Professor Hans-Friedrich Mueller, of Union College in Schenectady, New York, makes this ancient world come alive in 24 lectures with captivating stories of intrigue, artifacts, illustrations, and detailed descriptions from primary sources of intriguing personalities. In the ancient Mediterranean area, religion was not separate from daily life. To the contrary, religion was daily life. The many dozen gods of this ancient world were everywhere, with spirits inhabiting every crack and crevice of life. These polytheists believed they had a strict contract with their deities: If they took care of their gods, their gods would take care of them (or at least not harm them). Consequently, they built extraordinary temples to honor their deities, brought food and wine to them, sacrificed animals for them, and held sacred meals with their gods. In fact, they followed numerous rules and regulations that circumscribed almost all aspects of life both inside and outside the home - anything and everything to keep the gods happy. Consequently, the religious practices of the ancient Mediterranean make a wonderful lens through which to develop a deeper understanding of their world.

    The story’s focus is not on drama but on a bitter truth: both armies want nothing more than to stop fighting and go home. Achilles—the electrifying hero who is Homer’s brilliant creation—quarrels with his commander, Agamemnon, but eventually returns to the field to avenge a comrade’s death. Few warriors, in life or literature, have challenged their commanding officer and the rationale of the war they fought as fiercely as did Homer’s Achilles.Homer’s Iliad addresses the central questions defining the war experience of every age. Is a warrior ever justified in challenging his commander? Must he sacrifice his life for someone else’s cause? Giving his life for his country, does a man betray his family? Can death ever be compensated by glory? How is a catastrophic war ever allowed to start—and why, if all parties wish it over, can it not be ended?As she did in The Endurance and The Bounty, Caroline Alexander has taken apart a story we think we know and put it back together in a way that reveals what Homer really meant us to glean from his masterpiece. Written with the authority of a scholar and the vigor of a bestselling narrative historian, The War That Killed Achilles is a superb and utterly timely presentation of one of the timeless stories of our civilization.

    For nearly 2,000 years, the Christian faith has remained at or near the center of Western moral debate and conceptions of human identity, just action, and ultimate meaning. It has both shaped history and responded to history, showing an extraordinary adaptability within greatly differing cultures. Its practice and influence appears inevery land and every language, and one-third of humanity now affiliates in some way with Christianity.How did this happen? How did a persecuted sect in 1st-century Palestine rise to command such a massive influence on human culture, imagination, and spirit? How did Christianity weather the first critical stages of its historical development and attain its fundamental and enduring cultural role?Discovering the answers to these questions allows you to understand one of the most significant and integral currents of history, and to correct misconceptions about Christianity’s past; gain deep insight into the origins of Western societies, and to understand the relation of faith to politics, economics, and culture; grasp how Christian institutions, theology, and liturgy originated and developed; better comprehend the cultural present, where 7 out of 10 Americans hold Christian beliefs; and deepen your appreciation of the majestic sweep of history that Christianity’s rise represents.Speaking incisively to all of this and more, The History of Christianity: From the Disciples to the Dawn of the Reformation tells the phenomenal story of Christianity’s first 1,500 years, in all its remarkable diversity and complex dimension.In the company of popular Great Courses Professor Luke Timothy Johnson of Emory University, you follow the dramatic trajectory of Christianity from its beginnings as a “cult of Jesus” to its rise as a fervent religious movement; from its emergence as an unstoppable force within the Roman Empire to its critical role as an imperial religion; from its remarkable growth, amid divisive disputes and rivalries, to the ultimate schism between Eastern Orthodoxy and Western Catholicism; and from its spread throughout the Western world to its flowering as a culture that shaped Europe for 800 years. In 36 enthralling lectures, you meet the towering figures of Christian history, such as Paul of Tarsus, Augustine, the emperor Constantine, and Pope Gregory VII, as well as many other pivotal players—kings, popes, saints, monastic figures, scholars, and mystics. And you delve deeply into the rituals, doctrinal issues, and fascinating theological controversies that defined the faith.The History of Christianity: From the Disciples to the Dawn of the Reformation brings to life a truly epic story, giving you a multilayered knowledge of Christianity’s origins, rise, and civilization-shaping presence in our world. The Forging of a Global FaithAcross the arc of the story, you reckon with the historical and theological milestones that formed Christianity, including these seminal moments: The Jesus movement: Investigate the passionate claims of the first believers to an experience of ultimate, transforming power—and the means by which the movement exploded in the decades following Jesus’s death. Critical challenges to the faith: Witness the early Christians’ implacable commitment to the new religion, creating strong institutional and ideological structures even as they answered persecution through martyrdom and “apologetic” literature. Christianity and empire: Learn how the faith, once it was instated as the official religion by Rome, expanded geographically under imperial authority; how Christian culture developed through architecture, art, and ceremony; and how the religion became fatefully enmeshed in politics in the interface of patriarchs, popes, and emperors from Rome to Constantinople. Great controversies of theology: Dig deeply into the Trinitarian and Christological controversies that divided Christians between the 4th and 7th centuries, centering on differing conceptions of the nature of Christ and fiercely contested in the famous Councils of Nicaea, Ephesus, and Chalcedon. The rupture between East and West: Grapple with the overlapping factors of cultural distance, misunderstandings, political rivalries, and doctrinal disputes that led to the final split between Orthodoxy and Catholicism in the 11th century. The flowering of European Christendom: Experience the extraordinary richness of Christian culture in the Middle Ages, including the complex institution of monasticism, the glory of medieval cathedrals, the birth of universities, and the commanding presence of the papacy.The Rich Diversity of Christian ExperienceIn charting the remarkable rise of Christianity, you uncover the specific social and cultural realities that drove the development of the faith.Early in the course, you locate the birth of the religion—and the movement’s powerful appeal—not in the life of Jesus itself, but in the first Christians’ life-altering experience of the Resurrection. You see how early Christianity was not “one thing,” grasping its startling variety of expression through figures such as the preacher Thecla, who dressed as a man and baptized herself, and in the extreme ascetic practices and ideology of the Marcionist movement.You investigate the origins and deep influence of monasticism, its specific practices and ways of life, and you see how monasticism became the dominant formal expression of medieval Catholicism.You travel the geographic expanse of the Christian world, from Persia and Egypt to Byzantium, Rome, and the British Isles, and you glimpse the lives of ordinary Christians in all eras, from the first, embattled Christian communities in Palestine to the sophisticated Catholic culture of the Middle Ages.Faith, Politics, and CivilizationIn the course’s middle section, the formerly countercultural faith becomes the pillar of the world’s greatest military and political power. Here you grapple with the tensions and challenges of this new role, as the Roman Empire “converts” and pagan sacrifice is declared high treason. You track the rivalries of patriarchal centers, as the cities of Antioch, Alexandria, and Constantinople vie for supremacy within the imperial faith. In Byzantium, you witness the increasing intermingling of faith and politics, as the bishop Ambrose of Milan demands public repentance of the brutal emperor Theodosius I, and the emperor Justinian intervenes between factions contesting the true nature of Christ. In the “Carolingian Renaissance” of 9th-century Europe, you see how the emperor Charlemagne responded to papal patronage by sponsoring ecclesiastical reforms and supporting the Latin Mass. And you observe how the papacy—aided by royalty and monk-missionaries—became the central force in bringing the Christian message to all of Europe. Extraordinary Treasures of Christian CultureThroughout the course you observe the profoundly literary quality of this faith, taking note of the diverse Christian writings in Syriac, Coptic, and Armenian, the formulation of Christian orthodoxy in the works of Tertullian and Irenaeus,the philosophical treatises of Clement and Origen, and the scholastic theology of Abelard and Thomas Aquinas.You study the long and colorful development of Christian liturgy in the traditions of ritual, architecture, and public works. You taste the splendor and sensuality of Eastern Orthodox worship, with its ornate vestments, incense, and processions. You learn how the medieval cathedral embodied allegorical symbolism in its form, with its vaulted nave (from navis, “ship”) shaped as an inverted “ship of salvation.” And you observe the role of Christian art in the long conflict in Byzantium over the veneration of religious icons.Finally, you witness the flourishing of contemplative mysticism in the dark era of the Inquisition, and you uncover the misuses of doctrine and forms of corruption that roused the first courageous reformers, boldly anticipating the Protestant Reformation of the 16th century. A Story for the Ages, Masterfully ToldIn recounting the astonishing narrative of Christianity’s unfolding, Professor Johnson draws on his own background as a passionate participant in this tradition, both as a former Benedictine monk and as a world-class scholar. In his powerful and evocative words, this grand tapestry of history comes vibrantly alive as he takes you to the defining moments of Christianity’s past.In The History of Christianity: From the Disciples to the Dawn of the Reformation, you’ll look deeply into the nature and role of faith, the ethos of our civilization, and the core conceptions of identity and ethics that underlie the Western worldview. This is history in the most vivid and meaningful sense of the word: an inquiry into the past that opens a compelling awareness of our present—of our living origins, our ultimate horizons, our deeper selves.

    George actually fought dragons, since dragons don't exist? Strange though they sound, however, these myths did not begin as fiction.This absorbing book shows that myths originally transmitted real information about real events and observations, preserving the information sometimes for millennia within nonliterate societies. Geologists' interpretations of how a volcanic cataclysm long ago created Oregon's Crater Lake, for example, is echoed point for point in the local myth of its origin. The Klamath tribe saw it happen and passed down the story--for nearly 8,000 years.We, however, have been literate so long that we've forgotten how myths encode reality. Recent studies of how our brains work, applied to a wide range of data from the Pacific Northwest to ancient Egypt to modern stories reported in newspapers, have helped the Barbers deduce the characteristic principles by which such tales both develop and degrade through time. Myth is in fact a quite reasonable way to convey important messages orally over many generations--although reasoning back to the original events is possible only under rather specific conditions.Our oldest written records date to 5,200 years ago, but we have been speaking and mythmaking for perhaps 100,000. This groundbreaking book points the way to restoring some of that lost history and teaching us about human storytelling.

    And with this fascinating collection crafted from our extensive library of courses, you can now get a single course that represents 36 of our best lectures on literary works that changed the world.In the company of an unparalleled roster of award-winning professors from a range of disciplines, you'll get fresh perspectives on books you only thought you knew - and intriguing introductions to some works you may not have known played key roles in getting us to where we are today. These include The Analects, the Liber Abaci, A Dictionary of the English Language, The Jungle, The Feminine Mystique, and more.If you've taken another course with these professors before, get a reminder of just why you enjoyed them. And if you've never heard some of them before, who knows? You may just discover your next favorite Great Courses professor. More than that, you'll rediscover just how powerful the printed word can be. You'll also learn how the mark of a truly great book isn't that it just changes the lives of individual readers-but the lives of entire civilizations.

    He addresses the devastating effects of remote fathers and mourns the disappearance of male initiation rites in our culture. Finding rich meaning in ancient stories and legends, Bly uses the Grimm fairy tale "Iron John," in which the narrator, or "Wild Man," guides a young man through eight stages of male growth, to remind us of archetypes long forgotten-images of vigorous masculinity, both protective and emotionally centered.Simultaneously poetic and down-to-earth, combining the grandeur of myth with the practical and often painful lessons of our own histories, Iron John is a rare work that will continue to guide and inspire men-and women-for years to come.

    And while many of us look to make sense of Russia through its political history, in many ways a real grasp of this awe-inspiring country comes from looking closely at its cultural achievements. The 24 lectures of Understanding Russia: A Cultural History survey hundreds of years of Russian culture, from the world of Ivan the Terrible to the dawn of the Soviet Union to the post-war tensions of Putin's Russia. Blending history with cultural studies, they are designed to bring you closer than ever before to the Russian people - not just the authoritarian rulers like Peter the Great, the Romanovs, and Stalin but the everyday men and women who sought their own meaning in the poetry of Pushkin, the comfort of early folk tales, the faith of medieval iconography, the avant-garde films of Eisenstein, and more. You'll discover surprising insights into centuries of cultural history, including peasant superstitions, such as avoiding whistling indoors, and the culture of queuing for goods and services that defined everyday life for ordinary Soviets. You'll also spend time in the company of novelists, painters, poets, filmmakers, impresarios, composers, revolutionaries, and intellectuals who shaped Russia in myriad ways, including The Five, a group of composers who created a distinctly national sound based in part on Russian folk music; and Sergei Eisenstein, the filmmaker whose Battleship Potemkin revolutionized the language of cinema. In a time when the eyes of the Western world are constantly drawn to Russia, it's amazing how little we really know about its culture. These lectures will help you finally understand that complex, thrilling, and undeniably fascinating spirit.

    MacNeill examines the surprising - and sometimes unsettling - answers to this most basic of human questions. The remarkable new field of evolutionary psychology takes a scientific approach to the evolution of human nature. Analyzing human behavior in relation to food, clothing, shelter, health care, and sex, Evolutionary Psychology proves an immensely stimulating exploration of human endeavor.

    Her name is Wild Woman, but she is an endangered species. Clarissa Pinkola Estes, Ph.D., Jungian analyst and cantadora storyteller shows how women's vitality can be restored through what she calls "psychic archeological digs" into the ruins of the female unconsious. Using multicultural myths, fairy tales, folk tales, and stories, Dr. Estes helps women reconnect with the healthy, instinctual, visionary attributes of the Wild Woman archetype.Dr. Estes has created a new lexicon for describing the female psyche. Fertile and life-giving, it is a psychology of women in the truest sense, a knowing of the soul.

    . . An eye-opener to readers into the universality and importance of myth in human history and culture."--William E. Paden, Chair, Department of Religion, University of Vermont For as long as human beings have had language, they have had myths. Mythology is our earliest form of literary expression and the foundation of all history and morality. Now, in Parallel Myths, classical scholar J. F. Bierlein gathers the key myths from all of the world's major traditions and reveals their common themes, images, and meanings.Parallel Myths introduces us to the star players in the world's great myths--not only the twelve Olympians of Greek mythology, but the stern Norse Pantheon, the mysterious gods of India, the Egyptian Ennead, and the powerful deities of Native Americans, the Chinese, and the various cultures of Africa and Oceania. Juxtaposing the most potent stories and symbols from each tradition, Bierlein explores the parallels in such key topics as creation myths, flood myths, tales of love, morality myths, underworld myths, and visions of the Apocalypse. Drawing on the work of Joseph Campbell, Mircea Eliade, Carl Jung, Karl Jaspers, Claude L�vi-Strauss, and others, Bierlein also contemplates what myths mean, how to identify and interpret the parallels in myths, and how mythology has influenced twentieth-century psychology, philosophy, anthropology, and literary studies."A first-class introduction to mythology . . . Written with great clarity and sensitivity."--John G. Selby, Associate Professor, Roanoke College

    Heracles and Achilles displayed their valor in duels with Amazon queens, and the Athenians reveled in their victory over a powerful Amazon army. In historical times, Cyrus of Persia, Alexander the Great, and the Roman general Pompey tangled with Amazons.But just who were these bold barbarian archers on horseback who gloried in fighting, hunting, and sexual freedom? Were Amazons real? In this deeply researched, wide-ranging, and lavishly illustrated book, National Book Award finalist Adrienne Mayor presents the Amazons as they have never been seen before. This is the first comprehensive account of warrior women in myth and history across the ancient world, from the Mediterranean Sea to the Great Wall of China.Mayor tells how amazing new archaeological discoveries of battle-scarred female skeletons buried with their weapons prove that women warriors were not merely figments of the Greek imagination. Combining classical myth and art, nomad traditions, and scientific archaeology, she reveals intimate, surprising details and original insights about the lives and legends of the women known as Amazons. Provocatively arguing that a timeless search for a balance between the sexes explains the allure of the Amazons, Mayor reminds us that there were as many Amazon love stories as there were war stories. The Greeks were not the only people enchanted by Amazons—Mayor shows that warlike women of nomadic cultures inspired exciting tales in ancient Egypt, Persia, India, Central Asia, and China.Driven by a detective's curiosity, Mayor unearths long-buried evidence and sifts fact from fiction to show how flesh-and-blood women of the Eurasian steppes were mythologized as Amazons, the equals of men. The result is likely to become a classic.

    In Battling the Gods, Tim Whitmarsh journeys into the ancient Mediterranean, a world almost unimaginably different from our own, to recover the stories and voices of those who first refused the divinities.Homer’s epic poems of human striving, journeying, and passion were ancient Greece’s only “sacred texts,” but no ancient Greek thought twice about questioning or mocking his stories of the gods. Priests were functionaries rather than sources of moral or cosmological wisdom. The absence of centralized religious authority made for an extraordinary variety of perspectives on sacred matters, from the devotional to the atheos, or “godless.” Whitmarsh explores this kaleidoscopic range of ideas about the gods, focusing on the colorful individuals who challenged their existence. Among these were some of the greatest ancient poets and philosophers and writers, as well as the less well known: Diagoras of Melos, perhaps the first self-professed atheist; Democritus, the first materialist; Socrates, executed for rejecting the gods of the Athenian state; Epicurus and his followers, who thought gods could not intervene in human affairs; the brilliantly mischievous satirist Lucian of Samosata.Before the revolutions of late antiquity, which saw the scriptural religions of Christianity and Islam enforced by imperial might, there were few constraints on belief. Everything changed, however, in the millennium between the appearance of the Homeric poems and Christianity’s establishment as Rome’s state religion in the fourth century AD. As successive Greco-Roman empires grew in size and complexity, and power was increasingly concentrated in central capitals, states sought to impose collective religious adherence, first to cults devoted to individual rulers, and ultimately to monotheism. In this new world, there was no room for outright disbelief: the label “atheist” was used now to demonize anyone who merely disagreed with the orthodoxy—and so it would remain for centuries.As the twenty-first century shapes up into a time of mass information, but also, paradoxically, of collective amnesia concerning the tangled histories of religions, Whitmarsh provides a bracing antidote to our assumptions about the roots of freethinking. By shining a light on atheism’s first thousand years, Battling the Gods offers a timely reminder that nonbelief has a wealth of tradition of its own, and, indeed, its own heroes. From the Hardcover edition.

    Illustrated with visual artifacts of the period. With the long-awaited publication of this book, we have for the first time in any modern literary form one of the most vital and important of ancient myths: that of Inanna, the world's first goddess of recorded history and the beloved deity of the ancient Sumerians.The stories and hymns of Inanna (known to the Semites as Ishtar) are inscribed on clay tablets which date back to 2,000 B.C. Over the past forty years, these cuneiform tablets have gradually been restored and deciphered by a small group of international scholars. In this groundbreaking book, Samuel Noah Kramer, the preeminent living expert on Sumer, and Diane Wolkstein, a gifted storyteller and folklorist, have retranslated, ordered, and combined the fragmented pieces of the Cycle of Inanna into a unified whole that presents for the first time an authentic portrait of the goddess from her adolescence to her completed womanhood and godship. We see Inanna in all her aspects: as girl, lover, wife, seeker, decision maker, ruler; we witness the Queen of Heaven and Earth as the voluptuous center and source of all fertile power and the unequaled goddess of love.Illustrated throughout with cylinder seals and other artifacts of the period, the beautifully rendered images guide the reader through Inanna's realm on a journey parallel to the one evoked by the text. And the carefully wrought commentaries providing an historical overview, textual interpretations, and aannotations on the art at once explicate and amplify the power, wonder, and mystery embedded in these ancient tales.Inanna--the world's first love story, two thousand years older than the Bible--is tender, erotic, frightening, and compassionate. It is a compelling myth that is timely in its rediscovery."A great masterpiece of universal literature."--Mircea Eliade

    That book was the last surviving manuscript of an ancient Roman philosophical epic, On the Nature of Things, by Lucretius—a beautiful poem of the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles in eternal motion, colliding and swerving in new directions.The copying and translation of this ancient book—the greatest discovery of the greatest book-hunter of his age—fueled the Renaissance, inspiring artists such as Botticelli and thinkers such as Giordano Bruno; shaped the thought of Galileo and Freud, Darwin and Einstein; and had a revolutionary influence on writers such as Montaigne and Shakespeare and even Thomas Jefferson.

    A unique body of medieval literature, the Sagas rank with the world’s great literary treasures – as epic as Homer, as deep in tragedy as Sophocles, as engagingly human as Shakespeare. Set around the turn of the last millennium, these stories depict with an astonishingly modern realism the lives and deeds of the Norse men and women who first settled in Iceland and of their descendants, who ventured farther west to Greenland and, ultimately, North America. Sailing as far from the archetypal heroic adventure as the long ships did from home, the Sagas are written with psychological intensity, peopled by characters with depth, and explore perennial human issues like love, hate, fate and freedom.