Caustic, slyly observant, transgressive, verbally scintillating, Barthelme's essays, stories, and novels redefined a generation of American letters and remain unparalleled for the way they capture our national pastimes and obsessions, but most of all for the way they caputure the strangeness of life. Not-Knowing amounts to the posthumous manifesto of one of our premier literary modernists. Here are Barthelme's thoughts on writing (his own and others); his observations on art, architecture, film, and city life; interviews, including two never previously published; and meditations on everything from Superman III to the art of rendering "Melancholy Baby" on jazz banjolele. This is a rich and eclectic selection of work by the man Robert Coover has called "one of the great citizens of contemporary world letters."

    In his book, Gioia more fully addressed the question: Is there a place for poetry to be part of modern American mainstream culture? Ten years later, the debate is as lively and heated as ever. Graywolf is pleased to re-issue this highly acclaimed collection in a handsome new edition, which includes a new Introduction by distinguished critic and poet, Dana Gioia.

    With characteristic vigor and iconoclasm, Pound illustrates his precepts with exhibits meticulously chosen from the classics, and the concluding “Treatise on Meter” provides an illuminating essay for anyone aspiring to read and write poetry. The ABC of Reading emphasizes Pound's ability to discover neglected and unknown genius, distinguish originals from imitations, and open new avenues in literature for our time.

    A gallery of unforgettable portraits--of Virginia Woolf and Zelda Fitzgerald, Dorothy Wordsworth and Jane Carlyle--as well as a provocative reading of such works as Wuthering Heights, Hedda Gabler, and the poems of Sylvia Plath, Seduction and Betrayal is a virtuoso performance, a major writer's reckoning with the relations between men and women, women and writing, writing and life.

    Less well known is Gaddis's body of excellent critical writings. Here is a wide range of his original essays, some published for the first time. From "Stop Player. Joke No. 4", Gaddis's first national publication and the basis for his projected history of the player piano, to the title essay about missed opportunities in America during the past fifty years, to "Old Foes with New Faces", an examination of the relationship between the writer and the problem of religion-this diverse collection displays the power of an autonomous literary intelligence in an age increasingly dominated by political and religious conservatism.

    An essential collection from one of the finest thinkers and stylists in contemporary letters.The celebrated author of The New York Trilogy, The Book of Illusions, and Oracle Night presents here a highly personal collection of essays, prefaces, true stories, autobiographical writings, and collaborations with artists, as well as occasional pieces written for magazines and newspapers, including The Invention of Solitude his "breathtaking memoir." (Financial Times Magazine London)Ranging in subject from Sir Walter Raleigh to Kafka, Nathaniel Hawthorne to the high-wire artist Philippe Petit, conceptual artist Sophie Calle to Auster's own typewriter, the World Trade Center catastrophe to his beloved New York City itself, Collected Prose records the passions and insights of a writer who "will be remembered as one of the great writers of our time" (San Francisco Chronicle).

    From Homer to Hawthorne, Plato to Pascal, and Shakespeare to Solzhenitsyn, the great writers of Western civilization can be found in its pages. In addition, this new edition offers a much broader representation of women authors, such as Charlotte Brontë, Emily Dickinson and Edith Wharton, as well as non-Western writers such as Confucius, Sun-Tzu, Chinua Achebe, Mishima Yukio and many others. This fourth edition also features a simpler format that arranges the works chronologically in five sections (The Ancient World; 300-1600; 1600-1800; and The 20th Century), making them easier to look up than ever before. It deserves a place in the libraries of all lovers of literature.

    Combining memoir with artistic and philosophical musings, the poet and National Book Critics Circle Award winner (for My Alexandria) begins by confessing his obsession with the 17th-century Dutch still life that serves as the title of this book. As he analyzes the items depicted in the painting, he skillfully introduces his thoughts on our intimate relationships to objects and subsequently explains how they are often inextricably bound to the people and places of an individual lifetime. Further defined by imperfections attained from use, each object from an aging oak table to a chipped blue and white china platter forms a springboard for reflection. Doty intersperses personal reminiscences throughout, but he always returns to the subject of still-life painting and its silent eloquence. Doty's observations on balance, grief, beauty, space, love, and time are imparted with wisdom and poetic grace.Books like this, that address the sources of creation and the sources of our humanness, come along once in a decade. -Susan Salter Reynolds, Los Angeles Times"This small book is as wise, sensitive, intense, and affecting as anything I have read in recent years." -Doris Grumbach, author of Fifty Days of Solitude"A gem." -Library Journal"Mark Doty's prose is insistently exploratory, yet every aside, every detour, turns into pertinence, and it all seems effortless, as though the author were wondering, and marveling, aloud." -Bernard Cooper, author of Truth Serum"A dazzling accomplishment, its radiance bred of lucid attention and acute insight. The subject is the profoundly personal act of perception translated into description. Doty succeeds in rendering this most contemplative of arts-the still life-into a riveting drama." -Patricia Hampl, author of I Could Tell You Stories

    Gorra, an eminent literary critic, shows how this novel the scandalous story of the expatriate American heiress Isabel Archer came to be written in the first place. Traveling to Florence, Rome, Paris, and England, Gorra sheds new light on James 's family, the European literary circles George Eliot, Flaubert, Turgenev in which James made his name, and the psychological forces that enabled him to create this most memorable of female protagonists. Appealing to readers of Menand 's The Metaphysical Club and McCullough 's The Greater Journey, Portrait of a Novel provides a brilliant account of the greatest American novel of expatriate life ever written. It becomes a piercing detective story on its own.

    Offers powerful insight into the portrayal of romantic love by Jean Rhys, Clover Adams, Christina Stead, Willa Cather, Grace Paley, Raymond Carver, Andre Dubus, and others.

    His fascination with myth is evident in pieces on Ovid's Metamorphoses and the separate odysseys that make up Homer's Odyssey. Three intertwined essays on French utopian socialist Fourier present him as a precursor of Women's Lib, a satirist and visionary thinker whose scheme for a society in which each person's desires could be satisfied deserves to be taken seriously. In other pieces, Calvino brings a fresh, unpredictable approach to why we should reread the classics, how cinema and comic strips influence writers, and the cartoon universe of Saul Steinberg. His message is that writers need to establish erotic communion with the humdrum objects of everyday reality.

    Non-fiction.

    Magic is not simply a matter of the occult arts, but a whole way of thinking, of dreaming the impossible. As such it has tremendous force in opening the mind to new realms of achievement: imagination precedes the fact. It used to be associated with wisdom, understanding the powers of nature, and with technical ingenuity that could let men do things they had never dreamed of before. The supreme fiction of this magical thinking is The Arabian Nights, with its flying carpets, hidden treasure and sudden revelations. Translated into French and English in the early days of the Enlightenment, this became a best-seller among intellectuals, when it was still thought of in the Arab world as a mere collection of folk tales. For thinkers of the West the book's strangeness opened visions of transformation: dreams of flight, speaking objects, virtual money, and the power of the word to bring about change. Its tales create a poetic image of the impossible, a parable of secret knowledge and power. Above all they have the fascination of the strange -- the belief that true knowledge lies elsewhere, in a mysterious realm of wonder.As part of her exploration into the prophetic enchantments of the Nights, Marina Warner retells some of the most wonderful and lesser known stories. She explores the figure of the dark magician or magus, from Solomon to the wicked uncle in Aladdin; the complex vitality of the jinn, or genies; animal metamorphoses and flying carpets. Her narrative reveals that magical thinking, as conveyed by these stories, governs many aspects of experience, even now. In this respect, the east and west have been in fruitful dialogue. Writers and artists in every medium have found themselves by adopting Oriental disguise.With startling originality and impeccable research, this ground-breaking book shows how magic, in the deepest sense, helped to create the modern world, and how profoundly it is still inscribed in the way we think today.

    Throughout, Chabon energetically argues for a return to the thrilling, chilling origins of storytelling, rejecting the false walls around "serious" literature in favor of a wide-ranging affection.Cover art by Jordan Crane.

    In these highly individual, penetrating essays he has exposed 'the American whole soul' within some of that continent's major works of literature. In seeking to establish the status of writings by such authors as Poe, Melville, Fenimore Cooper and Whitman, Lawrence himself has created a classic work. Studies in Classic American Literature is valuable not only for the light it sheds on eighteenth- and nineteenth-century American consciousness, telling 'the truth of the day', but also as a prime example of Lawrence's learning, passion and integrity of judgement.