Davis illuminates the connections between struggles against state violence and oppression throughout history and around the world.Reflecting on the importance of black feminism, intersectionality, and prison abolitionism for today's struggles, Davis discusses the legacies of previous liberation struggles, from the Black Freedom Movement to the South African anti-Apartheid movement. She highlights connections and analyzes today's struggles against state terror, from Ferguson to Palestine.Facing a world of outrageous injustice, Davis challenges us to imagine and build the movement for human liberation. And in doing so, she reminds us that "Freedom is a constant struggle."

    The perfect gift for the junior riot grrl in your life."--Bust Magazine"The History of Feminism--in an Awesome Picture Book. The ABCs just got a major girl-power upgrade."--Chantal Strasburger, Teen VogueLike all A-Z books, this one illustrates the alphabet—but instead of "A is for Apple", A is for Angela—as in Angela Davis, the iconic political activist. B is for Billie Jean King, who shattered the glass ceiling of sports; C is for Carol Burnett, who defied assumptions about women in comedy; D is for Dolores Huerta, who organized farmworkers; and E is for Ella Baker, who mentored Dr. Martin Luther King and helped shape the Civil Rights Movement.And the list of great women continues, spanning several centuries, multiple professions, and 26 diverse individuals. There are artists and abolitionists, scientists and suffragettes, rock stars and rabble-rousers, and agents of change of all kinds.The book includes an introduction that discusses what it means to be "rad" and "radical," an afterword with 26 suggestions for how you can be "rad," and a Resource Guide with ideas for further learning and reading.American history was made by countless rad—and often radical—women. By offering a fresh and diverse array of female role models, we can remind readers that there are many places to find inspiration, and that being smart and strong and brave is rad.Rad American Women will be appreciated by various age groups. It is Common Core aligned for students grades 3 - 8. Pre-school and young children will be captured by the bright visuals and easily modified texts, while the subject matter will stimulate and inspire high-schoolers and beyond."This is not a book. This is a guest list for a party of my heroes. Thank you for inviting us." —Lemony Snicket, author of A Series of Unfortunate Events books"I feel honored to be included in this book. Women need to take radical steps to become feminists, and to be strong to fight for their rights and those of others facing oppression and discrimination. The world needs rad women to create a just society." —Dolores Huerta, Labor Leader, Civil Rights Activist"It's almost always with a chuckle that I view a cartoon image of myself. But to see cartoon-me positioned (alphabetically) amongst so many of my women heroes and role models . . . well, I just broke down and cried. Happy tears. I surely hope that this one-of-a-kind collection of radical American women reaches the hands of all children who want to grow up and become amazing women." —Kate Bornstein, author of My New Gender Workbook"I was totally in rapture reading this book. Bold women, bold colors, and fierce black paper cutouts. I cheer these histories of women who fight not for war or country or corporation, but for EVERYONE! I can't wait for my son to read this." —Nikki McClure, Illustrator of All in a Day

    So where is it? Well, for reasons this book makes crystal clear, that pill will never exist—but as a result of the research that’s gone into it, scientists in the last few years have learned more about how women’s sexuality works than we ever thought possible, and Come as You Are explains it all.The first lesson in this essential, transformative book by Dr. Emily Nagoski is that every woman has her own unique sexuality, like a fingerprint, and that women vary more than men in our anatomy, our sexual response mechanisms, and the way our bodies respond to the sexual world. So we never need to judge ourselves based on others’ experiences. Because women vary, and that’s normal.Second lesson: sex happens in a context. And all the complications of everyday life influence the context surrounding a woman’s arousal, desire, and orgasm. Cutting-edge research across multiple disciplines tells us that the most important factor for women in creating and sustaining a fulfilling sex life, is not what you do in bed or how you do it, but how you feel about it. Which means that stress, mood, trust, and body image are not peripheral factors in a woman’s sexual wellbeing; they are central to it. Once you understand these factors, and how to influence them, you can create for yourself better sex and more profound pleasure than you ever thought possible.And Emily Nagoski can prove it.

    The artistry of QUESTIONS FOR ADA defies words, embodying the pain, the passion, and the power of love rising from the depths of our souls.  Ijeoma Umebinyuo’s poetry is a flower that will blossom in the spirit of every reader as she shares her heart with raw candor.  From lyrical lushness to smoky sensuality to raw truths, this tome of transforming verse is the book every woman wants to write but can’t until the broken mirrors of their lives have healed.  In this gifted author’s own words—“I am too full of life to be half-loved.”  A bold celebration of womanhood.

    She’s almost off her meds and at a new college where no one knows her as the girl-who-went-crazy. She’s even going to parties and making friends. There’s only one thing left to tick off her list…But relationships are messy – especially relationships with teenage guys. They can make any girl feel like they’re going mad. And if Evie can’t even tell her new friends Amber and Lottie the truth about herself, how will she cope when she falls in love?

    Other kids are into punk or ska, but Una is learning to play "Mull of Kintyre" by Wings on the guitar, and she thinks it’s a really good song. There's another song, chanted on the terraces by Leeds United fans. It might not have made it on to Top of the Pops, but the boys all sing it on the walk home from school: "One Yorkshire Ripper . . . There’s only one Yorkshire Ripper . . . One Yorkshire Ri-pper . . ."  A serial murderer is at large in West Yorkshire and the police—despite spending more than two million man-hours hunting the killer and interviewing the man himself no less than nine times—are struggling to solve the case. As this national news story unfolds around her, Una finds herself on the receiving end of a series of violent acts for which she feels she is to blame. Unbecoming explores gender violence, blame, shame, and social responsibility. Through image and text Una asks what it means to grow up in a culture where male violence goes unpunished and unquestioned. With the benefit of hindsight Una explores her experience, wonders if anything has really changed and challenges a global culture that demands that the victims of violence pay its cost.

    But along the way, the feminist pioneer's searing dissents and steely strength have inspired millions. Notorious RBG: The Life and Times of Ruth Bader Ginsburg, created by the young lawyer who began the Internet sensation and an award-winning journalist, takes you behind the myth for an intimate, irreverent look at the justice's life and work. As America struggles with the unfinished business of gender equality and civil rights, Ginsburg stays fierce. And if you don't know, now you know.

    Named after the diagnostic criteria for fibromyalgia, the book-length lyric essay explores sexual violence, gendered illness, chronic pain, and patriarchy through the lenses of lived experience and pop culture (Twin Peaks, Teenage Mutant Ninja Turtles, noise music, etc.). Teaching Guide (or Book Club Guide) here: bit.ly/2aqJV2X

    Using her own translations, Gafney offers a midrashic interpretation of the biblical text that is rooted in the African American preaching tradition to tell the stories of a variety of female characters, many of whom are often overlooked and nameless. Gafney employs a solid understanding of womanist and feminist approaches to biblical interpretation and the sociohistorical culture of the ancient Near East. This unique and imaginative work that is grounded in serious scholarship will expand conversations about feminist and womanist biblical interpretation.

    BUCKLE YOUR SEAT BELT AND GET READY TO RIDE!

    With all the revolutionary zeal, laugh-out-loud humour and intelligence of Laura Bates, Caitlin Moran and Bell Hooks, Emer O'Toole explores what it really means to 'act like a girl'.Being a woman is, largely, about performance - how we dress and modify our bodies, what we say, the roles we play, and how we conform to expectations. Gender stereotypes are still deeply embedded in our society, but Emer O'Toole is on a mission to re-write the old script and bend the rules of gender - and she shows how and why we should all be joining in.With game-changing ideas and laugh-out-loud humour, this book will open your mind and revolutionise the way that you think about gender.

    When the Egyptian journalist Mona Eltahawy published an article in Foreign Policy magazine in 2012 titled Why Do They Hate Us it provoked a firestorm of controversy. The response it generated, with more than four thousand posts on the website, broke all records for the magazine, prompted dozens of follow-up interviews on radio and television, and made it clear that misogyny in the Arab world is an explosive issue, one that engages and often enrages the public. In Headscarves and Hymens, Eltahawy takes her argument further. Drawing on her years as a campaigner and commentator on women's issues in the Middle East, she explains that since the Arab Spring began, women in the Arab world have had two revolutions to undertake one fought with men against oppressive regimes, and another fought against an entire political and economic system that treats women in countries from Yemen and Saudi Arabia to Egypt, Tunisia, and Libya as second-class citizens. Eltahawy has traveled across the Middle East and North Africa, meeting with women and listening to their stories. Her book is a plea for outrage and action on their behalf, confronting the toxic mix of culture and religion that few seem willing or able to disentangle lest they blaspheme or offend. A manifesto motivated by hope and fury in equal measure, Headscarves and Hymens is as illuminating as it is incendiary.

    Her unique and varied styles powerfully reflect the tone and mood of the different stories and in just a few pages express the complex emotions felt by victims of sexual abuse.Covering acts such as sexual violence, public sexual harassment, domestic abuse and child abuse, this is a reminder for survivors that they are not alone and a call for all of us to take action. The stories clearly show that assault of any type is not an honour bestowed on anyone. It is not a compliment.

    The story follows Rosa from her family life in Jewish Poland—where she became the leader of a general strike at age fifteen and was exiled from her homeland at eighteen—to her immersion into the then largest radical party in the world, the German Social Democratic Party, to her founding of the German Communist Party and leadership of the German revolution of 1919.This beautifully drawn graphic life gives “Red Rosa” her due as an iconic radical, but also portrays a fascinating woman with a rich love life, struggles with physical disability and an abiding love of literature and theater. Rosa will contribute to the growing understanding of one of the twentieth century’s greatest revolutionaries.

    In 2014, she represented Chicago as the youngest competitor at the National Poetry Slam. Her work has been published or featured by The Huffington Post, Write Bloody, EverydayFeminism, Button Poetry, Chicago Literati, Banango Street, and Wicked Banshee, among others.

    In the '60s, the Matriarch, the willfully unmarried baby machine leeching off the state, joined them. These stereotypes persist to this day through newspaper headlines, Sunday sermons, social media memes, cable punditry, government policies, and hit song lyrics. Emancipation may have happened more than 150 years ago, but America still won't let a sister be free from this coven of caricatures.Tamara Winfrey Harris delves into marriage, motherhood, health, sexuality, beauty, and more, taking sharp aim at pervasive stereotypes about black women. She counters warped prejudices with the straight-up truth about being a black woman in America. "We have facets like diamonds," she writes. "The trouble is the people who refuse to see us sparkling."

    Missoula, Montana, is a typical college town, with a highly regarded state university, bucolic surroundings, a lively social scene, and an excellent football team — the Grizzlies — with a rabid fan base. The Department of Justice investigated 350 sexual assaults reported to the Missoula police between January 2008 and May 2012. Few of these assaults were properly handled by either the university or local authorities. In this, Missoula is also typical. A DOJ report released in December of 2014 estimates 110,000 women between the ages of eighteen and twenty-four are raped each year. Krakauer’s devastating narrative of what happened in Missoula makes clear why rape is so prevalent on American campuses, and why rape victims are so reluctant to report assault. Acquaintance rape is a crime like no other. Unlike burglary or embezzlement or any other felony, the victim often comes under more suspicion than the alleged perpetrator. This is especially true if the victim is sexually active; if she had been drinking prior to the assault — and if the man she accuses plays on a popular sports team. The vanishingly small but highly publicized incidents of false accusations are often used to dismiss her claims in the press. If the case goes to trial, the woman’s entire personal life becomes fair game for defense attorneys. This brutal reality goes a long way towards explaining why acquaintance rape is the most underreported crime in America. In addition to physical trauma, its victims often suffer devastating psychological damage that leads to feelings of shame, emotional paralysis and stigmatization. PTSD rates for rape victims are estimated to be 50%, higher than soldiers returning from war. In Missoula, Krakauer chronicles the searing experiences of several women in Missoula — the nights when they were raped; their fear and self-doubt in the aftermath; the way they were treated by the police, prosecutors, defense attorneys; the public vilification and private anguish; their bravery in pushing forward and what it cost them. Some of them went to the police. Some declined to go to the police, or to press charges, but sought redress from the university, which has its own, non-criminal judicial process when a student is accused of rape. In two cases the police agreed to press charges and the district attorney agreed to prosecute. One case led to a conviction; one to an acquittal. Those women courageous enough to press charges or to speak publicly about their experiences were attacked in the media, on Grizzly football fan sites, and/or to their faces. The university expelled three of the accused rapists, but one was reinstated by state officials in a secret proceeding. One district attorney testified for an alleged rapist at his university hearing. She later left the prosecutor’s office and successfully defended the Grizzlies’ star quarterback in his rape trial. The horror of being raped, in each woman’s case, was magnified by the mechanics of the justice system and the reaction of the community. Krakauer’s dispassionate, carefully documented account of what these women endured cuts through the abstract ideological debate about campus rape. College-age women are not raped because they are promiscuous, or drunk, or send mixed signals, or feel guilty about casual sex, or seek attention. They are the victims of a terrible crime and deserving of compassion from society and fairness from a justice system that is clearly broken.

    This passionate and riveting memoir is a mixtape of dreams and nightmares, of immigration court lineups and queer South Asian dance nights; it reveals how a disabled queer woman of color and abuse survivor navigates the dirty river of the past and, as the subtitle suggests, "dreams her way home."Leah Lakshmi Piepzna-Samarasinha's poetry book Love Cake won a Lambda Literary Award.

    It holds a life story without a life, a lie spread across low-rent apartment complexes, dreamscapes, and information networks, tangled in chronology, landing in a heap of the future impossible. Available forms—like garments and literature—are made of the materials of history, of the hours of women’s and children’s lives, but they are mostly inadequate to the dimension, motion, and irregularity of what they contain. It’s a book about seeking to find the forms in which to think the thoughts necessary to survival, then about seeking to find the forms necessary to survive survival and survival’s requisite thoughts.“Here Anne Boyer accounts for a form of life—form of life of a woman in this century living in Kansas City apartment complexes or duplexes with names like The Kingman or Colonial Gardens, form of life of a low-rent, cake-baking intellectual parenting a Socratic daughter, form of life of a person whose body refuses to become information or pornography, which are the same. These are the confessions of Anne Boyer, a political thinker who takes notes and invents movements, social and prosodic. Ta gueule, Rousseau.” —Lisa RobertsonAnne Boyer Artist Statement:I read a lot, old works and new ones, but there were so many books that I couldn’t find. These were the books that should have contained an answer to the problem—how do we survive our survival? If a work of literature approached an answer, the answer was bent, asemic, obscured, distorted into sentimental accounts, melodrama, or pornography by literary convention established to make knowing what we needed to impossible..Sometimes the answer was deformed by the failure of survival itself—there were texts severed by their author’s severed lives, by madness, by social isolation, by early death or a long life passed always wanting it. Literature, like garments, had so often been against so many of us, enforcing and sustaining the hostilities of a world with the unequal distribution of resources and the corresponding unequal distribution of suffering..The libraries I needed were full of works written by ghosts of the dead so common their graves lacked stones, the literature of those humans whose names were never their own, whose names were mostly said aloud so that someone might make a command of them, whose names were never used as the mark of their own property—what was it they had known? How did the great human majority—women and girls, those without property, the poor and the workers and enslaved people—resist? In what forms, what languages, what codes were their poems? What possibilities inhabited their thinking, their philosophies, their politics? What names would they be called if they could choose their own? During much of the time Garments Against Women was being written, I wanted to stop writing. I wanted to stop wanting and needing to write. This was so that my daughter and I could better survive; this was also because of my disappointment with literature..But Garments Against Women exists because I failed. I failed to find the literature I needed, so I had to try to write it down. I failed, also, at refusal, failed at failing, failed at self-negating, failed at being ruined despite all that would ruin us, failed at keeping survival bare, failed at obeying history’s prohibitions, failed at being intimidated by the centuries of hostile traditions. What I failed at was not writing despite all the conditions that had been relentlessly calibrated to keep not writing sustained..Some of us write because there are problems to be solved. My life is different than it was when I wrote Garments Against Women, but there’s still a problem: the world as we know it remains the world.

    Her father, Maharajah Duleep Singh, was heir to the Kingdom of the Sikhs, one of the greatest empires of the Indian subcontinent, a realm that stretched from the lush Kashmir Valley to the craggy foothills of the Khyber Pass and included the mighty cities of Lahore and Peshawar. It was a territory irresistible to the British, who plundered everything, including the fabled Koh-I-Noor diamond. Exiled to England, the dispossessed Maharajah transformed his estate at Elveden in Suffolk into a Moghul palace, its grounds stocked with leopards, monkeys and exotic birds. Sophia, god-daughter of Queen Victoria, was raised a genteel aristocratic Englishwoman: presented at court, afforded grace and favor lodgings at Hampton Court Palace and photographed wearing the latest fashions for the society pages. But when, in secret defiance of the British government, she travelled to India, she returned a revolutionary. Sophia transcended her heritage to devote herself to battling injustice and inequality, a far cry from the life to which she was born. Her causes were the struggle for Indian Independence, the fate of the lascars, the welfare of Indian soldiers in the First World War – and, above all, the fight for female suffrage. She was bold and fearless, attacking politicians, putting herself in the front line and swapping her silks for a nurse's uniform to tend wounded soldiers evacuated from the battlefields. Meticulously researched and passionately written, this enthralling story of the rise of women and the fall of empire introduces an extraordinary individual and her part in the defining moments of recent British and Indian history.

    They congratulate the empowered, comfort the survivors, and present rebuttals to the oppressive comments that rain down upon women from the heights of the patriarchy.” —BustThe message we receive from the world is clear: we’re not good enough. We’re not skinny enough, pretty enough, smart enough. Women is all about accepting ourselves. Carol Rossetti asks us instead to say, “We’re not good enough—we’re even better.”Despite the progress we’ve made as a society, there is still a cruel and subtle gender oppression that exists today—and many don’t realize it’s there. In response, Rossetti decided to draw women to focus on the issues we face. Her illustrations are of women who feel safe expressing themselves by showing the world their fashion, sexuality, relationships, religion, disabilities, and even traumatic experiences.Rossetti’s commanding images belong on billboards and street corners and in schools and offices to remind us that our unique experiences and expressions should make us feel beautiful, intelligent, and proud. We have the power to embrace who we are and can stop trying so hard to please the rest of the world. Carol Rossetti and Women offer us a vision of who we can be.

    Nevertheless their lives were so closely intertwined, their choices, dreams and tragedies so eerily similar, it seems impossible to consider one without the other.Both women became famous writers; fell in love with brilliant but impossible men; and were single mothers who had children out of wedlock; both lived in exile; fought for their position in society; and thought deeply about how we should live. And both women broke almost every rigid convention there was to break: Wollstonecraft chased pirates in Scandinavia. Shelley faced down bandits in Naples. Wollstonecraft sailed to Paris to witness the Revolution. Shelley eloped in a fishing boat with a married man. Wollstonecraft proclaimed that women’s liberty should matter to everyone.Not only did Wollstonecraft declare the rights of women, her work ignited Romanticism. She inspired Coleridge, Wordsworth and a whole new generation of writers, including her own daughter, who – with her young lover Percy Shelley – read Wollstonecraft’s work aloud by her graveside. At just nineteen years old and a new mother herself, Mary Shelley composed Frankenstein whilst travelling around Italy with Percy and roguish Lord Byron (who promptly fathered a child by Mary’s stepsister). It is a seminal novel, exploring the limitations of human nature and the power of invention at a time of great religious and scientific upheaval. Moreover, Mary Shelley would become the editor of her husband’s poetry after his early death – a feat of scholarship that did nothing less than establish his literary reputation.Romantic Outlaws brings together a pair of visionary women who should have shared a life, but who instead shared a powerful literary and feminist legacy. This is inventive, illuminating, involving biography at its best.

    Never before had the case for female liberty been so forcefully and successfully argued. De Beauvoir’s belief that ‘One is not born, but rather becomes, a woman’ switched on light bulbs in the heads of a generation of women and began a fight for greater equality and economic independence. These pages contain the key passages of the book that changed perceptions of women forever.

    Collecting work authored during Shire's tenure, 'Her Blue Body' stands as testament and witness, negotiating the complexities of heritage, cultural sensitivity, sensuality, trauma and womanhood, framed and ordered by a sequence of memorial poems, focused through the lens of Shire's intimate and unflinching vision.

    The first book of the author to examine disability from a queer femme of color lens, Bodymap contains work created and performed with Sins Invalid. Bodymap maps hard and vulnerable terrains of queer desire, survivorhood, transformative love, sick and disabled queer genius and all the homes we claim and deserve."These poems are a gift for your love for self, your love itself and everyone you love. It is rare that a poet priestess offers words that allow us to emerge reborn with dirt, glitter and tenderness... Revere it. Revel in it. Read it again and again!" —Alexis Pauline Gumbs"Bodymap uses the alchemy of the voice on the page to transform words into an ache in the pit of me. I want what these poems demand: to be free to love & die, to be resurrected in time, & to be restored by desire. Piepzna-Samarasinha has located where this body houses the smirk learned from the sidewalk, the reason to do the difficult, and the blessings for the best worst thing."—Meg Day, author of Last Psalm at Sea Level "Sharp, yet remarkably compassionate, Piepzna-Samarasinha knows that the poem is no place for tidy inquiry and easy answers. She offers her own tenacious guts and veins on each and every page. Only someone who understands rage and reconciliation and blood and bone can write like this."—Amber Dawn, author of How Poetry Saved My Life: A Hustler’s Memoir and Sub Rosa

    Most of these women are cut off from the rhetoric and theory of Western feminism; many are active in deeply patriarchal and socially restrictive societies; some may not even describe themselves as feminists. Nevertheless, these women are proving to themselves, and to the world, that a powerful force for change can sometimes start with a single brave action.In Do It Like A Woman, Caroline Criado-Perez, an outspoken activist and campaigner, uncovers these stories and investigates what they mean for the feminist movement as a whole. She gathers together stories from beatboxers in Malta and prostitutes in Merseyside to fighter pilots in Afghanistan and doctors in Portugal, and shows how women are taking positive, practical steps to challenge injustice or inequality, and change their world. While some of these stories (the Everyday Sexism campaign and the trial of Pussy Riot) are already known, the majority of the stories here have not yet been told, and demand to be heard.

    Anzaldúa's mature thought and the most comprehensive presentation of her philosophy. Throughout, Anzaldúa weaves personal narratives into deeply engaging theoretical readings to comment on numerous contemporary issues—including the September 11 attacks, neocolonial practices in the art world, and coalitional politics. She valorizes subaltern forms and methods of knowing, being, and creating that have been marginalized by Western thought, and theorizes her writing process as a fully embodied artistic and political practice. Resituating Anzaldúa's work within Continental philosophy and new materialism, Light in the Dark takes Anzaldúan scholarship in new directions.

    From its polygamous nineteenth-century past to its twentieth-century stand against the Equal Rights Amendment and its twenty-first-century fight against same-sex marriage, the Church of Latter-day Saints (LDS) has consistently positioned itself on the frontlines of battles over gender-related identities, roles, and rights. But even as the church has maintained a conservative position in public debates over sex and gender, Mormon women have developed their own brand of feminism by recovering the lost histories of female leadership and exploring the empowering potential of Mormon theology. The selections in this book-many gathered from out-of-print anthologies, magazines, and other ephemera--walk the reader through the history of Mormon feminism, from the second-wave feminism of the 1970s to contemporary debates over the ordination of women.Collecting essays, speeches, poems, and prose, Mormon Feminism presents the diverse voices of Mormon women as they challenge assumptions and stereotypes, push for progress and change in the contemporary LDS Church, and band together with other feminists of faith hoping to build a better world.

    An epidemic is biological and blameless. Violence against Native women is historical and political, bounded by oppression and colonial violence. This book, like all of Sarah Deer’s work, is aimed at engaging the problem head-on—and ending it.The Beginning and End of Rape collects and expands the powerful writings in which Deer, who played a crucial role in the reauthorization of the Violence Against Women Act in 2013, has advocated for cultural and legal reforms to protect Native women from endemic sexual violence and abuse. Deer provides a clear historical overview of rape and sex trafficking in North America, paying particular attention to the gendered legacy of colonialism in tribal nations—a truth largely overlooked or minimized by Native and non-Native observers. She faces this legacy directly, articulating strategies for Native communities and tribal nations seeking redress. In a damning critique of federal law that has accommodated rape by destroying tribal legal systems, she describes how tribal self-determination efforts of the twenty-first century can be leveraged to eradicate violence against women. Her work bridges the gap between Indian law and feminist thinking by explaining how intersectional approaches are vital to addressing the rape of Native women.Grounded in historical, cultural, and legal realities, both Native and non-Native, these essays point to the possibility of actual and positive change in a world where Native women are systematically undervalued, left unprotected, and hurt. Deer draws on her extensive experiences in advocacy and activism to present specific, practical recommendations and plans of action for making the world safer for all.

    Including stories from the 1970s to the present day, the collection seeks to expand the conversation about feminism while engaging the reader in a wealth of imaginative ideas. Sisters of the Revolution seeks to expand the ideas of both contemporary fiction and feminism to new fronts.Contents:The forbidden words of Margaret A. / L. Timmel Duchamp --My flannel knickers / Leonora Carrington --The mothers of Shark Island / Kit Reed --The palm tree bandit / Nnedi Okorafor --The grammarian's five daughters / Eleanor Arnason --And Salome danced / Kelley Eskridge --The perfect married woman / Angélica Gorodischer --The glass bottle trick / Nalo Hopkinson --Their mother's tears : the fourth letter / Leena Krohn --The screwfly solution / James Tiptree, Jr. --Seven losses of na Re / Rose Lemberg --The evening and the morning and the night / Octavia E. Butler --The sleep of plants / Anne Richter --The men who live in trees / Kelly Barnhill --Tales from the breast / Hiromi Goto --The Fall River axe murders / Angela Carter --Love and sex among the invertebrates / Pat Murphy --When it changed / Joanna Russ --The woman who thought she was a planet / Vandana Singh --Gestella / Susan Palwick --Boys / Carol Emshwiller --Stable strategies for middle management / Eileen Gunn --Northern chess / Tanith Lee --Aunts / Karin Tidbeck --Sur / Ursula K. Le Guin --Fears / Pamela Sargent --Detours on the way to nothing / Rachel Swirsky --Thirteen ways of looking at space/time / Catherynne M. Valente --Home by the sea / Elisabeth Vonaburg.

    She reveals the story of her own growth in tandem with the growth of an ongoing movement for equality. This is the story at the heart of My Life on the Road.

    A lady code. It’s ancient, it’s deeply spiritual and more than that, it’s powerful. Fiercely powerful. So powerful that it’s barely been spoken about in over 2,000 years. Your menstrual cycle. Yep, your period is way more than PMS, carb cravings and lady rage, your menstrual cycle/period/ragtime/ – insert whatever you call your ’time of the month’ here – is actually a 4-part lady code, that once cracked, will uncover a series of monthly superpowers that can be used to enhance your relationships with others, build a better business, have incredible sex + create a ‘bloody’ amazing life. Code Red, from the creatrix of www.thesassyshe.com, Lisa Lister, is a call to action. A rallying cry that dares you to explore, navigate and most importantly, love your lady landscape. You'll learn how to live and work in complete alignment with the rhythms of nature, the moon and your menstrual cycle, be inspired by insights from Wise + Wild Women like Meggan Watterson, Alexandra Pope + Uma Dinsmore Tuli and gain access to easy-to-follow strategies and SHE Flow yoga practices. You'll be invited to connect with your true nature as a woman, tap into the transformational power of your innate feminine wisdom and use your menstrual cycle as an ever-unfolding map to crack your lady code. REVIEWS “Lisa Lister is the woman we all wish we were lucky enough to have as our sister. But short of having her on speed dial, this book is the next best thing to a full on feminine support system!” - Kathleen McGowan, Activist and International Bestselling Author of The Expected One & The Book of Love “Code Red is a modern priestess guide for women to go within and use their feminine cycles to lead the good life. Lisa Lister is sounding the call for you to heal your cycle, accept your ever changing body, and honor your feminine soul. This is the essential foundation and practice for you to get in your ‘FLO’ and become the powerful force of nature that you are designed to be!” - Alisa Vitti, Hormonal Health Expert and Author of WomanCode “Lisa Lister doesn’t mess around. She’s here to break boundaries and barriers that have been created by what society defines ‘normal’ and in turn, remind us what’s real. Teaching and leading other girls to honour their divinity inside and out is no easy task and for that reason alone, I respect Lisa wholeheartedly. As far as I’m concerned, Lisa is part angel, part goddess and part rocker – she writes in a way that’s friendly, honest and captivating. This book is filled with ‘aha!’ moments from beginning to end. Let Code Red help you recognize your monthly flow – as a reminder you are fiercely feminine.” - Kyle Gray, Bestselling Author of Angel Prayers “Lisa’s sheer passion is palpable, whether she’s presenting her practical guide to getting the most out of your cycle or tackling complex philosophical questions of femaleness. She stands strong in that space between cycle-worship and cycle-commodification, making room for more women to feel self-knowledge through body acceptance is here for them, too. To paraphrase Gail Dines, if women loved their bodies, how much might society change for the better? Lisa gives us a glimpse of a bright future.” - Holly Grigg-Spall, Author of Sweetening the Pill: or How We Got Hooked on the Hormonal Birth Control "I've been searching for this book for years. Lisa Lister sheds the veil on the hidden power of the divine feminine with sass, compassion and deep wisdom. Jam packed full of tools, stories and even tips for guys...

    Just hits of good, solid positivity. Their cartoon illustrations are ever-so-cute, and they come in a sweet sliding gift box with lift-out ribbon.FEATURES Conceived and written by Suzi Barrett Contained in sturdy box with tray and lifting ribbon perfect for gifting SPECIFICATIONS 50 cards, plus instruction card

    When the newest crop of fresh femmes arrive, can they work together to stay alive or will hidden agendas, crooked guards, and the deadliest sport on (or off!) Earth take them to their maker?Collects BITCH PLANET #1-5.

    At its center is a romance: the story of the author's relationship with the artist Harry Dodge. This story, which includes Nelson's account of falling in love with Dodge, who is fluidly gendered, as well as her journey to and through a pregnancy, offers a firsthand account of the complexities and joys of (queer) family-making.Writing in the spirit of public intellectuals such as Susan Sontag and Roland Barthes, Nelson binds her personal experience to a rigorous exploration of what iconic theorists have said about sexuality, gender, and the vexed institutions of marriage and child-rearing. Nelson's insistence on radical individual freedom and the value of caretaking becomes the rallying cry of this thoughtful, unabashed, uncompromising book.

    Over the course of five years, author Kimberly Kay Hoang worked at four exclusive Saigon hostess bars catering to diverse clientele: wealthy local Vietnamese and Asian businessmen, Viet Kieus (ethnic Vietnamese living abroad), Western businessmen, and Western budget-tourists. Dealing in Desire takes an in-depth and often personal look at both the sex workers and their clients to show how Vietnamese high finance and benevolent giving are connected to the intimate spheres of the informal economy. For the domestic super-elite who use the levers of political power to channel foreign capital into real estate and manufacturing projects, conspicuous consumption is a means of projecting an image of Asian ascendancy to potential investors. For Viet Kieus and Westerners who bring remittances into the local economy, personal relationships with local sex workers reinforce their ideas of Asia’s rise and Western decline, while simultaneously bolstering their diminished masculinity. Dealing in Desire illuminates Ho Chi Minh City’s sex industry as not just a microcosm of the global economy, but a critical space where dreams and deals are traded.

    Emma O'Donovan is eighteen years old, beautiful, happy, confident. One night, there's a party. Everyone is there. All eyes are on Emma. The next morning, she wakes on the front porch of her house. She can't remember what happened, she doesn't know how she got there. She doesn't know why she's in pain. But everyone else does. Photographs taken at the party show, in explicit detail, what happened to Emma that night. But sometimes people don't want to believe what is right in front of them, especially when the truth concerns the town's heroes...

    And while the reality of the devastation is undeniable, there is  reason for hope in at least one small pocket of the nation: the cantons of Rojava in Syrian Kurdistan, where in the wake of war people are quietly building one of the most progressive societies in the world today. Revolution in Rojava tells the story of Rojava's groundbreaking experiment in what they call democratic confederalism, a communally organized democracy that is fiercely anti-capitalist and committed to female equality, while rejecting reactionary nationalist ideologies. Rooted in the ideas of imprisoned Kurdish leader Abdullah Ocalan, the system is built on effective gender quotas, bottom-up democratic structures, far-sighted ecological policies, and a powerful militancy that has allowed the region to keep ISIS at bay. This first full-length study of democratic developments in Rojava tells an extraordinary and powerfully hopeful story of a little-known battle for true freedom in dark times.

    Steeped in the culture of New York City, Myles's stomping grounds and the home of her most well-known work, she provides a wide-open lens into a radical life.

    Among the many Things No One Will Tell Fat Girls that you don't want to miss:1. It's Possible to Love Your Body (Today. Now.)2. You Can Train Your Brain to Play Nice3. Your Weight Is Not a Reflection Of Your Worth4. Changing Your Tumblr Feed Will Change Your Life5. Salad Will Not Get You to Heaven6. Cheesecake Will Not Send You to HellWith her trademark wit, honesty, and rallying spirit, veteran blogger and advocate Jes Baker makes the case for embracing a body-positive worldview, changing perceptions about weight, and making mental wellness a priority. Alongside notable guest essayists, Baker calls on all people to reject fat prejudice, fight body-shaming at the hands of marketing and media, and join the life-changing movement with one step: change the world by loving your body. If you're a person with a body, this book is for you.

    But tragically, they were not the only Aboriginal women to suffer that year. In fact, an official report revealed that since 1980, 1,200 Canadian Aboriginal women have been murdered or have gone missing. This alarming official figure reveals a national tragedy and the systemic failure of law enforcement and of all levels of government to address the issue.Journalist Emmanuelle Walter spent two years investigating this crisis and has crafted a moving representative account of the disappearance of two young women, Maisy Odjick and Shannon Alexander, teenagers from western Quebec, who have been missing since September 2008. Via personal testimonies, interviews, press clippings and official documents, Walter pieces together the disappearance and loss of these two young lives, revealing these young women to us through the voices of family members and witnesses.Stolen Sisters is a moving and deeply shocking work of investigative journalism that makes the claim that not only is Canada failing its First Nations communities, but that a feminicide is taking place.

    How did the women’s movement, which fought for equal opportunity for women in education and the workplace, and the sexual revolution, which reduced women to ambitious sex objects, become so united?In Subverted, Sue Ellen Browder documents for the first time how it all happened, in her own life and in the life of an entire country. Trained at the University of Missouri School of Journalism to be an investigative journalist, Browder unwittingly betrayed her true calling and became a propagandist for sexual liberation. As a long-time freelance writer for Cosmopolitan magazine, she wrote pieces meant to soft-sell unmarried sex, contraception, and abortion as the single woman’s path to personal fulfillment. She did not realize until much later that propagandists higher and cleverer than herself were influencing her thinking and her personal choices as they subverted the women’s movement.The thirst for truth, integrity, and justice for women that led Browder into journalism in the first place eventually led her to find forgiveness and freedom in the place she least expected to find them. Her in-depth research, her probing analysis, and her honest self-reflection set the record straight and illumine a way forward for others who have suffered from the unholy alliance between the women’s movement and the sexual revolution.

    With The No You Never Listened To, she takes the personal and makes it universal. As a sexual assault survivor, Meggie is well-acquainted with trauma: the aftermath, the guilt, the anger. She has never shied away from taking Hemingway’s advice – write hard and clear about what hurts – and that strength has never been more of an asset than with this body of work.The No You Never Listened To is the book you will wish you’d had when trauma climbed into your bed. It is the book you will give to friends who are dragged from their “before” into a dark and terrifying “after”. And yes, it is the book you will wish didn’t exist.But it is also the one that will remind you, in your darkest moments, where the blame really belongs. It will remind you that your memory will not always be an enemy. And it will remind you that none of us have ever been alone in this.”– Claire BiggsTo Write Love on Her Arms Editor / Writer

    Is this label accurate? What do South Africans think they know about rape? South Africa has a complex relationship with rape. Pumla Dineo Gqola unpacks this relationship by paying attention to patterns and trends of rape, asking what we can learn from famous cases and why South Africa is losing the battle against rape. Gqola looks at the 2006 rape trial of Jacob Zuma and what transpired in the trial itself, as well as trying to make sense of public responses to it. She interrogates feminist responses to the Anene Booysen case, amongst other high profile cases of gender-based violence. Rape: A South African Nightmare is a necessary book for various reasons. While volumes exist on rape in South Africa, much of this writing exists either in academic journals, activist publications or analysis pages of select print media. This is a conclusive book on rape in South Africa, illuminating aspects of South Africa's rape problem in South Africa, illuminating aspects of South Africa's rape problem and contributing to shifting the conversation forward. It is indebted to insights from available research, activism, the author's own immersion in Rape Crisis, the 1 in 9 Campaign and feminist scholarship. Analytically rigorous, it is intended for a general readership.

    Political leaders. Promoters of health and education. Members of economic cooperatives. These are just some of the prominent, everyday roles held by women in the Zapatista autonomous region in Chiapas, where women’s participation has proved indispensable to the creation and maintenance of an alternative, democratic society.  Compañeras is the untold story of the women of the Zapatista movement, gathered by longtime community organizer Hilary Klein. The Zapatista women’s own recollections of their lives, struggles, and critical involvement bring to light the tremendous transformation of gender roles that has occurred in this culture of revolution, and are instructive for everyone committed to examining how existing grassroots alternatives to global capitalism can guide the way toward justice, equality, and democracy.

    Incensed at the villagers’ refusal to share any information, soldiers pulled residents from their homes, torturing men and raping women. According to village accounts, as many as thirty-one women were raped. The Indian army initially carried out cursory investigations before shelving the case without explanation. Kunan and Poshpora have since become known as the villages of raped women, and their residents have found it difficult to escape this stigma. Then in 2012, the rape and murder of a young medical student in Delhi galvanized a protest movement so widespread and deep that it reached far beyond India’s borders. In Kashmir, a group of young women, all in their twenties, were inspired to reopen the Kunan-Poshpora case and revisit their history and that of the 1991 survivors. Do You Remember Kunan Poshpora? is a personal account of their journey, examining questions of justice, stigma, state responsibility, and the long-term impacts of trauma. With rarely heard voices and concerns, this book gives readers an opportunity to know the lives of ordinary Kashmiris in a state suffocated by thirty years of military rule.

    New moms are pressured by doctors, health officials, and friends to avoid the bottle at all costs-often at the expense of their jobs, their pocketbooks, and their well-being. In Lactivism, political scientist Courtney Jung offers the most deeply researched and far-reaching critique of breastfeeding advocacy to date. Drawing on her own experience as a devoted mother who breastfed her two children and her expertise as a social scientist, Jung investigates the benefits of breastfeeding and asks why so many people across the political spectrum are passionately invested in promoting it, even as its health benefits have been persuasively challenged. What emerges is an eye-opening story about class and race in America, the big business of breastfeeding, and the fraught politics of contemporary motherhood.

    This is your WAKE UP CALL; a dramatically sobering reality check to wake you up from the detrimental denial of your White Privilege. Antagonists, Advocates and Allies delivers uncomfortable truths and painful realities about the conscious and unintentional pain you have inflicted on Black women, women of color and shares how you must use your power to eliminate racism and stop the hypocrisy within the feminine movement. The “American Feminist” movement is exclusive; it was created by White women, for White women and it caters to White women. Racism and White Privilege, the bedrock of American feminism; must be aggressively broken down and rebuilt with deliberate inclusion and conscious honoring of Black women, women of color.Antagonists, Advocates and Allies boldly beckons White women to come from behind their White Picket Fence, enter the classroom of “Living While Black and Brown 101”, take a seat, don’t talk, listen and finally hear what you’ve failed to hear for centuries. The elimination of racism starts and ends with you. It’s time to roll up your sleeves and get to work.

    A brutal world Elena willingly enters to rescue her daughter, placing herself in jeopardy and risking everything for a mother’s love.Kristina travels thousands of miles for the job of her dreams, only to find that she has been betrayed. Trapped and forced to work as a prostitute; under constant fear of a brutal assault from Ponytail Ari, a vicious man employed to keep the girls in line, she finds herself alone, lost and helpless in this strange land.When all official enquiries to find Kristina come to nought, her mother, Elena, who has borrowed money beyond her means to send Kristina out, determines to find her and ends up in the hands of the traffickers herself.Nikki, a hardened con artist and streetwise prostitute arrives in Almina to start a new life and make money. She befriends Elena and together they take on the traffickers with consequences neither expected or were prepared for......The book is a work of fiction but is based on real stories. Whilst the people, places, companies, cities and countries are all figments of the author’s imagination the events are all true and have happened to someone somewhere.Human Trafficking is said to be the second biggest International crime after the drugs trade and has an annual value of 31.6 billion US Dollars. An International Labour Organization report states that 2.5 million people are victims of human trafficking each year with 1.4 million of these being for sexual purposes. These victims are mostly women. To put this into perspective, it is equivalent to the entire female population of Albania or Jamaica being forced or coerced to leave and made to work overseas as prostitutes - each and every year.

    By turns heartbreaking and hilarious, SLUT captures the real lives of teens and young adults as they negotiate sex and the cruel scapegoating that still hobbles female sexuality and power. This groundbreaking play, written in collaboration with New York City high school students, and guidebook offers communities and individuals concrete tools to inspire change and stop slut. The guidebook includes production notes, a guide for talk-backs, and provocative essays by Leora Tanenbaum, Jennifer Baumgardner, Farah Tanis, Jamia Wilson, among others, providing the resources to inspire change within our communities and ourselves.

     • Rules are simple: no peeking, no skipping. • Do you agree? • Don't miss out! About Us Top 50 Facts is an unofficial collection of facts for fans and readers alike, looking to conveniently discover more about the books they love.

    With this volume spanning from her punk fanzine roots to her landmark piece on R. Kelly's past, The First Collection leaves no doubt why The New York Times has called Hopper's work "influential." Not merely a selection of two decades of Hopper's most engaging, thoughtful, and humorous writing, this book documents the last 20 years of American music making and the shifting landscape of music consumption. The book journeys through the truths of Riot Grrrl's empowering insurgence, decamps to Gary, IN, on the eve of Michael Jackson's death, explodes the grunge-era mythologies of Nirvana and Courtney Love, and examines emo's rise. Through this vast range of album reviews, essays, columns, interviews, and oral histories, Hopper chronicles what it is to be truly obsessed with music. The pieces in The First Collection send us digging deep into our record collections, searching to re-hear what we loved and hated, makes us reconsider the art, trash, and politics Hopper illuminates, helping us to make sense of what matters to us most.

    While this task is important for everybody, Dominique says, "There is an urgency for women. When you have inherited a construct that names, describes, and practices an ideology that women are somehow less important, less necessary, then the work of defining yourself carries with it a kind of fury."Every woman is composed of many selves-archetypal players of the psyche who contribute their voices to her greater "I." This Is Woman's Work introduces us to our council of inner women, delving into the secret wisdom and gifts of the Willing Woman, the Rebel, the Shapeshifter, the Warrior, and more. Combining writing exercises with fresh and dynamic insights, Dominique helps us make an intimate connection with each inner woman-known and unknown, loved and feared-so we may integrate their voices, realize their wisdom, and open ourselves to our full expression and power

    In 1971 she published her essay “Why Have There Been No Great Women Artists?”—a dramatic feminist call-to-arms that called traditional art historical practices into question and led to a major revision of the discipline.Women Artists brings together twenty-nine essential essays from throughout Nochlin’s career, making this the definitive anthology of her writing about women in art. Included are her major thematic texts “Women Artists After the French Revolution” and “Starting from Scratch: The Beginnings of Feminist Art History,” as well as the landmark essay and its rejoinder “‘Why Have There Been No Great Women Artists?’ Thirty Years After.” These appear alongside monographic entries focusing on a selection of major women artists including Mary Cassatt, Louise Bourgeois, Cecily Brown, Kiki Smith, Miwa Yanagi, and Sophie Calle.Women Artists also presents two new essays written specifically for this book and an interview with Nochlin investigating the position of women artists today.

    By turns seductive and self-deprecating, Women in Public navigates a world where the erotics of the body and mind do battle against the constructs that would demean and define them, using lyric, fragment, humor, and repetition to create a space flexible enough to hold the many contradictions of reality. Where expectations and desires can be piled too easily upon the body, Kahn digs in her heels, writing in attempt to liberate physical form from society's confines.Praise for Women in Public:"'Do you think that you are greater than a mom?' This is an intensely honest, honestly intense poetry. Humorous, carnal, accusatory, celebratory––Women in Public tells me to get lost so I do. When I find myself later, I'm re-reading Women in Public."––Rod Smith"In these exhilarating poems, Elaine Kahn shoots from the groin, championing a ferociousness that rages against asperity while playfully seducing the reader to misbehave. Hers is a realm where oceans beat against genitals, and Hannah Wilke warms the earth. I don’t want to let go of Women in Public for I want its boldness all to myself."––Dodie BellamyAbout the Author:Musician, poet, artist, Elaine Kahn was born in Evanston, Illinois and is currently based in Oakland, California. She received an MFA from the Iowa Writers' Workshop and a BA from California College of the Arts. Kahn is the author of three poetry chapbooks, A Voluptuous Dream During an Eclipse (2012), Customer (2010), and Radiant Bottle Caps (2008), and is a contributor to Art Papers. Her music project, Horsebladder, has toured widely throughout the U.S. and Canada. She is also co-founder of the feminist puppet troop P. Splash Collective and managing editor of the small press Flowers & Cream.

    In 2013, the New York Times published an obituary for Yvonne Brill. It began: “She made a mean beef stroganoff, followed her husband from job to job, and took eight years off from work to raise three children.” It wasn’t until the second paragraph that readers discovered why the Times had devoted several hundred words to her life: Brill was a brilliant rocket scientist who invented a propulsion system to keep communications satellites in orbit, and had recently been awarded the National Medal of Technology and Innovation. Among the questions the obituary—and consequent outcry—prompted were, Who are the role models for today’s female scientists, and where can we find the stories that cast them in their true light?      Headstrong delivers a powerful, global, and engaging response. Covering Nobel Prize winners and major innovators, as well as lesser-known but hugely significant scientists who influence our every day, Rachel Swaby’s vibrant profiles span centuries of courageous thinkers and illustrate how each one’s ideas developed, from their first moment of scientific engagement through the research and discovery for which they’re best known. This fascinating tour reveals these 52 women at their best—while encouraging and inspiring a new generation of girls to put on their lab coats.

    This collection features enduring essays about sex work around the world, first-person stories that range from deeply traumatic to totally hilarious, analysis of media and culture, and fantastic illustrations and photos produced just for the magazine. The book also features the previously untold story of $pread and how it has built a wider audience in its posthumous years. What started as a community tool and trade magazine for the sex industry quickly emerged as the essential guide for people curious about sex work, for independent magazine enthusiasts, and for labor and civil rights activists.

    “I suppose I feel this work is my life, my true life, and everything else is merely preparation, clearing the space and propping up the kindling. My boyfriend always says, ‘It’s not like you have to do this.’ But yes, it is.Because in many ways, it is everything: my source of amusement and diversion, my recreation, my sex, my identity, the most illuminating form of engagement, the most heightened form of contact. And in the long moments when I’m not primping for or in the middle of or coming down from an appointment—yes, coming down, as with a drug—I feel I am merely awaiting instructions. Or waiting to figure out what else could possibly be as fascinating and worthwhile. Can you see that about it? Even when it’s bad, even when I am uncomfortable or upset, it still seems worthwhile, because it defines my inner life.”

    Understanding assemblies as plural forms of performative action, Butler extends her theory of performativity to argue that precarity the destruction of the conditions of livability has been a galvanizing force and theme in today s highly visible protests.Butler broadens the theory of performativity beyond speech acts to include the concerted actions of the body. Assemblies of physical bodies have an expressive dimension that cannot be reduced to speech, for the very fact of people gathering says something without always relying on speech. Drawing on Hannah Arendt s view of action, yet revising her claims about the role of the body in politics, Butler asserts that embodied ways of coming together, including forms of long-distance solidarity, imply a new understanding of the public space of appearance essential to politics.Butler links assembly with precarity by pointing out that a body suffering under conditions of precarity still persists and resists, and that mobilization brings out this dual dimension of corporeal life. Just as assemblies make visible and audible the bodies that require basic freedoms of movement and association, so do they expose coercive practices in prison, the dismantling of social democracy, and the continuing demand for establishing subjugated lives as mattering, as equally worthy of life. By enacting a form of radical solidarity in opposition to political and economic forces, a new sense of the people emerges, interdependent, grievable, precarious, and persistent."

    Until now, the entire discussion has been largely reduced to Western conceptions. Instead, James here shows how our culture’s narrow definitions of manhood are upended when we consider the examples of men in the Bible and Jesus’ gospel. Together, they show a whole new Kingdom way of being male and forging men and women into the Blessed Alliance.

    From the genocide in Rwanda, to war-stricken Bosnia, from child marriages in India to prostitution and drug trafficking in Colombia, these stories traverse a microcosm of reality. Be it the manifestation of Bacha Baazi in Afghanistan, or the fight for paradise on Earth, Kashmir, the repertoire of stories lend a soul to what otherwise remain a muddle of news reports and statistics. Through these stories, Kirthi embroiders a tapestry of the unvanquished human spirit in varied shades, and shakes you up to the reality that surrounds you.

    But few thinkers have attempted to reconcile that knowledge—which is rooted in Marxism—with queer theory. The few who have, meanwhile, usually attempt to do so through issues of libidinal desire and sexual expression. In The Politics of Everybody, Holly Lewis argues powerfully that the emphasis on desire, though seemingly innocuous, is actually symptomatic of neoliberal habits of thought, and consequently, is responsible for a continued focus on the limited politics of identity. Instead, Lewis shows, we should look to the arena of body production, categorization, and exclusion; only through such a reorientation can we create a politics of liberation that is truly inclusive and grounded in lived experience.

     Born a boy but raised a girl, Joe was 25 years old and still living as Joella when he discovered the full truth about his beginnings. For decades, doctors believed baby boys born without a penis should be classified as girls. When he was eight, Joe's plight attracted worldwide media attention – and touched the heart of Princess Diana. She's A Boy is Joe's story; a true survivor who has overcome unthinkable physical and emotional challenges and come out the other side with a firm sense of who he really is.

    An internationally-known social reformer and women's rights activist, Bushnell rose to prominence through her highly publicized campaigns against prostitution and the trafficking of women in America, in colonial India, and throughout East Asia. In each of these cases, the intrepid reformer struggled to come to terms with the fact that it was Christian men who were guilty of committing acts of appalling cruelty against women. Ultimately, Bushnell concluded that Christianity itself - or rather, the patriarchal distortion of true Christianity - must be to blame. A work of history, biography, and historical theology, Kristin Kobes DuMez's book provides a vivid account of Bushnell's life. It maps a concise introduction to her fascinating theology, revealing, for example, Bushnell's belief that gender bias tainted both the King James and the Revised Versions of the English Bible. As Du Mez demonstrates, Bushnell insisted that God created women to be strong and independent, that Adam, not Eve, bore responsibility for the Fall, and that it was through Christ, "the great emancipator of women," that women would achieve spiritual and social redemption. A New Gospel for Women restores Bushnell to her rightful place in history. It illuminates the dynamic and often thorny relationship between faith and feminism in modern America by mapping Bushnell's story and her subsequent disappearance from the historical record. Most pointedly, the book reveals the challenges confronting Christian feminists today who wish to construct a sexual ethic that is both Christian and feminist, one rooted not in the Victorian era, but rather one suited to the modern world.

    Using a womanist methodological approach, Pamela R. Lightsey helps readers explore the impact of oppression against Black LBTQ women while introducing them to the emergent intellectual movement known as queer theology. The author privileges their narratives and experiences as she reviews several doctrines and dogma of the Christian church. Theological reflection on contemporary debates such as same-sex marriage and ordination rights make this book a valuable resource to clergy, students of theology, LGBTQ persons and allies. "Writing in the shadow of mass killings of unarmed black persons in the United States, Lightsey's Our Lives Matter: A Womanist Queer Theology is a timely publication. This valuable interdisciplinary resource provides a succinct overview of the doctrine of creation that is informed by a discussion on identity. Our Lives Matter challenges readers to move beyond theory and to acknowledge the full humanity of all persons and is a must-read for any who self-identifies as Christian." --Angela D. Sims, Dean of Academic Programs and Associate Professor of Ethics and Black Church Studies, Saint Paul School of Theology Pamela R. Lightsey is an associate dean and clinical assistant professor of contextual theology and practice at Boston University School of Theology. She is also a self-identified queer lesbian ordained elder in full connection in the United Methodist Church. A national leader among LGBTQ social justice activists, Dr. Lightsey's writings have appeared in Washington Post (online), Religion Dispatches and Black Theology Journal.

    By embracing an older deck and simultaneously developing current and re-visioned ways of interpreting its images and the cards’ meanings, She Is Sitting in the Night provides a much-needed informed, aesthetically strong, accessible queer tarot book for feminists, queers, and tarot readers new and old.

    No one expected the city to survive the attack. But it did. Mixed-gender militias with small arms held one of the most feared armies in the world at bay. The smoke cleared, and Kobane still stood.And western media attention moved on.The YPG and the YPJ, the militias who held the city, were fighting for their lives and their land. But even more than that, they were fighting to defend their their revolution: the Rojava Revolution. When the Assad regime began to fall, Kurds and other ethnic minorities in northern Syria carved out pockets of liberty and started one of the greatest social experiments the world has ever seen. Based on their own history of struggle and on the writings of social ecologist Murray Bookchin, the people of Rojava have developed an anti-state and anti-capitalist way of life. It’s a way of life that values feminism, direct democracy, ecological stewardship, and ethnic, linguistic, and religious pluralism. And right now, 2.5 million people are trying their hardest to defend their revolution against ISIS attacks from the south and an international trade embargo ruthlessly enforced by Turkey to the north.Between language barriers, cultural barriers, and an international trade embargo, it can be hard to understand what is happening there. It can be hard to understand how to support the people of Rojava in their revolution. But in this short book, scholars and militia fighters alike explore and explain the situation in plain language. They discuss the Rojava principles that bind the region together and they discuss what it means to be in solidarity with those fighting in Rojava. Even beyond that, they discuss what we can learn from the brave women and men of Rojava.

    Imagine within each of us, there is a deep, powerful source for living lives of love, creativity, and fulfillment.To imagine this foundation for life and the energy it produces is to imagine ourselves and our world filled with the influence of the archetypal feminine - her passionate creativity, love, and ageless knowing. Personally and culturally, this force - which lives at the heart of our lives - has been diminished and wounded until it seems to have retreated beyond the horizon, in a world filled with rationalism and an anxious search for the material "good life."This is a powerfully moving book that goes beyond gender roles into the soul of the archetypal feminine, exploring how it has been damaged and traumatized, and finding out how this condition affects all of us. Through the myth of Medusa, the authors create an inspirational guide for healing, revitalizing, loving, and nurturing the archetypal feminine as we awaken our own voices and transform our fate.

    Combining rigorous research and compelling personal testimonies, Elaine Storkey investigates the different forms of violence experienced by women across the globe today. From female infanticide and child brides to domestic abuse, prostitution, rape and honour killings, violence against women occurs at all stages of life, and in all cultures and societies. How and why has this violence become so prevalent? Storkey examines the answers that are commonly offered, including theories based on evolutionary psychology and the rise of patriarchal power structures. She also considers the role that religion can play for good or ill in the struggle against this universal injustice.

    Girls in Justice, the much-anticipated follow up to Juvenile in Justice, turns our focus specifically to girls in the system, and not a moment too soon. While the number of youth in the juvenile justice system has steadily declined, girls are a growing share of youth arrested, detained and committed. A rare, multidimensional look at these girls' vulnerable lives, Girls in Justice speaks to the unique issues they face with both hard-hitting words and Richard Ross' evocative images. Essays from some of the top girls' criminology scholars and advocates in the U.S. give readers a picture of their work with young women in the system as well as cold, hard facts about the issue. As with Juvenile in Justice, the photographs are accompanied by girls' first-person stories, as told to Ross in interviews from over 250 detention facilities across the U.S. Even for those who work with girls in the system daily, this book is sure to expand your understanding of the realities of these girls' lives.

    In 1972, ten women cartoonists got together in San Francisco to rectify the situation and produce the first and longest-lasting all-woman comics anthology, Wimmen’s Comix. Within two years the Wimmen’s Comix Collective had introduced cartoonists like Roberta Gregory and Melinda Gebbie to the comics-reading public, and would go on to publish some of the most talented women cartoonists in America — Carol Tyler, Mary Fleener, Dori Seda, Phoebe Gloeckner, and many others. In its twenty year run, the women of Wimmen’s tackled subjects the guys wouldn’t touch with a ten-foot pole: abortion, menstruation, masturbation, castration, lesbians, witches, murderesses, and feminists. Most issues of Wimmen’s Comix have been long out of print, so it’s about time these pioneering cartoonists’ work received their due. Presented as a gorgeous two-volume slipcased set, The Complete Wimmen’s Comix includes the ground-breaking 1970 one-shot, It Ain’t Me, Babe, the very first all-woman comic book ever published. Edited with an introduction by Trina Robbins.

    Bohemian and beautiful, this engineering student is as passionate about constructing sets for theater and opera as she is about Trey, the one man she can finally trust. Deirdre is a first year engineering major, earnest and perceptive, but too naïve to know that frat boys can be dangerous. Montreal columnist Jenean is feisty and urbane, a feminist who longs for peace between the sexes even as she ponders splitting from her live-in partner. In the face of startling and heartbreaking tragedy, we witness fierce love and bonding. This is not your everyday love story.The Montreal Massacre is lodged in Canadian memory: on December 6, 1989, fourteen female engineering students were murdered in their classroom. Set in that tragic historical moment, on two college campuses fraught with gendered antagonisms, this novel follows the imagined lives of women as they happen headlong into the December 6 tragedy. Were In Cold Blood to marry The Poisonwood Bible, this novel would be their progeny: a story disarmingly accurate and bountifully probing that explores the profundity of deepest love and unimaginable loss.

    Rather than share this information with her, they withheld the diagnosis in order to “protect” the development of her gender identity; it was years before Davis would see her own medical records as an adult and learn the truth. Davis’ experience is not unusual. Many intersex people feel isolated from one another and violated by medical practices that support conventional notions of the male/female sex binary which have historically led to secrecy and shame about being intersex. Yet, the rise of intersex activism and visibility in the US has called into question the practice of classifying intersex as an abnormality, rather than as a mere biological variation. This shift in thinking has the potential to transform entrenched intersex medical treatment.In Contesting Intersex, Davis draws on interviews with intersex people, their parents, and medical experts to explore the oft-questioned views on intersex in medical and activist communities, as well as the evolution of thought in regards to intersex visibility and transparency. She finds that framing intersex as an abnormality is harmful and can alter the course of one’s life. In fact, controversy over this framing continues, as intersex has been renamed a ‘disorder of sex development’ throughout medicine. This happened, she suggests, as a means for doctors to reassert their authority over the intersex body in the face of increasing intersex activism in the 1990s and feminist critiques of intersex medical treatment. Davis argues the renaming of ‘intersex’ as a ‘disorder of sex development’ is strong evidence that the intersex diagnosis is dubious. Within the intersex community, though, disorder of sex development terminology is hotly disputed; some prefer not to use a term which pathologizes their bodies, while others prefer to think of intersex in scientific terms. Although terminology is currently a source of tension within the movement, Davis hopes intersex activists and their allies can come together to improve the lives of intersex people, their families, and future generations. However, for this to happen, the intersex diagnosis, as well as sex, gender, and sexuality, needs to be understood as socially constructed phenomena. A personal journey into medical and social activism, Contesting Intersex presents a unique perspective on how medical diagnoses can affect lives profoundly.

    Whether using stiletto heels as weapons to protect against police attacks or incorporating African-themed designs into everyday wear, these fashion-forward women celebrated their identities and pushed for equality. In this thought-provoking book, Tanisha C. Ford explores how and why black women in places as far-flung as New York City, Atlanta, London, and Johannesburg incorporated style and beauty culture into their activism. Focusing on the emergence of the "soul style" movement represented in clothing, jewelry, hairstyles, and more Liberated Threads shows that black women's fashion choices became galvanizing symbols of gender and political liberation. Drawing from an eclectic archive, Ford offers a new way of studying how black style and Soul Power moved beyond national boundaries, sparking a global fashion phenomenon. Following celebrities, models, college students, and everyday women as they moved through fashion boutiques, beauty salons, and record stores, Ford narrates the fascinating intertwining histories of Black Freedom and fashion. "

    "Babe" includes work by Collins as well as over 30 artists who have been part of her online collective "The Ardorous". Though their work is aesthetically varied, it all represents a current zeitgeist characterized by explorations of female identity, scrutinization of the role of the Internet and social media, and a penchant for pastel colors. The artists in the book, such as Arvida Bystrom, Sandy Kim, Harley Weir, Jeanette Hayes, and Kristie Muller, hail from a variety of places, including New York, London, Moscow, Stockholm, Los Angeles, Berlin, and Toronto. Together they reflect an all-accepting, affirming, distinctly female point of view that teens and young women everywhere can respond to. With a Foreword by Tavi Gevinson, writer, actress, fashion blogger, and creator of the online magazine Rookie, this is an inspiring collection for a new generation of creative, forward thinking women.

    But as we know from the 2008 presidential campaign, and its outcome, Clinton evokes extreme and varied emotions among voters in a way no other candidate in recent memory has. But why? Love Her, Love Her Not: The Hillary Paradox delves into the nuances of our complicated feelings about one of the most powerful women ever in American politics. In this timely collection, editor Joanne Bamberger gathers a unique and diverse group of writers of all ages, walks of life, and political affiliations, while also providing the narrative framework through which to view the history that s led us to this moment in time the moment when voters must decide whether they can forgive Hillary Clinton for not being the perfect candidate or the perfect woman and finally elect our first woman president. Timely and fresh, Love Her, Love Her Not will provoke new conversations and push political and cultural dialogue in the US to a new level."Contributors include Deb Rox (BlogHer), Amy Ferris (Marrying George Clooney), Emily Zanotti (The American Spectator), Sally Kohn (CNN), KJ Dell'Antonia (NYTimes/Motherlode), Joanne Bamberger (The Broad Side/USA Today), and more of your favorite women writers!

    Through personal stories, how-to guidelines, and factual information, contributors explore the intersection of cycling and women's health, from bike fit to clothing, from periods to childbirth, from media representation to gender presentation and reproductive rights. Our diverse contributors demystify and elucidate women's issues in cycling in a practical, friendly, and down to earth manner.

    Born of Italian-Irish parents in 1872, Marie Equi endured childhood labor in a gritty Massachusetts textile mill before fleeing to an Oregon homestead with her first longtime woman companion, who described her as impulsive, earnest, and kind-hearted. These traits, along with courage, stubborn resolve, and a passion for justice, propelled Equi through an unparalleled life journey.   Equi self-studied her way into a San Francisco medical school and then obtained her license in Portland to become one of the first practicing woman physicians in the Pacific Northwest. From Pendleton, Portland, Seattle and beyond to Boston and San Francisco, she leveraged her professional status to fight for woman suffrage, labor rights, and reproductive freedom. She mounted soapboxes, fought with police, and spent a night in jail with birth control advocate Margaret Sanger. Equi marched so often with unemployed men that the media referred to them as her army. She battled for economic justice at every turn and protested the U.S. entry into World War I, leading to a conviction for sedition and a three-year sentence in San Quentin. Breaking boundaries in all facets of life, she became the first well-known lesbian in Oregon, and her same-sex affairs figured prominently in two U.S. Supreme Court cases.Marie Equi is a finely written, rigorously researched account of a woman of consequence, who one fellow-activist considered “the most interesting woman that ever lived in this state, certainly the most fascinating, colorful, and flamboyant.” This much anticipated biography will engage anyone interested in Pacific Northwest history, women’s studies, the history of lesbian and gay rights, and the personal demands of political activism. It is the inspiring story of a singular woman who was not afraid to take risks, who refused to compromise her principles in the face of enormous opposition and adversity, and who paid a steep personal price for living by her convictions.

    Never one to suffer in silence, in this brand new book she is presented as the role model she has always wanted to be. Packed with tips on how to stick up for yourself, how to make yourself heard, how to stand up for what you believe in and much more besides, How to be a Grrrl is Lucy's guide to making the most of being a girl.

    But women have played a role in Jewish religious leadership from the days of the Bible and even before. Miriam the Prophetess and Deborah the Judge are just the two most prominent of these women, most of whose names are lost to history. The Hebrew Priestess tells the stories of these women, often reading between the lines of the Bible and Talmud to rediscover the women that rabbinic editors tried to erase. The authors bring a unique vantage point: They are founders of the Kohenet Institute, which trains Jewish women as religious leaders - as Hebrew priestesses. They believe the spiritual gifts of Jewish women cannot be incorporated into Judaism unless women explore the Divine through their own lens. The Kohenet Institute offers an embodied, ecstatic earth-based approach to Jewish spiritual practice and leadership. The Hebrew Priestess weaves together a careful examination of historical antecedents of these new priestesses, along with the personal experiences of women who embarked on this new path of Jewish priestesshood. The Hebrew Priestess delineates 13 models of spiritual leadership - among them prophetess, weaver, drummer, shrinekeeper, midwife, mother, maiden, witch, and fool - and shows how each model was manifest in ancient times, its continuation through Jewish history, and how women in our day are following that path. Finally, it shows how you can incorporate part of that path into your own life. Ambitious, erudite, practical, and deeply personal, the Hebrew Priestsess offers a deep connection to Jewish history and to profound holy experiences today. "A very readable and much-needed book!" -Starhawk "An extraordinary and amazing work." -Alicia Ostriker "A book to savor." -Max Dashu "The articulation of my dreams and longings." -Rabbi Shefa Gold "Read this book, but don't stop there-live it as well!" -Rabbi Rami Shapiro"

    Coming Out Like a Porn Star presents over 50 first-hand accounts peppered with wit and wisdom about "coming out” (or not) to loved ones and community. While some denounce pornography as immoral and others praise its sex-positive liberation, the ways in which performers “come out” about doing porn — or the great lengths they take to avoid it — say a lot about how society views those at the public frontline of sexuality. "This revealing, moving, and often surprising collection lets you go deep inside the lives of generations of porn stars and explicit performers. It’s an absolute must-read for anyone interested in sex industry politics, sex-positive culture, and porn studies — and for anyone whose friend, lover, or family member has taken their pants off in front of a camera. One after the other, these memoirs add up to a powerful, if ironic, conclusion: Porn stigma is the biggest problem many adult performers face, and it is at least as likely to come from our feminist moms as from prudish conservatives. Once you’ve heard the clear, articulate voices of these porn stars, you’ll never look at a sex movie, or the people who make it happen, the same way again."— Carol Queen, PhD and author of Real Live Nude Girl: Chronicles of Sex-Positive Culture

    At an age when most women worry about household finances and the responsibilities starting a family, she wanted to break the mould and follow her dreams. Sumedha was born with asthma and the hospital was her second home throughout her childhood. She started running to keep herself fit and to prevent asthma attacks, but it developed into a way of life. Then, in April 2012, she took up the challenge of running 1,500 kilometres from Delhi to Mumbai in thirty days. When the run began, it was purely a physical challenge which she had set for herself but, as it progressed, it became a mental struggle that took Sumedha to her very limits. And, as she made her triumphant way to the finish line, she overcame not just her physical shortcomings, but also the extreme prejudice of lookers-on who were convinced that she would fail miserably.An account of a gruelling adventure and a rousing story about finding oneself, Miles to Run Before I Sleep both inspires and delights.

    It is a collage of love and patience, courage and determination. Between the covers is a chronicle of dreams that refuse to be crushed by the heel of Life’s injustices. The tales are portraits of everyday women rising to extraordinary challenges; women who transformed themselves into mistresses of their own destinies. From the lanes of Banaras to the hills of Assam, from the high rises of Delhi to the household courtyards down south, across urban landscapes and rural settings, these incredible women are here to inspire.

    In a mere twelve episodes, this series explored themes of hope, despair, cosmic destiny, and individual fate, all against the backdrop of a magical-girl retelling of Faust.Now this new book studies precisely what the series did, how, and even why, from Buddhist belief and paper theater to Walpurgisnacht and the commedia dell'arte. Covering the original television series, three of its manga spinoffs, and the sequel film Rebellion, this is a must-read for fans and scholars alike!

    The geeks have inherited the earth . . . And Springfield’s most outspoken and overlooked middle child, Lisa Simpson, is here to tell you why! So what does it matter that you don’t run with the popular crowd? You control the trends and tastes of popular culture. Who cares if you aren’t part of a clique? Your idiosyncratic style is now très chic. So what if you’re not very social? You’re tech savvy drives all social media. There’s no need to lay low in nerd anonymity. You are the smartest person in the room, and it’s time to fulfill your dork destiny! Copyright © 2015 by Matt Groening Productions, Inc. All rights reserved. The Simpsons™, created by Matt Groening, is the copyrighted and trademarked property of Twentieth Century Fox Film Corporation.

    This anthology combines personal essays, poems and academic musings with the goal of sparking conversations among women of all faith backgrounds. Religion plays a key role in defining and maintaining value systems, and yet it is often disregarded within feminism itself. This book shares the stories of highly diverse women with the hope that we can find collective solutions to the global problems that plague women and girls living under patriarchy.Edited by Trista Hendren and Pat DalyPreface by Dr. Amina WadudWith selections by:Soraya Chemaly, Rev. Dr. Karen Tate, Shehnaz Haqqani, Priestess Bairavee Balasubramaniam, Ph.D., Monette Chilson, Sarah Ager, Pegi Eyers, Susan Mehegan, Jacqueline Hope Derby, Jen Raffensperger, Elizabeth Hall Magill, Zoharah Noy-meir, Rebecca Mott, Liona Rowan, Metis, DeAnna L'am, Patty Kay, Zoe Nicholson, Erin McKelle, Rabbi Dalia Marx Ph.D., Debbie Kozlovich, Vanessa Rivera de la Fuente,Vrinda Jamuna Shakti, Lora Koetsier, Lizette Galima Tapia-Raquel, Nafhesa Ali, Susan Morgaine, Trista Hendren, Ruth Calder Murphy, Celeste Gurevich, Nahida Nisa and Neorah García."The magic of this anthology of women is in its radical reflection that “we are every woman,” and women are NOT the same. We do not need to pretend to sameness in order to express what is most essential about us—that is—our very existence, and our engaged faith experiences.This unique collection has the powerful capacity to remind us of the awe and beauty in diversity without itself becoming a sort of pop culture of Self worship. Each of these stories is True, and each is intimately connected to the lives of the women telling them. Read deeply. Enjoy. Then, tell your own story. That is what this volume invites you to do. I did and I am already a better person for it." - Dr. Amina Wadud Order (and table of contents) on our website: http://www.thegirlgod.com/anthology.php

    Beloved dying dog, worthy work, relational obligation, self-entertainment, an anxious curative. In the tradition of the New York School of dailiness and relative effervescence, this work brings a timely recasting of contemporary attachments.it's a sauna in heredancer sweat enteringhumanity's glands//Born in Milwaukee, Wisconsin, Stacy Szymaszek is author of the collections Emptied of All Ships (2005) and Hyperglossia (2009). Szymaszek is artistic director of the Poetry Project at St. Mark's Church.

    For the last two decades, Peter Cohen has been combing estate sales and flea markets collecting vernacular, or "found," photography taken in the middle part of the twentieth century. In his collection are countless images of women of all ages in various unconventional activities for the time: there are women swigging booze out of a bottle, boxing, playing pick-up football, smoking, or shooting arrows or guns—incongruous and playful behavior, all the while often performed in lovely dresses. Snapshots of Dangerous Women collects many of these period photographs, showcasing women from the thirties, forties, and fifties who are equal parts badass and rebellious, and, above all, clearly having a lot of fun. This charming book makes the ideal gift for the bold and free-spirited women in our lives.

    Raises important questions about the pressures society puts on women to conform to a certain body shape, and asks what we can do to prevent this having a negative effect on the next generation.

    This collection of essays by fifteen scholars of history and literature establishes black women's places in intellectual history by engaging the work of writers, educators, activists, religious leaders, and social reformers in the United States, Africa, and the Caribbean. Dedicated to recovering the contributions of thinkers marginalized by both their race and their gender, these essays uncover the work of unconventional intellectuals, both formally educated and self-taught, and explore the broad community of ideas in which their work participated. The end result is a field-defining and innovative volume that addresses topics ranging from religion and slavery to the politicized and gendered reappraisal of the black female body in contemporary culture. Contributors are Mia E. Bay, Judith Byfield, Alexandra Cornelius, Thadious Davis, Corinne T. Field, Arlette Frund, Kaiama L. Glover, Farah J. Griffin, Martha S. Jones, Natasha Lightfoot, Sherie Randolph, Barbara D. Savage, Jon Sensbach, Maboula Soumahoro, and Cheryl Wall.

    R. R. Tolkien seem either to ignore women or to place them on unattainable pedestals. To remedy such claims that Tolkien’s fiction has nothing useful or modern to say about women, Perilous and Fair focuses critical attention on views that interpret women in Tolkien’s works and life as enacting essential, rather than merely supportive roles.Perilous and Fair includes seven classic articles as well as seven new examinations of women in Tolkien’s works and life. These fourteen articles bring together perspectives not only on Tolkien’s most commonly discussed female characters—Éowyn, Galadriel, and Lúthien—but also on less studied figures such as Nienna, Yavanna, Shelob, and Arwen. Among others, the collection features such diverse critical approaches and methods as literary source study, historical context, feminist theory, biographical investigation, close-reading textual analysis, Jungian archetypes, and fanfiction reader-response.

    I Hate Telling You How I Really Feel is the first graphic chapbook from Bloof Books, and the fourth in the 2015 series, containing 25 full-color photographs, plus 2 supplementary text pieces by poet-artist Nikki Wallschlaeger.

    A world where the darker side of the decade encompasses rampant prostitution, a notorious murder, and the threat of nuclear disaster. Perfect Wives in Ideal Homes reconstructs the real 1950s, through the eyes of the women who lived it. Step back in time to where our grandmothers scrubbed their doorsteps, cared for their families, lived, laughed, loved and struggled. This is their story.

    Dealing with a Narcissist reveals the unconscious forces driving their mutual attraction and relationship dynamics and sheds light on the damaging impact narcissists have on their partners and children. This is also workbook with strategies that can improve your self-esteem and help you maintain your self-respect and set boundaries in relationships with addicts, narcissists, or emotionally abusive people.If you were at first charmed by a narcissist, you soon had to contend with self-centeredness, defensiveness, and escalating criticisms and demands. Trying to satisfy them can feel impossible, and neither stops abuse, nor produces genuine caring and reciprocity. You end up frustrated and hurt that your feelings and needs are dismissed or ignored. Steadily, your self-esteem, confidence, trust, and independence decline in the relationship, as you give up more of yourself. Whether you want to improve your relationship or are ambivalent about staying or leaving, Dealing with a Narcissist - 8 Steps to Raise Self-Esteem and Set Boundaries will provide clarity and tools to handle interactions with difficult people. You'll strengthen your self-esteem and gain the ability to set boundaries and communicate effectively. Eight steps are recommended with specific exercises and techniques, which are applicable to any relationship with a difficult person—whether passive-aggressive, controlling, abusive, manipulative, or with a borderline or narcissistic personality disorder.

    This empowering 30-day journal-style program will help you take a gentle next step into a true and open heart.This reprogramming toolbox combines the wisdom of intentional visual art and inspiring words from authors such as Audre Lorde, Andrea Dworkin, Alice Walker, Mary Daly and Ellen Bass. New Love includes a mixture of compelling thoughts and suggestions for each day, along with a “toolbox” to help you change the parts of your life you want to heal. You will be guided and loved into seeing your truth more clearly.New Love is perfect for women who feel a little stuck, uncertain, or in need of focus and support. This book will work effectively as an individual handbook or can be used in supported women's circles via the New Love Group on Facebook.

    Devoid of a central narrative, these rites of passage too often happen in shame and secrecy, leaving women doubting their personal power and self-worth. Bestselling author and founder of The Way of the Happy Woman®, Sara Avant Stover saw how women erroneously viewed these initiations as “curses” and sought to present a new model that reflected the power and wisdom unique to the feminine path.The Book of SHE celebrates all that it means to be a woman, from mythological underpinnings to the cycles of our day-to-day lives. Drawing on archetypes including Mary Magdalene, the Dark Goddess, and Green Tara, Stover will guide you on a journey home to psychological wholeness, personal empowerment, and, ultimately, full feminine spiritual Awakening. Brimming with mystery and magic, this provocative book makes ancient wisdom and healing practices accessible to every woman who is ready to revel in her full femininity — the dark and the light — through joyfully becoming the heroine of her own life.

    It argues that womanist biblical interpretation is not simply a byproduct of feminist biblical interpretation but part of a distinctive tradition of African American women's engagement with biblical texts. While womanist biblical interpretation is relatively new in the development of academic biblical studies, African American women are not newcomers to biblical interpretation.Written in an accessible style, this volume highlights the importance of both the Bible and race in the development of feminism and the emergence of womanism. It provides a history of feminist biblical interpretation and discusses the current state of womanist biblical interpretation as well as critical issues related to its development and future. Although some African American women identify themselves as "womanists," the term, its usage, its features, and its connection to feminism remain widely misunderstood. This excellent textbook is perfect for helping to introduce readers to the development and applications of womanist biblical interpretation.

    By six years old she was in hiding from the German soldiers who were rounding up and transporting her fellow Jews to concentration camps around Europe. Years of terror follow, with narrow escapes from capture and bombing raids plus betrayals by those she thought were her friends until, at last, she and her mother are rescued from the basement flat in which they are hiding. Singing helps her survive those dark days. But the Holocaust is only part of Dorit’s amazing story. After the war, stateless and without papers, she joins a touring dance troupe in order to be permitted to travel. She studies by day and sings and dances in seedy clubs by night until a talent scout spots her… and then her story really begins. Tense, moving and inspirational, Dorit’s remarkable story moves the reader through fear and horror, to freedom and joy and shows how the bravery and fortitude of one little Jewish girl helped her survive the Holocaust and become a star.

    American Indian Women weaves together history, anthropology, folklore, and rich visuals to provide a fascinating introduction to a widely overlooked group.This attractive volume is divided into three parts. The first explores American Indian cultures before the arrival of European colonists, delving into tribal mythologies, the role of the Clan Mother in society and religion, family customs, and the complex and varied artistic endeavors of American Indian women. The second part examines encounters between American Indian peoples and the Spanish, British, and French colonists, discussing intermarriage, acculturation, and the lives of prominent female figures—including Pocahontas and Sacagawea. Attention is also devoted to the later portrayal of American Indian women in Hollywood and the fetishization of their cultures. The final section celebrates the American Indian Renaissance, exemplified by a new generation of female sachems, or chiefs—warriors, negotiators, educators, and advocates for the civil rights of native peoples.Abundantly illustrated with archival photographs, period illustrations, film stills, and tribal objects, American Indian Women is a meaningful contribution to American history and a tribute to some of its unsung heroines.

    God didn't give specific colors to specific genders. It's one big color wheel, and gender isn't in the equation. How does our embracing our authentic color - unapologetically who we are - controlled by the Spirit, impact our view of women in conservative faith communities? Lime Green helps answer that questions. This a story about Jackie Roese, a clueless farm girl who stumbled into vocational Christian work. Jackie bumped into walls, crossed invisible lines, and ultimately reshaped her view of women-and her church's view, too. This book doesn't make the case for women to preach or lead in the church. Rather, it shares this is one woman's story of stumbling and bumping to reveal a way, a path with all its rocks, hills, and smooth road, to help others find their footing in reshaping the way we view women in the Church. Every follower of Christ is given gifts by the Holy Spirit for the building up of the church. And the same gifts are given to both men and women. Jackie Roese is a gifted leader and teacher who has an important story to tell about finding her gifts and using them for the building up of the body of Christ. In this book Jackie tells her story with characteristic courage and candor. It's an important story that will challenge and inspire anyone who reads it.