Alter takes the old yet simple step of reading the Bible as a literary creation.

    Hidden in the caves at Qumran by the Essenes, a Jewish sect in existence before and during the time of Jesus, the Scrolls have transformed our understanding of the Hebrew Bible, early Judaism, and the origins of Christianity. This fully revised edition of the classic English translation by Geza Vermes, the world's leading scholar on the subject, offers an astonishing look into the organization, customs, and beliefs of the community at Qumran. Enhanced by much previously unpublished material and a new preface, this will remain the authoritative translation of the Dead Sea Scrolls for years to come.

    Miller In this remarkable, acclaimed history of the development of monotheism, Mark S. Smith explains how Israel's religion evolved from a cult of Yahweh as a primary deity among many to a fully defined monotheistic faith with Yahweh as sole god. Repudiating the traditional view that Israel was fundamentally different in culture and religion from its Canaanite neighbors, this provocative book argues that Israelite religion developed, at least in part, from the religion of Canaan. Drawing on epigraphic and archaeological sources, Smith cogently demonstrates that Israelite religion was not an outright rejection of foreign, pagan gods but, rather, was the result of the progressive establishment of a distinctly separate Israelite identity. This thoroughly revised second edition ofThe Early History of God includes a substantial new preface by the author and a foreword by Patrick D. Miller.

    Lewis' The Discarded Image paints a lucid picture of the medieval world view, as historical and cultural background to the literature of the Middle Ages and Renaissance. It describes the image discarded by later ages as the medieval synthesis itself, the whole organization of their theology, science and history into a single, complex, harmonious mental model of the universe. This, Lewis' last book, was hailed as the final memorial to the work of a great scholar and teacher and a wise and noble mind.

    The Babylonian worldview is centered on the supremacy of Marduk, and contributes the belief that mankind exists to service god. This Babylonian creation epic was first discovered by modern scholars in the ruins of an early library in Mosul, Iraq and its seven translated clay tablets are provided to you here in the form of a paperback book.

    In The Book of J, Bloom & Rosenberg draw the J text out of the surrounding material & present it as the seminal classic it is. In addition to Rosenberg's original translations, Bloom argues in several essays that "J" was not a religious writer but a fierce ironist & a woman living in the court of King Solomon. He also argues that J is a writer on par with Homer, Shakespeare & Tolstoy. Bloom also offers historical context, a discussion of the theory of how the different texts came together to create the Bible & translation notes. Rosenberg's translations from the Hebrew bring J's stories to life & reveal her towering originality & grasp of humanity.

    Ehrman, the New York Times bestselling author of Jesus, Interrupted and God’s Problem reveals which books in the Bible’s New Testament were not passed down by Jesus’s disciples, but were instead forged by other hands—and why this centuries-hidden scandal is far more significant than many scholars are willing to admit. A controversial work of historical reporting in the tradition of Elaine Pagels, Marcus Borg, and John Dominic Crossan, Ehrman’s Forged delivers a stunning explication of one of the most substantial—yet least discussed—problems confronting the world of biblical scholarship.

    He affirms that the Lord's Prayer is the primary prayer of the Christian, which he asserts contains every prayer that a Christian ought to pray. Bonhoeffer also makes a startling but wise claim that jolts us out of the narrowness of our focus in prayer: "The richness of the Word of God ought to determine our prayer, not the poverty of our heart." Thus we find the book of Psalms to be a rich treasury of prayers that are part of God's inspired word, and therefore a true place to learn how God would have us pray.

    In short, a very good translation. The Introduction is admirably clear.--Paul Vincent Spade, Indiana University

    One of the great classics of world literature, it has inspired such diverse thinkers as Henry David Thoreau, Mahatma Gandhi, and T.S. Eliot; most recently, it formed the core of Peter Brook's celebrated production of the Mahabharata.

    There are no verse references, and Scripture segments are seamlessly woven together with transition text into a single grand narrative. For those intimidated or overwhelmed by the unabridged Bible, The Story helps people understand God’s Word more fully and engage with it more easily.Simple, accessible, and easy to use, churches are finding The Story a powerful way to engage their people in Bible reading like never before. As The Story brings the Bible to life, the broad scope of God’s message will penetrate hearts. People of all ages will be swept up in the story of God’s love and God’s plan for their lives.God goes to great lengths to rescue lost and hurting people. That is what The Story is all about: the story of the Bible, God’s great love affair with humanity. Condensed into 31 accessible chapters, The Story sweeps you into the unfolding progression of Bible characters and events from Genesis to Revelation. Using the clear, accessible text of the NIV Bible, it allows the stories, poems, and teachings of the Bible to read like a novel. And like any good story, The Story is filled with intrigue, drama, conflict, romance, and redemption; and this story’s true! “This book tells the grandest, most compelling story of all time: the story of a true God who loves his children, who established for them a way of salvation and provided a route to eternity. Each story in these 31 chapters reveals the God of grace---the God who speaks; the God who acts; the God who listens; the God whose love for his people culminated in his sacrifice of Jesus, his only Son, to atone for the sins of humanity.”

    He carefully opens the literature of the books, sketching a narrative filled with historical realism but also bursting with an awareness that more than human action is being presented.

    Illustrated with visual artifacts of the period. With the long-awaited publication of this book, we have for the first time in any modern literary form one of the most vital and important of ancient myths: that of Inanna, the world's first goddess of recorded history and the beloved deity of the ancient Sumerians.The stories and hymns of Inanna (known to the Semites as Ishtar) are inscribed on clay tablets which date back to 2,000 B.C. Over the past forty years, these cuneiform tablets have gradually been restored and deciphered by a small group of international scholars. In this groundbreaking book, Samuel Noah Kramer, the preeminent living expert on Sumer, and Diane Wolkstein, a gifted storyteller and folklorist, have retranslated, ordered, and combined the fragmented pieces of the Cycle of Inanna into a unified whole that presents for the first time an authentic portrait of the goddess from her adolescence to her completed womanhood and godship. We see Inanna in all her aspects: as girl, lover, wife, seeker, decision maker, ruler; we witness the Queen of Heaven and Earth as the voluptuous center and source of all fertile power and the unequaled goddess of love.Illustrated throughout with cylinder seals and other artifacts of the period, the beautifully rendered images guide the reader through Inanna's realm on a journey parallel to the one evoked by the text. And the carefully wrought commentaries providing an historical overview, textual interpretations, and aannotations on the art at once explicate and amplify the power, wonder, and mystery embedded in these ancient tales.Inanna--the world's first love story, two thousand years older than the Bible--is tender, erotic, frightening, and compassionate. It is a compelling myth that is timely in its rediscovery."A great masterpiece of universal literature."--Mircea Eliade

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    Enns looks at three questions raised by biblical scholars that seem to threaten traditional views of Scripture. First, he considers ancient Near Eastern literature that is similar to the Bible. Second, he looks at the theological diversity of the Old Testament. Finally, he considers how New Testament writers used the Old Testament. Based on his reflections on these contemporary issues, Enns proposes an incarnational model of biblical authority that takes seriously both the divine and human aspects of Scripture. The book includes a useful glossary, which defines technical terms and an annotated bibliography for further reading.