O'Leary to Barack Obama. "Flexing impressive literary chops, the beer vendor/creative-writing professor captures both the tough, defensive exterior and the vulnerable, often-broken heart of his city."— Timeout Chicago"Chicago, a page at a time. Michael Czyzniejewski gets right to the point in telling the city's stories." — Chicago Tribune"...Michael Czyzniejewski’s “Chicago Stories,” forty fictional monologues riffing on the common culture of the Windy City’s shared history, projected forward into a possible future. Not quite historical fiction—more like historical jazz." — Newcity Lit"In 'Chicago Stories,' Michael Czyzniejewski summons all of Chicago — its ghosts, living and dead, its heroes and fools, sinners and saints, its people and places and all of its occasions — and in these pages they have gathered, strange and unlikely bedfellows, to sing a new song for Chicago. It will twist your arm behind your back, this song. It will break your fingers."— Billy Lombardo, author of The Man With Two Arms and The Logic of a Rose: Chicago Stories

    Compiled by Dave Eggers and students from his San Francisco writing center, it is "both uproarious and illuminating" (Publishers Weekly).

    A lonely teenage girl falls in love with an older, married neighbor. A woman attends a party at the home of her boyfriend’s ex-wife. A schoolteacher gets fired for teaching time incorrectly to grade-school students. And a young woman recovering from a breakup receives guidance from a drunk therapist. Poignant and sharply rendered, Otis’s stories seek answers to the questions of whom we love and why, how we search for love, lose it, or find it—sometimes at the last moment and in the most unlikely places. Quirky and hilarious, these stories display a knowing affection for human strangeness.

    It’s the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It’s the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad.” Offering the best examples of literary sure things gone bad, this collection ensures that nowhere else can readers find a darker, more thorough distillation of American noir fiction.James Ellroy and Otto Penzler, series editor of the annual The Best American Mystery Stories, mined one hundred years of writing—1910–2010—to find this treasure trove of thirty-nine stories. From noir’s twenties-era infancy come gems like James M. Cain’s “Pastorale,” and its post-war heyday boasts giants like Mickey Spillane and Evan Hunter. Packing an undeniable punch, diverse contemporary incarnations include Elmore Leonard, Patricia Highsmith, Joyce Carol Oates, Dennis Lehane, and William Gay, with many page-turners appearing in the last decade.

    A Louisiana farmer sees the image of Christ appear on the freezer door and questions the meaning of faith. In a Maine resort town, Miss Langevin, a spinster who could write a book on disappointment, now gets a chance to help another woman escape it. And in the title story, a science teacher's modest dreams and painful memories erode his existence like water entering stone.

    Brite - The Devil of Delery StreetChina Mieville- Reports of Certain Events in LondonJoyce Carol Oates - The Fabled Light-house at Vi–a del MarPeter Straub - Mr. Aickman’s Air Rifle

    From the American West to the Siberian coast, from Hollywood to the boxing ring, here are timeless tales of war, mystery, romance, crime, and punishment as only Louis L'Amour can tell them.These stories are vintage L'Amour: A hard-bitten cattle driver is pitted against a man trying to steal his woman, the disappearance of a thousand head of cattle, and a plot to frame him for murder....A private eye visits a remote mining town on a case involving a sexy widow, an uneasy lawman, and a fortune in gold buried in an abandoned mine shaft....A country boy with a good right hand must fight not only his vicious opponent in the ring but the ruthless gangsters who'll do anything for profit-even commit cold-blooded murder....A young woman stranded in an isolated harbor must survive the wilderness and a brutal battle of wits with a sadistic fortune hunter.Here is the trademark blend of action, suspense, historical detail, and unforgettable characters that have made Louis L'Amour one of the world's most extraordinary writers.

    It will feature the best sports writing from the website, delivered in a full-color book featuring original artwork and a host of print exclusives—including original fiction, new writing from editor-in-chief Bill Simmons, posters and pull-out sections, old-school baseball cards and mini-booklets, and a cover that looks and feels like you're holding a basketball. Like its namesake website, Grantland Quarterly will regularly include some of the most exciting and form-pushing sports writers currently plying the trade, including Chuck Klosterman, Malcolm Gladwell, Tom Bissell, Harris Wittels, John Brandon, Anna Clark, Chris Jones, Colson Whitehead, and many more.

    For Vincent, it is the latest in a string of violent events his family has faced since moving to England. But Vincent knows something that the thugs don't: he has in him the spirit of his father who, once upon a time in a far off country, also faced down fear to prove he was Grade A. Stroke of Luck: During a summer cricket match, Alan meets Rachel, and they start a relationship - but soon Alan discovers he is having an affair with a married woman. Though not a happily married one. Rachel's husband abuses her physically and psychologically and Rachel is at her wits' end. Alan vows to protect her - but her husband is not the only one who is a threat. Rachel is being secretly watched... The Walls: When Chris spots a beautiful woman across a crowded restaurant on his business trip to Texas, he never imagines that she would be interested in him, let alone be waiting for him when he returns to his hotel later that evening.As the two strangers talk, the true and haunting reason for their visits comes to light...

    Contains the American novelist's greatest short novels: Spotted Horses, Old Man, and The Bear.

    Edited by the award-winning Robert Stone, the 1992 volume gathers 20 of the year's richest stories from magazines large and small. Includes such outstanding authors as Joyce Carol Oates, Alice Munro, and Reynolds Price among others.

    Global in scope, each story is set in the year 2040 and imagines what the world might look like if the dire warnings issued by the Special Report on Global Warming of 1.5 °C were to come true. Using fiction—informed here and there by realism and climate science—this issue explores the tangible, day-to-day implications of these cataclysmic scientific projections. Featuring Tommy Orange, Elif Shafak, Luis Alberto Urrea, Asja Bakic, Rachel Heng, and others, with gorgeous full-color illustrations by Wesley Allsbrook.From the issue’s introduction by Susan Casey-Lefkowitz, Chief Program Officer of the NRDC: “Each story in this special issue is the product of a unique collaboration between its author and an NRDC policy expert with specialized knowledge of how climate change is already affecting the world, and how it could continue to affect the world in the decades to come. The result, we hope, is a collection where fiction’s already considerable power is fortified by science.”Featuring original stories by:Tommy OrangeClaire G. ColemanBirna Anna BjörnsdóttirLuis Alberto UrreaElif ShafakAbbey Mei OtisAsja BakićRachel HengKanishk TharoorMikael Awake

    Includes:Jim Shepard’s "Tedford and the Megalodon"Glen David Gold’s "The Tears of Squonk, and What Happened Thereafter"Dan Chaon’s "The Bees"Kelly Link’s "Catskin"Elmore Leonard’s "How Carlos Webster Changed His Name to Carl and Became a Famous Oklahoma Lawman"Carol Emshwiller’s "The General"Neil Gaiman’s "Closing Time"Nick Hornby’s "Otherwise Pandemonium"Stephen King’s "The Tale of Gray Dick"Michael Crichton’s "Blood Doesn’t Come Out"Laurie King’s "Weaving the Dark"Chris Offutt’s "Chuck’s Bucket"Dave Eggers’s "Up the Mountain Coming Down Slowly"Michael Moorcock’s "The Case of the Nazi Canary"Aimee Bender’s "The Case of the Salt and Pepper Shakers"Harlan Ellison’s "Goodbye to All That"Karen Joy Fowler’s "Private Grave 9"Rick Moody’s "The Albertine Notes"Michael Chabon’s "The Martian Agent, a Planetary Romance"Sherman Alexie’s "Ghost Dance"

    The pieces that comprise Non-Fiction prove just how different, in ways both highly entertaining and deeply unsettling. Encounters with alternative culture heroes Marilyn Manson and Juliette Lewis; the peculiar wages of fame attendant on the big budget film production of the movie Fight Club; life as an assembly-line drive train installer by day, hospice volunteer driver by night; the really peculiar lives of submariners; the really violent world of college wrestlers; the underground world of anabolic steroid gobblers; the harrowing circumstances of his father's murder and the trial of his killer - each essay or vignette offers a unique facet of existence as lived in and/or observed by one of America's most flagrantly daring and original literary talents.

    Simultaneously channeling the gonzo energy of Hunter S. Thompson and the wit and insight of Joan Didion, Sullivan shows us—with a laidback, erudite Southern charm that’s all his own—how we really (no, really) live now. In his native Kentucky, Sullivan introduces us to Constantine Rafinesque, a nineteenth-century polymath genius who concocted a dense, fantastical prehistory of the New World. Back in modern times, Sullivan takes us to the Ozarks for a Christian rock festival; to Florida to meet the alumni and straggling refugees of MTV’s Real World, who’ve generated their own self-perpetuating economy of minor celebrity; and all across the South on the trail of the blues. He takes us to Indiana to investigate the formative years of Michael Jackson and Axl Rose and then to the Gulf Coast in the wake of Katrina—and back again as its residents confront the BP oil spill. Gradually, a unifying narrative emerges, a story about this country that we’ve never heard told this way. It’s like a fun-house hall-of-mirrors tour: Sullivan shows us who we are in ways we’ve never imagined to be true. Of course we don’t know whether to laugh or cry when faced with this reflection—it’s our inevitable sob-guffaws that attest to the power of Sullivan’s work.