and Gourmet Magazine, these essays show Ephron at her very best.

    You'll have a blast reading this and then date...or not date anyone because you are living your best single life with new best friend Roberson by your side." - Phoebe Robinson, New York Times bestselling author of You Can't Touch My Hair

    Traumatized and bitter, Ken struggles to find meaning in his life. As he contemplates selling the farmhouse, old friends and family members descend for a vacation. A bittersweet portrait of the rock n roll generation at the precise moment they realize the fireworks ended yesterday.

    Entering a world of mysterious powers and nightmarish consequences, Chris realizes the secret belief of every teenage boy- that his wang has the power to change the world. The Monkey's Penis is the third installment in the terrifying Shingles series, and once again readers with weak hearts or bladders are advised to read on at their own risk...

    . . If virtue-signalling wokery drives you as nuts as it drives me, you will love it' Piers Morgan'Required reading for anyone needing an antidote to the mass hysteria of humanity's latest religion' Entertainment FocusAfter the success of her debut Woke: A Guide to Social Justice, radical slam poet and intersectional feminist Titania McGrath has turned her talents to the realm of children's non-fiction. Aimed at activists from the age of six months to six years, Titania's book will help cultivate a new progressive generation. In a series of groundbreaking and poignant chapters, she will take you on a journey with some of the most inspiring individuals in history, such as Emmeline Pankhurst, Meghan Markle, Nelson Mandela, Hillary Clinton, and Joseph Stalin. Praise for Woke:'Beautiful classic satire' Ricky Gervais'The latest genius twist in Britain's long tradition of satirical spoof' Daily Express 'Titania McGrath mercilessly satirises the Left's online umbrage brigade, the permanently offended, those who have taken on the role of policing thoughts and words to the point of absurdity' The Herald 'Hilarious' Evening Standard 'Hilarious' Spectator 'Hilarious' The Times 'Utterly unfunny' Peter Hitchens

    Jane Wagner's masterpiece--The first play in more than 20 years to become a national bestseller--is now a motion picture!In this satire, a form all too lacking in American theater, Trudy the bag lady, Wagner's central character, tries to explain modern American material society to an alien (i.e., interstellar) committee.

    In her circle, drugs are cheap, ubiquitous, and sometimes feel like the only way out, and Road’s street psychopharmacology results in experiences that are both revelatory and tragic. Writing in a tradition of some of the finest transgressive authors, such as Jean Genet, William S. Burroughs, and Kathy Acker, Road depicts the damaged soul and psyche of her young protagonist with language as violent as the street and sex as raw as the language. Somewhere along this hyperreal tour, our heroine learns to leave her bad habits behind and emerge stronger and more independent, clean and open to love.

    Not so with Daphne Gottlieb. In Why Things Burn, Gottlieb tackles sexuality, lesbian issues, rape, urban life, and a host of other topics with the same power of her live performances.

    She has become involved in a strange erotic triangle with Honor, a romantic young woman, and Bernie, a homosexual street hustler. Both Leslie and Bernie want Honor, but all Honor wants is fun. Here is a powerful novel of three young dreamers caught up in a life-style they can neither accept nor change....

    From the moment powerful men started falling to the #MeToo movement, the lamentations began: this is feminism gone too far, this is injustice, this is a witch hunt. In The Witches Are Coming, firebrand author of the New York Times bestselling memoir and now critically acclaimed Hulu TV series Shrill, Lindy West, turns that refrain on its head. You think this is a witch hunt? Fine. You’ve got one.In a laugh-out-loud, incisive cultural critique, West extolls the world-changing magic of truth, urging readers to reckon with dark lies in the heart of the American mythos, and unpacking the complicated, and sometimes tragic, politics of not being a white man in the twenty-first century. She tracks the misogyny and propaganda hidden (or not so hidden) in the media she and her peers devoured growing up, a buffet of distortions, delusions, prejudice, and outright bullsh*t that has allowed white male mediocrity to maintain a death grip on American culture and politics-and that delivered us to this precarious, disorienting moment in history.West writes, “We were just a hair’s breadth from electing America’s first female president to succeed America’s first black president. We weren’t done, but we were doing it. And then, true to form—like the Balrog’s whip catching Gandalf by his little gray bootie, like the husband in a Lifetime movie hissing, ‘If I can’t have you, no one can’—white American voters shoved an incompetent, racist con man into the White House.”We cannot understand how we got here-how the land of the free became Trump’s America—without examining the chasm between who we are and who we think we are, without fact—checking the stories we tell ourselves about ourselves and each other. The truth can transform us; there is witchcraft in it. Lindy West turns on the light.

    And it’s armed. Plum Kettle does her best not to be noticed, because when you’re fat, to be noticed is to be judged. Or mocked. Or worse. With her job answering fan mail for a popular teen girls’ magazine, she is biding her time until her weight-loss surgery. Only then can her true life as a thin person finally begin. Then, when a mysterious woman starts following her, Plum finds herself falling down a rabbit hole and into an underground community of women who live life on their own terms. There Plum agrees to a series of challenges that force her to deal with her past, her doubts, and the real costs of becoming “beautiful.” At the same time, a dangerous guerrilla group called “Jennifer” begins to terrorize a world that mistreats women, and as Plum grapples with her personal struggles, she becomes entangled in a sinister plot. The consequences are explosive.Dietland is a bold, original, and funny debut novel that takes on the beauty industry, gender inequality, and our weight loss obsession—from the inside out, and with fists flying.

    Celia, a lapsed Catholic, arrives with her grandmother’s rosary beads in hand and a bottle of vodka in her suitcase; beautiful Bree pines for the fiancé she left behind in Savannah; Sally, pristinely dressed in Lilly Pulitzer, is reeling from the loss of her mother; and April, a radical, redheaded feminist wearing a “Riot: Don’t Diet” T-shirt, wants a room transfer immediately.Together they experience the ecstatic highs and painful lows of early adulthood: Celia’s trust in men is demolished in one terrible evening, Bree falls in love with someone she could never bring home to her traditional family, Sally seeks solace in her English professor, and April realizes that, for the first time in her life, she has friends she can actually confide in.When they reunite for Sally’s wedding four years after graduation, their friendships have changed, but they remain fiercely devoted to one another. Schooled in the ideals of feminism, they have to figure out how it applies to their real lives in matters of love, work, family, and sex. For Celia, Bree, and Sally, this means grappling with one-night stands, maiden names, and parental disapproval—along with occasional loneliness and heartbreak. But for April, whose activism has become her life’s work, it means something far more dangerous.Written with radiant style and a wicked sense of humor, Commencement not only captures the intensity of college friendships and first loves, but also explores with great candor the complicated and contradictory landscape facing young women today.

    At graduation, the most highly rated girls become “companions”, permitted to live with their husbands and breed sons until they are no longer useful.For the girls left behind, the future – as a concubine or a teacher – is grim.Best friends Freida and Isabel are sure they’ll be chosen as companions – they are among the most highly rated girls in their year.But as the intensity of final year takes hold, Isabel does the unthinkable and starts to put on weight. ..And then, into this sealed female environment, the boys arrive, eager to choose a bride.Freida must fight for her future – even if it means betraying the only friend, the only love, she has ever known. . .

    Inspired by activist and writer Rebecca Walker, they speak out, challenging many of their own assumptions about the women's movement and demanding that readers recognize a new relationship between the personal and the political.Black and white, male and female, gay and straight, they fearlessly describe their liberation from the feminist ideals that conflict with the reality of who they are, expose shocking secrets, and acknowledge long-hidden accommodations and anomalies.

    In this ebullient collection, virgins escape from being sacrificed, witches refuse to be burned, whores aren't ashamed, and every woman gets a chance to be a radioactive cockroach warrior who snaps back at catcallers. Gwen E. Kirby experiments with found structures--a Yelp review, a WikiHow article--which her fierce, irreverent narrators push against, showing how creativity within an enclosed space undermines and deconstructs the constraints themselves. When these women tell the stories of their triumphs as well as their pain, they emerge as funny, angry, loud, horny, lonely, strong protagonists who refuse be secondary characters a moment longer. From "The Best and Only Whore of Cym Hyfryd, 1886" to the "Midwestern Girl [who] is Tired of Appearing in Your Short Stories," Kirby is playing and laughing with the women who have come before her and they are telling her, we have always been this way. You just had to know where to look.