Inspired by his fascination with the wisdom of this sage, the immensely popular Taiwanese cartoonist Tsai Chih Chung created a bestselling Chinese comic book. Tsai had his cartoon characters enact the key parables of Zhuangzi (pronounced jwawngdz), and he rendered Zhuangzi's most enlightening sayings into modern Chinese. Through Tsai's enthusiasm and skill, the earliest and core parts of the Zhuangzi were thus made accessible to millions of Chinese-speaking people with no other real chance of appreciating this major Daoist text. Translated into English by Brian Bruya, the comic book is now available to a Western audience. The classical Chinese text of the selections of the Zhuangzi is reproduced in the margins throughout. Evoked by the translation and the playful cartoons is the spontaneity that Zhuangzi favors as an attitude toward life: abandon presuppositions, intellectual debates, and ambitions, he suggests, and listen to the music of nature. With the writings attributed to Laozi, the Zhuangzi contributed to an alternative philosophical ideal that matched Confucianism in its impact on Chinese culture. Over the centuries this classical Daoism influenced many aspects of Chinese life, including painting, literature, and the martial arts. It had a particularly strong effect on Chan Buddhism (Japanese Zen). For this book, Donald Munro has written an afterword that places Daoism and the Zhuangzi in historical and cultural context.

    He turns out to be a bird who discusses maths with anyone who will listen. So when Mr Ruche learns of his friend's mysterious death in the rainforests of Brazil he decides that with the parrot's help he will use these books to teach Max and his twin brother and sister the mysteries and wonders of numbers and shapes.But soon it becomes clear that Mr Ruche has inherited the library for reasons other than pure enlightenment, and before he knows it the household are caught up in a race to prevent the vital theorems falling into the wrong hands.Charming, fresh, with a narrative which races along, the novel takes the reader on a delightful journey through the history of mathematics.

    The classic Robertson/Broadus Harmony of the Gospels, newly revised for students of the New International Version.

    Only now are we coming to a fuller appreciation of the nature and role of myth in human history. In these five lectures originally prepared for Canadian radio, Claude Lévi-Strauss offers, in brief summations, the insights of a lifetime spent interpreting myths and trying to discover their significance for human understanding. The lectures begin with a discussion of the historical split between mythology and science and the evidence that mythic levels of understanding are being reintegrated in our approach to knowledge. In an extension of this theme, Professor Lévi-Strauss analyzes what we have called “primitive thinking” and discusses some universal features of human mythology. The final two lectures outline the functional relationship between mythology and history and the structural relationship between mythology and music.

    But what came before the Greeks? What if we could prove that all myths have one common origin in a celestial cosmology? What if the gods, the places they lived & what they did are but ciphers for celestial activity, a language for the perpetuation of complex astronomical data? Drawing on scientific data, historical & literary sources, the authors argue that our myths are the remains of a preliterate astronomy, an exacting science whose power & accuracy were suppressed & then forgotten by an emergent Greco-Roman world view. This fascinating book throws into doubt the self-congratulatory assumptions of Western science about the unfolding development & transmission of knowledge. This is a truly seminal & original thesis, a book that should be read by anyone interested in science, myth & the interactions between the two.

    Travelling on public buses, visiting with families, hanging out in shops and cafes, he brings out for all of us what made ordinary people erupt, what happened to them during those days and now, what their hopes, fears and dreams are, how they see us in the West, how each country is different but how they see themselves as part of a joint Arab culture, before Islamists. Johnny West's long experience in the area enables him to set all this in context, while never losing the vividness of a travel book or the characters of a novel. This is not a political treatise but a journey of discovery - of people, of places, of life under extraordinary circumstances - which this book allows us to share and makes one feels as if one had been there.

    This smart and funny book includes tales from many of these much-loved comics, and will appeal to their broad audience, while revealing the history, context and wider culture of Jewish joking.The Jewish joke is as old as Abraham, and like the Jews themselves it has wandered over the world, learned countless new languages, worked with a range of different materials, been performed in front of some pretty hostile crowds, and yet still retained its own distinctive identity. So what is it that animates the Jewish joke? Why are Jews so often thought of as ‘funny’? And how old can a joke get?The Jewish Joke is a brilliant—and laugh-out-loud funny—riff on about what marks Jewish jokes apart from other jokes, why they are important to Jewish identity and how they work. Ranging from self-deprecation to anti-Semitism, politics to sex, Devorah Baum looks at the history of Jewish joking and asks whether the Jewish joke has a future. With jokes from Lena Dunham to Woody Allen, as well as Freud and Marx (Groucho, mostly), Baum balances serious research with light-hearted humor and provides fascinating insight into this well-known and much loved cultural phenomenon.

    In “Disparity,” for example, Yu Hua illustrates the mind-boggling economic gaps that separate citizens of the country. In “Copycat,” he depicts the escalating trend of piracy and imitation as a creative new form of revolutionary action. And in “Bamboozle,” he describes the increasingly brazen practices of trickery, fraud, and chicanery that are, he suggests, becoming a way of life at every level of society. Characterized by Yu Hua’s trademark wit, insight, and courage, China in Ten Words is a refreshingly candid vision of the “Chinese miracle” and all its consequences, from the singularly invaluable perspective of a writer living in China today.

    From Wellington at Waterloo and Jackson at New Orleans to the surge of democratic power and the new forces of reform that emerged by 1830, this is a portrait of a period of great and rapid changes that saw the United States transform itself from an ex—colony into a formidable nation; Britain become the first industrial world power; Russia develop the fatal flaws that would engulf her in the 20th century and China and Japan set the stage for future development and catastrophe. Latin America became independent, and the dawn of modernity appeared in Turkey and Egypt, Southeast Asia, the Middle East and the Balkans.It was an age of new ideas, inventions and great technological advances of every kind. Throughout the world the last wildernesses from Canada to the Himalayas to the Andes were being penetrated and settled. The new and expanding cities were being beautified—Boston was lit by gas in 1822; New York and London were being paved. There were steamboats on the Mississippi as early as 1811; the first railroad was built in 1825 in England, and in 1826 the Erie Canal was completed. Charles Babbage invented the first computer, and Turner, Constable, Delacroix and Géricault were fashioning the visual grammar of modern art. Jane Austen finished Emma during Napoleon’s Hundred Days; Goethe presided over the German literary establishment, - and Hegel was creating the theory of the modern state. Beethoven was writing his Ninth Symphony and Mendelssohn his Midsummer Night’s Dream. Byron, Shelley, Keats and Victor Hugo were leading figures in the Romantic Movement. Despite the immense social strains of the Industrial Revolution and the expansion of society, constitutional government was able to survive, initiating and sustaining reforms affecting almost every part of society. And, after Waterloo, an international order was established that, for the most part, endured for a century.ln Paul Johnson's words, “The age abounded in great personalities; warriors, statesmen and tyrants; outstanding inventors and technologists; and writers, artists and musicians of the highest genius, women as well as men. I have brought them to the fore but I have also sought to paint in background, showing how ordinary men and women-—and children—lived, suffered and died, ate and drank, worked, played and traveled." This was the era of Wellington, Castlereagh, Metternich, Talleyrand and Bolivar; of Wordsworth, Coleridge, Washington and Chateaubriand; of Humphry Davy, Michael Faraday and Robert Fulton; of Madame de Staél, Mary Shelley, Lady Holland and Maria Edgeworth; of John Quincy Adams, Henry Clay, James Monroe and Andrew Jackson; of Goya, Richard Bonington and Thomas Cole.Provocative, challenging and readable, Paul Johnson’s book covers the whole spectrum of history and human affairs, bringing together the various strands into a coherent narrative and telling it through the lives and actions of its outstanding, curious and ordinary people.

    Geared toward students, teachers, readers, and writers alike, The Penguin Dictionary of Literary Terms and Literary Theory explains critical jargon (intertextuality, aporia), schools of literary theory (structuralism, feminist criticism), literary forms (sonnet, ottava rima), and genres (elegy, pastoral) and examines artifacts, historic locales, archetypes, origins of well-known phrases, and much, much more. Scholarly, straightforward, comprehensive, and even entertaining, this is a resource that no word-lover should be without.

    V. Belov and V. A. Tunimanov. They have carried Grossman’s work further by rearranging the manuscript into twelve broad chapters in chronological sequence, corresponding to the most important periods in the life of Fyodor Dostoevsky’s family. This necessitated some transposition of material to where it chronologically belonged, as well as the elimination of certain redundant episodes left in the Grossman edition. Belov and Tunimanov also added, as a first chapter, Anna Grigoryevna’s description of her childhood and youth and the milieu in which her extraordinary character was formed. In the book’s last chapter, “After Dostoevsky’s Death,” they retained Anna Grigoryevna’s “Answer to Strakhov” and added to it her description of her only meeting with Leo Tolstoy, not included in the Grossman edition. To this chapter the translator of the present edition has also restored the brief section “Memoirists,” omitted from the second Russian edition.

    Written in the author's early forties in the last years of the fourth century A.D. and during his first years as a bishop, they reflect on his life and on the activity of remembering and interpreting a life. Books I-IV are concerned with infancy and learning to talk, schooldays, sexual desire and adolescent rebellion, intense friendships and intellectual exploration. Augustine evolves and analyses his past with all the resources of the reading which shaped his mind: Virgil and Cicero, Neoplatonism and the Bible. This volume, which aims to be usable by students who are new to Augustine, alerts readers to the verbal echoes and allusions of Augustine's brilliant and varied Latin, and explains his theological and philosophical questioning of what God is and what it is to be human. The edition is intended for use by students and scholars of Latin literature, theology and Church history.

    Caught between interventionists at home and fundamentalists abroad, a prime minister flounders as his ministers betray him, alliances fall apart, and a runaway general makes policy in the field. As the media accuse Western soldiers of barbarity and a region slides into chaos, the armies of God clash on an ancient river and an accidental empire arises.This is not the Middle East of the early twenty-first century. It is Africa in the late nineteenth century, when the river Nile became the setting for an extraordinary collision between Europeans, Arabs, and Africans. A human and religious drama, the conflict defined the modern relationship between the West and the Islamic world. The story is not only essential for understanding the modern clash of civilizations but is also a gripping, epic, tragic adventure."Three Empires on the Nile" tells of the rise of the first modern Islamic state and its fateful encounter with the British Empire of Queen Victoria. Ever since the self-proclaimed Islamic messiah known as the Mahdi gathered an army in the Sudan and besieged and captured Khartoum under its British overlord Charles Gordon, the dream of a new caliphate has haunted modern Islamists. Today, Shiite insurgents call themselves the Mahdi Army, and Sudan remains one of the great fault lines of battle between Muslims and Christians, blacks and Arabs. The nineteenth-century origins of it all were even more dramatic and strange than today's headlines.In the hands of Dominic Green, the story of the Nile's three empires is an epic in the tradition of Kipling, the bard of empire, and Winston Churchill, who fought in the final destruction of the Mahdi's army. It is a sweeping and very modern tale of God and globalization, slavers and strategists, missionaries and messianists. A pro-Western regime collapses from its own corruption, a jihad threatens the global economy, a liberation movement degenerates into a tyrannical cult, military intervention goes wrong, and a temporary occupation lasts for decades. In the rise and fall of empires, we see a parable for our own times and a reminder that, while American military involvement in the Islamic world is the beginning of a new era for America, it is only the latest chapter in an older story for the people of the region.

    He is a key figure in poststructuralism, and one of the most influential philosophers of the twentieth century. Felix Guattari (1930-1992) was a psychoanalyst at the la Borde Clinic, as well as being a major social theorist and radical activist. A Thousand Plateaus is part of Deleuze and Guattari's landmark philosophical project, Capitalism and Schizophrenia - a project that still sets the terms of contemporary philosophical debate. A Thousand Plateaus provides a compelling analysis of social phenomena and offers fresh alternatives for thinking about philosophy and culture. Its radical perspective provides a toolbox for nomadic thought and has had a galvanizing influence on today's anti-capitalist movement.Translated by Brian Massumi

    Its members included Oliver Wendell Holmes, Jr, founder of modern jurisprudence; William James, the father of modern American psychology; and Charles Sanders Peirce, logician, scientist and the founder of semiotics. The club was probably in existence for about nine months. No records were kept. The one thing we know that came out of it was an idea - an idea about ideas. This book is the story of that idea. Holmes, James and Peirce all believed that ideas are not things out there waiting to be discovered but are tools people invent - like knives and forks and microchips - to make their way in the world. They thought that ideas are produced not by individuals, but by groups of individuals - that ideas are social. They do not develop according to some inner logic of their own but are entirely dependent - like germs - on their human carriers and environment. They also thought that the survival of any idea depends not on its immutability but on its adaptability.