I didn't. They were there already. They only wanted exploiting. They were all bad boys when I found them. I just brought out the worst in them.' Andrew Loog Oldham was nineteen years old when he discovered and became the manager and producer of an unknown band called The Rolling Stones. His radical vision transformed them from a starving south London blues combo to the Greatest Rock 'n' Roll Band That Ever Drew Breath, while the revolutionary strategies he used to get them there provoked both adulation and revulsion throughout British society and beyond. An ultra-hip mod, flash, brash and schooled in style by Mary Quant, he was a hustler of genius, addicted to scandal, notoriety and innovation.

    The complete account of the Sex Pistols saga.

    17 selections from the critically acclaimed musical about Alexander Hamilton which debuted on Broadway in August 2015 to unprecedented advanced box office sales. Our collection features 17 selections in piano/vocal format from the music penned by Lin-Manuel Miranda, including: Alexander Hamilton * Burn * Dear Theodosia * Hurricane * It's Quiet Uptown * My Shot * One Last Time * Satisfied * That Would Be Enough * Washington on Your Side * You'll Be Back * and more. Also includes a biography of Miranda.

    Whether youre looking for advice to round out your music collection or just inspiration for a heated argument, Rolling Stone's 500 Greatest Albums of All Time is the essential guide to the best music of modern times from the world's greatest music magazine.The albums included in this comprehensive book were chosen by 273 of the world's pre-eminent musicians and critics ranging from Fats Domino to Moby. From the Beatles Sgt. Peppers to Nirvana's Nevermind, Ray Charles The Birth of Soul to the White Stripes Elephant, this book is packed with classics. Behind-the-scenes stories of the making of these albums are included, as well as rare photos of legendary recording studios including Abbey Road and Muscle Shoals. Topping the list of 500 are Sgt. Pepper's Lonely Hearts Club Band (the Beatles, 1967), Pet Sounds (the Beach Boys, 1966), Revolver (the Beatles, 1966), Highway Revisited (Bob Dylan, 1965), Rubber Soul (the Beatles, 1965), What's Going On (Marvin Gaye, 1971), Exile on Main Street (the Rolling Stones, 1972), London Calling (the Clash, 1980), Blonde on Blonde (Bob Dylan, 1966 ), and The White Album (the Beatles, 1968 ).

    Taken both by Connolly and an assortment of punk enthusiasts, BANNED IN DC is a set of vibrant shots that portray the anarchic spirit, pure energy, and camaraderie of the DC scene in a series of 450 black and white photographs. Major figures in the hardcore movement, like Dischord Records co-owner and then-Minor Threat member Ian MacKaye and Bad Brains vocalist HR, share space with naked musicians, ubiquitous scenesters, shaven-headed audience members, and riotous punks, in a freewheeling combination of pictures and quotes. Vividly capturing the scene's idealistic intensity, BANNED IN DC is an invaluable document of Washington hardcore's exuberance and aspirations.

    A shrewd, funny, and completely unique collection of musings on pop music, why it’s good, what makes us listen and love it so much, and the ways in which it attaches itself to our lives—all with the beat of a perfectly mastered mix tape.

    trace the Black Hand's coalescence into an organisation whose insidious influence reached across the Atlantic and into a presidential administration. And they go behind the headlines to reveal with chilling clarity the true extent of the Mafia's influence today.

    Her intelligence, ambition and appetite for confrontation have made her a target in a music industry still dominated by men. As Kurt Cobain's wife she was derided as an opportunistic groupie; as his widow she is pitied, and scorned, as the madwoman in rock's attic. Yet Hole's second album, Live Through This, awoke a feminist consciousness in a generation of young listeners.Live Through This arrived in 1994, at a tumultuous point in the history of American music. Three years earlier Nirvana's Nevermind had broken open the punk underground, and the first issue of a zine called Riot Grrrl had been published. Hole were of this context and yet outside of it: too famous for the strict punk ethics of riotgrrrl, too explicitly feminist to be the world's biggest rock band.Live Through This is an album about girlhood and motherhood; desire and disgust; self-destruction and survival. There have been few rock albums before or since so intimately concerned with female experience. It is an album that changed lives – so why is Courtney Love's achievement as a songwriter and musician still not taken seriously, two decades on?

    The collection is based on works acquired directly from the artist by his brother. Among the treasures reproduced here are Potato Eaters, The Bedroom Self Portrait as an Artist, Wheatfield with Crows, and Harvest.

    Scores include all instrumental parts (even drums!), guitar, and bass in both notation and guitar tab, plus chords, and complete lyrics. 212 songs. 1,136 pages, hardcover in deluxe slip case.

    Born in Texas and raised in Arizona, Buck eventually found his way to Bakersfield, California. Unlike the vast majority of country singers, songwriters, and musicians who made their fortunes working and living in Nashville, the often rebellious and always independent Owens chose to create his own brand of country music some 2 000 miles away from Music City - racking up a remarkable twenty-one number one hits along the way. In the process he helped give birth to a new country sound and did more than any other individual to establish Bakersfield as a country music center. In the latter half of the 1990s, Buck began working on his autobiography. Over the next few years, he talked into the microphone of a cassette tape machine for nearly one hundred hours, recording the story of his life. With his near-photographic memory, Buck recalled everything from his early days wearing hand-me-down clothes in Texas to his glory years as the biggest country star of the 1960s; from his legendary Carnegie Hall concert to his multiple failed marriages; from his hilarious exploits on the road to the tragic loss of his musical partner and best friend, Don Rich; from his days as the host of a local TV show in Tacoma, Washington, to his co-hosting the network television show Hee Haw; and from his comeback hit, "Streets of Bakersfield " to his induction into the Country Music Hall of Fame. In these pages, Buck also shows his astute business acumen, having been among the first country artists to create his own music publishing company. He also tells of negotiating the return of all of his Capitol master recordings, his acquisition of numerous radio stations, and of his conceiving and building the Crystal Palace, one of the most venerated musical venues in the country. Buck 'Em! is the fascinating story of the life of country superstar Buck Owens - from the back roads of Texas to the streets of Bakersfield. Click here to watch a video extra on YouTube for Buck 'Em.

    & Rakim • The Fugees • KRS-One • Pete Rock & CL Smooth • Public Enemy • The Roots • Run-DMC • Wu-Tang Clan • and twenty-five more hip-hop immortalsIt’s a sad fact: hip-hop album liners have always been reduced to a list of producer and sample credits, a publicity photo or two, and some hastily composed shout-outs. That’s a damn shame, because few outside the game know about the true creative forces behind influential masterpieces like PE’s It Takes a Nation of Millions. . ., De La’s 3 Feet High and Rising, and Wu-Tang’s Enter the Wu-Tang (36 Chambers). A longtime scribe for the hip-hop nation, Brian Coleman fills this void, and delivers a thrilling, knockout oral history of the albums that define this dynamic and iconoclastic art form. The format: One chapter, one artist, one album, blow-by-blow and track-by-track, delivered straight from the original sources. Performers, producers, DJs, and b-boys–including Big Daddy Kane, Muggs and B-Real, Biz Markie, RZA, Ice-T, and Wyclef–step to the mic to talk about the influences, environment, equipment, samples, beats, beefs, and surprises that went into making each classic record. Studio craft and street smarts, sonic inspiration and skate ramps, triumph, tragedy, and take-out food–all played their part in creating these essential albums of the hip-hop canon.Insightful, raucous, and addictive, Check the Technique transports you back to hip-hop’s golden age with the greatest artists of the ’80s and ’90s. This is the book that belongs on the stacks next to your wax.“Brian Coleman’s writing is a lot like the albums he covers: direct, uproarious, and more than six-fifths genius.” –Jeff Chang, author of Can’t Stop Won’t Stop “All producers and hip-hop fans must read this book. It really shows how these albums were made and touches the music fiend in everyone.” –DJ Evil Dee of Black Moon and Da Beatminerz “A rarity in mainstream publishing: a truly essential rap history.” –Ronin Ro, author of Have Gun Will Travel

    With full participation from reclusive singer and chief songwriter Paul Westerberg, bassist Tommy Stinson, guitarist Slim Dunlap, and the family of late band co-founder Bob Stinson, author Bob Mehr is able to tell the real story of this highly influential group, capturing their chaotic, tragic journey from the basements of Minneapolis to rock legend. Drawing on years of research and access to the band's archives at Twin/Tone Records and Warner Bros. Mehr also discovers previously unrevealed details from those in the group's inner circle, including family, managers, musical friends and collaborators.

    Godfathers of alternative rock, they reinvented music in the post-punk era, creating a new sound—dark, hypnotic, and intense—that would influence U2, Morrissey, R.E.M., Radiohead, and numerous others. The story is now legendary: in 1980, on the heels of their groundbreaking debut, Unknown Pleasures, and on the eve of their first U.S. tour, the band was rent asunder by the tragic death of their enigmatic lead singer, Ian Curtis. Yet in the mere three years they were together, Joy Division produced two landmark albums and a handful of singles—including the iconic anthem "Love Will Tear Us Apart"—that continue to have a powerful resonance.Now, for the first time, their story is told by one of their own. In Unknown Pleasures, founding member and bass player Peter Hook recounts how four young men from Manchester and Salisbury, with makeshift instruments and a broken-down van, rose from the punk scene to create a haunting, atmospheric music that would define a generation. Peter talks with eye-opening candor and reflection about the suicide of Ian Curtis; the band's friendships and fallouts; the evolution of their sound and image; and the larger-than-life characters who formed a vital part of the Joy Division legend, including Factory Records founder Tony Wilson and producer Martin Hannett. Told with surprising humor and vivid detail, Unknown Pleasures is the book Joy Division fans have awaited for decades.

    Pioneers such as 1960s New Yorker columnist Ellen Willis and Jazz & Pop editor Patricia Kennealy-Morrison (better known, tellingly, for her marriage to rock icon Jim) are grouped with younger counterparts, from novelist Mary Gaitskill to cultural critic bell hooks in sections broken down loosely by topic. In "I Am the Band," female performers such as Sonic Youth bassist Kim Gordon, offer touring testimony; critic Jaan Uhelszki, meanwhile, finds herself onstage with Kiss, makeup and all, for a 1975 Creem magazine assignment. The latter instance points up one of the book's most fascinating aspects: in a rock-and-roll world where boys wear lipstick and girls increasingly get to make lots of noise, the effects of gender on both performer and listener are far from straightforward. Many of Rock She Wrote's strongest pieces? Joan Morgan's story on her love/hate relationship with Ice Cube's misogynist rap; Lori Twersky's musings on familiar images of the "female teenage audience" as screechy and sex-crazed?find their writers at the intersection of conflicting reactions to the subjects at hand. A remarkable collection, Rock She Wrote makes clear both the difference women writers have brought to music writing and the impossibility of any attempt to nail that difference down once and for all.