The false dichotomies that Lorde debunks persist in our cultural imagination: the separation of the erotuc from the spiritual and political. Now, Kore Press brings this essay into stand-alone focus, reprinting it in a fine, handbound pamphlet illustrated with photographs by Tucson photographer Camille Bonzani. Designed by book artist Nancy Solomon, the essay is offset and letterpress printed in an edition of 1000.

    . . . No one is writing better or more needed verse than this."--Boston Evening Globe

    Her rhythms and accents have the timelessness of a poetry which extends beyond white Western politics, beyond the anger and wisdom of Black America, beyond the North American earth, to Abomey and the Dahomeyan Amazons. These are poems nourished in an oral tradition, which also blaze and pulse on the page, beneath the reader's eye."

    The four hour-plus play begins with a soliloquy in which he explains his cynical disillusionment with love.Each act focuses on a different phase in Arnold's life. In the first, Arnold meets Ed, who is uncomfortable with his bisexuality. In the second, one year later, Arnold meets Alan, and the two settle down into a blissful existence that includes plans to adopt a child, until tragedy strikes. In the third, several years later, Arnold is a single father raising gay teenager David. Arnold is forced to deal with his mother's intolerance and disrespect when she visits from Florida.

    Introduction by Adrienne Rich

    Then of course, there’re Louise and Julia, the boldly eccentric Hunsenmeir sisters. Wheezie and Juts spend their whole lives in Runnymede, cheerfully quibbling about everything from men to child-rearing to how to drive a car. But they never let small-town life keep them from chasing their biggest dreams—or from being true to who they really are. Sparkling with a perfect combination of sisterhood and sass, Six of One is a richly textured Southern canvas—Rita Mae Brown “at her winning, fondest best”(Kirkus Reviews).

    She earned an international reputation as a powerful voice against enforced silences of all kind, against the violence of war, poverty, and racism. Her eloquent poetry of witness-of the Scottsboro Nine, the Spanish Civil War, the poisoning of the Gauley Bridge laborers-split the darkness covering a shameful world.In addition to the complete texts of her twelve previously published books, this volume also features new poems discovered by the editors; Rukeyser's translations, including the first English translations of Octavio Paz's work; early work by Rukeyser not previously published in book form; and the controversial book-length poem Wake Island. An introduction by the editors traces Rukeyser's life and literary reputation and complements discerning annotations and textual notes to the poems.

    To honor her work and call attention to the significance of her contributions, Firebrand Books is publishing a new, expanded edition of her classic, Movement In Black.With an incisive introduction by Cheryl Clarke, celebrations/ remembrances/tributes from ten outstanding African American women writers, and a dozen previously unpublished pieces, Movement In Black is a must read/ must have on your book shelf.Whether she was presenting her poetry on street corners, performing with other women -- writers, musicians, activists -- in bars and auditoriums, rallying the crowd at political events, preaching to the converted, or converting the ill-informed, Pat Parker was a presence.She wrote about gut issues: the lives of ordinary Black people, violence, loving women, the legacy of her African American heritage, being queer. She was a woman who engaged life fully, both personally and as a political activist, linking the struggles for racial, gender, sexual, and class equality long before it was "PC" to do so. She died as she lived -- fighting forces larger than herself.The publication of Movement In Black is an opportunity, both for those who were around the first time and those who are new to her work, to experience and enjoy Pat Parker's power.

    A naïve young secretary, fresh out of Cleveland, tumbles headlong into a brave new world of laundromat Lotharios, pot-growing landladies, cut throat debutantes, and Jockey Shorts dance contests. The saga that ensues is manic, romantic, tawdry, touching, and outrageous—unmistakably the handiwork of Armistead Maupin.

    It compares this history with present-day LGBT culture with an intent to show how the current persecution and marginalization of queer people is an extension of a history of religious intolerance.

    The reader recaptures the excitement of a young poet who struck readers first by the austere saga-like strangeness of his poetry, and then by his intoxication with disruptive, uninhibited ideas. The English Auden is the resurrection of the body of the poetry as it existed in England between 1927 and 1939.'-Stephen Spender, Sunday Telegraph

    Disch—"Angouleme" was first published in 1978 to the intense interest of science fiction readers and the growing community of SF scholars. Recalling Nabokov's commentary on Pushkin's Eugene Onegin, Roland Barthes' commentary on Balzac's Sarazine, and Grabinier's reading of The Heart of Hamlet, this book-length essay helped prove the genre worthy of serious investigation. The American Shore is the third in a series of influential critical works by Samuel R. Delany, beginning with The Jewel-Hinged Jaw and Starboard Wine, first published in the late seventies and reissued over the last five years by Wesleyan University Press, which helped win Delany a Pilgrim Award for Science Fiction Scholarship from the Science Fiction Research Association of America. This edition includes the author's corrected text as well as a new introduction by Delany scholar Matthew Cheney.

    He includes an important discussion of the words and actions of Christ in their biblical and historical context, to determine what conclusions can validly be inferred about Jesus and sexuality.This book contains suggestions for further reading and a complete list of biblical references to homosexuality. Teachers, students, and anyone open to reconsidering homosexuality in the light of the Scriptures will profit from this clearly written work.

    Founder and Publisher Emerita Joani Blank, then working as a sex educator and counselor, started writing her own books about sexuality at her clients' and other therapists' behest.The press currently has a list of eighteen sexual self-awareness titles, including innovative and practical non-fiction with non-judgmental techniques for strengthening sexual communication. Down There Press also publishes lively literary and photographic erotica.

    A woman warrior, a sleeping beauty, a baby satyr, and a mermaid encourage a young girl into accepting free womanhood.

    But this is not, Henaff maintains, the only way to see Sade. In this long-awaited translation of a book regarded by many as the best on the subject. Henaff says that Sade should be discussed less for the sensual heat of his writing and more for the larger poetic and economic model his work represents.With unabashed candor, Sade describes bodies in terms not of flesh but of production, use, exchange, and waste. In his writing, this libertine self is unleashed from its constraints, no longer bound by old conceptions of desire and traditions of courtship. Henaff's argument that Sade is a sign of his times -- exposing the courtly facade of a society unable to preserve itself -- reveals dark, disquieting secrets about the direction of civilization. The libertine body, he says, is a child of this new order.

    This edition is expanded to include essays which explore "neo-noir", postmodernism and other trends.

    Softcover, 5 1/2" X 8"