This book-length celebration and analysis of the Artistic Event of the Century includes an exclusive interview and introduction by League of Extraordinary Gentlemen co creator and author Alan Moore; commentary by co-creator a nd illustrator Kevin O'Neill: detailed, panel-by-panel annotations of the first League of Extraordinary Gentlemen series.

    Hailed by the New York Times as "one of the most influential texts in gender studies, men's studies and gay studies," this book uncovers the homosocial desire between men, from Restoration comedies to Tennyson's Princess.

    This Boxed Set of cozy historical mysteries is the perfect gift for readers of any age and is a welcome companion to Pilfered Promises, the fifth book in the series. Maids of Misfortune (over 1400 reviews, 4.2 stars) introduces Annie Fuller, a young widow who runs the O’Farrell Street boarding house and supplements her income by giving financial and domestic advice as Madam Sibyl. When one of Madam Sibyl’s clients dies in mysterious circumstances, Annie goes undercover as domestic servant to find out the truth about his death. Against his better judgment, Nate Dawson, the Voss family lawyer finds himself drawn into helping in her investigations, alternatively fascinated and frustrated by Annie’s independent nature. Uneasy Spirits (over 600 reviews, 4.3 stars) finds Annie Fuller and Nate Dawson, assisted by the boarding house maid, Kathleen, delving into the world of 19th century Spiritualism in order to expose a fraudulent trance medium. She will soon find there are as many secrets as there are spirits swirling around the séance table. Some of those secrets will threaten the foundation of her career as Madam Sibyl and the future of her relationship with Nate Dawson, and, in time, they will threaten her very life itself. In Bloody Lessons (over 350 reviews, 4.4 stars), Annie Fuller has been called in by her beau, Nate Dawson to find out who has been sending poison pen letters about the teachers of San Francisco. The case becomes personal when they discover that Nate’s sister, Laura, may be one of the teachers under attack. In Deadly Proof (over 350 reviews, 4.3 stars) Annie helps her fiancé, Nate Dawson, with a troubling case—defending a female typesetter who is accused of killing her employer. Complicating matters, Nate’s sister decides to take the investigation into her own hands.

    His crime? Taking on the highest powers in the land with his open letter "J'accuse"—and losing. Forced to leave Paris with nothing but the clothes he is standing in and a nightshirt wrapped in newspaper, Zola flees to England with no idea when he will return.This is the little-known story of Zola's time in exile. Rosen has traced Zola's footsteps from the Gare du Nord to London, examining the significance of this year. The Disappearance of Émile Zola offers an intriguing insight into the mind, the loves, and the politics of the great writer during this tumultuous era in his life.

    In the early days of photography, many believed and hoped that the camera would prove more efficient than the human eye in capturing the unseen. Spiritualists and animists of the nineteenth century seized on the new technology as a method of substantiating the existence of supernatural beings and happenings. This fascinating book assembles more than 250 photographic images from the Victorian era to the 1960s, each purporting to document an occult phenomenon: levitations, apparitions, transfigurations, ectoplasms, spectres, ghosts, and auras. Drawn from the archives of European and American occult societies and private and public collections, the photographs in many cases have never before been published.The Perfect Medium studies these rare and remarkable photographs through cultural, historical, and artistic lenses. More than mere curiosities, the images on film are important records of the cultural forces and technical methods that brought about their production. They document in unexpected ways a period when developing photographic technology merged with a popular obsession with the occult to create a new genre of haunting experimental photographs.

    Forced to say goodbye to all she holds dear and embark on a new life aboard The Kingfisher, her world is suddenly full of uncertainty. But new beginnings open up new possibilities... When fellow bargee – the handsome Tim Bradley – offers to show Rosie the sights of Liverpool, she jumps at the chance and it’s not long before their friendship grows into something more. But when Tim is called up to join the RAF, Rosie's dream of a future together must be put on hold. If Rosie can find the strength to embrace her new life on the canals, there might still be the chance of a miracle this Christmas…******** Praise for Katie Flynn 'One of the country's most popular storytellers' Scottish Daily Record'A poignant war-time romance' Daily Express‘A heartwarming story of love and loss’ Woman's Weekly ‘One of the best Liverpool writers’ Liverpool Echo 'If you pick up a Katie Flynn book it's going to be a wrench to put it down again' Holyhead and Anglesey Mail

     “This is an important as well as an entertaining story and should be a must-read for those bored with traditional Victorian fiction, those concerned with the unfolding historical role of women and those who just love a great story based on truth and told with utter believability and real compassion.“ Crime Review January 1822: A child is found dead on wasteland in London's Liberty of Norton Folgate. Adah Flint, the Liberty's Searcher, must examine the little girl's body to determine her identity and discover the cause of death. MEET ADAH FLINT AND DISCOVER THE UNTOLD STORY OF THE SEARCHERS Adah's search for the truth takes her through the cosmopolitan backstreets of early 19th century London, with its inns and prisons, street markets and prostitution, cruelty and compassion. Written by Australian history professor T.J. Alexander and based on real characters and a true crime. This novel takes readers into the long-forgotten world of the women searchers who once played an important role in the solving of crimes, and eventually into the twenty-first century, where mysteries are resolved and new enigmas unfold. A MYSTERY WHICH WILL ENTRANCE AND HAUNT YOU.

    A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question. The books in the series will all follow the same structure:a biography of the novelist, including other works, influences, and, in some cases, an interview; a full-length study of the novel, drawing out the most important themes and ideas; a summary of how the novel was received upon publication; a summary of how the novel has performed since publication, including film or TV adaptations, literary prizes, etc.; a wide range of suggestions for further reading, including websites and discussion forums; and a list of questions for reading groups to discuss.

    The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

    Throughout Europe and America, artists and intellectuals banded together to portray women as static and unindividuated beings who functioned solely in a sexual and reproductive capacity, thus formulating many of the anti-feminine platitudes that today still constrain women's potential. Bram Dijkstra's Idols of Perversity explores the nature and development of turn-of-the-century misogyny in the works of hundreds of writers, artists, and scientists, including Zola, Strindberg, Wedekind, Henry James, Rossetti, Renoir, Moreau, Klimt, Darwin, and Spencer. Dijkstra demonstrates that the most prejudicial aspects of Evolutionary Theory helped to justify this wave of anti-feminine sentiment. The theory claimed that the female of the species could not participate in the great evolutionary process that would guide the intellectual male to his ultimate, predestined role as a disembodied spiritual essence. Darwinists argued that women hindered this process by their willingness to lure men back to a sham paradise of erotic materialism. To protect the male's continued evolution, artists and intellectuals produced a flood of pseudo-scientific tracts, novels, and paintings which warned the world's males of the evils lying beneath the surface elegance of woman's tempting skin. Reproducing hundreds of pictures from the period and including in-depth discussions of such key works as Dracula and Venus in Furs, this fascinating book not only exposes the crucial links between misogyny then and now, but also connects it to the racism and anti-semitism that led to catastrophic genocidal delusions in the first half of the twentieth century. Crossing the conventional boundaries of art history, sociology, the history of scientific theory, and literary analysis, Dijkstra unveils a startling view of a grim and largely one-sided war on women still being fought today.

    The mayor of Chicago will be assassinated at the end of the week, and she is stuck in the year 1893. What she doesn’t know is how she landed 100 years back in time, or why Peter Hastings, the man trying to help her, shares some eerie similarities to her dead husband.When Joey, perhaps unwisely, revealed the year of her origins it didn’t sit well with her host. Her effort to convince him by predicting the mayor’s murder only made matters worse. Now her sanity is in question, and everything she does puts it further into doubt. One of the few bright spots in the whole situation is William, Peter’s five year-old son, but he is a stark reminder that she left a son of her own back in 1993. Stuck in the past and desperate to return to her own Chicago, Joey stumbles her way through a time when women had a barely-audible voice, and very few options. Armed with nothing but her wits, Joey must navigate the rigid waters of the Victorian era while she tries to prevent a murder and find her way home.

    

    Fourteen years later the Petroski brothers arrived in London setting it alight with their breathtaking presence, bone melting accents and heart fluttering masculinity; eligible women were all interested in their availability. And yet the Prince’s betrothed, Miss Georgina Franklin, was yet to receive a visit.

    The guide presents the major debates that surround these works as they develop, from Martin Esslin's early appropriation of the plays as examples of the Theatre of the Absurd, to recent poststructuralist and postcolonial readings by critics such as Steven Connor, Mary Bryden and Declan Kiberd. Throughout, Boxall clarifies and contextualizes critical responses to the plays, and considers the difficult relationship between Beckett and his critics.

    He’s tired of being overlooked. It’s going to be a long two years.Eleanor Barrington has one rule: don’t draw attention to yourself. Her father does that far too often. She has one goal: marry a Peer with enough social status to protect her family from embarrassment. When her father decides on a last-minute Grand Tour, Eleanor finds herself spending time with the one man who cannot help her: a younger son who draws attention to himself everywhere they go. Her brother’s best friend.As the younger son of an earl, Percy Hauxton has to fight for everything. A Grand Tour is the perfect opportunity to pursue his ambition to work for the Foreign Office. But traveling with Eleanor and her parents wasn’t part of the plan.When circumstances draw them apart and a secret from the past threatens to unravel everything, Eleanor has to rethink her goals and decide one thing. Can she marry for love, or does she need a marriage of convenience?