This joyous, inspiring and entertaining Chicken Soup collection relates the unique bonds between animals and the people whose lives they've changed. Such as the dolphins who helped a paralyzed woman heal when doctors offered little hope; the dog who brought life into a failing marriage; the kitten who helped a mother mourn; and the flying squirrel who taught a man the power of laughter. Packed with celebrity pet-lore, Chicken Soup for the Soul relates the unconditional love, loyalty, courage and companionship that only animals possess. Just like our furry, feathered and four-legged friends, this enchanting book will bring a smile to any pet lover's face ... and it's housebroken

    Includes:"Michael's Little Sister" / C. S. Adler"Dancing Backwards" / Marion Dane Bauer"Winnie and Tommy" / Francesca Lia Block"Am I Blue" / Bruce Coville"Parents Night" / Nancy Garden"Three Mondays in July" / James Cross Giblin"Running" / Ellen Howard"We Might as Well Be Strangers" / M. E. Kerr"Hands" / Jonathan London"Holding" / Lois Lowry"The Honorary Shepherds" / Gregory Maguire"Supper" / Lesléa Newman"50% Chance of Lightning" / Cristina Salat"In the Tunnels" / William Sleator"Slipping Away" / Jacqueline Woodson"Blood Sister" / Jane Yolen

    Richie Hofmann disciplines his natural elegance into the sterner recognitions that matter: 'I am a little white omnivore,' the speaker of Second Empire discovers. Mastering directness and indirection, Hofmann's poems break through their own beauty."—Rosanna WarrenThis debut's spare, delicate poems explore ways we experience the afterlife of beauty while ornately examining lust, loss, and identity. Drawing upon traditions of amorous sonnets, these love-elegies desire an artistic and sexual connection to others—other times, other places—in order to understand aesthetic pleasures the speaker craves. Distant and formal, the poems feel both ancient and contemporary.Antique BookThe sky was crazed with swallows.We walked in the frozen grassof your new city, I was gauzed with sleep.Trees shook down their gaudy nests.The ceramic pots were caparisoned with snow.I was jealous of the river,how the light broke it, of the skeinof windows where we saw ourselves.Where we walked, the ice crackedlike an antique book, openingand closing. The leavesbeneath it were the marbled pages.Richie Hofmann is the winner of a Ruth Lilly Fellowship from the Poetry Foundation, and his poems have appeared or are forthcoming in the New Yorker, Poetry, the Kenyon Review, and Ploughshares. A graduate of the Johns Hopkins University MFA program, he is currently a Creative Writing Fellow in Poetry at Emory University.

    . . Don't Tell Me! to test their knowledge of the week's dumbest news against some of the best and brightest-panelists including author and humorist Roy Blount Jr., author and radio anomaly Tom Bodett, syndicated advice columnist Amy Dickinson ("Ask Amy"), Atlantic Monthly journalist P.J. O'Rourke, Washington Post columnist Roxanne Roberts, and other know-it-alls.

    Yet most of us utter that sound every day. And have used it all our lives...Uh-oh is way up near the top of a list of small syllables with large meanings...Uh-oh...is a frame of mind. A philosophy. It says to expect the unexpected., and also expect to be able to deal with it as it happens most of the time. Uh-oh people seem not only to expect surprise, but they count on it, as if surprise were a dimension of vitality."These words from the opening of Uh-oh describe a special vitality that, in fact, infuses the writings of Robert Fulghum with the incomparable joie de vivre and sense of wonder that have made his books, All I Really Need to Know I Learned in Kindergarten and It Was on Fire When I Lay Down on It, modern classic, translated into twenty-five languages.In this third volume, Fulghum explores a variety of subjects from both sides of the refrigerator door—from meatloaf to the Salvation Army Band, from fireflies to funerals, from hiccups to a watch without hands. One again, Fulghum celebrates everyday life in all its richness, subtly weaving a theme of balance throughout, balance between the mundane and the holy, between humor and grief, and between what is and what might be.

    Hayes was then an undergrad at a small South Carolina college. He has since published four highly honored books of poetry, is a professor of poetry at the University of Pittsburgh, has appeared multiple times in the series, and is one of today’s most decorated poets. His brazen, restless poems capture the diversity of American culture with singular artistry, grappling with facile assumptions about identity and the complex repercussions of race history in this country. Always eagerly anticipated, the 2014 volume of The Best American Poetry begins with David Lehman’s “state-of-the-art” foreword followed by an inspired introduction from Terrance Hayes on his picks for the best American poems of the past year. Following the poems is the apparatus for which the series has won acclaim: notes from the poets about the writing of their poems.

    Writing in a lyrical mixture of Spanish and English that is her unique heritage, she meditates on the condition of Chicanos in Anglo culture, women in Hispanic culture, and lesbians in the straight world. Her essays and poems range over broad territory, moving from the plight of undocumented migrant workers to memories of her grandmother, from Aztec religion to the agony of writing. Anzaldua is a rebellious and willful talent who recognizes that life on the border, "life in the shadows," is vital territory for both literature and civilization. Venting her anger on all oppressors of people who are culturally or sexually different, the author has produced a powerful document that belongs in all collections with emphasis on Hispanic American or feminist issues.

    The anthology offers more poetry by women (40 new poets), with special attention to early women poets. The book also includes a greater diversity of American poetry, with double the number of poems by African American, Hispanic, native American and Asian American poets. There are 26 new poets representing the Commonwealth literature tradition: now included are more than 37 poets from Australia, New Zealand, Ireland, Scotland, Wales, the Caribbean, South Africa and India.

    Available for the first time in paperback, The Collected Poems of Frank O'Hara reflects the poet's growth as an artist from the earliest dazzling experimental verses that he began writing in the late 1940s to the years before his accidental death at forty, when his poems became increasingly individual and reflective.

    Within its covers are unforgettable episodes from the remarkable series of memoirs that began with All Creatures Great and Small-"the ones my family and I have laughed at over the years and the ones my readers have said they most enjoyed," as Herriot, himself, put it. Yet the book is far more than a simple anthology: Its gorgeous pages also include hundreds of line drawings and color photographs, capturing Herriot's Yorkshire in a worthy complement to the writer's words.The 1991 publication of Every Living Thing, rendered the original edition of this book incomplete. This fall will mark the publication of the complete, definitive edition with the addition of five of his best, more recent stories, as well as new art. Once again The Best of James Herriot becomes the quintessential Herriot volume-one of those invaluable books that will be loved as much in decades to come as it is today.

    Gathers poems on a variety of subjects including love, marriage, parenthood, modern life, animals, aging, travel, work, and food.

    Native American Studies. "One of the major lyric voices of our time" (NY Times Book Review), winner of the National Book Award, Alexie publishes his first new collection of poetry and short prose in six years.

    Each of Levin's poems is an astonishing investigation of human darkness, propelled by a sensuous syntax and a desire for healing."This is the language of a prophet: Levin's art, in this book certainly, takes place in a kind of mutating day of judgment: it means to wipe a film from our eyes. It is a dare, a challenge, and, for all its considerable beauty, the opposite of the seductive...Sensuous, compassionate, violent, extravagant: what an amazing debut this is, a book of terrors and marvels."-Louise Gluck, from the IntroductionDana Levin was raised in Lancaster, California, in the Mojave Desert. She has received fellowships, grants, and awards from the National Endowment for the Arts, the Academy of American Poets, the Vermont Arts Council, and New York University, where she received her M.F.A. She lives in New Mexico and teaches Creative Writing at the College of Santa Fe.

    More witty and stylish poetic therapy for the Venus and Mars generation.

    Since he has always written his own material, books are a natural medium for Steve's comic genius. And his extravagant wit shines brightly indeed in this rollicking collection of short fabulous pieces.