Winner of Le Prix Mediations (France), and of the National Business Book Award (Canada) it has been translated into 21 languages and published in 25 countries.Named one of Ms Magazine's Women of Year in 2001, and declared by the Times (London) to be "probably the most influential person under the age of 35 in the world," in Fences and Windows, Naomi Klein offers a bird's-eye view of the life of an activist and the development of the "anti-globalization" movement from the Seattle World Trade Organization protests in 1999 through September 11, 2001. Bringing together columns, speeches, essays, and reportage, Klein once again provides provocative arguments on a broad range of issues. Whether she is discussing the privatization of water; genetically modified food; "free trade;" or the development of the movement itself and its future post 9/11, Naomi Klein is one of the most thoughtful and brilliant activists and thinkers for a new generation.

    If something satisfies, it fulfills. It meets expectations. Whether we consciously know it or not, we're all looking to be gratified, to feel fulfilled. You live in a generation with easy access to mind-blowing experiences, endless entertainment, and all the worldly pleasures a heart could desire. But I still want to ask the question: With everything that's available to you in this world, will you find satisfaction? Most don't. I know I couldn't.

    Six of them remained unpublished during Ellison's lifetime and were discovered among the author's effects in a folder labeled "Early Stories." But they all bear the hallmarks--the thematic reach, musically layered voices, and sheer ebullience--that Ellison would bring to his classic Invisible Man.The tales in Flying Home range in setting from the Jim Crow South to a Harlem bingo parlor, from the hobo jungles of the Great Depression to Wales during the Second World War. By turns lyrical, scathing, touching, and transcendently wise, Flying Home and Other Stories is a historic volume, an extravagant last bequest from a giant of our literature.

    In this her latest collection of essays she explores the story-telling impulse, and asks how she, as a product of postmodernism, can reconnect to the primal act of making meaning and telling stories. She also asks how theatre practitioners can think of themselves not as stagers of plays but orchestrators of social interactions and participants in an on-going dialogue about the future.We dream. And then occasionally we attempt to share our dreams with others. In recounting our dreams we try to construct a narrative... We also make stories out of our daytime existence. The human brain is a narrative creating machine that takes whatever happens and imposes chronology, meaning, cause and effect... We choose. We can choose to relate to our circumstances with bitterness or with openness. The stories that we tell determine nothing less than personal destiny. (From the introduction)This compelling new book is characteristically made up of chapters with one-word titles: Spaciousness, Narrative, Heat, Limits, Error, Politics, Arrest, Empathy, Opposition, Collaboration and Sustenance. In addition to dipping into neuroscience, performance theory and sociology, Bogart also recounts vivid stories from her own life. But as neuroscience indicates, the event of remembering what happened is in fact the creation of something new."

    Distinguished scholars and active participants in the movement, Linda Gordon and Rosalyn Baxandall have collected a colorful array of documents -- songs, leaflets, cartoons, position papers -- that illustrate the range of people, places, organizations, and ideas that made up the movement. Dear Sisters chronicles historical change in such broad areas as health, work, and family, and captures the subtle humor, unceasing passion, and overwhelming diversity that defined the women's liberation movement.

    As prolific as he was unclassifiable, James Purdy was considered one of the greatest—and most underappreciated—writers in America in the latter half of the twentieth century. Championed by writers as diverse as Dame Edith Sitwell, Gore Vidal, Paul Bowles, Tennessee Williams, Carl Van Vechten, John Cowper Powys, and Dorothy Parker, Purdy’s vast body of work has heretofore been relegated to the avant-garde fringes of the American literary mainstream.His unique form and variety of style made the Ohio-born Purdy impossible to categorize in standard terms, though his unique, mercurial talent garnered him a following of loyal readers and made him—in the words of Susan Sontag—“one of the half dozen or so living American writers worth taking seriously." Purdy’s journey to recognition came with as much outrage and condemnation as it did lavish praise and lasting admiration. Some early assessments even dismissed his work as that of a disturbed mind, while others acclaimed the very same work as healing and transformative. Purdy's fiction was considered so uniquely unsettling that his first book, Don't Call Me by My Right Name, a collection of short stories all reprinted in this edition, had to be printed privately in the United States in 1956, after first being published in England.Best known for his novels Malcolm, Cabot Wright Begins, Jeremy's Version, and Eustace Chisholm and the Works, Purdy captured an America that was at once highly realistic and deeply symbolic, a landscape filled with social outcasts living in crisis and longing for love, characterized by his dark sense of humor and unflinching eye. Love, disillusionment, the collapse of the family, ecstatic longing, sharp inner pain, and shocking eruptions of violence pervade the lives of his characters in stories that anticipate both "David Lynch and Desperate Housewives" (Guardian). In "Color of Darkness," for example, a lonely child attempts to swallow his father's wedding ring; in "Eventide," the anguish of two sisters over the loss of their sons is deeply felt in the summer heat; and in the gothic horror of "Mr. Evening," a young man is hypnotized and imprisoned by a predatory old woman. These stories and many others, both haunting and hilarious, form a canvas of deep desperation and immanent sympathy, as Purdy narrates "the inexorable progress toward disaster in such a way that it's as satisfying and somehow life-affirming as progress toward a happy ending" (Jonathan Franzen).It may have taken over fifty years, but American culture is finally in sync with James Purdy. As John Waters writes in his introduction, Purdy, far from the fringe, has "been dead center in the black little hearts of provocateur-hungry readers like myself right from the beginning."

    When Greg's abuse damn near kills Jade her sisters Corrina and Telissa step in and remove her from the home. As Jade deals with her hurtful past and her current abusive relationship she is introduced to a new way of life and new friends. She seems to adjust well to her new environment, but when the past starts to reel its ugly head Jade fights to stand her ground. Will she follow her heart and move forward or will she be snatched back into the depths of hell!

    But it takes a lot. It takes a lot.” —Dolores Huerta, United Farm Workers co-founderApple orchards in bucolic Washington state. Office parks in Southern California under cover of night. The home of an elderly man in Miami. These are some of the workplaces where female workers have suffered brutal sexual assault and shocking harassment at the hands of their employers, often with little or no official recourse. In this harrowing yet often inspiring tale, investigative journalist Bernice Yeung exposes the epidemic of sexual violence levied against women farmworkers, domestic workers, and janitorial workers and charts their quest for justice in the workplace.Yeung takes readers on a journey across the country, introducing us to women who came to America to escape grinding poverty only to encounter sexual violence in the United States. In a Day’s Work exposes the underbelly of economies filled with employers who take advantage of immigrant women’s need to earn a basic living. When these women find the courage to speak up, Yeung reveals, they are too often met by apathetic bosses and underresourced government agencies. But In a Day’s Work also tells a story of resistance, introducing a group of courageous allies who challenge dangerous and discriminatory workplace conditions alongside aggrieved workers—and win. Moving and inspiring, this book will change our understanding of the lives of immigrant women.

    From more than 100 interviews and confessions, Ewan Morrison re-tells the true-life tales of those who work, shop, and even find love inside their walls. With wry wit, insight, and compassion, he reveals how malls manipulate our emotions, how they are an ideal space to meet a new lover or to kill yourself, and how they are taking over the world. As shopping malls spread round the globe at the amazing speed of one new mall every 72 hours, and everyone, in every country ends up wearing the same fashions, Tales from the Mall gives us a page-turning tour of the history of the mall and a vision of our coming future. Packed full of terribly tweetable facts and gut wrenching, sometimes hilarious stories; this book will change the way you think about your hair color, your loyalty cards, the global economy, and your boyfriend or girlfriend—forever.

    ​Something dark and evil dwells in the basement. It roams the house, surrounds and traps you; then feed on your fears and flesh. No child is safe from what lives…in The Basement.

     But hold everything! The Mothers’ Board has been quiet for too long, and they refuse to lay down after seeing their beloved pastor vanish. What follows is a rollicking adventure with the mothers sticking their noses in plenty of people’s business and causing a fuss wherever they go—whether it’s breaking and entering a house to search for clues … or investigating the seemingly psycho church secretary. Along the way, the mothers show a heap of God’s love to some hurting folks—and put the smack-down on the devil every chance they get. It’s their church, after all, and mothers know best!

    Everything is fair game in this collection of infamous stories, including; women in prison, blackmail, a woman's first time lesbian experience, three-ways, frisky roommates, (very) experienced older women, lover training, photo sessions gone awry, a gang bang, sex with a stranger, domination, kink, bondage, toys, fingers, tongues, beautiful women, average women, housewives and much much more. Inspired by MANY great true-life and internet legends, this collection will arouse and stimulate you in a way that porn, or hard core XXX sex videos cannot. Easy and fast to read format makes this e-book one that you wont be able to put down, and both men and bi-curious women will get horny. Enjoy!

    But the thirst of a sneaky bitch breaks this friendship up. What lies will be told? What games will be played? What will be the ultimate play? After reading "From the Back", you'll most certainly be watching your back.

    From art museums and university hospitals to think tanks and church charities, over 1.5 million organizations of staggering diversity share the tax-exempt 501(c)(3) designation, if little else. Many social justice organizations have joined this world, often blunting political goals to satisfy government and foundation mandates. But even as funding shrinks and government surveillance rises, many activists often find it difficult to imagine movement-building outside the nonprofit model. The Revolution Will Not Be Funded gathers original essays by radical activists from around the globe who are critically rethinking the long-term consequences of this investment. Together with educators and nonprofit staff they finally name the “nonprofit industrial complex” and ask hard questions: How did politics shape the birth of the nonprofit model? How does 501(c)(3) status allow the state to co-opt political movements? Activists--or careerists? How do we fund the movement outside this complex? Urgent and visionary, The Revolution Will Not Be Funded is an unbeholden exposé of the “nonprofit industrial complex” and its quietly devastating role in managing dissent.

    Lewis's determination to bear witness to the desperate plight of so many in Africa and elsewhere is balanced by his unique, personal, and often searing insider's perspective on our ongoing failure to help.Lewis recounts how, in 2000, the United Nations Millennium Summit in New York introduced eight Millennium Development Goals, which focused on fundamental issues such as education, health, and cutting poverty in half by 2015. In audacious prose, alive with anecdotes ranging from maddening to hilarious to heartbreaking, Lewis shows why and how the international community is falling desperately short of these goals.This edition includes an afterword by Lewis, covering events after the lectures were delivered in fall 2005.