Twenty-five years in preparation, this unique, comprehensive sourcebook focuses on mythology anthropology, religion, and sexuality to uncover precisely what other encyclopedias leave out or misrepresent. The Woman's Encyclopedia presents the fascinating stories behind word origins, legends, superstitions, and customs. A browser's delight and an indispensable resource, it offers 1,350 entries on magic, witchcraft, fairies, elves, giants, goddesses, gods, and psychological anomalies such as demonic possession; the mystical meanings of sun, moon, earth, sea, time, and space; ideas of the soul, reincarnation, creation and doomsday; ancient and modern attitudes toward sex, prostitution, romance, rape, warfare, death and sin, and more.Tracing these concepts to their prepatriarchal origins, Barbara G. Walker explores a "thousand hidden pockets of history and custom in addition to the valuable material recovered by archaeologists, orientalists, and other scholars."Not only a compendium of fascinating lore and scholarship, The Woman's Encyclopedia is a revolutionary book that offers a rare opportunity for both women and men to see our cultural heritage in a fresh light, and draw upon the past for a more humane future.

    Illustrated with visual artifacts of the period. With the long-awaited publication of this book, we have for the first time in any modern literary form one of the most vital and important of ancient myths: that of Inanna, the world's first goddess of recorded history and the beloved deity of the ancient Sumerians.The stories and hymns of Inanna (known to the Semites as Ishtar) are inscribed on clay tablets which date back to 2,000 B.C. Over the past forty years, these cuneiform tablets have gradually been restored and deciphered by a small group of international scholars. In this groundbreaking book, Samuel Noah Kramer, the preeminent living expert on Sumer, and Diane Wolkstein, a gifted storyteller and folklorist, have retranslated, ordered, and combined the fragmented pieces of the Cycle of Inanna into a unified whole that presents for the first time an authentic portrait of the goddess from her adolescence to her completed womanhood and godship. We see Inanna in all her aspects: as girl, lover, wife, seeker, decision maker, ruler; we witness the Queen of Heaven and Earth as the voluptuous center and source of all fertile power and the unequaled goddess of love.Illustrated throughout with cylinder seals and other artifacts of the period, the beautifully rendered images guide the reader through Inanna's realm on a journey parallel to the one evoked by the text. And the carefully wrought commentaries providing an historical overview, textual interpretations, and aannotations on the art at once explicate and amplify the power, wonder, and mystery embedded in these ancient tales.Inanna--the world's first love story, two thousand years older than the Bible--is tender, erotic, frightening, and compassionate. It is a compelling myth that is timely in its rediscovery."A great masterpiece of universal literature."--Mircea Eliade

    An illuminated manuscript setting forth the fictional fifteenth-century diary of one Magnalucius, who records his first-hand observations of unicorns along with the facts he has learned about their natural history.

    Here, collected in one volume, are tales and legends that range from the misty dawn of Gaelic history and the triumph of St Patrick to the Ireland of the present day - tales as beautiful, mystical, and enchanting as the ancient land itself.

    The core of this great work is the epic struggle between five heroic brothers, the Pandavas, and their one hundred contentious cousins for rule of the land. This is the third volume of van Buitenen's acclaimed translation of the definitive Poona edition of the text. Book 4, The Book of Virata, begins as a burlesque, but the mood soon darkens amid molestation, raids, and Arjuna's battle with the principal heroes of the enemy. Book 5, The Book of the Effort, relates the attempts of the Pandavas to negotiate the return of their patrimony. They are refused so much as a "pinprick of land," and both parties finally march to battle.

    Anthropological theory

    Walker, physician to the Pine Ridge Sioux from 1896 to 1914, are noted for the information they have yielded about Lakota life and culture. This third volume of previously unpublished material from the Walker collection presents his work with Lakota myth and legend. Three categories of literature are represented: tales that are classic examples of Lakota oral literature, narratives that were known only to a few Oglala holy men, and Walker's literary cycle representing his attempts to systematize all he had learned about Lakota myth.In her extensive introduction, Elaine A. Jahner addresses the textual problems and critical questions posed by the material and assesses its place in Indian and in world literature. Of prime importance to students of comparative literature, religion, and mythology, Lakota Myth takes its place alongside Lakota Belief and Ritual (1980) and Lakota Society (1982), both available as Bison Books, as an indispensable source for Lakota traditions.

    Its text volume approaches the subject in close detail and in a rapidly moving and entertaining form of exposition. The second volume contains the photographs. This is a reprint of the 2000 edition.

    

    The essence of inner and outer nobility, she is the envy of her cruel stepmother and her ugly sisters. Using this familiar story, Ann and Barry Ulanov explore the psychological and theological aspects of envy and goodness. In their interpretation of the tale, they move back and forth between internal and external issues - from how feminine and masculine parts of persons fit or do not together to how individuals conduct their lives with those of the same and opposite sexes, how they conflict, compete, or join harmoniously.

    This is the classic that ushered in so many imitators, imitators who did not get "it." "It" is slack, the desiderata that cannot be desired and is only attainable through "Bob," the evil god/male model who founded the Church of the SubGenius without bothering to "exist." If you read this holy book properly, you will learn to "pull the wool over your own eyes." While this volume may seem hilarious, it's also an incredibly adept deconstruction of religion in general and the human impulse to believe in and follow anyone who promises to give their lives meaning and structure. Plus, it's the only place to find the information you need to survive when the bad alien gods come out of the sky to kill, enslave, and entertain us. If you don't already have a copy, then hand in your hipness ID card and hang your head in shame.

    Classroom-tested for teaching both native and non-native speakers, the text also offers linguists an overview of the Papago language not available elsewhere.

    In "The Poetics of Myth, " he explores the mythological inheritance of specific images, myth as a form of oral literature, and the formulas and structure of myth as the basis for literature. Translated from the Russian, this version of his classic work has been edited to reinstate omissions due to political censorship.

    

    

    Clay demonstrates that an appreciation of the thematic role of Athena's anger elucidates the poem's complex narrative organization and its conception of the hierarchical relations between gods and men. This edition includes a new introduction by the author.

    Lewis. The play was performed only once, in 1948, and remained buried in Barfield's papers until John Ulreich, Jr., of the University of Arizona was tantalized by Barfield's allusions to it and disinterred it. He saw it through to publication in 1983 and wrote the introduction, in which he rightly praises Orpheus as "the evolution of consciousness made flesh, the thing itself in human form, the myth made fact as imaginative experience."

    It was written during the Ming Dynasty based on traditional folktales. Consisting of 100 chapters, this fantasy relates the adventures of a Tang Dynasty (618-907) priest Sanzang and his three disciples, Monkey, Pig and Friar Sand, as they travel west in search of Buddhist Sutra. The first seven chapters recount the birth of the Monkey King and his rebellion against Heaven. Then in chapters eight to twelve, we learn how Sanzang was born and why he is searching for the scriptures, as well as his preparations for the journey. The rest of the story describes how they vanquish demons and monsters, tramp over the Fiery Mountain, cross the Milky Way, and after overcoming many dangers, finally arrive at their destination - the Thunder Monastery in the Western Heaven - and find the Sutra. Attached are a number of illustrations drawn during the Qing Dynasty (1644-1911).

    An illustrated retelling of more than 100 stories from the Old and New Testaments.

    The beginning of Rome but also about the beginning of society, knowledge and culture. Rome is an examination of the very foundations upon which contemporary society has been built.With characteristic breadth and lyricism, Serres leads the reader on a journey from a meditation the roots of scientific knowledge to set theory and aesthetics. He explores the themes of violence, murder, sacrifice and hospitality in order to urge us to avoid the repetitive violence of founding. Rome also provides an alternative and creative reading of Livy's Ab urbe condita which sheds light on the problems of history, repetition and imitation.First published in English in 1991, re-translated and introduced in this new edition, Michel Serres' Rome is a contemporary classic which shows us how we came to live the way we do.

    First published in 1983, Nahuat Myth and Social Structure brings together an important collection of modern-day Aztec Indian folktales and vividly demonstrates how these tales have been shaped by the social structure of the communities in which they are told.

    . . a deliberate stylist with profound convictions and convincing arguments. . . . [The Raw and the Cooked] adds yet another chapter to the tireless quest for a scientifically accurate, esthetically viable, and philosophically relevant cultural anthropology. . . . [It is] indispensable reading."—Natural History

    He argues that before Homer the Greeks distinguished between two types of soul, both identified with the individual: the free soul, which possessed no psychological attributes and was active only outside the body, as in dreams, swoons, and the afterlife; and the body soul, which endowed a person with life and consciousness. Gradually this concept of two kinds of souls was replaced by the idea of a single soul. In exploring Greek ideas of human souls as well as those of plants and animals, Bremmer illuminates an important stage in the genesis of the Greek mind.

    From Barry Hill, north of Dundee, to the Foret de Paimpont in Brittany, the visitor is taken to nearly 200 places associated with this great hero and king, for Arthur is remembered throughout Britain and Brittany in mountains, castles, cairns, tombs and even "round tables". With precise directions and map references, the book tells the reader how to discover Arthur's evocative world. But the pleasure is as great for the armchair traveller as for the motorist. More than 250 photographs offer a magnificent record of landscapes and monuments little changed since the Dark Ages, a kingdom that Arthur himself would still recognize.

    English translations of North and South American Indian spells, prayers, and songs traditionally used in rituals associated with birth, puberty, love, travel, sickness, weather, farming, hunting, and death.