It’s the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It’s the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad.” Offering the best examples of literary sure things gone bad, this collection ensures that nowhere else can readers find a darker, more thorough distillation of American noir fiction.James Ellroy and Otto Penzler, series editor of the annual The Best American Mystery Stories, mined one hundred years of writing—1910–2010—to find this treasure trove of thirty-nine stories. From noir’s twenties-era infancy come gems like James M. Cain’s “Pastorale,” and its post-war heyday boasts giants like Mickey Spillane and Evan Hunter. Packing an undeniable punch, diverse contemporary incarnations include Elmore Leonard, Patricia Highsmith, Joyce Carol Oates, Dennis Lehane, and William Gay, with many page-turners appearing in the last decade.

    This masterpiece collection represents a high watermark of America’s underbelly. Crime writing gets no better than this.CONTENTSErle Stanley Gardner: Come and Get ItFredric Brown: Cry SilencePeter Collison: Arson PlusFredrick Nebel: Doors in the DarkLester Dent: LuckDashiell Hammett: The Maltese FalconStewart Sterling: Ten Carats of LeadWyatt Blassingame: Murder Is Bad LuckTalmadge Powell: Her Dagger Before MeCharles G. Booth: One ShotRichard Sale: The Dancing RatsKatherine Brocklebank: BraceletsThomas Walsh: Diamonds Mean DeathRoul Whitfield: Murder in the RingWalter C. Brown: The Parrot That Wouldn’t TalkMerle Constiner: Let the Dead AloneCarrol John Daly: Knights of the Open PalmWilliam Cole: Waiting for RustyRamon Decolta: Rainbow DiamondsWilliam Rollins Jr.: The Ring on the Hand of DeathTheodore A. Tinsley: Body SnatcherD wight V. Babcock: Murder on the GaywayCleve F. Adams: The KeyWilliam Campbell Gault: The Bloody BokharaBrett Halliday: A Taste for CognacDay Keene: Sauce for the GanderW.T. Ballard: A Little DifferentCharles M. Green: The Shrieking SkeletonHank Searls: Drop Dead TwiceDale Clark: The Sound of the ShotFrederick C. Davis: Flaming AngelDon M. Mankiewicz: Odds on DeathNorvell Page: Those CatriniHugh B. Cave: Smoke in Your EyesRobert Reeves: Blood, Sweat and BiersWhitman Chambers: The Black BottleMilton K. Ozaki: The Corpse The Didn’t KickRaymond Chandler: Try the GirlNorbert Davis: Don’t You Cry for MeRay Cummings: T. McGuirk Steals A DiamondSteve Fisher: Wait For MeFrank Gruber: Ask Me AnotherHorcase McCoy: Dirty WorkJulius Long: Merely MurderJohn D. MacDonald: Murder in One SyllableH.H. Stinson: Three Apes from the EastD.L. Champion Death Stops PaymentRichard Connell: The Color of HonorBruno Fischer: Middleman for MurderRichard Deming: The Man Who Choose the DevilC.M. Kornbluth: Beer-Bottle PolkaCornell Wollrich: Borrowed Crime

    For the reader uninitiated in the deadly world of her canon, this collection offers the first serious introduction to her remarkable range and psychological insight.With an introduction provided by Joan Schenkar—author of the acclaimed biography The Talented Miss Highsmith—Patricia Highsmith: Selected Novels and Short Stories continues the remarkable renaissance of this literary master. Even with her first novels, Highsmith tore at the very fabric of 1950s middle-class society, revealing the stark emotional brutality that lurked beneath the sunny facade of Eisenhower suburbia.Chosen by Joan Schenkar, the selections in this book—two iconic American novels and a trove of her most representative short stories—char the virtuosic range of Highsmith's voice, as she deftly leaps from suspense to horror, from biting social satire to deeply moving psychological drama. In Strangers on a Train (1950)—Highsmith's debut novel about the inspiration for the classic Hitchcock film—a casual conversation between acquaintances devolves into a tangled web of murder, desperation, and manipulation. This thriller provides as thorough an examination of guilt and obsession as can be found in contemporary literature. Highsmith's second novel, The Price of Salt (1952), is a seductive tale of sexual obsession that demonstrates the astounding versatility of Highsmith's insight into human nature, and has only recently begun to receive commensurate literary recognition. Written during the intensely creative period of her late twenties, The Price of Salt blends Highsmith's richly figured language with the then scandalous subject of lesbian love. The accompanying thirteen short stories demonstrate Highsmith's mastery of the short story form and reveal her to be as fine a craftsman as any American twentieth-century novelist.This volume introduces a new generation to the haunting fiction of one of our most underappreciated literary geniuses.

    "There's a kind of power about Mickey Spillane that no other writer can imitate" (New York Times), and it's in full force in this collection of three of his greatest Mike Hammer novels:The Girl Hunters Hammer's voluptuous, long-lost love is targeted by the mastermind assassin known as the Dragon.The Snake Protecting a runaway blonde, Hammer trades barbs and lead with crooked politicos, snarling hoods, and sex-hungry females.The Twisted Thing A kidnapping case links Hammer to a fourteen year-old mystery and the most venomous killer the private eye has ever faced.

    This illustrated book provides instant and in-depth access to the film noir genre.

    In his tales of terror, ordinary people find themselves in the most extraordinary circumstances—and, as readers, we share their spine-tingling tension every step of the way. Here, collected for the first time, are four of his most nail-biting novellas.Eyes That Watch YouGreedy Vera Miller plots her husband’s murder right under the nose of her mute, paralyzed mother-in-law. After all, the old lady won’t be able to tell anyone about the crime. Or will she?The Night I DiedNice guy Ben Cook, goaded by his scheming common-law wife, fakes his own suicide and moves to another town—all to trick his life insurance company into making a large payout. No one en route or at the new address will recognize him, will they?You’ll Never See Me AgainEd Bliss’s new bride, miffed by her husband’s insults about her biscuits, promises that Ed will never have to see her again—and storms out! When she doesn’t return within a few days, Ed begins to suspect foul play—but when he reports the crime to the police, he’s the first one they suspect!Murder Always Gathers MomentumFor his wife’s sake, Dick Paine approaches a former employer for back wages he is owed—but things go terribly wrong and the old boss ends up dead. Now the guilt-ridden Paine, who’d never before committed a crime, is convinced that people will figure out what happened. As his paranoia gathers momentum, anyone he meets is at risk of becoming his next victim.

    A New York Times best-seller, it has appeared on over 50 "best of the year" lists. The second book, The Outfit, will debut in the fall, but IDW and Darwyn are presenting the first chapter here as a stand-alone preview comic. This is a full, 24-page story that offers new readers a perfect introduction to Richard Stark's classic crime novel anti-hero, as well as a great story that stands alone. As an added bonus to readers, this preview is a whopping 8" x 12."

    If only he could tell her his name isn't really Damon. If only he could tell her who he really is. But after he witnesses a friend's murder, a scarlet woman glides into his life, offering the solution to all of his problems. His carefully constructed existence soon shatters like crystal teardrops and he must determine which ghosts won't stay buried-and which ones are trying to kill him-if he wants to learn why Mary has disappeared.Ages 18+ThrillerFiction

    Lynch's photographs, paintings, prints, drawings, and more recently, musical compositions, are an indispensable part of his oeuvre and frequently a source of inspiration for his films. Fans of such classics as Blue Velvet, Wild at Heart, Twin Peaks and Mulholland Drive will readily conjure the director's keen eye for lush but menacing neo-Surrealist tableaux, for instance, which are directly nourished by his artworks. Other hallmarks of the Lynchian style, such as cryptic messages and inscriptions, foreboding atmospherics and a famously left-field sense of humor likewise appear in the paintings, drawings and photographs collected in David Lynch: Dark Splendor--a landmark publication that reveals the breadth and accomplishment of his work in this realm. It contains such marvels as his matchbook drawings--pen-and-ink images of shrouded dreamscapes and interiors, inscribed on the inside of matchbooks--his wonderfully foreboding lithographs, in which scrawled captions jostle among murky figures, his photographs of industrial wastelands and his sinister paintings that incorporate materials and objects to further advance their gothic appeal. Dark Splendor presents these works in excellent reproductions, and will seduce fans of contemporary film and art alike.

    He's just living out his life in his Appalachian hometown, working odd jobs with his partner, Rory, hemming in his demons the best he can. And his best seems just good enough until his estranged daughter overdoses, and he takes in his 12-year-old granddaughter, Wendy. Just as the two are beginning to forge a relationship, Derrick Kreiger, a dirty Cincinnati cop, starts to take an unhealthy interest in the girl. Pike and Rory head to Cincinnati to learn what they can about Derrick and the death of Pike’s daughter, and the three men circle, evenly matched predators in a human wilderness of junkie squats, roadhouse bars, and homeless Vietnam vet encampments.

    Alone except for his beloved bulldog, Churchill, a despondent man who's failed at his career, his marriage, and his own simple hopes makes his way across the fierce American landscape and the spectacle of his own bitter past.

    The Last Deep Breath is the latest evidence, a tough yet tender noir that cuts to the heart of what sibling bonds are all about. It ricochets around like a bullet in a cinderblock room - you can never be sure where it's going to go, but you know it's probably going to hurt before it's done." --Brian Hodge, author - WILD HORSES, MAD DOGS."The Last Deep Breath is an absolute gem of a crime novel, with prose so dead-on and moving, you'll be laughing and gasping, often in the same sentence. Tom Piccirilli is already one of the big guns in crime fiction, and proves here that he may be the heir to Elmore Leonard." --Jason Starr, author - PANIC ATTACK, THE CHILL.

    Volume I includes stories by John Lutz, Bill Pronzini, Lawrence Block, Brendan DuBois, Loren D. Estleman, Ed Gorman, Mickey Spillane, Marcia Muller, Nancy Pickard, Benjamin M. Schutz, Linda Barnes, Max Allan Collins, and Sue Grafton. Collected and introduced by Robert J. Randisi.

    He is assigned to capture the essence of the mountain towns of eastern North Carolina for a series of travel books no one believes will ever be published. There, among writers and cheats, arsonists and Reconstructionists, blind and deaf children and disease-ridden Senators, Paul will meet the love of his life and her lover, witness the awakening of one great novelist and the possible resurrection of another, discover more than one America that could have been, and confront the truth about his relationship with his unpredictable, brilliant, and Machiavellian older brother. There are echoes here of Laurel and Hardy, Bonnie and Clyde, Powell and Loy, Cain and Abel. It s a book of bunk, in other words. A collection of lies. A creation myth about a vanished country that may or may not have existed, and the very real, conflicted nation that has sprung from it. THE BOOK OF BUNK is the latest unclassifiable explosion of storytelling from Glen Hirshberg, the Shirley Jackson and International Horror Guild Award winning author of AMERICAN MORONS, THE TWO SAMS, and THE SNOWMAN'S CHILDREN.

    until they crossed his path. Kane is a drifter, a musician with the Blues in his heart and the road for his home. Maeve is tattooed and dreadlocked, a beautiful Irish girl with bent on revenge. The night they meet, Kane takes a stand that pulls him into the orbit of wealthy and perverse has-been country star Boogie Jack Terrabonne, the band of thugs Terrabonne calls an entourage and their murderous and terrifying leader, Harlan Winters. Kane's efforts to save Maeve from herself may cost both their lives...

    In a country where police don't carry guns but criminals do, she has to rely on the strength of her wits and the skill of her bare hands. Faced with a series of brutal murders and the disappearance of young women no one else seems to miss, she'll stop at nothing to get to the truth. In troubled young Michelle, Sarah sees a reflection of her own dark past. Tommy Knowles is a vicious killer. From a London orphanage to the shores of New Zealand, he has risen from life on the streets to control this small country's heroin trade. Now his own success has led him to the edge of disaster. To secure the weapons he needs in the fight for his life, Tommy will trade as many innocent lives as necessary to secure his survival. Michelle Swanston is fourteen and in danger. Safer on the Christchurch city streets than she is in her own home, Michelle's night wanderings take her into a hell worse than any she ever imagined. With no way of knowing who she can trust, no one else she can rely on, this terrified young girl is determined not to go down without a fight...A Noir thriller, dark and violent, packed with action and laced with steamy sex...

    With hints of Jim Thompson, William Faulkner, and Gabriel Garcia Marquez, Rautenbaumgrabner is a new voice for the 21st century. Not for the squeamish, As I Was Cutting and Other Nastinesses takes crime fiction to new levels of grotesqueness."

    Unfortunately for Lantham, on this particular Saturday morning, "the world" consists of a fretful mother with a missing daughter, and the case she hires him for is about send reality staggering into the gutter like an eighty-year-old drunk.From the posh shadow of Mount Diablo to the kink clubs of San Francisco to the genetic engineering labs of Stanford, Clarke Lantham chases down pieces of the weirdest puzzle he's ever seen, all for the sake of a nineteen-year-old girl whose face he can't stop seeing every time he closes his eyes.

    Nora ran off with twenty grand, a gram of coke, and his favourite leather jacket, leaving him with little more than a hangover and a Dido soundtrack. But Nora’s sights are on the two hundred grand Farrell supposedly stashed somewhere in the middle of Northumberland, and she’s enlisted the help of her old boyfriend, a former hit man, to retrieve it.Farrell hooks up with an old Army mate, the shoplifting, rotgut-swilling arsonist Jimmy Cobb and sets off after them. When this pair catch up with Nora and her ex, there’s going to be hell to pay, 'cause nobody messes with Farrell and Cobb ...WOLF TICKETS is hardcore Ray Banks – ballsy, breathless and brutal.

    And Breton looks to be a town full of fresh suckers. Ben Halliday is not one of those suckers, or so he thinks. One of the town leaders, he needs a new cop with adjustable morals. Ree is the perfect fit. Unfortunately, Ree is even less subtle than Halliday had hoped. Because Ree has plans of his own. Now that he's a cop, he intends to steal every dollar he can lay his hands on, and seduce any woman he wants. This Texas oil town is ripe for the picking on all accounts. It's Willa Ree's town now, and nothing that Halliday--or anyone--can do will stop him.

    It's 1948 in Las Vegas—the newborn Sin City—and he's just landed his first murder case. He's more at ease among the lowlifes, but his new client, a beautiful, wealthy woman, a real femme fatale, moves in the upper crust of society.Grey's hot on the trail of a killer, despite obstructive cops who don't want a private dick sniffing around and digging up secrets. And he starts getting close to the truth, but one of his suspects, Phillip Martin, AKA Mr. Big—AKA Mr. Beautiful—proves to be a man who could force Grey to reveal a dark secret of his own.

    Two Far East thrillers originally published in the early 1950s by Gold Medal Books and authored by award-winning author, Sid Fleischman.

    Unleashed from the net's most hardcore award-winning site, these down, dirty, and deeply depraved tales don't just cut the edge . . . they pour gasoline on it and toss it in a meth lab full of C-4 . . . "Just because I killed my best friend with my bare hands doesn't make me all that bad. . . Christ, I loved the guy like a brother." Throw down a shot with the last word in badass--a scheming stripper playing one fool too far; the rage-haunted lesbian who's the last word in nightmare revenge; a mercenary sheriff doomed by ruthless payback; avenging street angels unleashing holy hell --and just try and stagger away intact. . ."This country's got a motto. It's pura vida, and it means when life gets you down, put your feet up, sister. But I lift my legs for no man." So settle back with your favorite rot-gut, keep your brass knuckles handy, and hang where the odds are never good, darkness is a permanent state of mind, and the house always takes all . . .Blood, Guts, And Whiskey"Lean, mean stories. . .today's brightest writers provide some of the darkest tales you've ever read." –Max Allan Collins Big Daddy Thug/Todd Robinson's writing has appeared in Plots With Guns, Danger City, Demolition, Out Of The Gutter, Pulp Pusher, Crimespree and Writers Digest's The Year's Best Writing 2003. He was nominated for a 2006 Derringer Award from the Short Mystery Fiction Society, and is the creator and chief editor of Thuglit.com. The stories he's edited for Thuglit.com have been nominated for several awards, including The Derringer and The Million Writer's Award, and been have been selected for The Best American Mystery Stories and Best Noir 2006. He lives and works in New York with his wife (Lady Detroit), a ferret named Matilda, and three freakin' cats.

    Its ability to register fear, desire and anxiety has made it a popular genre with a wide audience. These new essays, written for students as well as readers of crime fiction, demonstrate the very best in contemporary scholarship and challenge long-established notions of the development of the detective novel. Each chapter covers a sub-genre, from 'true crime' to hard-boiled novels, illustrating the ways in which 'popular' and 'high' literary genres influence and shape each other. With a chronology and guide to further reading, the Companion is a helpful guide for students of American literature and readers of crime fiction.

    A great talent.”—Jack KirbyFrom Shadow to Light: The Life and Art of Mort Meskin is a coffee table art book and critical biography of one of the twentieth century’s most influential comic book artists. Meskin’s career spanned both the Golden and Silver ages of comics, from the 1940s to the 1960s. His drawing, chiaroscuro technique, and storytelling are considered by connoisseurs of the form to be among the most sophisticated of his time. His passion for his artwork was equaled by his skill,and the quality of his overall oeuvre blurs the artificial distinction between high and low art. Yet he is known mostly among hard-core aficionados today, eclipsed by many of his peers, some of whom he profoundly influenced. Among Meskin’s fans and admirers are Jim Steranko, Joe Kubert, Alex Toth, Carmine Infantino, Steve Ditko, Jerry Robinson, and Jack Kirby. From Shadow to Light: The Life and Art of Mort Meskin will finally give this neglected artist the recognition he’s due.The first artist to draw Sheena of the Jungle, Meskin’s work appeared in such diverse genres as romance, true crime and western comics. Following World War II he formed a studio with the legendary Jerry Robinson, co-creator of The Joker and Robin. He later worked for Joe Simon and Jack Kirby’s company S&K Studio and with Stan Lee at Atlas (Marvel). During the 1950s and ’60s he helped DC Comics define their mystery and science fiction lines. And there is one aspect of Meskin’s voluminous creative output that has yet to be examined: his personal art. From Shadow to Light compiles for the first time the best of Meskin’s art from his comic book career, his post-comics career bin advertising, and his fine art. Many of the comics pages are scanned form the original art, thanks to the cooperation of the Meskin estate.Mort Meskin’s story is one of perseverance and overcoming personal demons. It is the tale of the indomitable spirit of a true artist and innovator. From Shadow to Light: The Life and Art of Mort Meskin will finally set the record straight and add his name to the pantheon of comic book artists who helped create this distinctly American art form.

    Cassandra Zinnea and Evgeny Nightstalk have taken on their fair share of strange cases in their time--what do you expect when your clientele is drawn from the sort of people who only come out at night? But now they find themselves confronting a ruthless and fiendish foe, an opponent not averse to employing the blackest arts to further their nefarious aims. Danger lurks everywhere and the darkness can hide a multitude of sins...not to mention all manner of ambulatory corpses, forbidden rituals and ravening creatures plucked from the formless ether. So Dark the Night is, at once, a supernatural thriller and a loving homage to film noir and the gritty, hard-boiled poetry found in the very best crime fiction. Funny, sexy and terrifying, So Dark the Night is an entertaining hybrid, a dizzying mix of genres, a spook show that delivers everything it promises.